Tag: Rock Radio
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Why Bluey and The Big Bang Theory Prove Classic Rock Radio Hits Don’t Burn
The simple fact is big hits do not burn. And today, my proof comes from outside the industry.
Paul Marshall Out At Sacramento’s 98 Rock
"Well…this one hurts. As of right now, I have been what they call R.I.F.d. It’s another way of saying laid-off. I lost my job."
Why Rock Radio Should Stop Programming Like Listeners Are There 24/7
Radio works hard to fill 24 hours with mostly unique content every hour. That isn’t necessary in 2026.
How Radio Can Correct a Broken Music Discovery Experience
"Radio can serve as the music listener’s escape while also allowing for entertaining discourse and conversation. These methods can ultimately lead to radio becoming a destination for music discovery."
Why John Corabi’s ‘New Day’ Is a Milestone Moment and One of Rock’s Best Records
"Whenever my time comes, they look at The Scream, Motley Crue, Union, or the solo stuff I've done. The Dead Daisies stuff I've done. Look at the whole body of work and say it was consistent. John was consistent. That’s all I can really ask for."
Super Bowl Ads Prove Classic Rock Still Sells
Here’s a look at some winners and losers and, in some cases, a thought about how the song is being rotated at radio stations.
Chet Buchanan Out at 98.5 KLUC Las Vegas
"Your voice, leadership, and commitment to our listeners have helped define KLUC and its role in the Las Vegas community for nearly three decades and for that we greatly appreciate you."
How Matt Cord Finds Continued Success Stepping Into the Shoes of Legends
"You don't want to be that much different than what it was before. I know this city and the listeners. They are extremely loyal and they don't like change."
Why Radio’s Silent Goodbyes Are Bad for Business
There’s rarely closure. There’s almost never an on-air “goodbye,” and once they’re escorted out of the building, it’s usually crickets.
Why Did Green Day, Bad Bunny Remain Politically Silent in Their Super Bowl LX Performances
"There’s something to be said for the idea that two politically active global artists performed on the biggest stage in American sports. Moreover the decision to let the music speak for itself."