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Fox News Adds Natalie Chuck as LA-Based Correspondent

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Fox News is adding Natalie Chuck as a new Los Angeles-based correspondent for the network.

What We Know: Chuck joins after most recently working as an investigative reporter for KMGH-TV in Denver. She exited that role in late April in advance of joining Fox News. Previous local TV stops include San Diego and Colorado Springs. In a note announcing her farewell from her position in Denver, Natalie Chuck shared her excitement for her next step.

What They Said: “I could not be more excited for this next chapter in my career and where it’s taking me!” -Natalie Chuck

What Remains Unclear: When Chuck will begin her duties with Fox News.

What It Means: Previously, Bill Melugin worked as a Los Angeles-based correspondent for Fox News. He shifted to a Washington, D.C.-based role last year, and has continued to see his star rise inside the organization. Chuck’s knowledge of the area from her time working in both Colorado and Southern California should help her hit the ground running.

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Chicago Bulls Announce Multi-year Media Rights Extension With Audacy’s 104.3 The Score

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The Chicago Bulls have announced multi-year radio broadcast extension with Audacy. 104.3 The Score remains the Bulls’ flagship home across broadcast and digital platforms.

What We Know: Audacy and the Chicago Bulls have agreed to a multi-year, multiplatform radio broadcast extension. 104.3 The Score (WSCR-FM) will continue carrying all regular season and postseason games. Fans can also stream broadcasts via the Audacy app and The Score’s website. Moreover, the gameday crew continues to feature play-by-play voice Chuck Swirsky. Also color analyst Bill Wennington, and on-air host Alyssa Bergamini, plus pregame and postgame programming.

What They Said: Mitch Rosen, Vice President of Sports Programming, Audacy Chicago: “We are proud to continue our partnership with the Chicago Bulls and remain the voice of Chicago sports fans. Our broadcast team of Chuck, Bill and Alyssa, paired with our talented production staff, consistently delivers a premier experience across the Midwest on all digital platforms. This extension is a testament to our strong, collaborative relationship with the Reinsdorf family and the Bulls’ front office.”

Ram Padmanabhan, Chief Operating Officer of the Chicago Bulls: “We consider our broadcasts an essential part of the Bulls offering and a key component of our fan experience, and we know that The Score feels the same. That’s why we are excited to again extend our partnership and look forward to continuing to entertaining Bulls fans together.” 

What Remains Unclear: The financial terms of the extension were not disclosed. The precise length of the deal also remains unannounced.

What It Means: The Chicago Bulls are one of the marquee franchises in the Windy City. In addition, reenforcing the Bulls media rights on 104.3 The Score is a key addition to the station along with the rights to the Chicago Cubs.

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UFC CEO Dana White: NFL Asking Questions Internally Following Paramount+ Rights Agreement

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Dana White believes the NFL, in particular, took notice when the UFC signed its landmark media rights deal with Paramount+. White says league executives were left asking questions they couldn’t answer.

What We Know: The UFC signed a seven-year, $7.7 billion media rights deal with Paramount+ last year. The agreement marked a major shift in how the promotion packages its content. It also signaled the UFC’s arrival as a true competitor in the broader sports media landscape. The deal placed UFC alongside major league properties fighting for a shrinking pool of premium distribution partners.

What They Said: Dana White (via UFC Fight Night 279): “We literally, right now, are competing with the NFL, NBA, Major League Baseball, and the NHL. Think about where we [UFC] sit in the pecking order of the top sports in the country. I don’t know this to be true, but I fu**ing guarantee you it is. The day we announced that we did a $7.7 billion deal, the executives at the NFL said, “How the f**k did we not get this money, and how did we not know that kind of money was sitting open.”

Dana White believes UFC is competing with every other league for media rights money: “If you look at where TV was 15 years ago, all these powerful cable channels and all this stuff. The cable industry is taking a nosedive. So, what do you have left? You have NBC, ABC, CBS, and Fox. Then you have like three powerful streaming services. There’s a lot of people fighting over the same turf.”

What Remains Unclear: The NFL has confirmed White’s allegations. In the months following the UFC’s agreement with Paramount, the NFL approached the company about a re-negotiated rights agreement with the league. Whether that discussion surfaced because of the UFC is unknown.

What It Means: Make no mistake about it, the UFC is turning a profit. The landmark rights agreement was a boost for the promotion’s bottom line, however it remains to see if subscriptions to Paramount+ will follow. However, the UFC is no longer an afterthought in sports media rights conversations. White’s comments reflect a growing reality. Premium sports content is scarce, and competition for distribution dollars is fierce. Every major league now operates in the same shrinking ecosystem.

