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Freedom 96.9 in Oklahoma City Adds Lee Matthews for Afternoons

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Freedom 96.9 in Oklahoma City is adding market veteran Lee Matthews to host afternoon drive on the Champlin Broadcasting news/talk station.

Matthews joins the station after previously working as the Director of Talk Programming for iHeartMedia Oklahoma City. He programmed and hosted afternoons at 1000 KTOK in Oklahoma City and 1300 The Patriot in Tulsa. He departed the cluster late last year as part of the widespread cuts enacted by iHeartMedia, which ended all local programming on two Oklahoma news/talk outlets.

In a video published to social media, Matthews revealed the news, stating “As of today, I am going to inaugurate an all-new version of The Drive with Lee Matthews.”

“We’re going to continue with some of the great guests that we have. All of them talking about what’s going on in the area, here in Oklahoma, whereas many of the other stations, many of the other companies, have given up on local radio and local talk, we have not,” he concluded.

Matthews’ first day with Freedom 96.9 will be Monday, January 20th. His show will replace the final hour of The Dana Show from Dana Loesch, and the first two hours of The Joe Pags Show.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘Cousin Brucie’s Rock & Roll Party’ Enters Syndication With Red Apple Audio Networks

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Bruce “Cousin Brucie” Morrow’s “Cousin Brucie’s Rock & Roll Party” has entered into a syndication agreement with Red Apple Audio Networks.

The show comes from flagship 77 WABC, New York, where the 89-year-old Morrow started his career in rock’s early years.

Morrow said, “Being on radio again, playing the best music, and connecting with listeners is as exciting for me now as it was in 1964. The magic of radio, the beauty of theater of the mind, is unduplicated. I’m looking forward to the fun we’re going to have on radio stations across America.”

Chad Lopez, President of Red Apple Media and WABC Radio, said, “The goal with our networks is to deliver top-quality programming and nationally recognizable talent like Cousin Brucie to radio stations across the country. Brucie has unparalleled access to the artists who performed the biggest hits of the 50s and 60s, bringing listeners closer to the music they love.”

“Cousin Brucie’s Rock & Roll Party” is currently heard from 6 – 10 pm on WABC.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Timothy Boell Promoted to EVP, Content Distribution and Affiliate Marketing at KSE Media Ventures

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Timothy Boell has been promoted by Kroenke Sports & Entertainment to serve as the executive vice president of content distribution and affiliate marketing for KSE Media Ventures. Under his new role, Bell is going to have responsibilities leading the strategic direction of both business areas, which will help shape the vision for the company’s content partnerships. Moreover, he will catalyze the negotiation and management of content agreements taking place across domestic and international distribution platforms.

“We are thrilled to have Tim Boell step into this new role,” Steve Smith, president of KSE Media Ventures, said in a statement. “His deep understanding of the media landscape and proven track record of success make him the ideal leader to drive our content distribution and affiliate marketing efforts forward.”

Boell formerly worked as the vice president of content distribution and affiliate marketing at KSE Media Ventures for the last decade. Throughout his tenure, he was responsible for leading a team that managed distribution opportunities and partnerships in the eastern United States and Canada. Before joining Kroenke Sports & Entertainment and Outdoor Sportsman Group, Boell had leadership roles at Paramount Global, Sundance Channel and Showtime Networks where he worked in these related subject areas.

“I am excited to take on this expanded role at KSE and continue to build on the strong foundation we have established,” Boell said. “I look forward to working closely with our talented team to develop innovative strategies and strengthen our content partnerships worldwide.”

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John Skipper: Venu Sports ‘Was Always a Temporary Stopgap’ Before Launch of ESPN Flagship

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Earlier in the month, The Walt Disney Company agreed to a merger in which it would combine its Hulu + Live TV service with Fubo operations in a joint venture. Disney will be slated to own 70% of this venture, and the combined businesses would operate under the Fubo company name while the streaming services remain separate in sales and marketing. At the same time, Fubo agreed to drop its antitrust lawsuit to block the launch of Venu Sports, the joint streaming venture from Disney, FOX Corporation and Warner Bros. Discovery. Yet days after this announcement, DirecTV and EchoStar filed briefs to the court and signaled potential interest in litigation, and Venu Sports was shuttered for good shortly thereafter.

