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Jemele Hill to Host TNT Sports Magazine Show ‘Above the Fold’ on truTV

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TNT Sports and Uninterrupted launched a new show this week, Above the Fold with Jemele Hille. The show debuted Tuesday evening and moving forward will air each Thursday at 7 p.m. ET on truTV.  The network says the show will “delve into important stories and topics centered on the connection between sports and culture.” 

The show will be an hour in length and Hill will be joined by a rotating lineup of contributors who will add to the conversation about the major and most relevant sports topics of the week.

“I’m very excited to be working with TNT Sports and Uninterrupted on a project that centers sports journalism and compelling storytelling, said Hill in a release. “The sports media landscape is constantly evolving, but there is always room for nuance, depth and perspective.”

“As we develop the TNT Sports on truTV programming lineup, we’re excited to partner with Uninterrupted and Jemele to create a show that will be entertaining, insightful and thought-provoking,” said Craig Barry, Chief Content Officer, TNT Sports. “Jemele is an influential voice within the sports community and has a unique lens. We are looking forward to building a platform to share meaningful and compelling perspectives with our fans.”

“Uninterrupted is a big fan of Jemele Hill, and given our previous work with her, we know audiences are in for a treat as she shares her unique perspective on sports and culture,” said Jamal Henderson, Chief Content Officer, The SpringHill Company. “As a brand founded on providing a platform for diverse voices of athletes and their interests, we’re excited to partner with TNT Sports on truTV to bring this series to audiences every week.” 

TNT Sports will televise nearly 1,000 hours of sports programming on truTV in 2024 with plans to significantly increase its volume in 2025. 

Hill will serve as Executive Producer for the show. Executive Producers for Uninterrupted are LeBron James, Maverick Carter, Jamal Henderson and Philip Byron. 

Benztown Reveals Top 50 Voiceover Professionals In The U.S. and Canada

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Benztown has unveiled its 9th annual Benztown 50 List. The exclusive compilation highlights the top 50 voiceover artists across the United States and Canada.

To create the list, Benztown collaborated with P1 Media Group to gather and analyze pertinent industry data. A key highlight of this year’s Benztown 50 is the presentation of the Chris Corley Lifetime Achievement Award to Ann DeWig, a standout in the voiceover industry.

DeWig’s voice is featured in advertisements, promos, and industrials globally. She’s been celebrated for her exceptional range and versatility, and for always prioritizing her client’s needs. Ann has spent more than 25 years voicing for television, radio, and film.

Ann DeWig Photo:Facebook

Dave “Chachi” Denes, Benztown President, said: “We are thrilled to recognize the top 50 VO artists in the U.S. and Canada for 2024, along with the peer-voted ‘Best of Format’ honorees and the great Ann DeWig, recipient of the Chris Corley Lifetime Achievement Award. These individuals represent the pinnacle of audio branding and are synonymous with many major brands in our industry.

Benztown produced a video to congratulate the winners. Click HERE to watch it.

The Benztown 50 was introduced nine years ago. It’s produced annually, and designed to recognize the top 50 imaging voiceover talents in North America and Canada.

2024 Benztown 50 (in alphabetical order by first name):

  • Amanda Madi
  • Ann DeWig
  • Ben Blankenship
  • Blaze Berdahl
  • Brian Christopher
  • Brian Lee
  • Cayman Kell
  • Chad Erickson
  • Corri English
  • Cousin Deke
  • Damon Oaks
  • Dan Kelly
  • Dave Steele
  • David Kaye
  • Donna Frank
  • Dr Dave Ferguson
  • Erin Setch
  • Harry Legg
  • Heather Walters
  • Jeff Berlin
  • Jen Sweeney
  • Jim Cutler
  • Jim Merkel
  • JJ Surma
  • Joanna Stadwiser
  • Joe Cipriano
  • John Reilly
  • John Willyard
  • Josh Goodman
  • Kaija Matīss
  • Kelly Doherty
  • Lisa Keys
  • Malcolm Ryker
  • Melody Sharp
  • Miles Hlivko
  • Milk Styles
  • Pat Garrett
  • Pete Gustin
  • Rachel McGrath
  • Rena-Marie Villano
  • Rich Van Slyke
  • Rider
  • Sammi Morelli
  • Scott Fisher
  • Scott Matthews
  • Sean Caldwell
  • Steve Kamer
  • Steve Stone
  • Vanessa James
  • Victor Lisle

