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Joyce Wirthlin Named Market President At iHeartMedia Salt Lake City

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Joyce Wirthlin has been named Market President at iHeartMedia Salt Lake City. According to her LinkedIn, she joined the then Clear Channel cluster in 1998 as VP/Sales, advancing to SVP/Sales and finally Market Manager.

She takes over for Judy Copier, who transferred to iHeartMedia’s Orlando/Melbourne, FL market. (BMM 8/27)

Wirthlin said, “I am deeply honored to be appointed Market President of iHeartMedia Salt Lake City and grateful for the trust placed in me to lead this exceptional team. The people here are the core of our success. Together, we are eager to build upon our achievements and continue to shape the future of media in Salt Lake City.”

iHeart Division President Nick Gnau stated, “I am very excited to have Joyce leading this team in Salt Lake City. Since the day I started working with Joyce, I was impressed with her leadership, the culture she has built with her team, and the deep knowledge of the market. I have no doubt that she will propel this team to the next level!”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

ESPN ‘College GameDay’ to Broadcast from Auburn for First On-Campus Show

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The basketball edition of ESPN College GameDay is set to air its first on-campus show of the season on Saturday, Jan. 25 taking place from Neville Arena in Auburn, Ala., marking the fifth time the school has hosted the pregame program. The network will present the show before the top-10 matchup between No. 6 Tennessee and No. 1 Auburn, which takes place later in the day at 8:30 p.m. EST on ESPN, ESPN+ and Disney+.

This episode of College GameDay will begin at 11 a.m. EST and feature host Rece Davis with analysts Jay Bilas, Andraya Carter, Seth Greenberg and Jay Williams. Davis and Bilas have been members of the pregame show since its start in 2005, marking 20 years behind the desk previewing forthcoming games.

Greenberg is the second longest-tenured on-air cast member as he begins his 10th year, while Williams is back for his seventh season. Carter, who completed her first season on the show last year, is returning and will also serve as a desk analyst for the women’s edition of the show as well. College sports insider Pete Thamel is set to join the basketball version of College GameDay as well, continuing his work with the franchise that also spans football season.

“We are thrilled to hit the road for this season of College GameDay as the energy each college campus we visit brings is unmatched,” Aaron Katzman, coordinating producer of ESPN College GameDay, said in a statement. “With Rece, Jay Bilas, Andraya, Seth and Jay Williams’s voices leading the way, we are excited to continue to showcase the dynamic players, storylines and atmospheres of men’s college basketball throughout the spring.”

The pregame show will air on Saturday, Jan. 18 from the ESPN Bristol studios before it makes the trip to Auburn for its first on-campus program. Future locations for the show will be determined as the season continues and announced one week ahead of each show. The show will also be accompanied by the 30-minute Countdown to GameDay social and digital media pregame show with host Sam Ravech and a rotation of co-hosts, some of whom include Norris Cole, Dalen Cuff, Harry Lyles Jr., Myron Medcalf and Quentin Richardson.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Lance Medow Leaves SiriusXM After 15 Years

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A longtime SiriusXM voice has bid farewell to his longtime employer. Lance Medow served as a voice for countless Mad Dog Sports Radio and NFL Radio programs but is saying goodbye to embark on a new journey. He posted the news via his social media platforms:

“Many of you may already know but for those that don’t, Sunday, January 5th was my last show on Sirius XM,” Meadow said in a statement. “I want to thank all the listeners over the last 15 years, who consistently tuned into my shows across many different channels including Mad Dog Sports Radio and NFL Radio. I can’t thank you enough for your dedication.

The response has been overwhelming and quite emotional for those that have reached out via all forms of social media/email, even those that I never interacted with on or off the air during my tenure but constantly tuned in and invited me into their daily or weekend lives and wanted to share their stories. It’s been extremely fulfilling reading your notes and if I haven’t already, I will absolutely make it a priority to respond. When you’re at a place for as long as I have, you build many relationships on and off the air, which further emphasizes the power of radio.