John Skipper, the former president of ESPN, had been skeptical that Venu Sports would be successful in the marketplace from the time it was announced last February. On the latest edition of The Sporting Class, David Samson reminded listeners that Skipper believed that Venu Sports represented a ridiculous announcement and did not offer anything new. Upon explaining the situation, Skipper elaborated on his thoughts surrounding the now-defunct streaming endeavor from his vantage point.

“They don’t need it now, right?,” Skipper said. “It was always a temporary stopgap before [ESPN] launched Flagship…. This was always a Disney-led effort in my opinion. I thought that Disney always got the preponderance of benefit.”

DirecTV recently announced a new skinny bundle of sports channels, titled “MySports,” that includes networks and broadcast entities available in 24 metropolitan areas. The plan is launching with distribution rights from the three media conglomerates involved in Venu Sports, along with Comcast-owned NBCUniversal. The bundle will also add regional sports networks later in the year, granting a broad array of local and national coverage. Skipper presumed that EchoStar, the parent company of Dish Network, will also receive the same package and that consumers no longer need Venu Sports. DirecTV previously tried to acquire Dish Network, but the talks were halted last November after being unable to reach a deal.

“My view is they wanted to give the consumer another mirage of a choice of efficiency, and that is what these companies are trying to give consumers time and time again,” Samson said. “After they started cutting the cord, they want to be savior, except really all they’re doing is making you pay the same or more, but to different platforms.”

Torre acknowledged that Venu Sports was a thought when Skipper was the president of ESPN, but it has turned into a priority amid a media landscape moving towards digital distribution amid cord cutting. Skipper followed up by saying that the longer Flagship waits to launch, which is reportedly expected to occur this fall, the more there will be leakage of live sports rights. More companies are becoming involved in the sports media space, such as Netflix, which recently broadcast an NFL Christmas Day doubleheader, commenced a deal with WWE for Raw and landed U.S. rights for the FIFA Women’s World Cup tournaments in 2027 and 2031.

“ESPN is still going to have more rights than anybody else for a long, long time, so they have managed to be smart and prevail, but I think Flagship in some way is less and less attractive because there’s less and less that’s not on there,” Skipper explained. “There’s stuff on Paramount and there’s stuff on Max and there’s stuff on TNT, and you’re still going to have to – I guess if you buy Flagship, the question is what you get from Flagship that you don’t get from MySports.”

One area surrounding the Flagship launch Skipper believes ESPN has not provided much detail is what would set it apart for the consumer as other bundles offer sports networks. Samson also expressed concern that ESPN would one day consider taking everything off of its linear television network to drive subscriptions, something Skipper does not think will happen. Nonetheless, he remains skeptical about the value propositions of features and personalization in getting people to subscribe to the service.

“Remember how many times people have talked about, ‘Oh, you’re going to get to pick your own camera angles,’?,” Skipper said. “Nobody wants to. Even the ManningCast, which by the way I watch Monday night instead of the regular feed – quite fun, quite fun – most people don’t watch it… and if you add the two together, they’re probably not getting new people.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Sarah Kustok is Highlighting Excellence on the Hardwood While Making History Courtside

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As the basketball season continues, Sarah Kustok is voyaging around the country for months on end contributing to a wide array of broadcast properties. This coming Monday, she will be on hand at Prudential Center in Newark to call the Coretta Scott King Classic on FOX alongside play-by-play announcer Dave Sims. In order to arrive for the women’s college basketball doubleheader on time, she will be taking a redeye flight from Oklahoma City after the matchup between the Brooklyn Nets and Oklahoma City Thunder.

Yet traveling on the road is nothing anomalous for Kustok, who provides analysis on basketball games at the collegiate and professional levels. Being on the air is something she considers a privilege, and she possesses mindfulness that guides her quotidian routine surrounding her packed calendar. Even though the schedule gauntlet can seem exhausting from an outside perspective, Kustok remains exhilarated through her love and passion for her occupation and seeks to execute her role with aplomb.

