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Bootleg Kev And Alpha’s Phil Becker Discuss Country Music’s Rise on ‘Phil-Osophy with Phil Becker’ Podcast

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Phil Becker, Executive Vice President of Content at Alpha Media, recently hosted Bootleg Kev, the host of the Premiere Networks-syndicated “The Bootleg Kev Show,” on his podcast “Phil-Osophy with Phil Becker.”

The discussion centered on the rising popularity of Country music, as the two engaged in a thought-provoking dialogue to explore the question: “Is Country music the new Hip-Hop?”

Becker and Bootleg Kev engage in a compelling discussion about transformative collaborations in the music industry, spotlighting the partnership between Morgan Wallen and Lil Durk.

They highlight a trend among Country artists who are moving away from traditional aesthetics to connect with contemporary audiences. The conversation also addresses concerns about what may be diluting Hip-Hop’s appeal and the potential loss of the genre’s edge.

Additionally, they examine how platforms like TikTok and streaming services are blurring genre distinctions, revealing the shared raw and rebellious spirit found in both Country and Hip-Hop music. Bootleg Kev recounts personal experiences working with innovative artists, such as Jelly Roll, who has shifted towards Country music, attributing part of his success to Kev’s influence.

Listen to this special episode of the “Phil-Osophy with Phil Becker” podcast on iHeartRadio HERE.

Kadie Daye Exits ‘Clay & Company’ Morning Show At Country 106.5 Buffalo

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Kadie Daye has left her position at Country 106.5 WYRK in Buffalo after three years on the “Clay & Company” morning show. Her departure is part of recent budget cuts at the station.

Her Instagram post read, “Honestly, I didn’t really know how to tell the world that I got laid off, so I turned it into a radio segment. Typical, right? I’ve wanted to do radio since I was 8 years old, and now that I’ve been doing it for 8+ years, I know I’m not done yet. Just unsure at this time *where* is next. Thank you to everyone who believed in me & has helped me grow to who I am now! I am grateful for my experiences in Buffalo, and here’s to the next chapter.”

Daye joined WYRK in July 2021 after spending two years hosting the night shift at Top 40 U93 WNDV-FM in South Bend. Prior to that, she served as Student Manager at Goshen College AAA “91.1 The Globe” WGCS in Goshen, Indiana.

Motor Racing Network Anchor Jeff Striegle Will Call it a Career This Weekend After 27 Years

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NASCAR is set to crown a champion this weekend at Phoenix Raceway as its season comes to an end. The race will also mark the final one with legendary motor racing voice Jeff Striegle on the call for Motor Racing Network (MRN). After 27 years behind the microphone, Striegle had announced earlier this year it would be his last.

Striegle had made the announcement in a post on X in August saying, “I have made the decision that after 27 years with MRN, this will be my last. This journey has taken me to places and provided opportunities that I could have never imagined. I have memories that will last a lifetime and friends that I will miss dearly.”

Striegle has seen it all in his career and when asked to choose a favorite memory he said, “It’s hard to pick out just one racing moment. There are so many amazing memories. For me, what I will miss most are the people. Everywhere we go, we meet wonderful people, great race fans that tell us ‘We have been listening to MRN for years…‘ they always want to thank us for what we do. Without the fans, there would be no need for the Motor Racing Network.”

“Throughout his time with the network Jeff has lent his talents to a number of positions around the racetrack before finding his way to the broadcast booth in 2013,” said MRN President Chris Schwartz. “His broadcast career began like so many others by working the public address booth providing the soundtrack for thousands of fans at his local racetrack, in Jeff’s case Berlin Raceway in Marne, Michigan. He has been involved with calling some of the sport’s most iconic moments, and it is fitting that the checkered flag will fall on his broadcast career by calling the final laps of another NASCAR Cup Series Championship.”

Motor Racing Network will have complete coverage of the NASCAR Cup Series Championship Race Sunday, Nov. 10 beginning at 2 p.m. ET. The NASCAR Cup Series Championship Race will be carried live on approximately 300 radio station partners across the United States, the NASCAR mobile app, and at MRN.com.

In addition to his work with the radio network, Jeff Striegle is also the General Manager of Berlin Raceway near his home in Grand Rapids.

