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Paul Gallo, Longtime SuperTalk Mississippi Host, Dies

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Paul Gallo, who spent more than five decades behind the microphone as one of the most prominent voices in Mississippi talk radio, died on Sunday at the age of 77.

Host of The Gallo Radio Show on SuperTalk Mississippi, Gallo had been with the statewide network since 1990, serving as “the heartbeat of the SuperTalk Mississippi network,” the outlet shared as it noted his death.

“Mississippi has lost a giant today,” said SuperTalk Mississippi Media owner Steve Davenport. “For over 30 years he was my friend – a true brother in broadcast and in life. To Paul, radio wasn’t just a career, it was a calling. His favorite part of the job, as he often said, was ‘our audience family.’

“His listeners weren’t just numbers, they were the pulse of everything he did,” Davenport continued. “He made everyone feel like they were sitting across the table from an old friend, drawn in by his voice and captivated by his unwavering passion for Mississippi. I will miss him dearly, just as I know people from all corners of this state will miss him.” 

“Paul Gallo’s voice may be silent, but his stories, his legacy, and his vision will forever echo across the state he loved so dearly,” a statement from SuperTalk Mississippi concluded. 

According to the outlet, Gallo is survived by his wife of 55 years, Patsy, their two children, six grandchildren, and three grandchildren.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Boomer Esiason: Tom Brady Situation with FOX Sports, Raiders is ‘100% a Conflict of Interest’

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Throughout the NFL season, there has been speculation pertaining to the broadcast future of analyst Tom Brady, who is on the verge of completing his first season in the booth with FOX Sports. Brady, who is reportedly under contract for 10 years and $375 million, is also said to have been assisting in the head-coaching search for the Las Vegas Raiders as a minority owner of the team.

Although he has been operating under restrictions throughout the season that hinder his ability to attend production meetings, access team facilities and publicly criticize officials, he has elicited mixed reviews and demonstrated avidity towards the role. Brady officially acquired a 5% stake in the Raiders upon being approved by NFL owners this past October.

Don Yee, Brady’s agent, recently told Ben Fischer of Sports Business Journal that his client intends to finish the full length of his contract. Brady, alongside play-by-play announcer Kevin Burkhardt, appeared to confirm that sentiment during Saturday’s presentation of the Rams-Eagles divisional round game. Boomer Esiason, who called Monday Night Football games for ABC and Westwood One throughout his career in sports media, gave his perspective on the situation surrounding Brady on Monday’s edition of Boomer & Gio on WFAN.

“Yeah, it’s 100% a conflict of interest, but that $370 million that FOX gave Tom Brady to do this 10-year deal probably was a lot of the money that went into the Raiders, I would think,” Esiason said. “He’s made so much money in his career, and he’s obviously one of the most popular players in the history, and no matter where he goes, and if he decides to give a speaking engagement, I’m sure it’s probably for at least a half a million to a million dollars, and he’s pretty good when he goes into those situations and he’s very sought after.”

Esiason added that he does not believe NFL commissioner Roger Goodell is going to get involved since the putative quandary involves Brady, a seven-time Super Bowl champion who is synonymous with the sport. Co-host Gregg Giannotti acknowledged that Goodell went after Brady pretty hard as a player, but Esiason voiced that it did not seem as if anything would be done. On the contrary, he voiced that the league is ostensibly allowing him to be himself and do what he wants under the aforementioned constraints. Esiason compared Peyton and Eli Manning to Brady in terms of their broadcasting and the approach they took to become involved in sports media.

“[The Mannings have] built in the padding for themselves – there’s not going to be a lot of criticism, if any criticism whatsoever thrown at them,” Esiason said, “but yet Tom Brady has chosen the path of Troy Aikman, Cris Collinsworth, all the lead announcers to go from the field into the booth and suffer the slings and arrows of the criticism that comes along with that.”

Giannotti expressed that he has become immune to the broadcasts, comparing what he hears to gibberish replicated by a teacher in the Charlie Brown animated specials. There are instances, however, in which he will concentrate on the commentary. An example of such is when CBS Sports analyst Tony Romo was discussing the play calling at the goal line during the Bills-Ravens divisional matchup on Sunday night.

“I don’t really think about it – I don’t know,” Giannotti said. “I’m in sort of in my own world watching the game, paying attention and processing it myself, and I guess that’s a compliment to the broadcasters because the only time I really get annoyed with a broadcast is if I feel like they’re getting in the way of me consuming the game.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

OutKick Sees Nearly 8 Million Unique Monthly Visitors During 2024 4th Quarter

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OutKick — the digital media entity founded by Clay Travis — finished the fourth quarter of 2024 with nearly 100 million multiplatform views, up nearly 33% compared to same quarter in 2023.