Benztown is also recognizing “Best of Format” across 12 format categories for the first time. The “Best of Format” Awards honor the best voices in each category, as determined by the votes of audio industry professionals and voiceover peers. The 2024 Benztown 50 Best of Format Awards honorees are:

  • · AC/Hot AC: Ann DeWig
  • · CHR: Rachel McGrath
  • · Classic Hits: Joe Cipriano
  • · Classic Rock: Mark Peeples
  • · Contemporary Christian: Joe Szymanski
  • · Country: John Willyard
  • · News/Talk: Steve Stone
  • · Rock: Jeff Berlin
  • · Spanish: Issa Lopez
  • · Sports: Jim Cutler
  • · Urban: Dr Dave Ferguson
  • · Urban AC: Vanessa James

To hear many of the industry’s top Voices, check out Barrett Media’s Voices page by clicking here.

Salem Radio Network Correspondent Greg Clugston Features Hectic Schedule for Final Weeks of 2024 Election

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Salem Radio Network correspondent Greg Clugston has one of the more hectic schedules a news radio reporter could feature as the 2024 election nears.

On Tuesday, Clugston flew on Air Force One to cover President Joe Biden’s address on prescription drug prices in Concord, New Hampshire.

After that Clugston will drive to New York City to cover the Madison Square Garden rally for Republican nominee Donald Trump. He’ll feature advanced reports for SRN News and Townhall News newscasts before the event.

He will then return to Washington D.C. to serve as the White House radio pool reporter for all national radio networks, including Salem Radio Network, on October 30th.

On October 31st, he’ll drive through Pennsylvania, Michigan, and Wisconsin to tour the “Blue Wall” battleground states. He’ll file reports from Pennsylvania for a second time on his return trip, as many believe the Keystone State could ultimately decide the race for the White House.

Finally, on Tuesday, November 5th, Greg Clugston will anchor coverage from Salem Radio Network and its Decision Desk as the 2024 presidential election

“Greg Clugston’s depth of knowledge in national politics is second to none in media, and we are proud he is about to undertake this unique multi-city tour…which promises to deliver compelling, eye-level reporting from key states likely to determine the outcome of the 2024 campaign,” says Salem Radio Network Vice President of News and Talk Programming Tom Tradup.

“It will be a grueling few days on the road, but Greg’s energy and enthusiasm for this project will result in some of the best radio news reporting of this entire political year.”

Bret Baier Interview with Kamala Harris Propels Fox News to Top Cable TV Spot for 41st Straight Week

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Fox News anchor Bret Baier sat down with Kamala Harris for an interview watched by millions last week. It helped the network stay on top of the cable TV ratings.

More than 9 million viewers watched the at times contentious interview between Baier and Harris last week between its original airtime at 6 PM ET and a replay at Midnight. The interview was the highest-rated, non-primetime interview in the history of cable news. It was the second most-watched broadcast in all of cable television for the week behind ESPN’s Monday Night Football.

For the week of October 14th, Fox News averaged 1.6 million viewers in the total day (6 AM-6 PM ET) ratings. In primetime, the network saw an average of 2.6 million viewers and 331,000 in the Adults 25-54 demographic. The network led all of cable television in both categories for the 41st consecutive week.

Special Report with Bret Baier — thanks to the interview with Kamala Harris — saw an increase of 53% in total viewers and a 63% increase in the Adults 25-54 demo compared to the same time period a year ago.

Additionally, The Faulkner Focus — hosted by Harris Faulkner — featured a town hall with former President Donald Trump centered on the top issues facing female voters. The 11 AM ET broadcast saw 3.1 million viewers, besting all of its cable news competition combined. It was the second highest-rated show in program history. For the week, the program averaged 2.1 million viewers, up 24% compared to the same week in 2023.

During the week, 81 of the top 100 broadcasts on cable news were from Fox News.

Fernando Valenzuela, Los Angeles Dodgers Star and Spanish Language Broadcaster, Dies at 63

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Fernando Valenzuela, who played 17 seasons in Major League Baseball passed away Tuesday night at the age of 63. Valenzuela not only starred for the team, but he also spent more than 20 years as the Spanish-language broadcaster. He had recently stepped away from his broadcasting duties to “focus on his health.”