News Media Reacts to 2024 Presidential Election Results Coverage on Network and Cable News

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The 2024 Presidential Election results coverage can often be compared to the political Super Bowl. That was obviously true on social media, as many news media members opined on network and cable news coverage.

Dozens of news media members took to the X social media platform to share opinions on the coverage taking place on outlets like ABC News, CBS News, CNN, Fox News, MSNBC, NBC News, Newsmax, and NewsNation, among others.

One of the top trending items of the night was the coverage from Amazon Prime Video featuring the likes of Brian Williams, Candy Crowley, Sheperd Smith, and James Carville among others. The first-time news special from the digital entity garnered much attention.

Another piece of 2024 presidential election results coverage that was much-discussed was the Peacock stream dedicated to NBC News correspondent Steve Kornacki. Not only was the stream available on Peacock, it was also available on YouTube, MSNBC.com, and the NBC News NOW platform.

Many observers had jokes, while others shared behind-the-scenes photos of the coverage, while others joked about the attire worn by those providing pivotal news media coverage on Tuesday evening.

Bob Costas Decided to Call His Own Shot in Exiting Baseball Play-by-Play

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The only thing harder than getting to the big leagues is staying there. The only thing harder than staying there is excelling. And the only thing harder than all of it, upon actually producing a great career in the show, is figuring out how to walk away before they make you run.

Most athletes, elite as they are, fail at that last part. For many, the book gets written for them: released by their team, forced out of the game by injury, or simply left unclaimed after one contract expires and another one fails to materialize.

Sometimes it’s a plume of smoke, sometimes a wisp. They fall out of the sky either way.

Maybe that’s why we celebrate the people who figure out how to pull it off. We love the John Elways of the world, who win a Super Bowl, chopper out of the stadium and never look back. The Mia Hamms, winning Olympic gold and then calling it a career. Ted Williams at Fenway. Bill Russell with the Celtics. There are more, but there aren’t a ton.

Bob Costas, who talks about games for living and by so doing has become more famous than many, many of the athletes he’s described, has seen plenty of terrible career exits and a few good ones. Costas decided to call his own shot. That has to be good enough for now.

Costas, 72, knew before the 2024 MLB season began that it would be his last as an active play-by-play broadcaster. He waited until this week to expand on that, telling Tom Verducci that it was all about clearing a high bar.

It is a remarkable declaration by a very self-aware pro. Here are the bulk of Costas’ words:

“I felt that I couldn’t consistently reach my past standard. There might have been individual games or stretches within games or moments in games that were just the same as if it was the 1990s or the early 21st century. But I couldn’t string enough of them together.

“And I have too much regard for the game, for the craft, and for whatever my own standard has been to hit beneath my lifetime batting average, which is why I’m grateful to the MLB Network for replaying the Sounds of Baseball. Because players have this advantage over people in almost any other profession. My guy Mickey Mantle hit well below his lifetime average his last few years, but even a kid who never saw him play can go to Baseball Reference and see what the career was like. And I just felt like in the last couple of years, I couldn’t quite reach that. And what I hoped for this year…I just hoped to end on a grace note.”

Viewers will decide for themselves on that. Costas didn’t get much love during the Division Series between the Yankees and Royals, and that is largely because some folks — those on social media, at any rate — wanted a more excitable sort behind the mike.

Fair to say that at one point in his career, that person would have been Costas. Now, at age 72, he is a much more measured broadcaster, although his energy seemed to surge during the conclusive Game 4 of that New York-Kansas City series.

Costas knew, and we didn’t, that the game was his final call. It’s always possible that MLB Network will invite him back for an occasional play-by-play guest appearance in addition to the other programs on which he’ll continue to appear, but I doubt Costas would say yes. I take him at his word. He likes what his career numbers say about the kind of broadcaster he is, and he won’t mess with that.

Costas was always a proud person, quite self-critical and constantly looking to adjust for the better. It’s the only way he could have spent this many decades calling just about every sport at the highest levels. He certainly knew he was good, which seemed to bother some people, but at that summit you either know you can or know you can’t.

If this is it (and again, I absolutely assume that it is), then good on Costas for the timing. It’s hard to imagine that MLB Network would have forced a parting, and that could have led to too many seasons of games that weren’t up to the network’s standards – or, more significantly, to Costas’ own self-expectation.

