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Is News/Talk Radio Ready to Meet Listeners Where They Are in an On-Demand World?

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At the BNM Summit last week, Edison Research President Larry Rosin shared some information that caught my eye: on-demand audio has surpassed linear audio consumption as the primary and preferred way listeners consume content. And I don’t know if news/talk radio knows that or is prepared to deal with it.

First of all, the data makes sense logically, right? We are a completely personalized society down to basically every piece of content, every bit of media consumption, in virtually every way. The harshest criticism of millennials and Gen Z is they’re the “instant gratification” generations that have everything at their fingertips. So, utilizing audio on-demand, rather than at a set time linearly makes sense.

It is in line with virtually every other media trend. Nobody watches live TV — outside of sports — anymore. Everything is on a DVR or on a streaming platform whenever we want to access it. So audio wouldn’t be any different.

And yet, I don’t think radio has done a great job at recognizing that trend, creating content that plays into that trend or having fully embraced the idea that outside of a show airing live in a certain daypart, making it accessible any other time.

We’re not competing on a level playing field with digitally-focused creators who recognize the on-demand aspect of podcasting and audio consumption. And, for the record, I’m a firm believer that there’s a difference between a “podcast” and “on-demand audio,” but for the sake of brevity, we’ll lump them into one category today.

News/talk radio is still largely focused on the “This show airs from (insert time here)” model that it’s looked past the ever-changing nature of the media landscape. Every media consumer knows that those days no longer exist in TV, and haven’t for a very long time. And yet, we expect radio and audio to be viewed and treated differently? Why? Just yesterday it was revealed that The Dan Bongino Show is the fourth largest podcast in the U.S. by unique total audience according to Podtrac. How many listeners of that show even recognize that they can listen from 12-3 PM ET — or any other number of timeslots if it’s delayed — around the country? I would venture to guess not the majority.

But why has it found so much success? Because hardly anyone in the news/talk realm has embraced the digital world like Dan Bongino. From podcasting, to a video simulcast on Rumble, Bongino has recognized that there’s an incredibly large on-demand component of his show and audience, and has exploited it for his gain.

But that’s not been the case for every nationally syndicated show, or every major brand around the country. Many stations don’t have great digital video strategies. Couple that with podcast descriptions of shows that feature glowing descriptions such as “Hour 2” or “(Insert Guest Here) joins to talk about the news of the day,” and it’s no wonder that radio has been passed by more digitally-focused brands, shows, and outlets. And that’s not to say anything of some of the major brands in major markets that don’t even bother to upload their content to any digital platforms to be available on-demand.

At a time when competition for ears has never been more fierce, radio can’t rest on its laurels and expect what worked in 1994, let alone 2014, to still work in 2024. The game has changed. And the format has to change with it. Or, we’ll end up like the newspaper industry wondering how we found ourselves completely obsolete.

To be clear, I’m not advocating for dumping your AM/FM radio brand, or anything like that. But it’s beyond time to wake up and recognize that making discovery and consumption of your content — whether it be with podcasts, video simulcasts, or making it more prominent on your websites — needs to be a high priority going forward.

If one of your shows has a great interview, separate it from the entire-hour podcast. It’s a whole new piece of content that way. Utilize a tool like Headliner.app to turn it into a video for social media. There’s another distribution tool, another piece of content, and another way for it to be heard by a potential listener. Clip highlights for other shows on your station to use as jumping-off points for discussions, and also to promote your show, your website, your social media channels, and your on-demand audio. There are so many ways to get your content in front of potential consumers. But we have to stop relying on terrestrial radio at specific times to do it.

Not only is it another avenue for potential listenership, but it’s also another way to monetize your content. Pre-roll, in-content ad reads, and post-roll advertisements can add extra revenue that everyone in the industry is seeking.

Essentially, the mindset now needs to be “If we’re not making our content as readily available as possible, someone else is, and our listeners are consuming it.” Don’t sit idly by as your audience is pilfered when you could have done small steps to keep them. Embrace digital. Embrace whatever avenue you can to get your message, your hosts, your brand, and your advertisers in front of an audience. That’s the whole point of this in the first place, isn’t it?