Valenzuela started with the Dodgers in 1980 at 19 years old and won the NL Cy Young Award and Rookie of the Year in the strike-shortened 1981 season when he started 25 games and went 13-7 with a 2.48 ERA and 180 strikeouts. He would be the first player to ever win both awards in the same season. Valenzuela would go on to be a six-time All-Star in his career that ended as a member of the St. Louis Cardinals in 1997.

Valenzuela dies three days before the Dodgers get set to open the World Series against the New York Yankees. Major League Baseball has said Valenzuela will be honored during the series.

“Fernando Valenzuela was one of the most impactful players of his generation,” Commissioner Rob Manfred said in a statement. “With his distinctive pitching style, the Dodgers left-hander’s rookie season generated so much excitement in the U.S. and his native Mexico that it became commonly referred to as ‘Fernandomania.’ His 1981 season ranks among the most decorated pitching years of all-time as Fernando was the National League Rookie of the Year, the NL Cy Young Award winner, a Silver Slugger and a World Series champion.

“Following his memorable career, Fernando was an outstanding ambassador for baseball. He consistently supported the growth of the game through the World Baseball Classic and at MLB events across his home country. As a member of the Dodger broadcasting team for more than 20 years, Fernando helped to reach a new generation of fans and cultivate their love of the game. Fernando will remain a beloved figure in Dodger history and a special source of pride for Latino fans he inspired.

“We will honor Fernando’s memory during the 2024 World Series at Dodger Stadium. On behalf of Major League Baseball, I extend my deepest condolences to Fernando’s family, the Dodgers, his friends across the game, and all the loyal baseball fans of Mexico.”

Stan Kasten, president & CEO of the Los Angeles Dodgers added, “On behalf of the Dodger organization, we profoundly mourn the passing of Fernando. He is one of the most influential Dodgers ever and belongs on the Mount Rushmore of franchise heroes. He galvanized the fan base with the Fernandomania season of 1981 and has remained close to our hearts ever since, not only as a player but also as a broadcaster. He has left us all too soon. Our deepest condolences go out to his wife Linda and his family.”

Joe Davis, Like Vin Scully, is Far From Just the Voice of the Los Angeles Dodgers

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So the World Series is about to start, and the national TV play-by-play broadcaster assigned to the event happens to have a day job as the play-by-play guy for one of the teams involved.

No big deal. It’s only Yankees-Dodgers, the most storied World Series matchup in the annals of Major League Baseball. It’s the clash of the payroll titans, Ohtani vs. Judge, Gerrit Cole vs. everybody, New York celeb vs. L.A. celeb, et cetera.

Does it really matter if Joe Davis, who’ll handle the games on FOX, is also the voice of the Dodgers?

Well — yes. A little bit, yes. It depends upon whom you ask. Plenty of Yankees fans have already made their displeasure with the setup clear via social media, and by the way, if you’re using social media as your gauge for anything right now, you’re probably already lost. Still, there it is.

It doesn’t really matter to a Yankees fan that this would’ve been the arrangement no matter what. Davis is FOX’s No. 1 guy on baseball, after all. He and John Smoltz (and Tom Verducci, and Ken Rosenthal) would be handling these World Series games if they involved the Tigers and Brewers, or any other teams that happened to survive MLB’s post-season survival contest.

But sniping aside, we should take this occasion to focus on Joe Davis for a minute. Because he’s more like his Dodgers predecessor, the legendary Vin Scully, than one might think.

No, they’re not the same. There is no “same” when you mention Scully. But in their career paths, in the choices each man made and the range of each man’s professional interests — well, they’ve got a bit in common.

Dodgers fans very naturally think of Scully as their own. Scully spent 67 years as the club’s play-by-play man, first in Brooklyn and then on the West Coast. And certainly, if you came to the scene later in his career, you’d be forgiven for associating him only with the one franchise and the one sport.

But that’s not remotely a full picture of Scully, whose voice talents actually belonged to the sports world at large. Like some of the greats of his era, Scully was a multifaceted announcer adept at any number of sports — and wanted to do all of them, and he mostly did.

Scully called the Dodgers, sure, but he was also NBC’s lead baseball announcer for most of the 1980s. He called NFL games on CBS from 1975 to 1982, including the 49ers-Cowboys NFC championship that produced “The Catch” of a Joe Montana pass by San Francisco’s Dwight Clark.

Scully called golf for CBS, including being part of the network’s coverage of the Masters from 1975 to 1982. He called tennis. His work for CBS at one point became so voluminous that the Dodgers hired Ross Porter to call the increasing number of baseball games that Scully couldn’t cover.