“There is not a second that passes – and I really mean this – that I do not think about how grateful I am to call this work because it is not work,” Kustok said. “It is what I love most, and it’s the people I’m around, it’s the stories I get to tell, it’s watching individuals chase down their dreams, and so I am chasing down a feeling of that type of energy of what I get to do.”

Kustok has been able to thrive in a multifarious media ecosystem as live sports broadcasts prove invaluable to linear television amid the expansion of digital media verticals. Whereas her analysis on YES Network has elements of familiarity since she follows the Nets organization and calls most of its games, college basketball contests render more ambiguity and an occasional learning curve surrounding players and coaches. Aside from reviewing statistics and game film, Kustok also converses with personnel to glean insights and other background to better inform her commentary.

“Through the course of our schedule, sometimes you get more or less time with the teams or what you’re watching or just kind of how that works and ebbs and flows,” Kustok said, “but I think you’re always trying to keep your finger on the pulse of what’s happening in these leagues.”

Consumption of regular-season games in women’s college basketball proliferated on FOX and FS1, accruing a 66% year-over-year increase with an average of 436,000 viewers. The company also earned the most-watched women’s regular-season game on any network with 3.39 million viewers when Iowa guard Caitlin Clark became the NCAA Division I all-time scoring leader. The momentum has continued throughout this season, with FOX averaging 513,000 viewers for the Shark Beauty Women’s Champions Classic doubleheader last month.

“You see the interest, you see the buy-in, you see the enthusiasm, and again, that’s where I’ll flicker back to FOX Sports,” Kustok said. “You show these games, you show these individuals and the attention continues to grow, and so I think that’s what it’s all about.”

Kustok recognizes the growth of women’s sports and aspires to highlight the talent and personalities of the athletes. As the former captain of the DePaul University women’s basketball team, she attributes her experience as teaching her how to adapt and handle any situation with both poise and composure. Heading into the doubleheader on Monday, she is keeping track of the participating teams while balancing her obligations with Nets telecasts all while on the road.

“When you’re getting set for a game, I think that’s where you’ll lock in a little bit more of watching their last game but still looking at the numbers,” Kustok said. “The same type of prep I do for my boards – going and watching a practice or shootaround and getting a chance to talk to the coaches, talk to the players – I think a lot of that translates and is similar.”

Regardless of the league, Kustok always remembers that there are things she can learn about basketball from viewers, fans, coaches and players. When she is delivering analysis to the audience, she seeks to convey her evaluations with clarity and precision in vernacular that is discerned by all. On top of that, she exhibits personality and character while occasionally utilizing her playing skills, such as when she saved YES Network broadcaster Ian Eagle from a basketball coming in his general vicinity.

“It’s as simplified as play-by-play is going to say, ‘What?,’ and I’m going to say, ‘Why?,’” Kustok said, “and so I want to do my best throughout the course of a game to try and explain, ‘Why are we seeing these things happen? Why are we seeing the score discrepancy the way it is? Why are we seeing a team get a ton of three-point looks?’”

Kustok departed the Chicago metropolitan area in 2012 to join YES Network as the courtside reporter for Nets broadcasts, the incipience of its relocation in Brooklyn, N.Y. For the first few seasons, she was living in someone else’s apartment out of a suitcase and had her belongings stored at an office. Nonetheless, the chance to be associated with an NBA team and cover the games was invaluable, especially at a seminal point in the history of the organization replete with enthusiasm.

“It was one of those typical New York stories – but the energy, the diversity, the culture, so many things about the city, and the love of sports, similar to Chicago, I couldn’t get enough of,” Kustok said. “And so it was a tremendous time, I think, with that move, and again, just kind of being entrenched with the NBA and reuniting with the league that I grew up watching [and] grew up caring about so much.”

When a scheduling conflict left YES Network searching for an analyst to fill in, the company offered Kustok the opportunity since she prepared commensurate to the role. The one-game assignment elicited national headlines, and she remembers feeling energized and developing a penchant for the job. Two years later, Kustok was making history as the first full-time solo female analyst for an NBA team in league history, a fortuitous circumstance she did not initially perceive as being possible.