I’m looking forward to the next chapter and hope all of you will come along for the ride. For those of you who are media/team executives, decision makers, influencers, I’m a free agent and I’m anxious to pursue a wide array of opportunities so let’s talk, explore and ultimately create an engaging and entertaining product.”

Medow has been a mainstay in radio for years, appearing not just on SiriusXM’s airwaves, but Westwood 1’s as well. He calls men’s and women’s regular season and postseason college basketball games for the network. He is the voice of the Ivy League’s Columbia Lions men’s basketball broadcasts and hosts the Bleav in The Bronx: A New York Yankees Podcast for Bleav Sports. He has also been a longtime on-air host for the New York Giants, hosting numerous programs like Big Blue Kickoff for the team’s digital platforms and other linear programming.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Nielsen Diary Markets 12+ December 2024 6 am-midnight

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You can dive deeper into each market on Barrett Media’s ratings page. Powered by Harker Bos Group.

#66 Fresno

Hip Hop KBOS retains the lead 7.7-7.8

Regional Mexican KLBN grows 5.2-6.0

AC KSOF had a happy holiday 4.1-5.8

#70 Albuquerque

Rock KZRR gains a share 4.9-5.9

Classic Rock KIOT off slightly 5.2-4.9

Hot AC KPEK up a full share 3.9-4.9

#72 Knoxville

Country WIVK stays in double digits and leads the market 11.8-11.4

Classic Rock WIMZ 8.3-8.9

AC WJXB drops 8.5-7.6

#76 El Paso

Classic Hots KOFX sets a strong pace with 12.9-12.8

AC KTSM got the holiday bump 8.9-10.0

Rock KLAQ gains a share 6.7-7.7

#79 Wilkes Barre/Scranton

Top 40 WKRZ has a big month 7.8-9.5

Country WGGY up 7.7-8.2

Classic Rock WEZX tumbles 8.3-5.6

You can dive deeper into each market on Barrett Media’s ratings page. Powered by Harker Bos Group.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CNN Eyes Wolf Blitzer for Morning Role Which Would Move Jim Acosta to Overnights

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CNN is looking to move Wolf Blitzer to its late morning window as part of a lineup reshuffle, which would shift Jim Acosta to the midnight timeslot.

According to a report from Status News founder Oliver Darcy, CNN CEO Mark Thompson is mulling changes to the network’s offerings and would like to move Blitzer to the 10 AM to Noon ET window alongside Pamela Brown.

That would, in turn, push Jim Acosta out of the timeslot. Darcy reported that Thompson had reached out to Acosta with an offer to host a program from midnight to 2 AM ET.

Wolf Blitzer has been a staple at CNN. He joined the network in 1990 and has been seen in afternoons during The Situation Room since 2005. In April 2021, the program helmed by the 76-year-old was shortened to one hour to accommodate an expansion of Jake Tapper’s show.

The report from Darcy added that it’s likely the network is looking at the change in an effort to appeal to President-elect Donald Trump.

“They want to get rid of Acosta to throw a bone to Trump,” a source close to the situation claimed. “Midnight is not a serious offer when his ratings are among the best on the network.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Report: Tom Brady is ‘Really Excited About the Future with Fox Sports’

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As Tom Brady prepares to conclude his first season as the lead analyst for the NFL on FOX, he is said to be committed to fulfilling his 10-year contract with FOX Sports, reportedly worth $375 million. Don Yee, who represents Brady as his agent, recently explained that his client plans to stay with FOX in an interview with Ben Fischer of Sports Business Journal. The revelation occurs as Brady continues to broadcast games under special restrictions since he is a minority owner of the Las Vegas Raiders. 

Yee had not spoken about Brady’s job with FOX Sports until this moment, which coincides with speculation surrounding potential conflicts of interest as he is reportedly involved in the Raiders’ head coaching search. Ben Johnson, the offensive coordinator for the Detroit Lions, is reportedly one of the top candidates for the role and will be on the sidelines as Brady calls the team’s playoff game against the Buffalo Bills on Saturday.

“Tom has had a tremendous amount of fun working with Fox this year, and he’s really excited about the future with Fox and his growth on their team,” Yee said. “And this year was the first year of a long relationship.”