Vin handled the World Series, no matter who was in it, for CBS Radio from 1979 to 1982 and again from 1990 to 1997. His television work for NBC featured some unforgettable non-Dodger MLB moments, including Game 6 of the 1986 Mets-Red Sox series (we know it as the Bill Buckner game), and some pure Dodger moments (Kirk Gibson, 1988, enough said).

In short, Scully was everywhere.

Joe Davis, too. While calling Davis the Dodgers’ lead voice is accurate, it’s far from complete. In fact, Davis’s work is so varied, and his talent so in demand, that he only logged about 90 games for the Dodgers this season.

Like Scully, Davis was a prodigy who ascended quickly. He became Scully’s full-time replacement in 2017 at age 29. And for Davis, like Scully, the Dodgers gig is amazing — but not everything.

FOX, in fact, uses Davis at almost every opportunity. In addition to being the network’s No. 1 baseball play-by-play announcer, a role he assumed in 2022 after Joe Buck gave it up, Davis has called college football, college basketball and NFL games both on FOX and FS1. He’s part of the network’s No. 2 NFL booth, paired with Greg Olsen.

If he can figure out NASCAR or soccer, FOX probably has a spot for him there, too.

It’s all very Scully-like.

While deeply conversant with Dodgers lore, Scully always conveyed a broad sense of the larger world of sports (and the larger world, period) during his calls. It was one thing, among many things, that made him so memorable.

As good as he is, Davis isn’t fully there yet. Of course, he’s only 36. He’s got decades. It’s true that the Dodgers’ play-by-play guy happens to be broadcasting this Dodgers-Yankees series to the world — but in this case, I wouldn’t say that like it’s a bad thing.

The Lesson News/Talk Radio Hosts Can Take From Donald Trump’s McDonalds Stunt

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I couldn’t scroll through X for more than maybe three posts on Sunday without seeing a photo or video of Donald Trump working at a Pennsylvania McDonalds.

It was a truly genius stunt with so much earned media for his campaign in the closing stages of one of the wildest races for the White House we’ve ever seen.

And I think there are two important lessons that news/talk radio hosts — especially those who idolize Trump — can learn from his weekend shenanigans.

The first is that reliability matters. When you get to the core of why Donald Trump was wearing an apron and working a McDonalds drive-thru, besides the obvious troll job, it’s because it makes him look relatable. According to the fast food giant, one out of every eight Americans has worked at McDonalds. And when you see a politician doing the same job you did, or doing the job of someone you see on a somewhat regular basis, it sure makes them seem relatable.

I believe that there are some news/talk radio hosts who have lost that in their shows. The overwhelming majority of conservative hosts are trying to appeal to and get John Q. Bluecollar to listen to their show, but will talk about fancy restaurants in which they ate dinner, exquisite trips they took, the high-dollar cars they drive, and the celebrities and conservative influencers they rub elbows with.

And while that’s absolutely cool and giant perk of the job, it sure isn’t relatable to the average listener, especially if you spend big portions of your shows talking about how horrible the country and economy are right now.

There is certainly a portion of the audience that lives vicariously through your exploits. Which — don’t get me wrong — is a key aspect of the job. But there can be, at times, a giant disconnect between the average news/talk radio listener and the news/talk radio host.

Donald Trump is successful because he — somehow, as a billionaire — became relatable to millions of Americans, many in the middle and low classes. And that reliability has been key to his staying power at the forefront of American politics for going on a decade now.

Secondly, and even more important than reliability, is Trump’s ability to poke fun at himself. He doesn’t take himself too seriously and doesn’t take every topic seriously. That quality was on full display at the Pennsylvania McDonalds.

Do you know how many other politicians, let alone presidential candidates would have never subjected themselves to even being seen in a McDonalds, let along wearing an apron and slinging french fries for a couple of hours? But, knowing that the ultimate goal was to turn him into a human being and not the person you see on TV, Trump went and obviously had fun for a few moments in an otherwise incredibly tense campaigning environment.