During the year’s final quarter, the platform earned 7.8 million average monthly unique visitors. According to data from Comscore, that was a 28% year-over-year increase. Additionally, the platform saw 91 million total multiplatform minutes, an increase of 25%.

“OutKick’s growth comes from having common sense and authenticity across our platform,” OutKick Senior Vice President and Managing Editor Gary Schreier said. “This has been the foundation of OutKick and has generated an increased demand for our content as other sports sites are afraid to speak their minds.” 

The outlet saw 5.1 million social interactions during October, November, and December. Meanwhile, between Facebook, X, and YouTube, it featured 48.3 million video views, up 25% compared to the previous quarter, according to data from Shareablee.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Barrett Media’s Top 20 Rock Radio Shows of 2024

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Welcome to the Barrett Media’s first-ever Top 20 series for Music Radio. Today’s series begins with a look at the Top 20 shows of 2024 in Rock Radio. The Rock category is comprised of shows from both the Active and Modern Rock formats. Make sure to also check out our list of Rock Radio’s Top 20 program directors too. To keep up with all of the Top 20 results, access the website section here follow BM on XFacebook or LinkedIn or sign up for our newsletters here.

I want to thank Radio.Cloud for being our presenting sponsor of this series. If you’re not familiar with their services or how Andrew Scaglione and his team are helping brands, check them out. They’re doing excellent work, and can help your radio station.

We have created Top 20’s for the Sports and News/Talk formats for years, but this is by far the largest project we’ve ever done. 173 program directors, corporate executives, and format consultants voted in this series. 250+ were invited to be a part of it. Though some brand leaders and company executives couldn’t make time to vote and some didn’t respond, I’m ecstatic with our turnout. I wasn’t sure what to expect when I started reaching out to folks given that I’m a new face to some, but many knew our brand, and were excited to participate. It’s been fun connecting with so many accomplished programming professionals.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information. At the conclusion of the series, Jeff Lynn and I will record a video for the Barrett Media YouTube page sharing our takeaways from the series. Be sure to subscribe to the page so you’re notified of when the video goes live.

Given the size of Music Radio formats, we are presenting the Top 20 shows and programmers from ALL markets. This includes Major Markets, Mid-Markets, and syndicated programs. The best of the best if you will. Some formats are combined due to similarities such as AC/Hot AC, Adult/Classic Hits, and Rock (Active/Modern Rock). There are also a few shows, hosts and/or programmers who appear on lists in multiple formats due to their stations featuring music and programming that crosses over.

Important Information

#1 – Music radio is a massive space, and stations don’t always provide or update information. That makes it hard at times to issue credit to deserving programmers or hosts. We’ve tried to be accurate with the spelling of names, shows, brands, cities, and positions, but we’re human, and mistakes happen. If you see an error, please email Jason@BarrettMedia.com so we can make a correction.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. 320 images across eight (8) different formats are displayed in this series. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – This series specifically focuses on United States terrestrial music radio shows and programmers. Shows and brand leaders with Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.

#4 – 75 Active/Modern Rock radio shows appeared on ballots turned in by our voters. Executives were asked to rank their Top 10 selections using the following criteria: Quality of Show (ear test), OriginalityAbility to Entertain-Inform-Connect Across Multiple Platforms, Ratings SuccessClearance (national shows) and Industry Buzz. A 1st place vote equals 20 points, 2nd gets 18, and it goes down by 2 each time until reaching 10th and earning 2 points. Remember, our voters live in different cities, have individual tastes, work for different companies, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#4 – 27 broadcasting companies are represented in this series. Among them include iHeartMedia, Audacy, Cumulus Media, Townsquare Media, Beasley Media, Hubbard Radio, Bonneville, Meruelo Media, Radio One, Cox Media Group, Alpha Media, Connoisseur Media, Saga Communications, Hearst Communications, Rubber City Radio Group, Cromwell Media, Press Communications, Pamal Broadcasting, Lotus Communications, Shamrock Communications, Midwest Communications, Seven Mountains Media, Summit Media, Buck Owens, Local Media San Diego, Colorado Springs Radio Broadcasters, and Milwaukee Media Group. Another 18 consulting groups were involved as well. We involve people from different groups and cities to make sure balance is provided.

#5 – Though we have a total of 173 voters in this series, the number voting on each format is lower. This is by design. We wanted experts from each format to vote on what they know best. This means that 39 programmers, consultants, and executives voted on the Rock category, not managers from other formats with less knowledge of Rock radio’s best shows and leaders.