It isn’t Ted Williams homering in his final Fenway at-bat, no. Then again, most people never even come remotely close to that. What Costas just did was still mighty rare: He scoped out an exit doorway and headed straight for it. No point in looking over his shoulder now.

Is Brian Williams Ready for a Television News Comeback After Amazon Prime Video Election Night Special?

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I was borderline shocked when it was announced that Brian Williams was set to host an election night special for Amazon Prime Video. For a variety of reasons.

First of all, Brian Williams has sort of faded from the public eye after his high-profile exit from NBC Nightly News and shift to The 11th Hour on MSNBC.

Secondly, it was a rather large first foray into the news media space for Amazon Prime Video as it continues to spread its proverbial content wings into areas outside of limited scripted series’.

Finally, the “election night special” category felt like it was an already crowded space. And, generally, that’s not something Amazon Prime Video dives head-first into.

So, I watched coverage from about 7 PM ET through Midnight.

I left the coverage thinking one persistent thought: if there isn’t a place in television news for Brian Williams, there should be.

In the current cable news landscape, there are too many partisan firebrand hot takes, and not enough well-thought-out, well-researched, and thought-provoking questions to the biggest newsmakers and lawmakers. The sphere is dominated by lackeys who believe their favorite political party can do no wrong and believe it is their job to help get candidates elected instead of informing the American public.

On the network news side, outlets like ABC News, CBS News, and NBC News have seen viewership totals plummet as consumers have shifted away from terrestrial and cable television. The chairs that were once dominated by venerable news anchors — Williams included — are now going to be occupied on a rotating basis in the case of CBS Evening News.

But with his coverage on Election Night, Brian Williams showed that he still has it. He’s still remarkably handsome and exudes a conversational tone. I laughed out loud several times throughout the night, from him using phrases “pissed off”, “damn”, “hell”, an argument about the best cheesesteak in Philadelphia with Rep. Madeleine Dean (D-PA), and asking Sen. John Fetterman (D-PA) if he needed to be rescued from a hostage situation.

He is so insanely smooth. That conversational tone is so desperately needed by television news anchors and cable news hosts. Not one time did I think Brian Williams was talking at or down to me throughout the night. I felt as if he was talking to me. And that’s an important aspect.

Additionally, the way in which his interview subjects spoke about him with reverence showcased the credibility he still has with so many important figures in the political sphere. It was so evident how many high-profile figures viewed him as a titan of the industry, in spite of his descent out of the public eye in recent years.

Credibility — like a conversational tone — is another thing the television news industry could use heaping piles of in 2024. On the network news side, ABC World News Tonight anchor David Muir faced charges of political bias after his performance as a debate moderator earlier this year. Similar charges were lobbed at CBS Evening News anchor Norah O’Donnell and Face the Nation moderator Margaret Brennan.

Meanwhile, on cable news, Fox News famously paid out $787.5 billion for knowingly broadcasting lies about the validity of the 2020 election. Newsmax is still in the midst of a similar lawsuit. CNN has seen its ratings fall off a cliff as viewers continue to lose trust in the brand. Credibility isn’t exactly in abundance in either sector.

And yet, I don’t know where Brian Williams fits in the landscape today. The days of high-priced, big-time network news anchors are now a thing of the past. In cable news, the only thing in the middle of the road is roadkill. I don’t and wouldn’t expect Brian Williams to turn into an opinion-based host at this stage of his career. Furthermore, I don’t know if there would be demand from an audience for a show that features great conversations with prominent figures, similar to the famous CNN show Larry King Live.

That speaks more to the changing style of television and the more personalized nature of our content choices in 2024, but that’s a different discussion for a different day.

Ultimately, I don’t know what his news television future looks like. Maybe it’s a show with Amazon Prime Video or something similar. But I know that if Brian Williams wants to get back in the game on a more permanent basis, I hope he gets that opportunity. Because he deserves it. He reminded not only me, but I hope many others in the industry, that he still has it and is at the top of his game.