It’s something I’ve written about in this space before and something I’ll continue to write about until it changes: not every news/talk radio topic needs to be ultra-serious, stuffy, “the nation’s future is at stake if you don’t feel the same way I do!” style. Some things are funny. And it’s ok to treat them as such. For instance, a Kansas City TV reporter might have gotten shot at a campaign event for a Democratic Senator Tuesday night. Once you know that the reporter is ok, it’s hilarious! There are so many different angles you can take that are both funny and entertaining. But to sit down behind a microphone and treat the situation as this insanely serious, “This is how you know Democrats shouldn’t be talking about gun control” topic would be malpractice.

For the most part, your audience wants entertainment more than anything. Do they seek out your opinion and analysis? Certainly. And do they rely on you for information? In some cases, yeah. But above all, they want to be entertained. And I don’t know how much entertaining radio I hear on news/talk or conservative talk stations these days. Even more rare are hosts who are able to poke fun at themselves for making a mistake, incorrect prognostication, or any other thing they may get wrong throughout their show.

I’ll say it until I’m blue in the face: whether you’re talking about friends, co-workers, news/talk radio hosts, politicians, or anyone else, be weary of those who not only don’t admit that they are/were wrong, but can’t handle being wrong.

Ultimately, yes, this is a very serious election, with consequences that come with either candidate getting elected. But if someone running for leader of the free world can find a way to remain relatable and also have a little fun at their own expense, everyone should be able to accomplish that, right?

Remembering Some Favorite Music Radio Contests

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I loved being on the air back in the day. For me, it was often because of the contests radio created that enthralled millions upon millions of listeners over the years using excitement, creativity, and what sometimes were life-changing prizes.

They ranged from ultra-large cash giveaways to strange and often weird challenges, but the best always created fun experiences and helped generate rating success stories.

Here are some classics that I think were some of the most innovative and created a high level of excitement. Both my favorite and the most infamous are at the end of the list.

“Win a Baby” – This original, innovative, and controversial contest on B96 Chicago offered fertility treatments to a lucky couple. It was responsible for raising awareness about the cost of fertility treatments. It was truly groundbreaking and received a good deal of national attention.

“Beat the Bomb” – Listeners had to stop a countdown clock before an audio “bomb” went off. Cash amounts grew as time ticked down. The risk-to-reward created tension and excitement, making it a big hit.

“The Birthday Game” – A simple but engaging contest where listeners could win cash if their birthday matched a randomly selected date. This format’s accessibility and appeal to a broad audience made it a long-running favorite.

“The Million Dollar Morning” – Listeners had the chance to win a million dollars by answering a trivia question correctly. The huge cash prize and simple mechanics made it a high-profile and successful promotion.

“The Secret Sound” – Listeners were challenged to guess a mystery sound for cash prizes. The challenge of figuring out the sound’s origin kept listeners engaged for weeks or even months, making it a beloved contest across various stations. A variation on this used a “secret voice.”

“Bigger the Better” – Listeners presented their biggest or most outrageous possessions to trade for other prizes. Think “Let’s Make a Deal.” The wild submissions created excitement and curiosity, making it a favorite.

“Win a House” – A landmark contest on KMEL in San Francisco offered a house as the grand prize. This was one of the higher stakes, life-changing prizes that received a great deal of attention and participation.

“Win a Car” – A venerable classic, radio gives away a car to one lucky listener. This is a tried-and-true way to drive listenership. Countless stations have successfully run this type of promotion over the years. It often included a first step which gave away scores of keys, but only one key would start the car.

“Live in It to Win It” – Contestants had to live inside a confined space like a car for as long as possible. The last person standing (or inside) would win the prize. This contest was unique at the time and often generated lots of local buzz and even tied in local clients like an automotive dealership.

“Keys to the Cash” – Listeners collected virtual keys over time, and one lucky key would unlock a vault filled with cash. The slow build combined with a large cash prize made this another highly successful contest for many stations.

“The Last Contest” – This legendary contest in 1972 on San Diego’s KCBQ gave away massive prizes, including cars and trips, through a postcard entry system. Its scale, extravagance, and almost mystical promos included millions of dollars in prize packages. This “smoke and mirrors” contest helped KCBQ dominate the market throughout the 1970s. Click here for a KCBQ Aircheck with promos.

My Personal Favorite:

“The Family Fortune Contest” – Created by Mike Joseph for WCAU-FM when we launched Hot Hits in Philadelphia in 1982. We would pick a name out of the phonebook and announce the last name on the air. We also announced the amount of money in the family fortune jackpot and told listeners to call everyone they knew with that last name. At various times, we would announce the amount, a new name, or call someone with that last name. If they knew the amount in the jackpot, they would win it. The cume and TSL on the station grew incredibly large. 