Inside the Launch of TJ 98.7

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Radio.Cloud’s radio playout studio and programming suite is the technology driving New York’s newest radio station. A partnership between Radio.Cloud, United Stations Radio Networks (USRN) and the Emmis Corporation, ‘TJ98.7: A Pop-Up Station’ debuted on Saturday August 31st on the former home of ESPN Radio, WEPN-FM in New York City. The Radio.Cloud technology allowed for fast, unprecedented localization of all station content during the flip without any hardware expenses.

“This was an amazingly collaborative project which came together in seven days or so, and included engineering, programming, imaging, music selection and marketing,” recalled COO of GeminiXIII Charles Steinhauer. “We have an amazing talent in TJ and the cast but also the Radio.Cloud team, Judy DeAngelis, Jai Kershner and Steve Kamer all rallied pretty hard and fast to get this up and running.”

“I’ve been involved with many station launches in my career, but never one that launched at the absolute highest level with about a week to ramp up,” said consultant Mike McVay, President of McVay Media. “The time from when Emmis gave us the green light to literally days later we had built a radio station. Radio.Cloud enabled us to create the first ever “Pop Up” radio station using their cloud based technology. The ease of use has enabled me to program the station, including scheduling the music personally, from miles away.”

TJ 98.7 is anchored in morning and afternoon drive by The TJ Show, in a return to NYC for host and Z100 alumni TJ Taormina. The pop-up station features an exciting mix of contemporary programming, a fresh blend of music and fun talk content, along with voices from YES Network and Inside Edition’s Steve Kamer, and dynamic on- air personality, Jai Kershner. 

“When this pop-up station was first discussed, my immediate concern was how to get the technical side together with so little time,” said TJ Taormina, Host of The TJ Show. “The moment I connected with the Radio.Cloud team, I was convinced if anyone could do it…it was them. They were extremely detailed with every layer and the launch went smoothly.”

“Deploying the Radio.Cloud platform was quick and simple,” detailed Emmis New York’s Chief Engineer Alex Roman. “The server is a small appliance that fits on a rack shelf and integrated easily into our network with minimal configuration required. The support team was ready to assist us with the launch and we were on the air in no time. This was a great solution for this project and is an innovative approach to broadcast playout and content delivery.”

“When we were approached about this project, it was a no brainer. I knew this wouldn’t be possible to pull off on such a quick timeline without our agile and scalable platform,” Radio.Cloud account director Andrew Scaglione explained. “I grew up in New Jersey listening to 98.7 every morning and afternoon. The chance to have our cutting edge cloud-native technology powering one of the biggest signals in the country is a ‘pinch me’ moment.”

“I’m just cracking the surface of all that Radio.Cloud can do, but I can’t wait to dig deeper into everything this system offers. So far, it seems to be an easy to use multi-tool built for radio people,” Taormina added.

Radio.Cloud is the #1 cloud platform for customizing network and local content. With more than 400 affiliates around the globe, the suite of tools is enhancing brands and empowering stations to serve their local communities daily.

NBC Sports Delivers Strong NFL Opening Weekend Viewership

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NBC Sports has announced that its four-night slate of football matchups across a variety of platforms set several milestones across its media platforms. Starting with the NFL Kickoff Game between the Kansas City Chiefs and Baltimore Ravens, the viewership metric has been adjusted to a final average of 29.2 million viewers, rendering it the most-watched iteration of the contest in history. Moreover, the season premiere of Sunday Night Football registered an average of 22.7 million viewers on NBC and Peacock, which is up 3% from the opener from last season.

Combining both broadcasts, NBC Sports attained an average of 25.9 million viewers for these two NFL games, which accounts for the largest two-game NFL Kickoff Weekend start since 2015 and up 4% year-over-year. Platforms included in the aforementioned viewership total are NBC, Peacock, NBC Sports Digital and NFL Digital platforms. Mike Tirico, Cris Collinsworth and Melissa Stark served as the broadcast crew for both matchups and will return for Week 2 action on Sunday Night Football when the Chicago Bears face the Houston Texans at 8 p.m. EST.