I want to thank Dylan Barrett for doing an excellent job with our graphics, and Stephanie Eads for helping with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Rock Radio Shows of 2024.

Additional Notes:

  • Preston & Steve won this category by forty four (44) points over Dave & Chuck The Freak. WMMR’s morning duo received a category best six (6) first place votes.
  • Spots 21-25 belonged to AlyLex & TerryRyan CastlePablo, and Johnny Dare.
  • The closest contests saw Dave & Chuck The Freak and Bob & Brian hold off Rover’s Morning Glory and Chaz & AJ by three (3) points each.
  • Of the 75 shows to appear on ballots, fifteen (15) received at least one 1st place vote.

Barrett Media Top 20 of 2024 in Music Radio Upcoming Schedule:

  • Tuesday January 21 = BMM Top 20 Alternative Radio Shows and Program Directors
  • Wednesday January 22 = BMM Top 20 Classic Rock Radio Shows and Program Directors
  • Thursday January 23 = BMM Top 20 Adult/Classic Hits Radio Shows and Program Directors
  • Friday January 24 = BMM Top 20 Country Radio Shows and Program Directors
  • Monday January 27 = BMM Top 20 Urban/Hip-Hop Radio Shows and Program Directors
  • Tuesday January 28 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
  • Wednesday January 29 = BMM Top 20 CHR/Top 40 Radio Shows and Program Directors

Barrett Media’s Top 20 Rock Radio Program Directors of 2024

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Welcome to the Barrett Media’s first-ever Top 20 series for Music Radio. Today’s series begins with a look at the Top 20 program directors of 2024 in Rock Radio. The Rock category is comprised of shows from both the Active and Modern Rock formats. Make sure to also check out our list of Rock Radio’s Top 20 radio shows too. To keep up with all of the Top 20 results, access the website section here follow BM on XFacebook or LinkedIn or sign up for our newsletters here.

I want to thank Radio.Cloud for being our presenting sponsor of this series. If you’re not familiar with their services or how Andrew Scaglione and his team are helping brands, check them out. They’re doing excellent work, and can help your radio station.

We have created Top 20’s for the Sports and News/Talk formats for years, but this is by far the largest project we’ve ever done. 173 program directors, corporate executives, and format consultants voted in this series. 250+ were invited to be a part of it. Though some brand leaders and company executives couldn’t make time to vote and some didn’t respond, I’m ecstatic with our turnout. I wasn’t sure what to expect when I started reaching out to folks given that I’m a new face to some, but many knew our brand, and were excited to participate. It’s been fun connecting with so many accomplished programming professionals.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information. At the conclusion of the series, Jeff Lynn and I will record a video for the Barrett Media YouTube page sharing our takeaways from the series. Be sure to subscribe to the page so you’re notified of when the video goes live.

Given the size of Music Radio formats, we are presenting the Top 20 shows and programmers from ALL markets. This includes Major Markets, Mid-Markets, and syndicated programs. The best of the best if you will. Some formats are combined due to similarities such as AC/Hot AC, Adult/Classic Hits, and Rock (Active/Modern Rock). There are also a few shows, hosts and/or programmers who appear on lists in multiple formats due to their stations featuring music and programming that crosses over.

Important Information

#1 – Music radio is a massive space, and stations don’t always provide or update information. That makes it hard at times to issue credit to deserving programmers or hosts. We’ve tried to be accurate with the spelling of names, shows, brands, cities, and positions, but we’re human, and mistakes happen. If you see an error, please email Jason@BarrettMedia.com so we can make a correction.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. 320 images across eight (8) different formats are displayed in this series. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – This series specifically highlights terrestrial music radio shows and programmers in the United States. Shows and brand leaders from Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.

#4 – 57 Active/Modern Rock radio program directors appeared on ballots turned in by our voters. Executives were asked to rank their Top 10 using the following criteria: Quality of Shows (ear test), OriginalityAbility to Entertain-Inform-Connect Across Multiple Platforms, Ratings SuccessClearance (national shows) and Industry Buzz. A 1st place vote equals 20 points, 2nd gets 18, and it goes down by 2 each time until reaching 10th and earning 2 points. Keep in mind, our voters live in different cities, have different tastes, work for different companies, and value certain things higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#4 – 27 broadcasting companies are represented in this series. Among them include iHeartMedia, Audacy, Cumulus Media, Townsquare Media, Beasley Media, Hubbard Radio, Bonneville, Meruelo Media, Radio One, Cox Media Group, Alpha Media, Connoisseur Media, Saga Communications, Hearst Communications, Rubber City Radio Group, Cromwell Media, Press Communications, Pamal Broadcasting, Lotus Communications, Shamrock Communications, Midwest Communications, Seven Mountains Media, Summit Media, Buck Owens, Local Media San Diego, Colorado Springs Radio Broadcasters, and Milwaukee Media Group. Another 18 consulting groups were involved as well. We involve people from different groups and cities to make sure balance is provided.