Brady is slated to call Super Bowl LIX on FOX, which is also streaming live in 4K on Tubi, alongside play-by-play announcer Kevin Burkhardt and reporters Erin Andrews and Tom Rinaldi on Sunday, Feb. 9 from Caesars Superdome in New Orleans. Moreover, he is expected to call the NFC Championship game taking place next Sunday. FOX Sports is currently in the second season of its 10-year media rights deal with the NFL, which is reportedly worth $2.25 billion per season.

Throughout the season, Brady has been unable to access team facilities or attend broadcast production meetings that are in person or online. Furthermore, he is not allowed to divulge public criticism of officials or other NFL franchises, although he can broadcast Raiders football games. Outside of this, Brady is also not permitted to have a title with the Raiders that spans beyond his status as a minority owner.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Broadcast Agents are Focused on Digital Opportunities, Why Aren’t More Radio Stations?

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I have had a fun couple of weeks of interviews. I really enjoyed talking with Phil Mackey and Dan Seeman from Hubbard’s SKOR North in Minneapolis. I also had the chance to talk to two different agents who represent broadcasters, The Weiss Agency’s Heather Cohen and WME’s Josh Levy. I was incredibly surprised that the chats with the agents tied in so well with the feature on Dan and Phil. Yet, there I was spending a lot of time talking digital distribution with all four.

When I ended the zoom with Dan and Phil all I could really do was shake my head. First and foremost, because of what they have built, how it happened and what it turned into. Secondly, I just cannot understand how more people have not stolen the idea and gone for it like they have done in Minneapolis.

Read these words from Seeman, Hubbard Minnesota’s Vice-President/Region about what their 1500 AM signal turned into when they went almost exclusively digital, “This idea was so crazy, it might just work, and it worked, and it is working. I look at revenue and I look at profitability. It works.”

Now, read that again. And again. And again.

Just keep reading it until it sinks in.

If you are in any decent sized market and you don’t have a full digital strategy for your brand, get out now. No other way to put it, get out. Sell. You have zero opportunity to succeed in the future. Your station is what people commonly refer to as ‘Dead Man Walking’.

SKOR North has been doing digital distribution, and doing it well, for several years. The person responsible ultimately for what happens with it is telling you “It works!” so why aren’t more of you listening? How far are you willing to fall behind?

What is it going to take for operators to understand it’s the NOW?

In my conversations with the two agents, both brought up the number of opportunities they are seeing through digital distribution and how they are getting their clients to understand the importance of having that digital presence. And remember, the agents are the ones talking to the networks, talking to the major digital distribution outlets and all of the others, so they generally know what is coming before the rest of us. I can assure you based on what I heard, there is only more and more coming.

And, of course, we are seeing more and more athletes bypass the media and create their own outlets. Do you think they are going to need your sports radio station to help them with that? It will end up the other way around if we aren’t careful enough and they will have the audience that sports talk radio needs.

Marc Cuban had said last year that the business world is now made up of two types of companies – those who have become great at artificial intelligence and then everyone else that those companies passed up long ago.

It’s the same with an all-digital or almost all-digital offering. There are those excelling at it now like SKOR North and some that are getting ready to go all in and then there’s everyone else. Seeing the decline year after year after year but choosing to not change until the last dime has been sucked out of radio.

It will not be that long until many of you will just be left holding your signal license, begging someone, anyone to help bail you out because you didn’t act fast enough and jump in where the water was warm for a long time, but you chose to stand on the deck and watch everyone else swim away.

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The Best/Worst Thing I’ve Heard/Watched/Read Recently

The best thing I’ve heard recently has been any game Kevin Harlan is calling. Whether it is on television or radio, whether it is basketball or football, he is simply one of the best. I feel like almost everyone I talk to that is in the business or connected to it agrees with me. His mechanics, his consistently smooth calls and most of all his passion.

When I listen to Kevin Harlan call a game, especially on radio, I always feel like I am on the emotional roller coaster of the game with him. The ups, the downs, the strange, no matter what is happening I can sense it by the way Kevin is talking.