“It was a dream come true, and I think for a lot of reasons, it was one of those situations that if you would’ve asked me three years prior to that [or] five years prior to that, I never would’ve imagined that this would be an opportunity,” Kustok said. “At the time, Doris Burke [and] Ann Meyers Drysdale, that was kind of it, and they felt like more just they were so incredible, and I still, every time I see them, thank them for laying the foundation, paving the way to have those type of opportunities.”

Kustok seeks to denote observations that are scholastic and entertaining, and she is frequently considering how to satisfy both concentrations. At the same time, viewers need to maintain awareness of the time and score, descriptions of which take place amid a descant that is premised on camaraderie and revelry. Kustok recognizes that people care about the nuances of the game, and she remains mindful of witnessing the action develop in its natural cadence and providing a soundtrack apropos to the situation.

“I think every game has a life of its own, and it lends itself to sometimes games are a little tighter in the way that you are relying more on the insight and the analysis and the education and breaking down things, and then there’s some games that give way to maybe having a little bit more fun or adding more color and stories than others,” Kustok said. “There’s never a perfect formula. Again, that’s what makes each broadcaster their own, but I think you learn what works for you.”

Aside from working on live game broadcasts, Kustok has also starred on We Need to Talk, the CBS Sports studio program featuring women discussing issues about all sports. The show recently celebrated its 10th year on the air with a reunion episode featuring current and former contributors. Kustok is honored to work alongside a deep roster of industry luminaries, including Lesley Visser, Andrea Kremer and Swin Cash, and she values the conversations and perspectives everyone brings to the show.

“When anything happens in the world of sports, and whether that’s just about the performance or whether that’s issues outside of it, I think it allows us a platform to be able to share our opinions,” Kustok said. “That, to me, I think it is just – for me in the work that I do on a day-to-day basis – a very unique opportunity and one that I cherish.”

In addition to her Nets and college basketball responsibilities, Kustok will be on the call throughout the debut season of Unrivaled Basketball on TNT Sports, a three-on-three league created by WNBA stars Naphessa Collier and Breanna Stewart. Adding this new responsibility further augments her workload, but it aligns with her ambition to surmount difficulties while also being a good person. Kustok looks to ensure people are heard and seen, and it brings her joy to make a positive impact on others and change the proverbial temperature in a room. Moving forward in the industry, she hopes to contribute to everyone achieving success and fueling growth.

“I want to see the WNBA keep growing in ways that they are because they deserve it,” Kustok said. “I want to see the NBA keep growing in ways that they’re already where they’re at, but I watch these players in the moments that are not under the bright lights – the ones [in] the offseason and when they’re showing up for shootarounds or in the gym themselves – and so I want to see growth for all of that. And again, for me personally, I want to be challenged and I want to be happy, and where I’m at right now, I have both those things, so I count my lucky stars every day.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How KFI-AM 640 and 790 KABC Enacted Their Disaster Plans and Fought Adversity to Cover the LA Wildfires

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Los Angeles is a unique market for several reasons. One of them — especially from a news/talk radio perspective — is because of the weather and natural disasters the region can experience. So stations like KFI-AM 640 and 790 KABC need to be ready for anything.

This happened as the area saw virtually unprecedented wildfires stir, with hundreds of thousands of residents being asked to evacuate and hundreds upon hundreds of buildings being destroyed as hurricane-force winds pushed the fires around the region.

Barrett Media spoke with Luis Segura, Program Director for Cumulus Media’s 790 KABC, as well as Chris Berry, iHeartMedia Executive Vice President of News, Talk, and Sports — who is currently serving as interim program director of KFI-AM 640 — to discuss how they were able to cover the event in such a difficult situation.

Barrett Media: What did your coverage of the LA Wildfire contain? 