For the Sunday Night Football matchup, Detroit was the top metered market with a 32.0 rating and 69 share. Kansas City finished second in the rankings with a 15.7 rating and 41 share, while Los Angeles did not place in the top 10 despite having a team in the game. The Lions defeated the Chargers in overtime 26-20, a thrilling finish from Ford Field in Detroit, Mich. in a battle of quarterbacks Jared Goff and Matthew Stafford, who were traded for one another in 2023.

The exclusive presentation of the matchup between the Philadelphia Eagles and Green Bay Packers from Sao Pãulo, Brazil attained a total audience delivery of 14.0 million viewers. As a result, the NFC matchup is the second-most watched live event on Peacock, trailing the record-setting AFC Wild Card game in January, and nearly doubling the audience for an exclusive regular-season game on the platform last December. Noah Eagle, Todd Blackledge and Kaylee Hartung were on the call for the Week 1 matchup.

Outside of the NFL, NBC Sports garnered strong viewership with its Big Ten Saturday Night broadcast property during its second season. The broadcast of the game between Nebraska and Colorado averaged 6.3 million viewers on NBC and Peacock, accounting for the most-watched live game broadcast under the property since its debut last year. On top of that, Fight Night: The Million Dollar Heist, a limited series executive produced by Will Packer and Kevin Hart, premiered as the most-watched title in Peacock history and is the No. 1 original drama through its first weekend.

ESPN Introduces MLB Whiparound Program for Pennant Race

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ESPN is launching a special edition of Baseball Tonight centered on the stretch run of the Major League Baseball regular season. The whiparound program, titled MLB Squeeze Play, will make its debut on Wednesday, Sept. 11 from 7 to 10:30 p.m. EST on ESPN. Additionally, the network will also air editions of the program on the two Wednesdays thereafter on Sept. 18 and Sept. 25 featuring live look-ins of significant moments taking place in games from across the sport. Kevin Connors will appear on the first two episodes of the program as its host alongside ESPN Sunday Night Baseball analyst Eduardo Pérez, betting analyst Tyler Fulghum and reporters Buster Olney and Jeff Passan. ESPN Sunday Night Baseball analyst David Cone will be part of the first episode of the show, while the play-by-play voice of the property, Karl Ravech, joins two weeks later.

ESPN has added cut-in and highlight rights to its games as well to capture historic achievements that could occur for Los Angeles Dodgers two-way player Shohei Ohtani and New York Yankees outfielder Aaron Judge. The company has these rights on linear and digital platforms, including on social media channels. Following the three episodes of MLB Squeeze Play, the latter two of which will air on ESPN2, the network will present a traditional edition of Baseball Tonight on Sunday, Sept. 29, the final day of the regular season, with Connors, Olney and Passan. The show will start on ESPN at 6 p.m. EST and move to ESPN2 for its second hour, both of which will be available to view through the ESPN App.

In addition to the new whiparound show, ESPN has announced that the season finale of Sunday Night Baseball will take place from Citi Field in Flushing, N.Y. as the New York Mets host the Philadelphia Phillies. Both National League East division clubs are looking to make the postseason and will now play a night game at 7 p.m. EST on Sunday, Sept. 22 for this national broadcast. Coming up this weekend, Sunday Night Baseball will feature the Houston Astros and Arizona Diamondbacks at 7 p.m. EST on ESPN.

Skyview Networks Partners with iHeartMedia for New York Jets Play-by-Play Broadcast Distribution

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Skyview Networks unveiled their latest expansion with their partnership with the New York Jets. Skyview reached a new agreement with iHeartMedia New York, the Jets’ radio rightsholder. For the upcoming football season, Skyview will be the sole provider for distributing play-by-play commentary, providing turnkey satellite receivers, and offering 24/7 programming support to all affiliates of the Jets Radio Network.

The New York Jets have been partnered with Skyview Networks for twelve years, utilizing their AdView Inventory Management and Live Read Management software. With the inclusion of Skyview’s advanced distribution platform, iHeartMedia New York and the Jets can now improve their connection with listeners.