While I also love Al Michaels for very different reasons, he would be an example of someone that sometimes it is difficult to tell right when you tune in if it is a good game or a bad game based on the way Al is calling it. As he has gotten older, you definitely know when it is a bad game because he usually says so, but the call of the game stays somewhat the same.

Harlan is instant offense to me, and I was glad to see Amazon plans to add him to their NBA coverage. He is one of those people who I hope never retires or we figure out how to clone. His passion during a broadcast should be bottled up and sold.

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In Case You Missed It

Andy Masur recently posted his monthly feature, ‘Anatomy of a Broadcaster’ and this month he featured Noah Eagle. Let’s just be honest about this, Noah Eagle is a superstar in the making. As Andy mentions in the feature, Noah realizes he has had certain advantages because of who his dad is. But if anyone actually thinks he gets hired by NBC and put in the positions they are putting him in because his dad is a great broadcaster is either a complete idiot or is paying no attention at all. Noah Eagle is one of the best play-by-play guys in the business and he just recently turned 28.

Masur wrote, “His voice is mature beyond his years. He sounds poised, confident, authoritative and much older than he is. There’s a polished quality to his broadcasts that you normally hear from seasoned veteran broadcasters. His voice is smooth, yet commanding, another element to a broadcast usually reserved for those with much more experience. It’s rare that young broadcasters possess more than one of these traits, but that’s the case with Eagle.”

I highly recommend checking out the full feature if you have not already by clicking here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Power Brokers: Josh Levy Went From the Mailroom at WME to Partner, Head of Sports Broadcasting

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Each of the Power Brokers Barrett Media has featured this week all have great stories about how they got into the industry. WME’s Josh Levy might have the best.

Levy initially wanted to be a lawyer. “I thought I was going to be Mr. Jerry Maguire,” he said. “I took the LSAT, I applied to law school, and actually the summer after graduating, before law school, I was in [New York] city, suit-and-tie, copies of my resume in my hands. I couldn’t tell you the places that I was going to. There are a lot of sports marketing and sports adjacent companies that I was interested in working with. At the time I just remember literally typing into my BlackBerry, ‘Sports Agencies NYC’.

“The first place I saw…I just showed up at their front desk reception and said, ‘I have an interview at 2:30 with so-and-so and I need to be buzzed up.’ They buzzed me up, the first person I saw I gave her my elevator pitch. I gave her my whole spiel and she said, ‘That was great, but I’m just the receptionist.'”

Undeterred, Levy said he waited at the elevators until he saw someone walk into the agency. When someone did, it happened to be the Vice President of Broadcasting. Levy walked right up and gave his pitch.

“I stopped her, we had a long chat and two weeks later, she hired me as an intern…at the time, I had no idea TV talent even had agents!”

That was 15 years ago. He would later find his way over to WME in September 2010 and is now a Partner and Head of Sports Broadcasting. His client list includes the likes of Matthew Berry, Candace Parker, P.K. Subban, Jamie Erdahl, Kay Adams, Dean Blandino and Adam Lefkoe, in addition to many other top broadcasters.

His start at WME, however, was in the mailroom, same place it starts for all of the other young want-to-be agents.

“You start and you’re sort of like this Swiss army knife who’s reading scripts and doing tapings and you’re doing these various tasks and projects for different agents and assistants and it’s before you’re really an assistant starting to find your lane. But I knew even at the time, that I really wanted to be in television and that I really wanted to be in sports.”

At the time, however, Levy was unsure if there was really an opportunity for a mixture of the two. Only a few agents then were specializing in sports broadcasters. Times have certainly changed with many agencies now having several people working with both those currently in sports media as well as athletes who want to have a media career after their playing days are over.

Eventually, Levy ended up working as an assistant to Jim Ornstein, who was the first agent in the company to focus heavily on the sports broadcast genre.

“Through osmosis and plenty more experiences and events, I just knew the minute I started working for Jim, this is what I need to be doing,” Levy said.

In what turned out to be incredible foresight, one of Levy’s first clients was Todd Fuhrman, who was making appearances on FS1 as a gambling analyst. Fuhrman had been an oddsmaker for Caesars and when Levy saw him doing something that at the time nobody else was doing, he thought this might be the start of something that could really take off.