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ESPN Reportedly Planning To Launch ‘Fan House’ Interactive Hub For Fans, Advertisers

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The Walt Disney Company is bringing a new interactive advertising hub to sports fans this August. ESPN Fan House debuts alongside college football coverage, including the flagship College GameDay program.

What We Know: According to a report by Variety, ESPN Fan House is designed to pull fans deeper into live sports moments. All while giving brands direct access to those interactions. Fans can participate in live polls, trivia, sweepstakes, and merchandise integrations. Also at on-site events, at home, and across social and digital platforms. Publicis Sports has already signed on as a launch partner. The hub will use Flowcode’s customizable, real-time QR technology to help brands stand out within the experience.

What They Said: Suzy Deering, CEO, Publicis Sports (via Variety): “Live sports are among the very few things that remain AI-proof. Fans are craving deeper connections to the moments that matter. Having a solution like ESPN Fan House helps brands reach fans in those moments and provides an opportunity for deeper engagement, impact and measurement. Combined with our extensive portfolio of solutions and insights from our unique fan graph. It enables us to better help our clients grow fan engagement and maximize their sports investments.”

What Remains Unclear: Beyond college football, The Walt Disney Company didn’t specify if this approach/hub will be tired to other events with the company. Also, whether additional advertising partners beyond Publicis Sports will join before launch remains unconfirmed. The full scope of Fan House’s digital and on-site footprint is also still developing.

What It Means: Disney is leaning harder on sports to strengthen its advertiser relationships in the streaming era. With the ESPN direct-to-consumer launch just under a year ago, live sports remain one of television’s last reliable draws for large, simultaneous audiences. Understanding the bond that sports has with fans. ESPN Fan House is the network’s attempt to monetize that loyalty beyond the traditional broadcast spot. For brands, it represents a more immersive entry point into one of media’s most engaged audiences.

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BIA Advisory Services Names Michael Guerity as VP of Market Intelligence/Strategic Communications

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BIA Advisory Services has announced the appointment of Michael Guerity as its new Senior Vice President of Market Intelligence and Strategic Communications.

What We Know: Guertiy steps into the role after previously spending 20 years working in media, advertising, and marketing roles. Most recently, he worked as the Head of GTM Strategy and Marketing for Lightcast. Other stops include Cox Media Group and Sinclair Broadcast Group.

What They Said: “Mike brings a unique combination of media industry expertise, strategic communications leadership, digital innovation, and revenue growth strategy that aligns perfectly with BIA’s mission … His experience will help our clients identify emerging opportunities, navigate industry change, and make more informed strategic decisions. His leadership will also help BIA strengthen how we develop and deliver forecasting intelligence while leveraging AI and emerging technologies to expand the value of the insights we provide.” -BIA Advisory Services CEO Tom Buono

“I’ve long respected BIA’s reputation as one of the most trusted sources of market intelligence in the media industry. Media companies are navigating fundamental shifts in how consumers discover content, how advertisers allocate budgets, and how technology is reshaping the marketplace … That’s the opportunity that attracted me to BIA, and I’m excited to help advance its mission.” -Michael Guerity

What Remains Unclear: What motivated BIA to create this position. It is also unclear when Guerity will begin his duties with the organization.

What It Means: BIA is well known for its forecasting services. By adding Guerity to help beef up and reinforce those forecasts and analytics, it is cementing itself as one of the key players in the space.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

ESPN To Air WNBA Broadcast Featuring Robin Roberts, Geno Auriemma Reunion

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Thirty years after calling the first WNBA game on ESPN, Robin Roberts and Geno Auriemma are coming back. The legendary duo will reunite for a one-night-only telecast on Tuesday, July 7, at 8 p.m. ET.

What We Know: The Dallas Wings vs. New York Liberty matchup will air on ESPN. Roberts and Auriemma will join play-by-play commentator Beth Mowins for the broadcast. In addition, the game celebrates the WNBA’s 30th season. On June 23, 1997, Roberts and Auriemma called ESPN’s first-ever WNBA game, introducing the league to a national television audience for the very first time.

What They Said: Tim Corrigan, ESPN Senior Vice President, Sports Production: “Robin and Geno were there at the beginning. Helping tell the story of a groundbreaking new league that would forever change the landscape of women’s sports. Bringing them back together for one night is a fitting way to honor the league’s history, recognize its extraordinary growth and showcase the stars who continue to elevate the game today.”