Transitioning Music Radio Sellers To Digital

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If I was in baseball, you might say that I’ve “hit for the cycle.” In my career, I have pretty much-done everything from on-air programming to production, operations, corporate exec, research, business owner, sales, and market management. I would consider myself “well-seasoned.” The challenge for most who share the same status is that we become stuck in our ways and less able to adapt to change, especially in sales.

Shifting experienced, long-term, successful radio marketing professionals into the digital advertising space requires education, empowerment, incentives, and, most of all – patience and understanding. They simply haven’t been brought up on this new-fandangle opportunity called digital. It’s like teaching “common core math” to those of us who learned “procedural math” in school.

The truth is that digital advertising is no longer just an option but a necessary addition. In fact, many companies are now leading with digital. Traditional radio advertising is most definitely still extremely relevant and effective, but it can greatly benefit from the combination and integration of digital platforms and vice versa. For those selling radio, this shift requires additional tools that enable them to create new revenue streams.

Obviously, it will be crucial to understand the landscape. Digital ads offer a range of formats, from display ads, video ads, OTT, SEO, social media, and sponsored content with new terms like geofencing, PPC, and so much more. Providing comprehensive training on the basics of digital advertising, including SEO, SEM, PPC, and social media marketing, is a good starting point.

The good news is that the best salespeople already have a deep relationship and understanding of their client’s goals from a radio perspective. The progression for radio sellers is to help them see how digital advertising can complement and amplify the reach and effectiveness of radio campaigns. Traditional sellers and clients should be excited by digital’s ability to offer precise targeting and measurable results.

For a smooth transition, salespeople need solid training from experienced sellers. Real-world scenarios, role-playing, and digital campaign case studies are all essential tools for proper training. The RAB has excellent courses through its business development team. Providing access to these tools boosts confidence!

Support from a DOS, GSM, GM and Digital Strategist is imperative. I recommend establishing a training program where experienced digital marketers take on the role of mentor for traditional sellers. A dedicated support system will help with any doubts or challenges that will certainly come up. Most of all, make certain all your salespeople feel valued and confident in their new roles and their newly discovered goals.

As we all know, motivation plays an important role in a team’s performance. When I first became a general manager, I wondered why extra incentives were even necessary. After all, salespeople can make as much as they want by simply seeing more clients and building more relationships. I quickly learned that extra incentives and rewards for meeting sales targets were key to motivating a team. It really doesn’t matter if it’s financial bonusing, recognition awards, or career advancement opportunities; any type of reward helps motivate, especially when it’s an area new to them, like digital sales. These incentives ensure that the entire team is working toward the same objectives.

Success stories you can garner from other stations or companies using digital integration are also a strong motivator. Real-world examples of improved revenue, higher customer interest and engagement, and client satisfaction will demonstrate the many benefits of digital.

Finally, keep in mind that no one likes change, and encouraging people to embrace constant change as a growth opportunity is challenging, to say the least. Continuous learning opportunities, updated industry trends, and being open to new ideas will keep them ahead of those who are resistant. My dad taught me years ago that forcing anything to move in the direction you desire will most likely fail, whereas gently guiding a team through any transition will assist in making it a natural progression.

Sales Meeting: History is the Best Predictor of the Future

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Welcome to our first sales meeting of November. Which is hard to even say, what happened to October? Stuff flies at this time of the year for everyone, until, of course, suddenly it all stops. It’s go, go, go and then it’s no, no, no, call me after the first of the year.

Now, assuming you have been doing this job for a few years, you should know your clients and their timing. You should also have a pretty good idea of timing by industry. Which businesses like to have everything wrapped up by the end of the year and which ones will linger into early next year.

Paying attention to important details such as when your clients like to shut it down for the year is important. Hopefully you have been prepared and you were able to review your old notes when 3rd quarter flipped to 4th quarter to get the information you needed. The history in your notes should be able to predict the future. When is that particular client ready to talk about 2025?

Time is money so staying ahead of the curve is important. You also have to prioritize. There are certain pieces of beach front property at your stations which some of your clients have sponsorships of. Those are the easy ones in the sense of finding out if they want that key inventory or not. Not only do you want to get this year’s client renewed but you always want to know early if there is any sort of hesitation. Should you find a hot sponsorship is going to come open, you want to be thinking about who on your list can replace the other sponsor, before everyone else finds out.