Luis Segura: Our live shows — The John Phillips Show, Mottek on Money, and The KABC News Blitz with Randy Wang — hosted the people closest to these tragic fires; victims, taxpayers, and decision-makers: newly elected LA DA Nathan Hochman, representatives from the LAFD, coordinators from the Red Cross, having an insurance adjuster answering questions, etc…

More importantly, we gave listeners a place to call and tell us not just what was happening but a space to vent their fears and frustration- the phones were ringing so hard they were practically buzzing. We utilized live coverage from our TV partners at KABC-TV and featured expert guest hosts like respected Meteorologist Rick Dickert. We leaned on the great relationships we have with our syndicated shows like Armstrong & Getty, Dan Bongino, and Guy Benson who provided exceptional ongoing coverage and perspectives. Total TEAM effort.

BM: How much different is covering a wildfire from covering other natural disasters?

Chris Berry: I think there are a couple of things about it. First of all, you have to remember that Mother Nature does not discriminate. So whether it’s a hurricane or a tornado or something like a wildfire or earthquake, it covers the entire region. And I think that what is unusual about it.

One of the differences is really between a wildfire and a hurricane is, we know a few days in advance. We do know that there are conditions that arrive for a fire, but you never know exactly where it might hit and what we saw with the devastation — especially in the Palisades area and also the Eaton Canyon fire — what we saw there was such a fast-moving event. At one point in the Palisades that fire was moving, they said at five football fields a minute.

So, a hurricane comes in fast, but you have the warning and these people had no warning at all. They lost power, they lost internet, they lost their cell service in many cases. But once again radio was there.

LS: The disaster of an earthquake is so fast that you’re mostly dealing with the aftermath. These fires were so devastating, unique, and so widespread — and the highly controversial way they were handled — made this really an unprecedented, unfolding-in-real-time news event.  

BM: What challenges did you face? 

LS: The biggest challenge was the environmental unknown of where the winds or potential arson could take these fires next. Everything changed from moment to moment. Our tower was in a safe location, far away from any threat.

CB: I think that one of the biggest challenges that anybody has in a situation like this, whether they are a television station or radio station, is the fact that you have to be able to deliver accurate information as quickly as possible. And you have to stay on the air 24 hours a day. There’s no there’s no getting out of it. Once you’re into it, you’re into it, because the story is so fast changing. I think that making sure that you’re providing the most up-to-date, accurate information and doing it whether it’s 2:00 in the morning on a Sunday morning or 2:00 in the afternoon on a Wednesday, you’ve gotta be there to provide that content.

We were fortunate in that we have a staff that lives for this type of story, being able to provide that kind of public service. So they really turned out, all hands on deck.

BM: How important is having a plan ahead of time to pulling off coverage when it’s time to enact that plan? 

A photo of Tim Conway Jr. in the KFI-AM 640 studios during coverage of the wildfires in the area.
KFI-AM 640 afternoon host Tim Conway Jr. — who was recently named the top major market afternoon host in the Barrett News Media Top 20 — was an integral part of the station’s coverage of the wildfires in Los Angeles. (Photo: Chris Berry)

CB: I think that every radio station has to have their disaster plan. A lot of times it’s tied to the weather or mother nature because of the fact it might be a hurricane or tornado depending on where you are.

But we talk about things like making sure that that plan is printed up because a lot of times, if you lose electricity, you’re not gonna have a computer. You’re not gonna be able to print out the plan or even look up the phone numbers you need to have. You have to have everybody’s phone number there whether it’s your own staff or whether it is the power company, the fire department, and so forth that you can reach out to.

That’s one of the things that is really important, too, to the emergency plan. And then the other thing that I think is that that should be conveyed to the entire radio station. When the big story happens, it is all hands on deck and they should be prepared to turn into reporters.

You have to be prepared to react, to react quickly, and everybody needs to understand that broadcasting — especially news broadcasting — is a 24/7 business. There really isn’t time to take off when you have the big story because of the public responsibility that you have to the audience.

LS: My mentor always reminded me to do my best thinking ahead of time. So, a plan is essential, but it just can’t sit on a shelf and dusted off when needed. You can’t just keep it to yourself. Share it with everyone, board ops, talent, producers, and even traffic. And always be ready to pivot, stay flexible.