MOST INFAMOUS:

“Hold Your Wee for a Wii” – This is certainly one that people remember for many of the wrong reasons. This 2007 contest in Sacramento ended tragically. It asked contestants to drink the most amount of water without using the bathroom, all for a chance to win a Nintendo Wii. A listener’s death due to “water intoxication” led to litigation which eventually, caused the station to go dark and surrender its license.

These contests and many others have played an important role for as long as radio has existed. They remain responsible for driving listenership and ratings through high levels of engagement. The key has always been a fine-tuned focus on creativity and fun. From life-changing cash prizes to ridiculous challenges and interactive treasure hunts, we must all continue to create contests and promotions that highlight radio’s ability to remain local. After all, we continue to rule the audio landscape because we entertain and captivate like no other.

Sales Meeting: Sell The Audience

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Hard to believe the first month of the last quarter of the year is almost over. Hopefully you’re already out in front of those 2025 calls with only five or so weeks really left in the year to do business. In this week’s sales meeting, I want to talk about one of sports radio’s biggest assets, its audience.

More than 20 years ago, I was a Program Director in Memphis when I realized that whenever I talked about the radio station, I would get really excited and energized. I thought that could be an asset on sales calls and so I started joining the sales team whenever they would ask me to go out on calls. Eventually, I started setting my own appointments and doing my own meetings.

I had met a corporate attorney at an alumni event for Ole Miss athletics. We had great conversation throughout the night on many different topics, but one of those topics was radio advertising. He was a believer and spent a decent amount on radio but pretty early in the conversation he had said he had not been on our station because he “didn’t really understand who the audience is.”

After bringing the topic of the audience up a few more times to really try and understand what he didn’t get, I deduced his beliefs were he could reach women on FM music stations and men with money on news talk radio. He said when he thinks of sports radio he thinks of the callers and while he can see a fit for traffic tickets or “ambulance chasers,” he didn’t think it would be a fit for what he did.

Our station was the flagship for the Memphis Grizzlies, and we had access to suite tickets, so I invited him to join me at a game later that week. In between, I tried to come up with the best ways to answer his objections about the audience.

Throughout the game, he saw several people he knew, and we could see inside some of the other suites and discussed which business owners we saw. We talked about the sponsorships we saw around the venue. As I was taking this all in, I realized I literally had the answer right in front of me.

When a big moment happened late in the game and the crowd erupted, we jumped up and he gave me a high-five. I leaned over and said, “This is our audience.”

When we later talked business, I recapped who we saw, the other businesses connected to the team, the amount of money people needed to have who attended, especially those in the lower bowl. A lot of those people are our listeners. Passionate sports fans, who also happen to have money and own businesses.

Somehow in the early days, sports radio was judged on the regular callers, which we all know represents a very small percentage of the audience. Regardless, that was the perception. The truth is the audience is one of the number one reasons to buy sports radio. We should be highlighting the audience, making sure any objection about it is answered early on before it can even become an objection.

This situation also underscores the need to get clients and certain prospects out to games, out to where the sports audience is. In addition to being a great opportunity to connect with them and share the commonality of being a fan of the team, even subliminally it reminds them of the audience being reached with their sports advertising.

The same can be said about big station events. Take your clients, show them a good time, have them hang out with the on-air talent and the staff. Make them feel good about what they are investing their money in.

I often say that salespeople need to be concerned a lot about tie breakers. What I mean by that is if it comes down to it and your sponsor has to cut either your station or someone else’s station, you want to be the one that wins the tie. Your service and your expertise come in to play but let’s not forget that people want to be treated well and feel like they are a part of something.

Let’s show off the audience and not shy away from it. Painting the picture of who will be listening when the ads are read or played for the audience can help the business owner visualize those people coming into his/her business.

Showing business owners the audience is even better.

Karen West’s 34 Years At 97.3 The Eagle Started In The Parking Lot Of A Reba Show

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Karen West has been with Max Media’s Country WGH 97.3 The Eagle in Virginia Beach since 1990. During that time, she has hosted evenings and middays and now co-hosts mornings. She is also the station’s Music Director.

West has made the most of an opportunity presented to her in the parking lot of a Reba McEntire concert when she worked at a Country station in York, VA.