As we like to say in sales, a no is a lot better than a maybe. At least you know what you have to do next.

Make sure as you set up these appointments for 2025 business, you have some homework prepared before you meet. Put the time in to make some recap slides and review anything and everything that was done. Hopefully you have some good data compiled but even if it is simply recapping what ran and when, don’t give the client the indication you are taking the business for granted and no longer need to ‘sell’ them.

Ask about any changes they are anticipating in their business or industry, and you should be prepared to talk about the same. Remember you are their marketing expert, so make sure you are always keeping them up to date on the latest trends and industry news as well.

Bring ideas for 2025. Take what you know about the client, what they have done in the past, and put together something that will get them excited. You know your stations better than they do, better than anyone, so think about what resonates the best with the audience and find a way to piggyback off that for your client’s benefit.

As it relates to new business this time of year, you know the drill, or at least you should. It is out there, but it is limited in terms of industries where they save money until late in the year for the holiday push. Typically, these businesses like to have these plans done in advance of Q4, but perhaps you can still get lucky, the only way to find out is to make those connections.

As you start to lay out your 2025 in full, look back on 2024 and make notes you want to remember this time next year, or things you want to track. Also look back the year before and the years before that, what can you see that might tell you something about next year?

No matter what, you know 2025 will be filled with a lot of prospecting and making connections, setting up needs analysis meetings and pitching deals, trying to close business while servicing the clients that you already have. Nothing major will change unless you do.

And remember that if you want to predict the future, just look at the past. Learn from it, set goals based on some of it and use it to your advantage however possible.

‘B-Dub Radio’ Is About Hard Work And A Good Partnership

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Bryan “B-Dub” Washington is the host and creator of the nationally syndicated Country evening show “B-Dub Radio.”

Washington, a radio veteran, started in Top 40 and had stops in Milwaukee, Philadelphia, Phoenix, and Denver before settling into the Northwest, currently residing in Oregon.

“B-Dub Radio” started as “Buckwild Saturday Night,” a weekend offering, before rebranding and launching as a weeknight and weekend show.

For Washington, starting a syndicated show and getting it launched meant finding the right people with whom to partner.

“I had people that believed in me. We came up with a plan and a concept and saw, at the time, a hole in the space for just a fun, upbeat Saturday night show, and that’s what we went with because that’s where the demand was. Then, as time went on, we saw a hole for content-driven shows.”

“So, that’s what we went with, and the opportunity to grow came after being a syndicated show for six years. What’s the next step? Expand and offer a weekday program.”

“Over the years, we had several stations saying, hey, if you had weekdays, we’d pick you up there as well, and we’ve grown from weekends only to weekdays in a good chunk of our Saturday markets that have grown with the show. Syracuse, as an example, Portland now carries me and Seattle. We were able to grow and expand affiliates and stations that needed a weekday solution but didn’t necessarily need a show on the weekends; we’re able to provide that as well.”

Washington’s plan accelerated when the Seattle station he worked for abruptly changed formats, leaving him without work.

“My plan was to go full-time into the syndicated show when my last contract with Hubbard was up, which would have been April of 2025, but the station flipped to AAA for a year, and that timeline accelerated a little bit. Luckily, the show had grown, and the revenue was there, so I didn’t have to panic and go find a job somewhere. I’m thankful for those who believe in what I do, and I think it’s made the show better because I’m able to focus on one thing every day versus three different jobs between being an APD MD and then having the national show to do as well.”

“B-Dub Radio” focuses on delivering content to stations so that they can wrap their own playlists around it.

“For the weekday show, the focus is the content. We provide the content; stations put their own music around it. The markets where the show is the most successful wrap it around their brand, treat it like I’m a local talent, send liners and things for me to talk about, and then put it in their local logs.

“WUBB Savannah is a great example of how to execute that, and the show does well. I do my best not to sound like I’m a nationally syndicated show.”

Being national while not sounding national is a focus for Washington.

“I want to sound like I’m just somebody’s friend that happens to be on the radio. We don’t really talk about where I live on the air. If someone’s engaging with me on social media, it’s not hard to figure out.”

“I live in the Northwest, but I don’t try to cram down where I am. That’s not important anyway. People want to hear great music. They want to be entertained. And that’s what we try to do. So the station is able to wrap my breaks and content around their brand five nights a week.”

