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How 7UP Disruption Strategy Applies to Classic Rock Radio

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Even more so than in other formats, there is significant power in disruption for Classic Rock/Hits radio. Relying on music from the past with artists that are not nearly as active as other formats, I find myself writing frequently about the need to execute the format flawlessly. Additionally, stations must periodically turn things upside down to keep listeners engaged.

To be clear, this isn’t just my rantings and ravings from behind the keyboard. There are many real-world examples of why disruptions can be good for a brand. The latest example comes from the world of soft drinks.

The Lime-Lemon Shift

The original Un-cola, 7UP, recently did the unthinkable. It changed from being a “lemon-lime” soda to being, gasp, a “lime-lemon” soda. On the surface, this seems minor. However, as the category originator, “lemon-lime” is what sounds and feels right. It’s a deceptively small yet huge change. Nobody says “pepper and salt.” No one says they want “jelly and peanut butter.” And no one said “lime-lemon” until now.

The change isn’t just on the packaging. Furthermore, the flavor has supposedly changed to be more lime-forward. This marks the first major adjustment in the last fifteen years. But don’t get too excited. There are reports from some early taste tests saying it’s tough to distinguish the new formula from the old.

But if the taste isn’t really that different, why bother doing this at all? The answers will sound familiar.

Why Make This Change?

For starters, much like your station probably has, 7UP faces a lot of competition. These competitors offer very similar products, such as PepsiCo’s Starry and Coca-Cola’s Sprite. More importantly, in this particular soda category — much like our Classic Rock/Hits stations — very little ever seems to change. It’s been three and a half years since the last major disruption. That was when PepsiCo killed off Sierra Mist to launch Starry. Honestly, who really noticed? Could you have named Sierra Mist if I hadn’t already mentioned it?

Second, this is a low-risk, high-reward venture. If the difference in recipe is really that subtle, there’s very little chance of losing brand fans. However, it does create an opportunity for new, attention-getting packaging. Potentially, it gets people talking about a product that frankly flies under the radar. This applies to marketing and excitement alike. Much like many of our stations.

Third, it’s inexpensive. Rights to the 7UP brand in the United States are owned by the Keurig/Dr. Pepper company. This is the third-largest soda company behind Coca-Cola and PepsiCo. While not completely shut out of marketing budgets like many radio stations, Keurig does spend significantly less than the other two. Consequently, the only way to narrow that gap is by earning attention. Doing things like this — changing the formula — certainly accomplishes that.

Applying Disruption to Your Station

So, once you get used to saying “lime-lemon,” it’s time to consider what this could mean for your station or show. I wouldn’t recommend calling your music “Rock Classic” instead of “Classic Rock.” I wouldn’t start calling them “Roses ‘N Guns” instead of whatever their actual name is. But there are certainly small things you can do to get attention.

For example, the next time your station does a public appearance, hang your station banners upside down. I guarantee that will get listeners to come over to your broadcast setup and engage. Additionally, if you can scrape together a trade deal and a cheap auto wrap, go to a used-car lot. Find a non-traditional station vehicle to drive around town. Take it from the guy who had an X-treme Radio Cadillac — the right vehicle can be far more memorable than a van.

On the air, look closely at everything your station has done regularly for years. Try to find something equivalent to going lime-lemon. Perhaps adjust the formula for your lunch feature. Or do “Three-Fer-Tuesday.” There are countless opportunities to lime-lemon your music, shows, features, production, and promotions. Like 7UP, look for opportunities that set you apart from competition. These should carry very little risk and cost virtually nothing.

So, get after it. And while you’re disrupting your station, I’ll be enjoying a crisp, refreshing lime-lemon soda.

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Nielsen’s Constantly Changing Formula Makes Comparing TV Audiences Impossible

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Any media company wants accurate data. Having worked in sports radio for more than two decades, Nielsen’s ratings methodology was always a pain point. Despite the data we paid for and advertisers counted on, walking the streets often told a different story. Sports radio has been severely undermined by audience measurement for decades. The same goes for sports television and the viewership figures that flood timelines and my inbox from networks.

The difference between radio and television is the amount of change Nielsen has made to its television measurement compared to its radio product. Beginning today, Nielsen will make a new co-viewing methodology part of its official audience measurements. It’s the third major shift to the company’s television measurement methodology in less than two years, following expanded out-of-home measurement and the introduction of Big Data + Panel.