Levy said, “I told my boss, ‘This feels like it’s going to be big.'” He sent a cold email introducing himself to Fuhrman and told him he thought he had “something to deliver to a television audience and I want to be along for that ride with you.” Levy continues to represent Fuhrman to this day. “It’s been really cool to work with somebody from just coming on once in a while to helping them build a business,” Levy said.

As he predicted when first signing Fuhrman, it was the start of something that has expanded beyond anyone’s expectations. Gambling and fantasy sports have become part of mainstream sports media, and it has just continued to open up more opportunities for broadcasters in that space.

Levy added, “It feels like we’re in this era where people are watching a game and texting their friends about it, they’re watching a game and checking their fantasy lines, they’re watching a game and tracking their bets – that’s what this generation, this era has become.”

“If the dam finally broke, it was going to be a juggernaut and it’s proven to be, and I get it’s not everyone’s cup of tea, but it’s certainly a very complimentary content offering as we watch sports today.”

Not only are we seeing more gambling and fantasy content, but we are also seeing more talent who go far beyond just their primary roles. Some are doing separate podcasts while others are creating entire production companies. While that works for some, it is not for everyone. Levy said there is a saying he has found himself repeating a lot recently: ‘You can’t make somebody into something they’re not’.

“I think being inorganic is probably the worst thing to tell a talent or to encourage a talent to do,” he said. “I just think in today’s day and age being a specialist and owning a space is far more valuable than being this sort of jack-of-all-trades generalist.

“If you can sell yourself or if I can sell you as a talent in a unique way, that you do something either better than anybody else, more uniquely than anybody else, or just come at something with such a different perspective and point of view, I just think that’s such a more attractive sell. We’re just in a new world in a new day and age that I think being a specialist at something personally has a lot more value than ever before.”

As for working with his clients and advising them on which lanes to look in, Levy said the key is to have a clear strategy.

“One shape does not fit all, and I just think we have to be very calculated and honest with talent on how they want to build something and know what the end goal is. If it’s to build a massive media company and have several tentacles to it in terms of broadcasting and production and hosting, there’s a process in a way to do that and more often than not it doesn’t happen overnight. It’s far more advantageous to sit in a room and come up with a plan.”

Levy appears to have the same passion for what he is doing today, if not more, than the kid who was standing at the elevator waiting for someone to come out a decade and a half ago. And if he were that person who walked off the elevator today and spoke to someone who desired to become an agent, he knows what he would tell them, and it would be the exact opposite of something one of the top agents in the game once told him.

“I was on vacation years and years ago and I actually ran into Scott Boras. I remember telling him that I wanted to be a sports agent, and I’ll never forget his response was, ‘Don’t do it.’ … That was the extent of our conversation. It was brief. I almost had 25 follow-up questions of why? But it actually only made me want to be in this business more.

“I say all that to say if somebody young told me they wanted to be in this business, great, the business has never offered more opportunity, between tech companies who are now in our space and betting companies who are now in our space. My only advice to them would be work your ass off because that’s the only way for you to ever cut through and actually build a meaningful business. No one’s going to hand you anything.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Pulse: Update Your Disaster Plan, Community Connections, And Radio Industry Happenings

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On September 11, 2001, I was working for Entercom in Madison, Wisconsin, preparing for a morning show meeting. Adam Eliott, my newsman, poked his head into my office and said, “Hey, a small plane just hit the World Trade Center in New York. Do you want me to go back on the air with that?”

That was the first of many judgment calls I would make over the next few days, and they were unprecedented and required me to operate without a playbook. In retrospect, we should have probably anticipated that the day would come when “America would lose its innocence.”

Some of the calls made over those days would later prove just a little illegal. Such as calling my local NBC affiliate, with whom I had a news and weather agreement, and asking if I could rebroadcast their audio, 

The yes they gave me turned out to be a violation, but in those days, no one was going to call their lawyers. The general feeling was to get through this, and we will sort it out later.