Berry shared that KFI-AM 640 was likely to be the first outlet to report on the fires after a listener called the station to say they saw smoke in the Pacific Palisades area that was so widely damaged from the blaze. The call came to the station before firetrucks were even on the scene battling the fire.

For Luis Segura and 790 KABC, he added that finding answers to important questions has been and will continue to be the station’s goal going forward.

“KABC’s focus is always to candidly and compassionately drill down to the root cause of events and issues,” he shared. “Balance the tragedy with finding solutions that invoke optimism and chart a path to the best outcomes. Be honest and ‘bring the receipts,’ as Dan Bongino says. That is what listeners expect from fast-paced, fact-based 790 KABC.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Barstool Sports’ Big Cat Talks Controversial Chicago Fan Affiliation Revelation With ‘Waddle & Silvy’

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One of Barstool Sports’ highest profile personalities has been under fire for his fan affiliation — and he hopped on with Chicago’s own Waddle and Silvy to set the record straight. Dan “Big Cat” Katz has long been known as Barstool’s largest Chicago-focused voice, but Katz wasn’t originally born in Chicago. This fact was brought back into the spotlight during a recent episode of Surviving Barstool, a digital show based on Survivor, where Barstool personalities compete to be the last one standing. Katz joined Waddle & Silvy to clarify things and reaffirm his love for the Windy City:

Katz said he was born in Massachusetts just outside of Boston but had family in Highland Park, IL. His uncle was a Bulls season ticket holder and he accompanied his uncle to several Bulls games throughout the 1990s. He fell in love with the city and, when the former Barstool Chicago blogger no longer covered the area, Katz stepped in and covered the teams. Since then, he’s lived and died with the teams and their fans.

“I hope people understand that my love for Chicago is genuine,” Katz said. “I’ll live here for the rest of my life. My love for the teams is genuine. I took a weird path to get here, but yeah.”

Katz also addressed the controversy in a rare blog on the Barstool Sports website, where he further discussed the issue. 

“I threw myself into Chicago sports,” Katz wrote. “I fully adopted those teams, learned their history, which I had known a decent amount from my Uncle, and began rooting for all of them. As I did that my love for Boston sports began to fade. If I was going to root for the Chicago teams I had to shut off rooting even a little bit for Boston teams anymore.”

While some fans are upset at the news, most are understanding. Katz knows what’s headed his way and addresses it at the end of his blog.

“I’m expecting some people to hate my guts for this, which kills me inside because I’m soft when it comes to the internet and I let people’s opinions of me impact me too much…But at the end of the day I know a lot of people have my back, and the decade plus of blogging/podcasting  about everything including Chicago sports will speak for itself. And I appreciate everyone who will still ride with me…I won’t lie here, this has Probably been the worst Ive ever felt in my 13+ plus Barstool Sports career. I hate the feeling of letting people down and that’s how I feel.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Supreme Court Upholds TikTok Ban, App to Face U.S. Extinction Unless Sold by ByteDance

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Time has run out for TikTok and parent company ByteDance. The United States Supreme Court has upheld a law banning the digital video app unless it is sold to a company without ties to the Chinese Communist Party.

On Friday morning, the high court ruled that a law that restricted companies from servicing social media platforms was constitutional.

“There is no doubt that, for more than 170 million Americans, TikTok offers a distinctive and expansive outlet for expression, means of engagement, and source of community,” Supreme Court justices shared in an unsigned statement announcing the decision. “But Congress has determined that divestiture is necessary to address its well-supported national security concerns regarding TikTok’s data collection practices and relationship with a foreign adversary. For the foregoing reasons, we conclude that the challenged provisions do not violate petitioners’ First Amendment rights.”

With that ruling, the app is set to be banned from being available for download in app stores on Sunday, January 19th unless it is sold by ByteDance.

A ban would greatly benefit competitors like Instagram Reels and YouTube Shorts, who also specialize in short-form, vertical video content.

In recent weeks, President-elect Donald Trump has shared his opinion that he would like to see the social media app remain available for American consumption. Detractors, however, have argued the app is a national security risk.