Each change is designed to make the numbers more accurate. That’s a good thing. But there’s another issue that doesn’t get enough attention. Every time the methodology changes, the data changes with it.

Good, bad or indifferent, it’s no longer apples to apples. It’s more like apples to grapefruits, with some oranges mixed in as well.

NFL Can’t Get No… Satisfaction

Last year, prior to the installation of Big Data + Panel measurement, the NFL felt the changes could cost the league’s media partners advertising revenue and hamper potential rights negotiations.

“There are millions of viewers that we believe they are systematically undercounting,” NFL Chief Data and Analytics Officer Paul Ballew told the Wall Street Journal in September 2025.

Last season, the NFL saw its highest viewership season in more than three decades and its second-best mark on record. The 2025 regular-season average was 18.7 million viewers per game, up 10% from the previous year. For comparison, in 2024, the NFL saw a 2.2% drop in average viewership.

According to data from Guideline, NFL advertising revenue in 2025-26 grew 6.8% year over year to $5.87 billion. Remove playoff and Super Bowl LX inventory from the equation, and the total take was $4.24 billion, up 6% from the previous regular-season campaign.

The NFL’s concerns about the impact of the measurement changes did not materialize in the way the league feared. Viewership went up. Revenue went up. NFL media partners did extremely well.

You would think a change to the system that produces stronger numbers across the board would be something everyone would want to keep in place. Now it’s 2026. Co-viewing is here. Another change to the formula, and the NFL is at it again.

“Our concern is that this is going to make measurement for the upcoming season muddled,” NFL SVP of Data and Analytics Paul Ballew told Front Office Sports. “It’s been a real struggle with Nielsen, and these latest changes raise even more questions for us. It is time for us to double down on our efforts to determine alternatives in the marketplace.”

But this is also the same Paul Ballew who told the Wall Street Journal last year that Nielsen was undercounting co-viewing for NFL games and that the league believed more work needed to be done. Isn’t that what Nielsen is doing here?

CBS Sports President and CEO David Berson applauded the new co-viewing change. “What we’re pleased about is that the viewership metrics are finally capturing what we think is the accurate audience,” Berson said.

Nielsen Is The Middle Man

Let’s just call this what it is.

The NFL wants as many people counted as possible because larger audiences can help justify higher media rights costs, potentially pushing those rights to levels some networks may never be able to afford. The networks appreciate the added viewership and revenue that came with carrying NFL games this past year.

At the same time, they have an incentive to keep the measurement system closer to its current level. Or even take a little bit of a hit in reported viewership in 2026, if doing so helps keep media rights at a more affordable level.

Thrre things can be true at the same time. The NFL can want more viewers counted. Networks can want stable, predictable numbers. Nielsen can want to improve its methodology. But that brings us back to the bigger problem.

What can’t be ignored, however, is what those changes do to historical comparisons. When the methodology changes from one season to the next, the measurement baseline changes with it. That means an 18.7 million average in one year may not represent the same measurement standard as an 18.7 million average several years earlier. The number may look comparable on paper, but the methodology behind that number may no longer be.

That distinction matters.

Nielsen’s job is to continually improve the accuracy of its measurement. The company says its latest changes are designed to do exactly that. With co-viewing, weighting and other enhancements intended to create a more accurate picture of television audiences.

Be Better

The problem isn’t necessarily that Nielsen is changing the methodology. The problem is what happens when we use the new numbers to judge the old numbers. If the rules for counting the audience change, then the numbers being produced under those rules change as well.

That makes it increasingly difficult to say that television audiences are growing, declining or holding steady when the measurement standard itself keeps moving. Imagine changing the rules for keeping score after every season and then using the final scores to determine which team had the better decade.

The numbers would still be real. The comparison would not be. That is the real problem with Nielsen’s constantly evolving formula.

At some point, we have to stop pretending every year fits neatly beside the one before it. Nielsen may be producing a better number today than it did yesterday. That doesn’t mean yesterday’s number provides a clean comparison for today’s.