Robin Roberts: “When Geno and I sat together for that first ESPN WNBA broadcast in 1997, we knew we were witnessing something special. To reunite with Geno and celebrate the WNBA’s 30th season alongside Beth is truly an honor. It’s incredible to reflect on how far the league has come and the bright future ahead.”

Geno Auriemma: “I’ve been fortunate to spend most of my life around women’s basketball. When Robin and I called that first WNBA game, it felt like the beginning of something that could change the sport forever. Thirty seasons later, it’s been incredibly rewarding to watch this league become what it is. Being able to reunite with Robin, a broadcasting legend and lifelong supporter of our game, and celebrate this milestone is a reminder of how far the game has come and how many people have helped elevate it along the way.” 

What Remains Unclear: Additional details surrounding ESPN’s full coverage plans for the special presentation have not yet been announced. It’s also unclear whether Roberts and Auriemma will take on expanded roles beyond this single broadcast. Roberts is currently executive producing ESPN Originals’ upcoming docuseries Setting the Tempo, which follows the WNBA’s newest franchise, the Toronto Tempo.

What It Means: This broadcast is more than a nostalgia play. ESPN is using the WNBA’s 30th milestone to spotlight the league’s remarkable rise since its 1997 debut. Moreover, much like NBC with the NBA, we’ve seen networks work on throwback broadcasts to increase interest in mid-season competition. Pairing two iconic voices from that inaugural telecast with a marquee matchup signals how seriously the network views women’s basketball today. It also could be an audition of sorts for Auriemma, who is entering his 41st season at UCONN.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Brandon Young Named PD and Morning Host at Star Country 95.9

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Brandon “Shotgun Jackson” Young is heading to East Texas. He joins East Texas Broadcasting’s Star Country 95.9 KSCH in Sulphur Springs as Program Director and morning host.

What We Know Young arrives from Rich Media Country 96.1/102.1 The Wolf KWFI/KWFO in Pocatello, ID, where he hosted afternoons. His background spans both programming and performance across multiple formats and markets. Previously, he served as OM for Stone Canyon Media in Flagstaff, AZ, hosting mornings at 107.5 Kolt Country KSED. He also held PD roles at Country 105.7 KYKX in Longview, TX, and Hot AC Mix 103.1 KURR in St. George, UT.

What’s at Stake Star Country 95.9 is investing in experienced leadership. Young brings a dual role — PD and morning host — which demands immediate on-air credibility alongside strategic programming decisions. His previous Country format experience in nearby Longview gives him relevant regional context. East Texas radio is competitive, and morning performance directly shapes audience habit.

What Remains Unclear The full scope of Young’s programming vision for Star Country 95.9 hasn’t been detailed publicly. It’s also unclear whether staffing changes will follow his arrival. Additionally, his specific start date hasn’t been confirmed. How quickly the station moves to reflect his influence remains to be seen.

What It Means Young is a proven commodity in Country radio, and this move makes sense on multiple levels. His Salt Lake City market experience — including APD/MD stops at KISN, KBEE, KEGA, and KYMV — built a strong programming foundation early. Furthermore, his Longview market background gives him a meaningful head start in East Texas. For East Texas Broadcasting, landing someone with his range is a clear upgrade.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

What to Know Ahead of the 2026 Barrett Media Audio Summit

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We are eight days away from the 2026 Barrett Media Audio Summit presented by Point to Point Marketing. My focus this week is on making sure that everything we can control from a planning standpoint is done to assure a successful show. I’d love to weigh in on a few media industry issues from the prior week, but there’s no time for that. Thankfully, we have a strong team here to supply coverage.

For those who are planning to join us for the show, here’s a few quick notes ahead of the event. Be advised, we are not adding any more speakers to the schedule, and tickets will not be available after this Friday.

