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SiriusXM Launching Media-Focused Weekend Show on P.O.T.U.S.

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SiriusXM has announced a new collaboration with Mediaite that will bring a media-focused radio show to its P.O.T.U.S. channel 124.

Mediaite’s Press Club will debut on Saturday, June 8th. The program will be heard weekly at 10 AM ET, and will be hosted by the outlet’s Editor-in-Chief Aidan McLaughlin. The one-hour show will also re-air at 8 PM ET on Saturday evenings.

The partnership is an expansion of the pre-existing relationship between SiriusXM and Mediaite founder Dan Abrams, who hosts a daily show at 2 PM ET on P.O.T.U.S.

“I am thrilled to expand my relationship with SiriusXM with this new program,” said Abrams. “Aidan has had really insightful conversations with various top media personalities, including many who rarely do interviews, and airing it on SiriusXM’s prominent POTUS channel will make the show and Mediaite that much bigger.” 

The first episode will feature a sit-down interview with ABC News anchor George Stephanopoulos. Additional guests will include The View’s Alyssa Farah Griffin and longtime radio host Charlamagne that God, among others.

Dave Goucher Staying on as Las Vegas Golden Knights Play-by-Play Announcer

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Las Vegas Golden Knights television play-by-play announcer Dave Goucher is going to continue with the team, despite rumors of interest from the Boston Bruins. Jack Edwards retired after 19 seasons calling games on NESN and Goucher’s name and the team’s interest in him were reported by Chad Finn of the Boston Globe.

Goucher was the radio voice of the Boston Bruins for 17 seasons, which included their Stanley Cup win in 2011. He was hired to be the Golden Knights television voice in 2017 and works with analyst Shane Hnidy.

Goucher was a guest on Mercedes in the Morning on Mix 94.1 FM and said, “I’m staying right here in Vegas… It’s very odd for me to be in this circumstance – I think we’ve all been through this. Things kind of come at you out of the blue, and potential opportunities come at you, and you’re humbled by it, and you’re flattered. Look, I’m beyond humbled and flattered of what’s gone on here recently…I think I have one of the best jobs in the NHL right here [in Las Vegas]…I love what we’ve built here over the last seven years… I couldn’t really wrap my mind around leaving all this…”

“People had reached out to me back there [from Boston]… I never even thought that would remotely be an option. They had reached out – everyone with the Golden Knights has been unbelievable in terms of, ‘We get it. You’re from there, and you came from there.’ No disrespect to anybody else, I said, ‘This is not a job and city, X, Y or Z. It’s not just some random job’… When it was all said and done, I felt like we’ve done so much good here over the last seven years… Quality of life here is through the roof, and I feel like I’m blessed to be around some fantastic people to work with every day…”

Erick Erickson Leaves Wednesday Show Early for Emergency Surgery

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Erick Erickson departed his nationally syndicated radio show two hours early Wednesday in order to undergo an emergency dental surgery, he revealed on social media.

In a thread on X, Erickson shared that he had been dealing with medical complications since last week. After visiting a doctor, he eventually found out an infected tooth needed to be extracted from his jaw.

“I went to my office, did my radio show. At 12:50 PM the oral surgeon called,” he wrote. “At 1 PM, we went to tape and I was in surgery by 1:20 PM. They had to pull my rear left molar and cut out infected tissue from my jaw.”

Erickson — who said he had had a headache since last Thursday — called the situation a “wild ride,” but was feeling better after the operation.

“Haven’t had a headache since. Swollen and still bleeding a bit, but I’m so much better now,” he continued. “Wow. They were really concerned about the infection. But now I’m headed in the right direction. Moral of the story is don’t put off going to the doctor if you’ve got some weird pain that won’t go away.”

The nationally syndicated host — who originates his show from 95.5 WSB in Atlanta — did not reveal plans for The Erick Erickson Show for Thursday’s episode.

Top 2024 Belmont Stakes Probable Contenders: Who to Watch

As we gear up for the 2024 Belmont Stakes, the excitement is palpable among racing fans and bettors eager to spot the top contenders. The Belmont Stakes, famously dubbed the “Test of the Champion,” is renowned for its long track that tests both the speed and endurance of its participants. However, this year, the temporary transition to the Saratoga Race Course means a 1¼-mile  journey compared to the traditional 1½-miles seen at Belmont Park.

In this section, we’ll introduce you to the probable frontrunners for this year’s race. We’ll delve into their pedigrees, past performances, and training highlights, offering a detailed preview that caters to both longtime racing enthusiasts and those new to the sport. Get ready to learn about the standout horses poised to make their mark at the 2024 Belmont Stakes.

Seize the Grey

With a mix of speed and endurance, this horse proves to be a strong competitor as evidenced by his win at the Preakness.