And that’s where the sports media industry needs more transparency. Share the numbers good, bad, indifferent and stop comparing them to the past. Two things can be true at the same time: Nielsen can be getting better at measuring audiences, and the industry can be getting worse at comparing those audiences from one year to the next.

When the measurement system changes every NFL season, eventually the numbers become less useful for answering the question everyone wants to know: Are more people watching?

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

SiriusXM Drops Howard 101, Replaces with Andy Cohen

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SiriusXM is dropping Howard 101 on September 1. Andy Cohen’s Radio Andy channel replaces it.

What We Know SiriusXM made the official announcement Friday. Howard 101 carried Stern’s archive content and older broadcasts. Meanwhile, Howard 100 continues with just one live show weekly. Importantly, roughly 50 employees experienced layoffs across two separate rounds in 2026, with many staffers working on Howard 101.

What’s at Stake This move shrinks Stern’s satellite radio footprint considerably. Next, Stern’s archive programming likely consolidates onto Howard 100 to fill gaps. Furthermore, staffers already hurt by layoffs lose additional opportunities for meaningful work. Additionally, longtime listeners lose dedicated access to classic content they value.

What Remains Unclear Will SiriusXM maintain Stern’s full archive on Howard 100? Next, nobody knows how one weekly show sustains a flagship channel operationally. Also, questions linger about whether Stern continues beyond his current contract through 2028. Finally, observers question whether this signals broader SiriusXM strategy shifts toward younger talent.

What It Means SiriusXM signals its commitment to aggressive cost reduction over content diversity. Moreover, this consolidation reflects broader radio industry struggles competing with streaming platforms. Essentially, satellite radio is abandoning legacy programming models for efficiency gains.

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Jacques Doucet, Voice Of The Montreal Expos, Dies At 86

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Jacques Doucet, the longtime radio voice of the Montreal Expos, has died. He was 86.

What We Know: Doucet’s daughter, Martine, confirmed his death on social media. Born March 8, 1940, in Montreal, Doucet began as a sports journalist in 1959 at La Presse Canadienne. He covered the Expos’ 1969 debut for La Presse, then became the team’s full-time radio play-by-play voice in 1972. He held that role until the franchise relocated to Washington after the 2004 season.

What They Said: Marc Griffin, former Montreal Expos commentator (via The Canadian Press): “He was certainly a giant, and his loss is immense. His voice was part of our lives for generations. He’s the one who made me fall in love with baseball.”

Denis Casavant, TVA Sports commentator (via X): “My teacher and mentor left us today. Thank you, Jacques, for your generosity and kindness, and especially for the influence you had on my career as a play-by-play announcer. My condolences to his partner Corrie and the entire family.”

What Remains Unclear: No further details on Doucet’s health decline have been released beyond his 2024 disclosure of an Alzheimer’s diagnosis. Meanwhile, no memorial or tribute plans have been announced yet.

What It Means: Doucet’s death closes another chapter for Quebec’s baseball generation. His broadcasts, alongside partner Rodger Brulotte, shaped how a province followed a team that no longer exists. Brulotte died in March, and now Doucet’s passing leaves few original Expos voices behind. Consequently, tributes are likely to emphasize their shared legacy in French-language sports broadcasting.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

FOX Sports Unveils College Football Broadcast Teams For 2026 Season

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FOX Sports unveiled its 2026 college football broadcast team Friday. The lineup mixes returning veterans with notable new additions and a historic first.

What We Know: Robert Griffin III joins FOX Sports’ game coverage, teaming with new play-by-play voice Connor Onion and sideline reporter Alexa Landestoy. Griffin teamed with Jason Benetti the previous season. Benetti is now with NBC Sports. Meanwhile, Gus Johnson, Joel Klatt and Jenny Taft return for a 10th straight season together on Big Noon Saturday. Dave Portnoy comes back to Big Noon Kickoff, and the network adds a milestone: its first-ever international broadcast, from London’s Wembley Stadium in Week 3.

What’s At Stake: Last year was a record setting year for Big Noon Kickoff with viewership up over double digits. FOX Sports looks to continue on the momentum from the FIFA World Cup was an exciting year of action beginning week one with the defending national champion Indiana Hoosiers.

What Remains Unclear: Full details on FS1’s secondary game assignments beyond Week 1 is unknown. Also, any additional Barstool Sports appearances were not revealed.