“We are thrilled to build upon our relationship with iHeartMedia New York and the New York Jets to add them to our distribution portfolio,” said Andrew Kalb, SVP, Business Development and Communication for Skyview Networks in a release. “Skyview Networks prides itself on delivering the most reliable services to franchise partners and their dedicated fanbases, and we look forward to a successful season ahead.”

The New York Jets can now be heard on radio flagship station Q104.3 (WAXQ-FM).

Foul Territory Adds Mets’d Up Podcast to Network

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Foul Territory has announced it has added a New York Mets-focused podcast — Mets’d Up — to its growing list of baseball programs.

The show features Marc Luino — also known as Giraffe Neck Marc — and James Schiano featuring multiple weekly shows and recap episodes at the conclusion of each New York Mets series.

“We are so excited to join the Foul Territory Network and share our Mets fandom with an even bigger community of baseball fans,” said Luino.  

The program becomes the sixth team-specific show to the list of programs after already featuring shows centered on the New York Yankees, Los Angeles Dodgers, Atlanta Braves, Chicago Cubs, and Philadelphia Phillies.

In addition to the team-specific shows, the outlet also is home to a podcast hosted by MLB insider Ken Rosenthal, and also features the flagship show Foul Territory, featuring A.J. Pierzynski, Jonathan Papelbon, Todd Frazier, Jason Kipnis, Erik Kratz, Cameron Maybin, Trevor May, and Scott Braun.

Taylor Mathis is Betting on Herself in New Partnership with DraftKings

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Over the last several months, Taylor Mathis has seen her sports betting content on various social media platforms go viral, garnering millions of impressions, feedback and engagement. The expeditious rise within the sports media industry comes through a variety of content through which she conveys her knowledge and passion for the medium.

Mathis is bringing her ventures and other sports betting endeavors to DraftKings as part of a new partnership through which she will create social media content and take part in events. A variety of opportunities have been offered to her in the last couple of weeks, and she worked to evaluate what would prove to be the best fit. After discussions with various companies, she came to the conclusion that DraftKings was an ideal entity with which to partner, facilitating energy, credibility and creativity as the football season begins.

“When you see an email come across your way that’s coming from DraftKings, you’re of course going to look at that,” Mathis said. “So just seeing that DraftKings is interested in wanting to work with me and I’m wanting to work with a brand like DraftKings is pretty much a dream come true for me in this space.”

In securing the partnership with DraftKings, Mathis considers herself fortunate and acknowledges that the situation feels a bit surreal. From the onset of her work with the sportsbook, she hopes to bring compelling content to the platform that it may not have had previously. Entering the NFL season, she hopes to win her bets and is able to grow the DraftKings brand through the partnership.

“I’m very excited to get started with DraftKings,” Mathis articulated, “and I’m really excited for people to see some of the creativity that I’m going to bring to a name that’s already super cemented within the space.”

The inspiration for her series, ‘Walking Bets’ came after posting a video where she was talking about the appeal of baseball while walking her dog. Mathis explained that there were several riveting storylines in the game, including the chase for history from New York Yankees outfielder Aaron Judge and the stellar rookie season from Pittsburgh Pirates starting pitcher Paul Skenes. Once the video was posted, Mathis was surprised to see comments from users requesting that she continue to create this style of content where she gives her betting analysis and picks. This prompted her to think about switching up what she had been doing and embarking on a new challenge.

“I’ve always done ‘Taylor’s Top Prop’ every day, and I kind of sit at my desk, I give my prop [and] I give my analysis,” Mathis explained, “but I was like, ‘Alright, let’s do something to switch it up,’ and I started doing it and they’ve taken off, so it really started with a simple video talking about baseball and it grew from there.”

There is minimal production in these videos that helps foster a sense of relatability, along with her transparency about the outcome of her bets. Mathis often posts the results on her social media pages and also keeps an active spreadsheet of her bets dating back to January accessible through those platforms. Even with the popularity of her sports betting content, Mathis is not looking to forsake the authentic, genuine approach that helped her build a following.