While a sale of TikTok is not imminent, potential suitors have come out of the woodwork to court ByteDance. A sale of the social media app would need to be approved by China, with experts alleging that would be an unlikely outcome.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Jacobs Media To Present ‘CES 2025 – The AI Version’ Free Webinar

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Jacobs Media is presenting a free webinar, “CES 2025 – The AI Version,” on Tuesday, January 21, at 2 pm (ET)/11 am CT.

Fred and Paul Jacobs, in collaboration with Chris Brunt, are set to present a comprehensive showcase featuring photos, videos, and analytical insights.

Customized for broadcasters “who want to stay ahead of the curve and learn how media consumption is changing as AI becomes more pervasive in consumers’ everyday lives.”

“From content creation to advertising, robotics, and even home life, learn how AI is reshaping how we work, live, and connect.” 

AI is transforming various aspects of our daily lives, from content creation and advertising to robotics and home environments. Discover how this technology is changing how we work, live, and connect.

The webinar will include Brian Comiskey, Senior Director of Innovation and Trends for the Consumer Technology Association.

Register for the free webinar here.               

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Dick Vitale Returning to ESPN College Basketball Coverage for First Time in Nearly Two Years

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Over the last three-and-a-half years, Dick Vitale has faced four different types of cancer but has prevailed through the challenges and recently divulged that his vocal cords were cancer free. Vitale will now be making his return to the ESPN airwaves to call the Duke-Wake Forest men’s college basketball game on Saturday, Jan. 25 at 4:30 p.m. EST from the Lawrence Joel Veterans Memorial Coliseum in Winston-Salem, N.C. Vitale will pair with play-by-play announcer Dave O’Brien for the ACC matchup, marking his first game broadcast in nearly two years.

Vitale joined ESPN shortly after its launch for the 1979-80 season following a coaching career that spanned high school, college basketball and the NBA. Throughout his time with the network, he has called over 1,000 games and received numerous industry honors. Vitale is a member of the Naismith Memorial Basketball Hall of Fame as a broadcaster, and he was also inducted into the Broadcasting & Cable Hall of Fame this past September.

“I am absolutely ecstatic and I can’t believe this is happening after going through five major vocal cord surgeries, 65 radiation treatments and chemotherapy for six months,” Vitale said in a statement. “It’s been a very tough journey, but all of the prayers and messages from the beautiful fans have inspired me. I can’t thank Jimmy Pitaro and all of my ESPN colleagues who I consider my second family enough for the love they showed me through such a tough time. I just hope that I can offer the people some basketball insights that can bring even more excitement to the game.”

In addition to his basketball analysis, Vitale serves as a voice for the V Foundation for Cancer Research, which was founded by the late Jim Valvano in 1993. The organization has raised approximately $400 million in cancer research grants in North America, and ESPN partners with the charitable organization for an annual week of programming dedicated to defeating cancer. Vitale is embarking on the 20th anniversary of his gala that has raised $93 million for the Dick Vitale Pediatric Cancer Research Fund from the V Foundation.

“There is no better ambassador for the sport of college basketball than Dick Vitale,” Jimmy Pitaro, chairman of ESPN, said in a statement. Even while navigating his own health challenges, Dick continued to look for ways to give back and help others, inspiring us all. Dick is one-of-a-kind and we can’t wait to have him back doing what he loves most on ESPN on January 25.”

In a previous interview with Barrett Sports Media, Vitale discussed his winning formula of “passion plus pride plus perseverance,” and he also indicated a desire to broadcast college basketball games at 100 years old. Vitale has documented his journey battling melanoma and lymphoma, along with receiving radiation to treat vocal cord cancer and then facing a cancerous lymph node in his neck. Dr. Steven Zeitels, Vitale’s laryngeal doctor, explained in a video that his patient was cancer free but would have some of his activity restricted while calling games.

“After all of the battles and challenges that Dick has been through over the past several years, we should all feel lucky that we’re able to have him back courtside again,” David Ceisler, vice president of production at ESPN, said in a statement. “He has fought tirelessly for everybody else and it is so rewarding to see that he’s won another battle.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.