Under the guidance of a skilled trainer, Seize the Grey has mastered maintaining a steady pace and delivering a powerful finish, which is essential for the Saratoga track. If you plan to make an informed wager, consider Seize the Grey.

Its recent wins and solid training make it a top contender for the event, making it a smart choice if you decide to bet on Belmont Stakes online.

Sierra Leone

Sierra Leone, a stunning three-year-old dark bay and brown colt, has quickly become a prominent name in the racing world. He has claimed victories at well-known tracks like Aqueduct, Fair Grounds, and Keeneland. Among his notable successes are wins in the 2024 Blue Grass Stakes (G1) and the 2024 Risen Star (G2).

Owned by Derrick Smith and a group of five other investors, Sierra Leone’s reputation is well-earned. His debut on Nov. 4 at Aqueduct Racetrack saw him recover from a stumble at the start to win a maiden special weight event over 1 mile, finishing strongly under jockey Manuel Franco.

This colt’s impressive track record and consistent performance make him a horse to watch in the upcoming Belmont Stakes. He figures to be the betting favorite alongside Fierceness on June 8.

Fierceness

Fierceness, the favorite at the Kentucky Derby, stands out as a top contender for the Belmont Stakes. As the champion of the Breeders’ Cup Juvenile (G1), his heritage boasts three generations of Repole Stable representatives on his maternal side. Both his parents’ lineage is marked by the influence of Todd Pletcher, a Hall of Fame trainer.

Descended from the illustrious City of Light, who won multiple Grade 1 races and amassed $5.6 million in earnings, Fierceness has the pedigree of a champion. Though City of Light had an impressive career, he notably struggled only once at the 1¼-mile distance. This blend of strength and speed prepares Fierceness for the challenge of the Belmont’s demanding track.

Antiquarian

Antiquarian is quickly becoming a favorite among racing fans and analysts. Known for his strong performance on the track and impressive heritage, he stands out as a top contender for this year’s Belmont Stakes.

Coming from a lineage of champions, Antiquarian has a genetic edge that can’t be ignored. His pedigree is a major reason for his growing recognition as a potential winner in this prestigious race.

Honor Marie

Honor Marie, a descendant of the renowned Honor Code, showcases a strong lineage and impressive build. His ancestry includes runners from Dame Marie, a notable contender in the Churchill Distaff Turf Mile.

Known for his endurance, Honor Marie faced a tough beginning in the Kentucky Derby but made a strong comeback to finish eighth. In the Grade 2 Louisiana Derby, he also rallied from behind and narrowly missed first place, highlighting his resilience and competitive spirit.

Mystik Dan

Mystic Dan, winner of the Kentucky Derby (G1), is set to run in the Belmont Stakes on June 8 at Saratoga. Trainer Kenny McPeek entered him after a strong workout on June 1. With Mystik Dan competing, his stablemate Thorpedo Anna, who won the Kentucky Oaks (G1), will stay in the fillies’ division and race in the Acorn Stakes on June 7.

Mystik Dan is making history by being the first horse since Max Player (Honor Code) in 2020 to run in all three traditional Triple Crown races. Max Player had the advantage, however, of a different schedule due to COVID-19, while before that, War of Will last completed the series in its regular five-week span in 2019.

Thorpedo Anna

Thorpedo Anna, the daughter of Fast Anna, has already made significant history this year with her thrilling victory in the Kentucky Oaks. Trainer Kenny McPeek had a remarkable weekend at Churchill Downs, capturing both the Oaks with Thorpedo Anna and the Kentucky Derby with Mystik Dan.

This accomplishment marked the first time since 1952 that a trainer secured the Oaks/Derby double. Thorpedo Anna has maintained her competitive edge with three impressive workouts since her Oaks win. On May 22, she dazzled with a half-mile run in 46.20 seconds at Churchill Downs, followed by a five-furlong session clocked at 1:02.09 at Saratoga’s Oklahoma dirt training track.

Although McPeek considered entering her in the Belmont Stakes, he ultimately chose not to, focusing instead on Mystik Dan’s participation in the race.

Broadcasting the Stanley Cup: A Deep Dive into Radio and Podcast Coverage

As the excitement of the 2024 Stanley Cup Playoffs grips fans worldwide, the role of both radio broadcasts and podcasts in enhancing the hockey experience is more evident than ever. These media platforms provide not only live coverage but also in-depth analysis, fan interaction, and a community for hockey enthusiasts.

Radio: The Immediate Pulse of the Playoffs

Radio stations like SiriusXM NHL Network Radio offer continuous coverage during the Stanley Cup, ensuring that fans never miss a moment, no matter where they are. This platform provides a mix of live play-by-play broadcasts, expert commentary, and interviews with key figures in the hockey world. Programs like “The Power Play with Steve Kouleas” and “NHL Morning Skate” are staples for fans seeking both pre-game insights and post-game analyses.