“I think it’s the biggest, most important thing, and I really think it’s something that I just strive for as a person too,” Mathis said. “I’ve always tried to be really vulnerable with my audience about who I am, what I stand for [and] what I do, and I try to give people a little bit more of an inside look into who I am as a person and not just a sports betting personality.”

Following stints with other sports betting companies, she has been independent and worked to innovate and stay disciplined in her content creation. At the same time, she tried not to let the views affect her workflow and prioritized staying consistent in the videos she was disseminating. Actualizing that this stage of her career would pay dividends came in having confidence in her abilities, remaining diligent and finding means to thrive working in this capacity.

“I truly was like, ‘I’ve got to just believe in myself [and] bet on myself at this time,’ and I just knew at some point things were going to take off or pop off and hopefully a break or an opportunity would come because of my creativity and because of the content that I was putting out, and thankfully it’s really gone in that direction,” Mathis said. “So I would always tell everybody, ‘Bet on yourself.’ Even if it seems like a rough time or you’re not sure if it’s ever going to get to that point, it definitely can.”

Mathis feels that her personality helps set her apart in that she is able to convey entertainment that is not solely rooted in statistics and analytics. Although she usually spends two to three hours every morning researching and accruing data to make her selections, she tries to bring levity to her videos and imbue the quantitative metrics therein to back up her reasoning.

“It’s been a bit of a whirlwind though too because online when things go viral, there’s always the good with the bad, and I hate to say it, but being somebody that has a big digital online presence, I get so much amazing, positive feedback, but sometimes it’s hard to look away from those couple of negative comments that you get here and there,” Mathis said, “but I keep trying to tell myself, ‘Positive and negative, you’re doing something right’ if I’m bringing attention to this.”

In addition to her digital media content creation, Mathis hopes to expand her presence on YouTube and eventually implement various segments into her own show. Reflecting on the media landscape, she discerns that her portfolio can fit with a traditional brand as the ecosystem continues to evolve with subsequent alterations in technology and consumption habits. In fact, she feels that some of the sports betting programming on these outlets is failing to appeal to the aggregate audience and only communicates with people who are avid bettors.

“I think they’re missing the fun, they’re missing the entertainment level of it all, and the way I see it is a lot of my stuff – my whiteboard wins; the walking bets – I have a couple other ideas in store right now for NFL season I’m going to be getting started on – those are segment ideas you could be carrying over to traditional television,” Mathis said. “I think that maybe television media is a little behind on where things are going in the space, especially with everything that we have going on digitally now, but I’m hoping in time, traditional media catches up to some ideas.”

As Mathis commences her partnership with DraftKings, she aims to continue creating dynamic, multiplatform sports betting content tailored to sports bettors ranging from novices to savants. Arriving at this point in her career came through perseverance, adaptability and an indefatigable work ethic, evidenced from her days in local news. Mathis has worked with a broadcast coach and continues to refine her craft on digital media platforms as she grows in the space. Remaining accountable and committed to the sports betting industry through it all, she hopes that her online presence continues to flourish and to continue eliciting positive feedback.

“Being one of the bigger names as a female within sports betting is definitely a goal of mine,” Mathis said, “and I feel like with the help of DraftKings and me being behind DraftKings, I can only see that the sky is the limit, hopefully, [in] the success with this partnership and moving forward.”

Don Stuck Resigns From Q95 Indianapolis

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Don Stuck has resigned from iHeartMedia’s Classic Rock WFBQ (Q95)/Indianapolis after 34 years. Stuck’s Facebook profile indicates that he intends to focus on an acting career his band and another radio position.

Stuck wrote, “To resign on your own terms in the radio world is a rare thing these days, and that’s exactly what I have done. After working for Q95 and the old X103 WRZX since 1990, I have tendered my resignation to iHeartRadio. It’s been a blast for the last 34 years but new opportunities including an unforeseen acting career, more gigs with ‘The Don Stuck Band’ than I can handle, and some GREAT radio news coming soon pulled the trigger for me! I despise long posts but to avoid incorrect speculation, I wanted to put this out there that this was 100% my decision, as the new opportunities are just too compelling to ignore any longer. A more complete explanation and more news on the next chapter of radio for me is forthcoming in a video. I couldn’t be more thrilled and, honestly, more frightened! lol.”