#5 – Though we have a total of 173 voters in this series, the number voting on each format is lower. This is by design. We wanted experts from each format to vote on what they know best. This means that 39 programmers, consultants, and executives voted on the Rock category, not managers from other formats with less knowledge of Rock radio’s best shows and leaders.

I want to thank Dylan Barrett for doing an excellent job with our graphics, and Stephanie Eads for helping with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Rock Radio Shows of 2024.

Additional Notes:

  • Chuck Damico claimed victory over Keith Cunningham by securing a 9 point win. Damico recorded a category best five (5) first place votes.
  • Spots 21-25 were held by Mark ‘Ellwood’ MaillerRick EverettGreg RambinRick Vaughn, and Mike Duffy.
  • The closest contest featured Chumley holding off Doug Palmieri by 1 point.
  • Of the 57 program directors to receive votes, 11 received at least one 1st place vote.

Barrett Media Top 20 of 2024 in Music Radio Upcoming Schedule:

  • Tuesday January 21 = BMM Top 20 Alternative Radio Shows and Program Directors
  • Wednesday January 22 = BMM Top 20 Classic Rock Radio Shows and Program Directors
  • Thursday January 23 = BMM Top 20 Adult/Classic Hits Radio Shows and Program Directors
  • Friday January 24 = BMM Top 20 Country Radio Shows and Program Directors
  • Monday January 27 = BMM Top 20 Urban/Hip-Hop Radio Shows and Program Directors
  • Tuesday January 28 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
  • Wednesday January 29 = BMM Top 20 CHR/Top 40 Radio Shows and Program Directors

Fox News Digital Ends 2024 As Top News Brand in Several Metrics

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2024 was a busy year in the news media industry. Fox News Digital saw gains in several metrics to make it the leader in the pack in a crowded field.

During the calendar year, the network earned the top spot in multi-platform total views, besting CNN and The New York Times in the category. Overall, Fox News had 21.1 billion total views, up 5% compared to the previous year.

The network averaged 110.7 million total visitors each month according to data compiled by Comscore. CNN, meanwhile, featured 113 million unique visitors for the year, down 7%. The New York Times saw 77 million unique visitors, relatively flat compared to 2023.

The Fox News mobile app alone reached an average of 6.2 million unique visitors each month.

41 billion total multiplatform minutes were spent on Fox News Digital platforms in 2024. That represents an increase of 11% compared to 2023. That total eclipsed the 22.5 billion minutes spent with CNN.com and 19.2 billion earned by NYTimes.com.

On social media, Fox News was the most engaged brand with 404.4 million total social interactions, up 34% according to figures from Emplifi. Instagram was the network’s most engaged platform, as 247 million interactions took place on the social media platform, with an additional 126 million coming from Facebook and 33 million on X.

Additionally, the network earned 2.8 billion views on its YouTube channel. According to Shareablee, that is a 20% increase compared to 2023 and a 3% increase over the last presidential election year in 2020.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Kyle Sielaff Named Miami Marlins Television Play-by-Play Announcer

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The Miami Marlins and FanDuel Sports Network Florida have announced that Kyle Sielaff has been named the lead play-by-play announcer for Marlins regional television broadcasts in 2025. Sielaff has worked with the Marlins organization in its radio network since 2013 where he hosted Marlins Inside Corner and team podcasts. Starting in the 2023 season, he was named the play-by-play announcer and has worked with a rotation of analysts including Rod Allen, Jeff Nelson, Gaby Sánchez and Kelly Saco. Paul Severino previously held the television role for the last seven seasons, but he was not offered a new deal following the season.

Sielaff becomes the seventh television play-by-play announcer in Marlins history and will make his debut as the baseball season commences this spring. The University of Miami alumnus previously worked as a play-by-play announcer for sports broadcasts on WVUM, the student-run radio station, and graduated in 2012 with double majors in broadcast journalism and sports administration.

“A sincere thank you to everyone that has reached out,” Sielaff said in a series of posts on X. “It’s extremely humbling to get this opportunity. I’m just so appreciative and excited to continue to share Marlins baseball with everyone on [FanDuel Sports Network Florida]. I’m going to be me, because, well, that’s all I know! The broadcasters that have come before me are amazing. Every one of them. I’m not sure they’re shoes I can fill, but I’m going to slip a pair on and hope to take a stroll with you all for a long time! Cheers.”