Washington is a one-man operation, so time management is essential. Affiliates want custom content with deadlines, while Washington is also curating content for a daily show. So, how does he keep the trains running on time?

“Just time management. I set aside time every day to read liners that have come in and work on more of a system as the show is growing. I do get more and more local stuff to read, so I’m trying to figure out a way to execute that better and create a workflow.”

“For now, I’m a one-man band. I do my best. Sometimes, one falls through the cracks here and there, but I give everybody my cell number. So if I miss something by mistake because I’m human, it’s like just shooting me a text and hit me with a reminder if I don’t hit the deadline. But, so far, it’s worked out great.”

“Some stations send me stuff once a month. Sometimes it’s once a week. Sometimes, you sign them, and it’s like Ronco: you set it and forget it. It just depends on the market. We’re all busy with more things to do. I’ll work as hard as they want me to.”

Technology has allowed Washington to produce the entire show from his home studio.

“I built the studio during COVID, and being able not to have to go into a radio station every day is nice from a technological standpoint. That being said, I do miss the camaraderie and the culture of working day to day at a radio station, building relationships and being able to cut up and have fun with people. That’s why we work in radio.”

Washington likes the current state of Country radio.

“I think the music cycle is the strongest we’ve seen in a decade. Country is white hot. I think we need to empower radio at the local level. That being said, with the revenue in radio and within audio, in general, being spread thinner and businesses spending less, from an advertising standpoint, there comes a need to fill roles. That’s where shows like mine can step in and be a good solution if you can’t find or don’t have the money to find a strong local talent.”

He credits syndication partner Skyview Networks with constantly advocating for the show and making the affiliate roster grow.

“Ed and Gina and the team at Skyview are great in terms of constantly being on the phones and coming up with a solution either one by one or if there’s an opportunity from a group standpoint. I think that’s what sets my show apart; we’re not a crammed-down show.”

“SummitMedia carries me on all their stations at night, but when Randy Chase and I met in 2020, virtually, of course, because it was during COVID, he got the local buy-in of all the PDs. So, it wasn’t a forced decision. It was, here’s an idea.”

“We’ve retained those stations. I work hard to maintain those relationships and make sure I’m continually working hard because when you don’t have the local buy-in, the second a station is told, you know, told you don’t have to run this anymore, you’re going to get dropped. It’s just 99% of the time.”

With affiliates across the country and many different regional influences, how does “B-Dub Radio” approach social media?

“I try to be as real as possible. I stay away from politics and things on my brand pages. I try to stay away from it in general because it’s so divisive right now. And I think that’s by design with social media, not necessarily people themselves.”

“But as far as the content, it’s artist-driven. It’s conversations with the artists I have, trying to find that one 30-second part of the conversation that will stick on social media. It’s a lot of life group stuff: heading to concerts, getting out, and seeing music. I ride my motorcycle a lot.”

“So, a lot of the content I post is bike-related. The content is stuff that I enjoy and find funny. I try not to make it regional. Motorcycles are a cross-country type thing. So is barbecuing; I love to cook outside. So that’s stuff that I’ll post from time to time, as well as relationship-driven stuff with my wife and my family, nieces, and nephew.”

What advice does Washington have for anyone looking to syndicate their show?

“Find a way to own your product. Negotiate that into your employment contract if you’re employed. If you do start a syndicated show, and you’re employed by a company, they’re going to own the show, and at the end of the day, you have nothing.”

“To add to that, it’s a marathon, not a sprint. It’s going to be years before you really see something viable from a financial standpoint, but when it does, it can be very rewarding. Also, know that it could end tomorrow.”

Find out more about “B-Dub Radio” here.          

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Michael Lysak Walks the Walk at Bloomberg Radio, Just Like His Boss

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Bloomberg Radio’s Michael Lysak likes to tell people, “Not only am I on your side, but it’s my job to make you the best you can be because if you’re not good at your job, then I’m not going to be good at my job because my job is to make you good at your job.”

The Regis High School graduate made his way to the top of the industry without ever having to leave the New York market. His passion for radio began in the halls, and microphones, of the catholic school. “I launched a radio station on the PA system of my high school,” Lysak said. “And that was a lot of fun. And, you know, I just kind of got the radio bug way back then.”