The IMDb lists acting credits in Chicago Med, Chicago PD, Emperor Of Ocean Park, and Unfortunately The Best of Both Worlds, among others.

Stuck has held various positions since joining the station in 1990, including mornings, traffic, and master control operator for the syndicated “Bob & Tom Show.”

A licensed pilot, Stuck has been on several stations, “Eye In The Sky,” including NBC 5 in Chicago.

As a professional musician since the age of 16, Don has performed alongside some of rock’s biggest bands, including Green Day, Stone Temple Pilots, Buckcherry, and Alice in Chains, among others.

Dan Patrick: Tom Brady Knows Football But Doesn’t Understand TV

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Tom Brady made his much-anticipated debut for FOX Sports Sunday, and Dan Patrick wasn’t convinced the Super Bowl winner will be at the top of the TV game soon.

During The Dan Patrick Show Monday, the longtime host argued that Tom Brady has a long history with football, but needs to quickly pick up on the intricacies of television to have any chance of success.

“Tom Brady knows football. He has to know television. He has to understand TV. He didn’t understand TV yesterday,” said Patrick, “the timing of it, and he’s used to people asking him questions. People don’t ask you questions necessarily when you’re doing a game. You’ve got to react to that. Now, Kevin Burkhardt may ask him a question and probably has to ask him a few more questions to get him in conversational mode. But there were pauses. His cadence wasn’t smooth. There was very little synchronicity.

“He needed to be more of at the line of scrimmage, as if he’s quarterbacking. He was back as if he was the third-string quarterback. You got to be in it upfront, you got to be attacking, you got to see everything. Now that’s fixable. He’s got to understand you have to be aggressive.”

Patrick continued by noting that — for essentially a quarter of a century — Tom Brady hasn’t wanted people to know what he really thinks, feels, and believes. He needs to change that in his new role for FOX Sports.

“You have to see it, say it, get out … React. Don’t be afraid to say, ‘What is Deshaun Watson doing? What’s Cleveland doing? What’s their game plan?’ You have to do that. And he, for 25 years, goes to a press conference and doesn’t want to tell you something. Now you have to go to a game and you have to tell us something. What is it you see that we wouldn’t see? That’s what I want from Tom Brady.”

Dan Patrick believes Tom Brady has the ability and interest in improving, but believes that will only happen with time.

“You can simulate these games, he can practice broadcasting, but it doesn’t matter, because you never know what’s happening in a game until you’re in that moment. And then what do you do? He’s going to go back and listen to this, and he’s going to realize that there were moments like that where he’s sort of pausing. You got to go get it. You got to attack, because if you don’t, then there’s going to be some dead air … He’s got to fill in all of that. I’m not saying go be (Tony) Romo. But I’m saying you got to tell me something that I go, ‘I’ll be damned. I never would have seen that.’ That’s what I want out of Tom Brady. He knows football. He has to understand TV.”

Nate Ravitz, ESPN Senior VP, Digital Content, Announces Departure After 17 Years

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Nate Ravitz, who has been with ESPN for the last 17 years, most recently as Senior Vice President, Digital Content at ESPN, has announced he will be leaving the company next month. Ravitz posted about his upcoming departure on his social media channels.

“I joined the company in March of 2007 as a veteran of the fantasy sports industry,” he wrote. “I’m so grateful for the opportunities I’ve had at ESPN to lead teams across digital, streaming, editorial, social media, design, sports data, fantasy and betting.

“ESPN has been an exceptional place to grow personally and professionally. I’ve learned from mentors, colleagues and more. I am filled with immense pride for the success of so many leaders I’ve had the privilege to manage, who are thriving at ESPN and elsewhere across media and technology. You don’t get to be the No. 1 digital sports destination without incredible people, and the relationships I’ve made are what I will value most from this experience.”

Prior to joining ESPN, Ravitz worked for fantasy sports companies RotoTimes, CDM Fantasy Sports and Fanball.com.