Sielaff will be working alongside longtime analyst Tommy Hutton, who is set to begin his 27th season on Marlins broadcasts in the upcoming season. Hutton formerly played 12 seasons as an infielder and outfielder in the major leagues with stints on the Los Angeles Dodgers, Philadelphia Phillies, Toronto Blue Jays and Montréal Expos. Before his work with the Marlins, he previously called games with the Expos, Blue Jays and New York Yankees, along with appearing on national broadcasts for ESPN, ABC and NBC.

Marlins broadcasts will be available on FanDuel Sports Network Florida, which was previously branded under the Bally Sports banner, as the team continues to do business with Main Street Sports Group. The media conglomerate, formerly known as Diamond Sports Group, emerged from Ch. 11 bankruptcy earlier this month with a “significantly deleveraged balance sheet.” The company has nine MLB teams within its portfolio and recently hired Norby Williamson to serve as its president of production and programming.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Dick Vitale Return to ESPN Broadcasts Delayed Following Fall at Home

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After suffering a fall at home, Dick Vitale’s return to the broadcast booth has been delayed indefinitely. Vitale was originally slated to come back to ESPN college basketball broadcasts on Saturday, Jan. 25 for a matchup between Duke and Wake Forest, which would have marked his first time on air since 2023. Over the last three-and-a-half years, Vitale has battled four different iterations of cancer, but he was recently declared free of the disease. The longtime sports broadcaster, who has been a member of ESPN throughout its 45-year history, divulged the news on social media and stated that neurosurgeons have said that he has made great strides. Moreover, Vitale added that surgery was not necessary. 

“I’m sorry to have to share the disappointing news that I won’t be able to call the Duke-Wake Forest game next weekend,” Vitale said in a statement. “Unrelated to any of my cancer scares, I had an accident at my home in Florida, and that has created some new health challenges and near-term physical limitations for me. I’m devastated that I won’t be courtside with my ESPN buddy Dave O’Brien and with all the players and fans, especially because of the overwhelming response I received when news of my planned return was announced. I was anxiously awaiting the chance to feel the excitement and energy of a college basketball environment for the first time in nearly two years.

“Now, I’m just going to have to wait some more. I’m not exactly when that will be, yet I’m expected to make a full recovery and will provide updates when I have more information. Despite this latest setback, I feel blessed to have the support of my family, friends, and ESPN teammates. I’m a lucky guy and as I’ve said before, I will continue to do whatever it takes to get back to calling the sport I love. In the meantime, I have to say ‘Go Irish’ on Monday night! Love to all.”

Vitale updated his social media followers on Sunday evening when he stated that he had been released from the hospital. Additionally, he thanked the medical staff, nurses and everyone else who played a role in helping him recover from the ailment he had suffered on Friday.

During Vitale’s career with ESPN, he has called over 1,000 college basketball games and been the recipient of several industry honors, including a spot in the Naismith Memorial Basketball Hall of Fame. In addition to his analysis work, he also serves as a voice for the V Foundation for Cancer Research and has raised more than $93 million for the Dick Vitale Pediatric Cancer Research Fund through his annual gala.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Music Radio’s Role In Inauguration Day History

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It’s Inauguration Day, and one thing is sure: Americans will be listening to the radio, either to hear the speeches and festivities or to escape those words and be taken away with music and non-election talk.

I started thinking about our beloved medium and its role in past election days. This took me down a rabbit hole of research and analysis, looking for news stories about the radio industry and the music Americans have enjoyed coming out of the speakers and audio devices since Kennedy’s inauguration in 1961.

We’ll start with bullet points of radio news and changes from each decade. Then, for each Inauguration Day, I’ve included the top three Billboard Hot 100 songs to give us an idea of what we were listening to on those monumental days. The source for all music entries is the Billboard Hot 100

Radio in the 1960s:

  • Pepsi-Cola continues its position as the number one network advertiser in 1960.
  • KNX, Los Angeles, grew local sales by 18% in 1960, according to Gordon Mason, sales manager. (Source U.S. Radio, January 1961) 
  • Radio Caroline, the pirate radio station in England.
  • FCC adopts the FM Non-Duplication Rule. This prohibits AM stations in markets with a population of more than 100,000 from simulcasting 100% of the AM content onto a sister FM signal. 
  • The Non-Dup Rule forces owners to find something cheap and easy for their FM stations. FM “freeform” radio has its beginnings.
  • ABC debuted four new networks, replacing the single feed. The new networks focused on News, Talk, Music, and FM. 