Lysak attended NYU and before long he joined Bloomberg Radio Network. “When I walked in the door, I never knew that I would be here for a long time,” he said. “I was interviewed by Mike Bloomberg, and you talk about people who have influenced you. He’s such a great hands-on guy. Firsthand, he would interview employees. He can’t do it now because the company has grown so much.” 



Lysak recalled, “Back then, [Mike Bloomberg] interviewed every employee. In the morning, he was the first one in the office. He didn’t have to be. He had his name on the company. The phone would ring, he’d answer the phone. It wasn’t that small of a company, but he’d answer the phone because it was often a Bloomberg terminal customer, which is the lifeblood of this company. He wanted to send the message that he cared.”

The former New York City Mayor’s influence on Lysak is evident, not just by work ethic but by humbleness as well. “It’s a very, egalitarian place,” Lysak said about Bloomberg. “People do not have offices, we sit in an open room. [Mike] sits in an open room as well, and he’s always put himself near radio people, which is very cool. He likes radio a lot. Despite how important and successful he is, he doesn’t put himself in an ivory tower. He sits at an open desk just like everybody else. So, he walks the walk. And, you know, I try to do the same thing.”


Today, Lysak is the head of Global Radio & TV syndication at the network. His team provides business reports for stations around the country, including Audacy and iHeartMedia. “I say money reports because you know, they have mainstream audiences. So unlike Bloomberg Radio, which has more of a niche audience that is very interested in the more of the granular details of business news, the more general radio stations that my department services are general news stations.”

Another part of his team’s responsibilities is handling ‘two way’ requests and inquiries. “[Affiliates will contact my team and] say, ‘We’ve read the story about the latest morning Consult poll, which is a poll that Bloomberg does about the presidential election. Can we talk to the reporter?’ Then we’ll hook them up with the reporter and they’ll interview the reporter on the air for 3 to 5 minutes. So, in that sense, we’re involved in presidential politics, but very peripherally.”

This might be why the outlet is so down the line when it comes to reporting on politics. “In a day where a lot of media might have a point of view one way or the other purposely because that’s their mission, at Bloomberg our mission is to be kind of down the middle, and we have a reputation for that. So that’s kind of nice [and] a breath of fresh air for your listeners to know that we’ll do our best to be evenhanded.”

No matter the size of the market his team is reporting for, Lysak notes it doesn’t matter how many people are listening, you are talking to one person. “You want to talk to an audience of one so that you are intimate and that’s the beauty of audio.”

Over the years Lysak has transitioned from saying ‘radio’ to ‘audio’ because, “We’re in the storytelling business and we’re platform agnostic.” He also noted, “At Bloomberg a lot of our radio shows are turned into podcasts. A lot of our podcasts are turned into radio shows, which proves that good content is good content. Of course, there are stylistic differences and so forth. But these high-level ideas remain the same. Tell a good story and communicate directly in an intimate way to your audience of one. I think that that’s true whether you’re podcasting or broadcasting.”

Either way, the intimacy still remains because you can stream radio or podcasts straight from your phone, “They’re not just sitting in front of the radio like you would sit in front of a television and watch the latest episode on Netflix,” Lysak said. “They’re doing all sorts of other things while they’re listening to the radio.” Lysak added, “You’re not just competing with other radio stations, you’re competing with all of this other media like audiobooks. I like listening to audiobooks, but if they’re listening to an audiobook, they’re not listening to you. How do you make [listeners] special? Just speaking to that audience of one, communicating in a way that you would to your friend.”

No matter the type of report his staff is giving, what Lysak believes is most important is telling good stories. “Things at the top of the list are good writing, being able to write good broadcast copy and obviously you need to have a good on-air delivery that’s appropriate for the particular venue,” he said.

Most importantly, for those looking to follow in Lysak’s footsteps or even for those reporters he oversees, he looks for people who have the desire to be there. “Who wants to be the first person and show up in the morning and the last person to leave, not because you want to work them to death, but because they love the job so much. They want to be there. You know, you want to see that spark in people. You want to go into something with the idea that ‘I want to do as much as I can.’”