What It Means: FOX Sports is doubling down on college football as a marquee property. The London game signals an international growth push, similar to NFL and NBA overseas strategies. By pairing continuity — Johnson, Klatt and Taft’s decade-long run — with fresh talent like Onion, FOX aims to balance stability and expansion. The result: a broadcast slate built for both loyal fans and new audiences.

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Bob Stilson Retires From The Breeze Buffalo Mornings

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Buffalo radio veteran Bob Stilson is retiring from The Breeze Buffalo/WEBR’s morning show this October. The “Up Too Early” host departs after more than six years at the Soft AC station.

What We Know Stilson has hosted mornings at WEBR since May 2020. Before that, he spent two decades at Entercom Buffalo as Creative Services Director. He co-hosted “The Movie Show” on 930 WBEN Friday mornings alongside Sandy Beach. Additionally, Stilson produced and hosted the kids’ program “Rocketship 7” on WKBW-TV from 1992 to 1994.

What’s at Stake WEBR loses an established personality during a shifting competitive period. The station must replace the early-morning slot at a Soft AC format relying on personality-driven content. Meanwhile, WEBR recently added the syndicated Kadie Daye Show for middays—signaling format adjustments. These programming moves will ultimately shape the station’s market position in Western New York.

What Remains Unclear The Breeze hasn’t announced who replaces Stilson in mornings. Whether WEBR pursues another established personality or leans toward syndicated programming remains undetermined. The station’s broader strategy for reaching early-morning listeners also hasn’t surfaced. Furthermore, details about Stilson’s future plans haven’t been disclosed.

What It Means Stilson’s exit marks another chapter closing for local Buffalo radio. The market continues losing experienced voices to retirement, reflecting sector-wide challenges. WEBR’s next move will signal how Buffalo adapts to evolving listening habits. Ultimately, this decision shapes the future of personality-driven radio in Niagara Falls.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Family of 93 WIBC’s Matt Bair Releases Statement Following Unexpected Death

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Matt Bair’s family has released a statement following the 93 WIBC traffic reporter’s unexpected death earlier this week. The statement provided new details about Bair’s death while highlighting his career and work with Supporting Sobriety Podcast.

What We Know: Bair spent eight years at 93 WIBC as a traffic reporter before his death. He also co-hosted Supporting Sobriety Podcast with Ryan Hedrick. The podcast earned Bair a nomination for the 2026 Marconi Radio Award. His work in radio and charitable efforts made him a familiar voice to listeners. The family’s statement now provides additional context surrounding his death. The circumstances also underscore the personal struggles Bair had discussed publicly.

What They Said: “Thank you for your patience and understanding as our family has been navigating Matt’s unexpected passing. Matt was open about his battle with addiction. His death was accidental, and we do believe at this time that alcohol was a contributing factor. Matt touched countless lives during his career in radio, charitable endeavors, and as a producer of the Supporting Sobriety Podcast. We are grateful for the outpouring of support from our WIBC family and listeners. Your words, prayers, and memories have carried us through this difficult time. Matt will be missed beyond measure.” -Bair family statement

What Remains Unclear: The family hasn’t provided additional details about the circumstances surrounding Bair’s death. However, it identified alcohol as a contributing factor while describing the death as accidental. The family also hasn’t indicated whether additional details will become available.

What It Means: Bair’s death has left a significant void at 93 WIBC and among the station’s listeners. His work on Supporting Sobriety Podcast also gave him a platform to discuss addiction and sobriety. Now, his family’s statement offers a clearer picture of the struggles he faced. Meanwhile, Bair’s colleagues and listeners continue to remember his contributions to Indianapolis radio.

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Connoisseur Media Exits Minnesota Radio Markets

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Connoisseur Media is selling four Minnesota radio stations. Hometown Broadcasting will acquire the entire cluster.

What We Know The acquisition includes US Country 99 /KAUS-AM, KAUS-FM (Austin), KATE-AM, and The Breeze 94.9 /KCPI-FM (Albert Lea). Notably, the FCC must approve the transaction before closing. Connoisseur expects the deal to finalize in early fall 2026. Meanwhile, Greg Jensen leads Hometown Broadcasting, the locally owned buyer.