Sorting it out later led to a multi-pronged disaster playbook, but even then, we couldn’t anticipate everything. School and mass shootings were not yet at the forefront.

This summer’s hurricanes and the Los Angeles wildfires are stark reminders that your playbook needs to be a living, breathing document. 

A few years back at the Country Radio Seminar, former FEMA Director Michael Brown spoke about having a disaster plan for stations. 

My biggest takeaway, which sent chills down my spine, was when he said, “It’s not IF it happens in your market, it’s WHEN it happens in your market.

There’s more to your plan than just getting the songs that might have an insensitive tone off the air.

Do you simulcast the all-news station?

Do you take contesting off the air?

Does your morning show know how to set the proper tone and not make an insensitive joke?

Do they also know when it’s ok to use humor to give listeners a break from what they are dealing with?

Do you have a plan with your GM or sales manager in case you have decided to suspend commercials? And how do you decide when to return to normal?

There are many other variables, and while it is impossible to anticipate every eventuality, now is a good time to review your plan and make adjustments.

On Monday, we’ll go inside one Los Angeles radio cluster to see how it’s operating during the wildfires and how it’s handled some of the challenges outlined above.

Watch this space.

Community Connections:

Southern California’s Meruelo Media has partnered with the American Red Cross to assist those impacted by the Los Angeles wildfires. The efforts will mobilize community support for the hardest-hit areas.

Meruelo media operates Power 106 KPWR, KLOS 95.5. CALI 93.9 KLLI and KDAY 93.5.

Industry Happenings:

In response to the Los Angeles wildfires, the Alliance for Women in Media Foundation is extending the deadline for submissions to the 50th Gracie Awards. The deadline has moved from January 30 to February 6.

Registration is opening for the 2025 NAB show in Las Vegas.  Register and get more information here

Jacobs Media is offering a webinar highlighting insights from the 2025 Consumer Electronic Show. Registration for the free webinar is at Jacobs Media here.

Add ons:

United Stations is now representing and distributing “Liveline” with Mason Kelter.

“Sunday Night Slow Jams” hosted by Randy ‘R Dub’ Williams passed the 200-station mark with the addition of nine new affiliates.

Tony Lorino’s “Throwback Nation Radio” has a new syndication deal with Orbyt Media, allowing Canadian Broadcasters access to the Classic Hits formatted show.

Compass Media’s “Anna & Raven” picked up four new affiliated including Q102” WQTU Rome GA, “107.3 The Beat” KWCQ Kennewick WA, “Wowie 97.9” KWOE Maui,  and “101.7 The Point” WQLK-HD2 Richmond IN.

Bit Of The Week:

Hit me with your best. The Pulse wants to include your show with the “Bit Of The Week.” If you want to be featured, please send me an mp3 of your best, most recent bit to jeff@barrettmedia.com.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Rod Ryan Has Been Rockin’ Houston For 20 Years At ‘94.5 The Buzz’

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Rod Ryan celebrated twenty years with 94.5 The Buzz in Houston in 2024. He started 2025 without Co-Host Tessa Barrera, who announced late last year that she was leaving the show to focus on her TV career as Co-Host of KPRC 2 “Houston Life” with Derrick Shore. (BMM 12/17/24)

The main priority for “The Rod Ryan Show” right now is to find a replacement for Barrera. So, according to a recent Instagram post, “It’s just the Boyzzz’ for the next few weeks.”

And they aren’t in a hurry. “I just want to get it right,” said Ryan in a mikemcguff.com blog post. “That leaves Ryan, Alex Middleton, 3rd mic and Sports Director and Producer, Chile, behind ‘The Buzz’ morning show microphones” right now.

Ryan got his start in radio after graduating from Buffalo State College with a degree in Broadcasting and interning all through college, which led to his first full-time gig hosting 3-7 pm at WEDG Buffalo in ’96.

“I thought it could never get any better than that,” said Ryan. “Living and working on my favorite radio station in my hometown! Then New Orleans came calling, and I left for a very fuzzy eight years, four of which were hosting mornings.”