What were Americans listening to on the three Inauguration Days in the 1960s?

(Source for all music entries: Billboard Hot 100 charts)

January 20, 1961, (John F. Kennedy)

  1. Wonderland By Night: Bert Kaemfert and His Orchestra
  2. Exodus: Ferranti & Teicher
  3. Calcutta: Lawrence Welk and His Orchestra

January 20, 1965 (Lyndon B. Johnson)

  1. Downtown: Petula Clark
  2. You’ve Lost That Lovin’ Feelin’: The Righteous Brothers
  3. Love Potion Number Nine: The Searchers

January 20, 1969 (Richard M. Nixon)

  1. I Heard It Through The Grapevine: Marvin Gaye
  2. Crimson And Clover: Tommy James And The Shondells
  3. I’m Gonna Make You Love Me: Diana Ross And The Supremes & The Temptations

Radio in the 1970s:

  • American Top 40 with Casey Kasem debuts.
  • NPR debuts.
  • FM increases in popularity because of better sound quality and direct signal.
  • FM creates more music genre fragmentation.
  • AM moves more formats to News and Talk programming.

What were Americans listening to on the three Inauguration Days in the 1970s?

January 20, 1972 (Nixon’s second term)

  1. American Pie: Don McLean
  2. Brand New Key: Melanie
  3. Let’s Stay Together: Al Green

August 9, 1974 (Gerald R. Ford, after Nixon’s resignation)

  1. Feel Like Makin’ Love: Roberta Flack
  2. The Night Chicago Died: Paper Lace
  3. Annie’s Song: John Denver

January 20, 1977 (Jimmy E. Carter)

  1. I Wish: Stevie Wonder
  2. Car Wash: Rose Royce
  3. You Make Me Feel Like Dancing: Leo Sayer

The 80s in Radio: 

  • AM Stereo
  • The FCC eliminates the anti-trafficking rule, which requires an owner to keep a station for three years before selling it. The ownership cap increases from 14 to 24 stations. 
  • FCC Docket 80-90. It changes the FM band spacing and allows more FMs in suburban markets. 
  • Group W buys eight radio stations from Legacy/Metropolitan for $385m.
  • “Because of price tags being paid, all of a sudden there’s enormous pressure to really get the business to pay off all these debt services, so now it’s not as friendly as it used to be,” said Bill Sommers, KLOS-FM’s general manager. “Radio is strictly a business, it’s not fun anymore.” (source, LA Times, December 27, 1989)

What were Americans listening to on the three Inauguration Days in the 1980s?

January 20, 1981 (Ronald W. Reagan)

  1. (Just Like Starting Over): John Lennon
  2. Love One The Rocks: Neil Diamond
  3. The Tide Is High: Blondie

January 20, 1985 (Reagan’s second term)

  1. Like A Virgin: Madonna
  2. I Want To Know What Love Is: Foreigner
  3. You’re The Inspiration: Chicago

January 20, 1989 (George H.W. Bush)

  1. Two Hearts: Phil Collins
  2. Don’t Rush Me: Taylor Dayne
  3. Armageddon It: Def Leppard

Radio in the 1990s: 

  • The Telecommunications Act of 1996 allows companies to own multiple stations in a marketplace based on the market size and the percentage of audience controlled by the cluster of stations. 
  • Revenue explodes in the late ‘90s.
  • During the 1990s, ratings and ad revenue rose rapidly. Industry revenues grew from around $11 billion per year to nearly $20 billion between 1994 and 2000, according to the Radio Advertising Bureau. After 1996, revenues grew by double-digit percentages every year until 2001. (Source, PBS, March 4, 2005)

What were Americans listening to on the two Inauguration Days in the 1990s?

January 20, 1993 (William J. Clinton)

  1. I Will Always Love You: Whitney Houston
  2. If I Ever Fall In Love: Shai
  3. In The Still Of The Night: Boyz II Men

January 20, 1997 (Clinton 2nd term)

  1. Un-Break My Heart: Toni Braxton
  2. Don’t Let Go (Love): En Vogue
  3. I Believe I Can Fly: R. Kelly

Radio in the 2000s: 

  • The fallout of the dotcom bubble.
  • The FCC creates Low Power FM (LPFM) in 2000 to provide local, non-commercial broadcasts.
  • The FCC approves digital operations (HD).
  • ABC/Disney sells its radio O&Os and network.
  • Smartphones and apps create opportunities for radio brands to go beyond M/FM.

