"I think ESPN rightly wanted to own and operate and produce RedZone outright because of the galactic popularity of the show. But the NFL, for their reasons, wanted to retain control of the production of RedZone."
"Your job for the audience in the car or at home blow drying their hair is to make it a little more fun between the songs. If you're talking between these songs, whether it's eight seconds or eighteen, it better be great."
"When Major League Baseball opened the 2026 season on Netflix, the reaction was predictable before the first pitch. This isn’t baseball. This feels weird. What am I watching? You know the song—take me out to the ballgame, buy me some peanuts and… Netflix. Yeah, that part."
"This wasn’t about pleasing purists. It wasn’t about winning the next morning’s sports media debate. It was about signaling to leagues — especially the NFL — that Netflix is ready to compete on the biggest stage there is."
Programmers have to be honest with themselves: a lot of the "new" music being played on RockTernative stations isn't "new" to many listeners. Calling it "new" doesn't make it a discovery if the audience already knows it.
"I didn't necessarily feel a ceiling because I've worked with really great people. But I was shocked when I broke one because I couldn't believe 'How is it possible that I'm the first woman coming into a position or leading an organization at this time in our careers? At this time in life?'"
When the mics are off, the lights are gone, and retirement is not an option (because, let's be real, most of us won't make the type of money to retire early), what are we left to do?
"I think ESPN rightly wanted to own and operate and produce RedZone outright because of the galactic popularity of the show. But the NFL, for their reasons, wanted to retain control of the production of RedZone."