Key Items to Be Aware Of

  • If you are not a sponsor, ticket buyer or recipient of a complimentary guest pass and plan to attend, reach out asap. You must be on the ticket list to gain entry. We do not sell tickets at the door. This event has been promoted for six months. Discounts have been offered. Contests have been run. Regularly priced tickets ended last week.
  • This event is strictly for media professionals and students pursuing a future in the industry. General public purchases will be refunded. We’ve already turned a few of those away. If you are not on our registration list, you won’t be allowed in. We have to make sure the right people are in the room, and our speakers and attendees are safe.
  • 96 speakers are scheduled to take the stage. That is the most we’ve ever involved in a conference. It’s not just about numbers though. This is as powerful of a lineup as you will find anywhere at any media industry show. My thanks to Tom Cuddy of 710 WOR, Rob Miller of WNEW, Lee Davis and Chris Krok for getting involved.
  • Media professionals across all areas of the industry will be in the building in addition to the speakers. I don’t put everyone on stage because I don’t want overcrowded sessions leaving people no time to talk. Professionals in different roles also have different interests. We try to offer content that appeals to everyone.
  • The SVA Theatre is at 333 West 23rd Street in New York City. Our News Summit is on Tuesday, June 30th. The Sports Summit runs on Wednesday, July 1st. And the Music Radio Summit is set for Thursday, July 2nd. Bring photo ID to registration to receive your badge, program and gift bag. Security will be on site to assure a smooth process.

35 Businesses Step Up to Support the Summit

I want to thank Magellan AI for signing on to sponsor our Music After Party. The final sendoff, which will feature a special live acoustic performance by Triple Tigers recording artist Shane Profitt should be a hit with all in attendance. It’s scheduled for 5p-7p on Thursday, July 2nd. With most people off of work the next day, I expect many to enjoy the enjoyment, if you catch my drift.

I’d also like to welcome Hubbard: Media That Connects as a partner to the Summit. My thanks to Ginny Hubbard, Greg Strassell and the Hubbard team for signing on as a Session sponsor. They’ll be supporting the opening conversation on Thursday, July 2nd featuring Fred Jacobs, Mike McVay, Lee Abrams and Buzz Knight. Anyone who works in programming should be in the room for that session. It’s going to be a programming masterclass.

Eight Days Until Showtime

Many media outlets execute events of this magnitude flawlessly due to help from dedicated teams. We don’t have that luxury. Our team is small. We pull this off in addition to managing daily content, newsletters, sales, consulting projects, etc.. Because our partners and speakers are supportive, we’re able to make it work, but it’s not easy. To those speaking or in PR who I haven’t gotten to yet with a note, hang tight. I’m trying to work through everything as fast as I can.

If you’re hoping to learn, laugh, build relationships, and/or explore business opportunities, this is the show to be at. Tickets can be bought here. There are eight days left to make plans to join us. Whether you’re with us for an hour, a half a day, a full day, all three days or an after party, just find a way to get there. You’ll be glad you made the trip.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

How Country Radio Is Turning Up the Volume for America’s 250th

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On Friday, I spoke with Skip Dillard about his thoughts on how Urban stations should program around the holiday. For today’s column, I caught up with two Country programmers tackling the milestone.

Independence Day weekend always brings out the red, white and blue in Country radio. But this year is different. America’s 250th birthday is pushing programmers to go bigger. They need to dig deeper into local history. And ultimately lean harder into community than any typical July 4th playbook calls for.

Kevin Callahan, Executive Director of Programming & Operations for Pamal Broadcasting, and Tim Roberts, VP/Brand Manager and Audacy Format Captain shared plans for the celebration. Their approaches share a singular theme: go local, go big, and make listeners part of the celebration.

Pamal Broadcasting Leans Into Local History

For Callahan, the 250th isn’t about a single weekend. It’s about place. Upstate New York and western Vermont sit on some of the richest early American history in the country, and Pamal’s stations are leaning into that hard. Crews are featuring and attending community events tied to the anniversary. Production teams built sponsored historical vignettes spotlighting key moments from the towns these stations actually serve.

On the music side, Pamal stations are running All American weekends featuring only domestic artists. A signature bit called “250 Seconds of Freedom” opens the phone lines for listeners to celebrate live, on air, for 250 seconds straight. Add in “250 Road Trips” and other specialty programming, and the patriotic theme runs through every daypart.

Contesting follows suit. Stations are giving away $250 gas cards and road trip prizes tied directly to the anniversary number.

“Pamal is pretty locally focused,” Callahan said. Markets build their own content rather than running centralized packages, because the sheer volume of local events makes a one-size-fits-all approach impractical.

Callahan measures success first through listener engagement, on air and at appearances, with the expectation that ratings and revenue follow. He also wanted to spotlight his team: the News/Talk staff at The Beacon for hunting down events worth covering, and the production team for carrying the weight of vignettes, imaging and audio storytelling.