What were Americans listening to on the three Inauguration Days in the 2000s?

January 20, 2001 (W)

  1. Independent Women: Destiny’s Child
  2. It Wasn’t Me: Shaggy
  3. He Loves U Not: Dream

January 20, 2005 (Bush’s second term)

  1. Let Me Love You: Mario
  2. 1,2 Step: Ciara featuring Missy Elliott
  3. Lovers And Friends: Lil John & The East Side Boys Featuring Usher and Ludacris

January 20, 2009 (Barack H. Obama)

  1. Just Dance: Lady Gaga
  2. Single Ladies: Beyonce
  3. Heartless: Kanye West

Radio in the 2010s and ‘20s:

  • FCC allows AM to rebroadcast on FM translators.
  • FCC eliminates the main studio rule.
  • The COVID pandemic challenges radio’s audiences and revenue.
  • Debt-loaded companies struggle with the “B” word and employee RIFs.
  • Christian music and spoken word stations continue growing as non-profit operators use low-cost radio stations.
  • Digital advertising goals dominate radio’s revenue focus.

What were Americans listening to on the four Inauguration Days in the 2010s/20s?

January 20, 2013 (Obama’s Second Term)

  1. Locked Out Of Heaven: Bruno Mars
  2. Thrift Shop: Macklemore & Ryan Lewis
  3. Ho Hey: The Lumineers

January 20, 2017 (Donald Trump)

  1. Bad And Boujee: Migos Featuring Lil Uzi Vert
  2. Black Beatles: Rae Stremmurd Featuring Gucci Mane
  3. Closer: The Chainsmokers Featuring Halsey

January 20, 2021 (Joe Biden)

  1. Drivers License: Olivia Rodrigo
  2. Mood: 24k Goldn Featuring iann dior
  3. Positions: Ariana Grande

January 20, 2025 (Donald Trump’s Second Term)

  1. Die With A Smile: Lady Gaga & Bruno Mars
  2. A Bar Song (Tipsy): Shaboozey
  3. Birds Of A Feather: Billie Eilish

I hope you enjoyed this trip. Radio has been servicing listeners with information and entertainment since those three instrumental songs topped the charts on the day John F. Kennedy was sworn in as president of the United States. 

It continues its impact today with more ways to share the hits and the passion than ever before.

As operators and performers, continue to be proud of the service you offer to Americans looking for connection. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

News/Talk Radio Leaders Share How to Handle Transition and the First 100 Days as Donald Trump Returns to the White House

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Donald Trump is set to return to the White House on Monday after 1,461 days as the world’s most public private citizen. Despite having been in the role of President of the United States and leader of the free world once before, it will still be a time of transition for the incoming President. And in that time of transition, it lends the question: how do news/talk radio leaders handle transition and their first 100 days when they step into a new role or situation?

To find the answer to some of our questions, we approached three news/talk radio Program Directors or Brand Managers — 95.5 WSB’s Ken Charles, 830 WCCO’s Brad Lane, and 1080 KRLD’s Drew Anderssen — for their insight into stepping into new roles. Each has taken over heritage brands more than once, as Charles has led stations like KNX News in Los Angeles, Lane helmed 620 WTMJ in Milwaukee, and Anderssen piloted WSB before taking over at KRLD in Dallas, among many other stops for each of them.

When asked for their philosophies on stepping into a leadership position at a legacy brand, each had similar, but slightly differing, strategies.

“A new perspective is good,” said Charles. “An outside view of a brand that has been static or doing it the same way for a long time is good. What’s bad, though, is when you come in with preconceived notions of ‘I’ve got to make changes because I’m the new guy.’ Then you’re going to break it. So, for me, I may come in with ideas, but I need to really learn the staff. I need to learn their strengths, their weaknesses, and I need to learn some of the history of the radio station. Because you can think a brand represents one thing, but find out very, very quickly it’s another, and all of a sudden you’re breaking it.”

“The nature of any PD is going to be to tinker, and to adjust and make, make changes,” said Anderssen. “And I think the really good ones stop and say, ‘Let me make a good assessment’ … For me, personally, I try to make my own decisions about what I observe rather than paying attention to what other people have told me about the brand, or, ‘well, we’ve done it this way for that long.’ That’s the one thing that you hear everywhere you go into a new situation.”

“You have to know what you’re stepping into and the situation that is presented in front of you,” Lane added. “But I would say first and foremost, if there is something that you have to do — and this would happen if you were going into a legacy or heritage platform or broadcast outlet or not — is you have to earn the trust and the buy-in of the talent and the programming staff that’s there. Without that, you can’t do anything because they’ve heard it all. They’ve seen it all.