“Our little station was out there at the Reba McEntire show at the Hampton Coliseum, and it was raining. At the end of the show, we had our paraphernalia that we were passing out, and there were the two other guys that worked with us, and I was out there passing it out; I said, well, my hair’s wrecked anyway, and I’m just going to go ahead, and I’m just going to pass all this stuff out. The guys stayed in the van to stay dry, so the GM of this new station, which ended up being The Eagle, came up. He says anybody that would go out and pass out their station paraphernalia in the rain while their coworkers stayed in the van and stayed dry needs to come to work for me. And then he gave me his business card.”

West has been in the radio business for over 40 years, and during that time, one of the changes she is most happy about is the increased opportunities for women.

“I’m seeing women get a lot more opportunities in this business where we didn’t before. I will be honest: we were either seven to midnight or midday or the morning giggle girl. But now I’m seeing where women are getting more programming opportunities, thank God, and being in that part of the industry. So, I’ve seen that change over the years.”

“I actually got to watch it too. I trained a lot of the girls that are out there in the business. They came through our station, and they’re going on to bigger and better things. That’s what I like to see.”

Another big change is the technology and audio delivery systems.

“I’ve seen a wide variety of change, and I’ve been through all the tech, said West. “And the cool thing is, I got four daughters who are actually the demo. And so, they keep me from being ignorant and that sort of thing. I know how to work everything.”

Despite the industry changes, West says she doesn’t feel like she has been at The Eagle for 34 years.

“From the time that I started here to now, it doesn’t feel like it’s been decades. It feels like a couple of years, maybe, but not decades.”

“Because I love this so much. I love this business so much. Starting 7 to midnight here and then now on a morning show. I don’t want anybody to get scared, thinking it takes 34 years to work up to mornings. That’s not the way it works. It’s just the way it works here because nobody leaves.”

She recently joined new hire Steve Waters, forming “Eagle Mornings With Steve & Karen.”

“Steve was a great hire. He and I play off each other very well. I was hoping that we wouldn’t find somebody who was dominant and the other person was not. This is a 50-a-50 morning show where two people are talking to each other and talking to the audience, and we are all equals. We’re all having a conversation with each other. And the conversation we have between the two of us, we’re also having the conversation with the listener,” said West. “We’re friends having a conversation and playing really good music, by the way.”

West is also The Eagle’s Music Director and is known in the industry as an advocate for new music and a champion of young artists.

“My biggest passion right now is the newer artists who are coming in. I think there is room for every flavor of Country, from Ernest and Zach Top, who is bringing the retro back, to Shaboozey, who has that Appalachian sound. He has these lyrics that just roll over you. I think there’s room for all flavors of Country right now.”

And to the West, all flavors of Country include pop crossovers like Post Malone.

“I love that he rolled over and came and joined us because it was just a matter of time. This guy can do any format. And I love that the audience is very accepting of it. Remember back in the day when people said, I’m not going to listen to that, it’s Pop, it’s not Country. We still have a lot of that, but you have less of it because it sounds great together. It sounds like the best charcuterie board ever.”

What about Beyonce and her recent Country album?

“That girl can do whatever she wants. I think that if she wanted it bad enough, she could do it. She might’ve just been dipping her toe in the water and maybe not that serious about it. But she had a lot of really good people on that album. She had Shaboozey. She had your Tierra Kennedy. I enjoyed it. But, to me, it felt like she was dipping her toe in the water to see what would happen.”

And who is on West’s current list of hot picks?

“Well, the new one by Shaboozey. I love this song, but it made me cry. Zach Topp, I’m loving. Ernest, I’m loving. And you can tell that’s kind of the traditional side. Riley Green, Ella Langley. Oh my God, that girl. And we’re seeing more ladies come in who have a really good sound. I like Ella’s sound. I like Megan Moroney’s sound. Drew Baldrige, geez, that guy. Ben Gallaher, can play the guitar like nobody’s business.”

The Eagle has a relationship with a local venue appropriately called The Eagles Nest. The station showcases up-and-coming artists and gives listeners an up-close and personal experience. Over the years, many of today’s A-listers have played there.

“I like to try to get them, and they do a nice little intimate show for about 45 minutes and play their stuff. And we’ve had so many blow up from that. We have pictures of these people on the wall out there. I remember when Kelsea Ballerini did it a while ago, Morgan Wallen before he blew up. That was a long time ago. Chris Stapleton played The Eagles Nest. When I go to Nashville, they say it’s like a rite of passage.”

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