Audacy’s WYCD Declares a “Summer of Freedom”

Roberts and WYCD in Detroit didn’t wait for July 4th weekend. The “Summer of Freedom” kicked off back on Memorial Day with the “Memorial 250,” a countdown of the 250 biggest party and patriotic songs to open the season.

From there, the calendar gets stacked. The WYCD Hoedown Festival brings in Darius Rucker, Corey Kent and Lauren Alaina, while massive stadium dates from Luke Bryan, Morgan Wallen and Chris Stapleton round out the summer. Roberts called it “tons of ticket giveaways and fun,” and the lineup backs that up.

Musically, WYCD’s brand has always run patriotic — even its logo is red, white and blue. For the anniversary weekend specifically, expect deep cuts from Johnny Cash, Aaron Tippin and other genre classics mixed into regular rotation.

A Morgan Wallen-centered contest is dropping closer to the 4th, though Roberts kept the details under wraps. The station also created a commemorative “Summer of Freedom” T-shirt for fans, with a shot at backstage access built in.

Roberts said the effort blends both local and group programming, and success gets measured across the board — ratings, engagement and revenue together. “It’s part of YCD’s DNA,” he said.

He was quick to credit the team behind it: WYCD Marketing Director Laurie Haddad, Scott Roddy, the entire Audacy production team, and on-air talent including Katie Neal, Coop, Holly Hutton, Mo & Styckman, Scotty Kay, Heather Froglear, Bru and Eric Raines. “It takes a Continental Congress of people to pull this off,” he joked.

A Shared Playbook, Local Execution

Different markets, different scale, same instinct: make the 250th feel like it belongs to the community listening. Whether it’s a sponsored history vignette in the Hudson Valley or a Morgan Wallen stadium show in Detroit, Country radio is proving the format’s patriotic roots run deeper than a single weekend of flags and fireworks.

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Taylor Swift, Beyoncé, BTS: Inside Women’s Rise In Live Music

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You don’t need a research report to figure this one out. Taylor Swift turned a tour into something that moved local economies. Lainey Wilson became one of the biggest names on country radio without changing who she is to fit the mold. Beyoncé built the BeyHive into one of music’s most loyal fan bases. BTS turned ARMY into a global force that goes way past the concert hall. None of that’s a new observation. But a new global study finally puts some numbers behind it, and the numbers are bigger than I expected.

THE NUMBERS

The study is called “Her Frequency,” put out by The Collective and THE TEAM’s music group, and the headline finding is simple: women aren’t a side audience in live music. They’re the foundation of it. Sixty-four percent of women worldwide call themselves fans of live music. Their buying power backs that up — women are projected to control nearly $100 trillion in spending by 2048, and they’re expected to drive about 75% of global discretionary spending by 2030. So if a venue or an artist ignores how women actually engage with a show, they’re ignoring the people footing most of the bill.

WHO’S ACTUALLY PLANNING THE NIGHT

This is the part that stood out to me most. Most of what happens before a show even starts runs through women. The study found 83% of women fans play a key role in creating the group experience — as coordinators, influencers, purchasers, explorers, and stylists. The report calls this the “experience architect,” and honestly, that’s about right. Thirty-five percent say they’re the ones who get the group moving on attendance in the first place. Thirty percent are the ones coordinating everyone. Half of them are actively trying to make the night better, finding something new to do or creating a moment people remember. That’s a lot more than buying a ticket.

It’s not a coincidence the report keeps coming back to Swift, Beyoncé and BTS. Swift, the study says, “redefined fandom as a participatory economy,” building her tours around an “era-based” identity system fans live inside rather than just watch. Beyoncé gets credit for building one of “the world’s most influential fandom ecosystems” with the BeyHive. BTS created what the report calls an “artist-owned fan ecosystem,” built on identity instead of a typical transaction. Put Lainey Wilson’s run in country music next to those three, and you’ve got the same pattern showing up across genres that don’t have much else in common.

WHAT THIS MEANS FOR RADIO AND LIVE

For anyone working the programming or promotion side of this business, the takeaway isn’t complicated. Women are already showing up, already organizing the group, and already spending more than they’re typically being asked to spend. They’re also telling researchers directly that they’d spend even more if the experience held up its end. According to the study, 86% of women say they’re open to spending more on live music when the experience feels seamless and immersive. That’s not a hidden opportunity — it’s sitting right there, waiting on programmers and promoters willing to build around how women actually show up instead of how the industry has always assumed they would.

This isn’t a trend about to peak. It’s a correction the business should’ve made a long time ago. The artists already figured it out. The rest of the industry is just catching up.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.