What’s at Stake Jeff Warshaw, Connoisseur’s founder and CEO, felt the company couldn’t make meaningful impact in this market. Clearly, this divestiture aligns with Connoisseur’s strategy to refine its portfolio and invest in stronger markets. Indeed, the move follows Connoisseur’s acquisition of Alpha Media stations last September. Consequently, Hometown Broadcasting now shoulders responsibility for serving the local Austin-Albert Lea communities.

What Remains Unclear Programming changes and format decisions haven’t emerged yet. Additionally, staffing plans under new ownership remain unstated at present. Furthermore, the station’s content strategy and community service focus need clarification. Ultimately, operational details after FCC approval still require definition.

What It Means Large consolidators often exit smaller markets where growth proves limited. Clearly, this deal illustrates that reality for Connoisseur’s strategic direction. Importantly, independent operators like Hometown Broadcasting fill critical roles in local radio markets. Overall, community-focused ownership typically delivers more localized content and engagement.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Angelette Aviles Speaks After WBAL NewsRadio Departure: ‘Incredibly Proud of What We Built’

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WBAL NewsRadio cut more than a dozen staffers Thursday as the station reshaped its weekday lineup. Angelette Aviles said the changes raise concerns about the future of local radio.

What We Know: Angelette Aviles had spent just over one year in afternoon drive at WBAL NewsRadio before the station ended her 2-6 PM show Thursday. She was among more than a dozen staffers who exited the Baltimore station during the cuts. Meanwhile, WBAL removed T.J. Smith’s midday program and replaced it with The Glenn Beck Program from 10 AM to Noon and The Clay Travis & Buck Sexton Show from Noon to 3 PM. Aviles’ departure leaves another local voice outside the station’s weekday lineup.

What They Said: “I’m incredibly proud of what we built. We grew the audience compared with that time slot in previous years, including growth among women and younger listeners. But media is changing dramatically. Revenue models are changing, and advertisers have more choices than ever about where to spend their dollars. Having spent much of my career on the other side in PR, marketing, and media buying, I understand that reality. What concerns me most about yesterday is what we may be losing along the way: local connection.” -Angelette Aviles

What Remains Unclear: WBAL hasn’t publicly detailed the full scope of Thursday’s cuts or outlined whether additional programming changes could follow. The station also hasn’t explained how it plans to balance nationally syndicated programming with its remaining local content.

What It Means: Aviles’ comments highlight a larger challenge facing News/Talk radio as operators weigh local programming against syndicated shows. For WBAL, the latest changes significantly reduce local weekday programming while adding established national personalities. Still, Aviles’ focus on local connection could resonate with listeners who value Baltimore-specific coverage and conversation.

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Tony Romo Communicating With CBS Sports Following Accepting Full Responsibility For Arrest

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Tony Romo faces three new legal citations. His broadcasting career now sits in limbo. Through representation, Romo says he accepts full responsibility for his actions, and is communicating with CBS Sports on next steps.

What We Know: Milwaukee County prosecutors issued Romo three citations Thursday. Unsafe passing on the right, first-offense OWI and possessing open intoxicants. The charges stem from a July 23 traffic stop. Deputies say Romo passed cars in a gore area separating interstate traffic from an on-ramp. Romo also performed poorly on field sobriety tests and was booked on suspicion of OWI after previously being cited for refusing an intoxication test. Therefore, he’s due in court September 21. CBS Sports placed Romo on leave following the arrest, and the sides are now discussing next steps for his future at the network.

What They Said: Spokesperson for Tony Romo (via TMZ): “Tony accepts full responsibility for his actions and has taken proactive steps to ensure that this isolated civil matter is properly resolved. We are working with local authorities to bring this matter to a close and we are communicating with CBS about next steps.”

What Remains Unclear: CBS Sports president David Berson called Romo’s status an “evolving situation” the network is still assessing. Moreover, his long term status with the network remains unknown.

What It Means: Romo, 46, built his broadcasting career on the strength of his Cowboys legacy and four Pro Bowl trips. Now that reputation faces its toughest test yet off the field. CBS, meanwhile, must weigh loyalty against optics as the network’s marquee analyst awaits a courtroom outcome. Ultimately, the network’s decision could reshape its NFL booth for years to come.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.