“It’s not like I come in and it’s ‘Oh my gosh, it’s Brad Lane.’ I mean, they need to see who I am, learn what I’m about, and experience a culture shift,” he continued. “And as I’ve told people before, in many of these instances, you can’t come in with a bulldozer to what’s already been here. You want to make subtle, yet substantive, changes without alienating the hardcore loyalists who have been listening for 50 years.”

Building trust was a common theme addressed by the three news/talk radio leaders. They all admitted the only surefire way to build trust with their new employees is to show that they have their best interests at heart.

“That’s the most important thing,” Charles said. “Management is achieving your goals through other people. So if they don’t feel confident in me, if they don’t trust me, newsrooms and talk show hosts, they’re tough audiences. They spend all of their time asking hard questions, they have strong personalities, and they have strong beliefs. You need to, very quickly, get them to believe in you and trust you, because they’re not an easy audience. But once they do, they’re great partners.

“And so it is, by far, absolutely the most important thing you can do. I can come in and share my vision, but they’ve got to trust me before they help execute my vision,” he concluded.

“It’s not a one-size-fits-all thing,” admitted Lane. “I can tell you that even being here at WCCO different shows and hosts have their own timetable for how long it took for them to really trust that I had their best interest at heart. Sometimes it’s just the case of of sitting down with them and saying, ‘If you believe that I want you to succeed, then things that I tell you in terms of coaching and the direction that the station is going are going to be met with a far better outlook and attitude than if you think I’m here to disrupt what you do and change you into something that you’re not.'”

1080 KRLD Brand Manager and Audacy News/Talk Format Vice President Drew Anderssen shared his belief that the early days of any news/talk radio leader’s new role should include learning about the intricate details of the new market, as much as you’re learning about the new station and the way it operates.

“I just think what works in one market doesn’t necessarily work in another market,” he said. “A lot of times, I’ll see brand managers that say, ‘Hey, this worked where I came from, in such and such place. We’re going to implement that here.’ And it doesn’t mean it’s going to work. Markets are different.

“It’s interesting, sitting in my chair in a couple of different companies now, one of the things that kind of makes me pay close attention is when a brand manager says this — and by the way, every brand manager says this — it’s, ‘Well, my market is so unique because dot, dot, dot.’ I think that’s the local knowledge that somebody needs, and you can’t discount that, but you also have to look across the strategy to make sure whether that strategy is in that market or in the format as a whole, to say, ‘Do we have the right plan in place here?’

“I don’t know that the best thing to do for a new brand manager would be to walk in and fire your morning guy because you don’t like the way that he sounds, or fire the noon guy because you don’t like something that he said. What he said might be totally in alignment with the market. What he said could be totally off of alignment of the market.”

Anderssen added that, despite growing up in the Dallas/Fort Worth market, he still learns things about it after working his role for the past two years.

“The market is a different market now than what it was when I grew up here. I’m still learning the market, and I think every brand manager that’s worth their weight is going to probably say, ‘I learn something new about my market, month by month, year by year.’ If you think about how our industry has changed, and you think about how audience measurement has changed, and you think about how consumption for news and talk, anybody who says that the market is the same today as what it was last year or two years ago is probably not correct,” he shared.

One of the largest challenges facing anyone stepping into a new role is the adverse reaction to change so many hold. However, the news/talk radio leaders Barrett Media spoke with said that that obstacle can easily be overcome when you’ve earned the trust of your new team.

“There’s a saying that I use: ‘If you don’t like change, you’re really going to hate extinction,'” said Anderssen. “And that, to me, is foundational in nature, in the sense that you have to constantly evolve. You have to constantly change and do things differently to hit that target. It doesn’t mean you’re not consistent in what you’re doing. It means the approach that you take might need to be different.”

“It always depends on where the station is, what the changes need to be, and the strategic position of the radio station,” added Charles. “I’ve moved around a lot … I had to come in and refocus some of the imaging, the positioning, the strategy and tactics of what we were doing, but the people were incredibly talented and in many cases, in the right position and doing a great job, it would be other things, and that does make it a whole heck of a lot easier.”

“I think once you give hosts and shows the latitude, once you say ‘Ok, what we want to do, here’s who want to be, here’s where want to go,’ people are instinctive. I try to do that and give them an incredible amount of freedom. And they appreciate that. It gives them the latitude to try new things and fail. It’s ok to fail if we all admit we failed and we all come back together and carve out a new path and a new way. I think letting them know that we’re all in this together … I think it certainly helps.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.