New Orleans is where I met Ryan for the first time. I worked at B97, and we were considered major competitors. But Ryan was the kind of guy everyone wanted to have a beer with, and I was a massive fan of his and his station 106.7 The End.

I vaguely remember one night after a Duran Duran concert, hanging out with him at The Dragon’s Den on Esplanade and shooting Sake for the first time in my life. By the way, we both had to work the next day, and I had a thesis to give at UNO the next day as well.

Needless to say, we were both struggling, but I still got a random call on the request line the next day from Ryan, making sure I was gonna be able to pull it off. Thank God for hangovers. It turns out, just like in radio, in college, hangover days are some of your best days because you just don’t care what comes out of your mouth.

My point is that Ryan is 100% authentic, kind, and self-deprecating, and I am still a big fan of his show. Fun fact: we share the same birthday (August 26th), and back in the day, he had a MASSIVE crush on Hoda Kotb (whom I worked with in TV at the time). It was right before she left to go to New York, and the one time I got her to call him before she left, he did not pick up the phone. She did, however, leave him a voicemail message, and he played it on the air over and over again.”

After New Orleans, Houston called, and “The Rod Ryan Show” Era at 94.5 The Buzz started on January 02, 2004. He hasn’t looked back since. Celebrating twenty years last October with a big anniversary party featuring Brent and Zach of Shinedown, Jakob Nowell of Sublime, Justin and Ryan of Blue October, Tyler, Dave, & Joe of Theory of a Deadman, and Scott Stevens from the Exies.

Ryan and The Buzz gave back to their loyal listeners by giving away tickets to the show. The only way to get in was to win.

Like many in the radio industry, Ryan got into the business because the band thing didn’t work out. “I am a failed musician like so many others,” he says. “I played in a bunch of local bands in and around Buffalo and always thought it was cool any time I had interactions with local radio. I literally said, ‘If I can’t be in a band and do radio interviews, maybe I can get on the radio and interview bands.’” 

Turns out Plan B worked out pretty well for Ryan who says it’s been a good run so far.

“Being on morning rock radio in the early 2000’s was pretty wild! Every week, we just pushed the envelope as far as we could, and in New Orleans, that is easy to do. I think we are all pretty lucky very little of that stuff was on the internet and thank God it was before social media. But I do wish I had more than a picture or two from when we strung ‘Bras Across The Mississippi’ for breast cancer awareness. We hooked bras together the length of the Crescent City Connection, a bridge over the Mississippi River connecting the city to the West Bank.”

“Outside of the wild antics, concerts, and interviews it’s the interaction with the listeners that makes me the happiest. We have worked with our listeners doing lots of local charity events. I established ‘The Rod Ryan Show Cares Foundation’ 501 c 3, raising over 3 million dollars over the years here in Houston.”

“We do a lot of charity work throughout the year. I have two golf tournaments each year. One for Texas Adaptive Aquatics in the Spring and my ‘Boobs Rock’ tournament in October for breast cancer research here at MD Anderson. We also raise money all summer to buy filled backpacks for kids working with Houston Children’s Charity. And we work closely with The Houston Furniture Bank, Houston Food Bank, St. Jude, and several smaller organizations.”

I’d be remiss if I didn’t mention the public service ‘The Rod Ryan Show’ provides when the city experiences hurricanes and flooding, which happens a lot in Houston, providing the public with school closures, road closures, safety information and a general sense of community when these natural disasters take place.

Sometimes, getting this kind of information is a lot easier to digest when you’re getting it from “Your brother Rod.” I know it was for me when I lost everything I owned in a storage unit when Hurricane Harvey hit there. It’s much better than getting the info from a bunch of uptight politicians and officials who spend most of their time placing blame rather than expressing and feeling true empathy.

Don’t get me wrong. They aren’t breaking down and doing special reports and newscasts. They’re just living everyday life on the air in a manner that the average person in the Houston area can relate to and sometimes, when appropriate, bring a little humor to the situation. And that is the perfect combination for a great morning show and why Ryan has been so successful (in one place) all this time.

Follow The Rod Ryan Show on Instagram @rodryanshow

Apply for the Co-Host position here.

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