Additionally, ESPN Radio and local sports radio channels enrich the broadcasting landscape. These stations cater to a national audience while also providing local perspectives critical during the playoffs. They serve as a vital source of information for those following their hometown teams through every thrilling playoff match.

Podcasts: Rich Content Beyond Live-Action

Podcasts have carved out a significant niche in sports broadcasting, especially with their flexible format allowing for deeper dives into topics that interest fans. Shows like “Kraken Weekly” on Apple Podcasts highlight not just game recaps but also feature fan mailbags, making it an interactive experience for listeners.

Specialty hockey podcasts like “Puck Soup” and “Spittin’ Chiclets” combine entertainment with analysis, providing a lighter take on the technical aspects of the game while still delivering insightful commentary. For the analytically inclined, “31 Thoughts: The Podcast” offers an insider’s look at NHL strategies, behind-the-scenes dynamics, and Stanley Cup odds, making it a treasure trove for serious fans.

The Digital Arena: Podcasts Elevating the NHL Fan Experience

The burgeoning world of NHL podcasts is teeming with content tailored for every type of hockey fan, from the casual listener to the hardcore devotee. Shows like “Locked On Flyers” and “Locked On Sharks” provide daily episodes that dive deep into team-specific news, player analyses, and game recaps, ensuring fans are constantly in the loop with the latest developments.

For those who enjoy a mix of expert opinion and fan interaction, “Pucks On Net” and “The Hockey Podcast Network” offer a vibrant mix of discussions, bringing both humor and depth to hockey podcasting. These podcasts often feature interviews with former NHL players and personalities, blending professional insights with fan perspectives​.

As the Stanley Cup Playoffs unfold, these podcasts transform into essential listening for fans who crave real-time, detailed analyses of each game and the overall playoff atmosphere. They not only cover the tactics and performances but also encapsulate the excitement and drama that define the postseason, making them a crucial part of any hockey fan’s daily media consumption.

The Importance of Fan-Centric Interactive Platforms

Interactive podcasts such as “Hockey Central,” where fans can engage directly with hosts and other listeners, play a crucial role in building community among fans. These platforms allow for real-time interaction and discussion, which is particularly engaging during the high stakes of playoff games.

TV: Where to Find the Stanley Cup

The Stanley Cup starts Saturday, June 8, in Miami, as the Edmonton Oilers travel south to take on the Florida Panthers. This will be the fifth straight year a Florida team is in the Stanley Cup, with the Lightning having gone to three straight from 2020 to 2022 and the Panthers the last two.

For those in the U.S., ABC will air the entire series, with each game starting at 8 p.m. If you’re in Canada, the Stanley Cup will be broadcast on Sportsnet, CBC, and TVA Sports. It will also stream on ESPN+ and Fubo TV.

Conclusion

Radio and podcasts significantly enhance the fan experience during the Stanley Cup Playoffs by providing a range of listening experiences tailored to different audiences. From live broadcasts on SiriusXM and ESPN Radio to interactive podcasts and in-depth shows on platforms like Apple Podcasts, these media forms offer comprehensive coverage that caters to the diverse interests of hockey fans.

As the landscape of media consumption continues to evolve, the integration of these platforms in sports broadcasting will likely grow, further enriching fans’ connections to their favorite sport during its most critical moments.

Prime Video Teaming with NHL Productions for Docuseries

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Prime Video, in partnership with Box To Box Films and NHL Productions, announced a new project that will provide unparalleled access into the world of the National Hockey League. This docuseries will shine a spotlight on the league’s top teams and characters at various stages of their careers, as they embark on the ultimate goal of winning the Stanley Cup.

This upcoming series will provide interviews with key players, their rivals, and those closest to them – including teammates, coaches, and family members. The series will follow superstar players such as Edmonton Oilers’ captain Connor McDavid, Florida Panthers’ forward Matthew Tkachuk, New York Rangers’ captain Jacob Trouba, Edmonton Oilers’ forward Leon Draisaitl, Boston Bruins’ teammates David Pastrnak and Jeremy Swayman, Vancouver Canucks’ captain Quinn Hughes, Vegas Golden Knights’ forward Jack Eichel, Toronto Maple Leafs’ forward William Nylander, Nashville Predators’ forward Filip Forsberg and Colorado Avalanche’s captain Gabriel Landeskog, among others.

“This generation of NHL superstars are modern day gladiators unlike anything ever seen before, with big personalities and even bigger play makers, and we have the perfect partners to capture that energy for an unparalleled sports docuseries,” said Shaun Alperin, head of content, Prime Video, Canada in a release. “Working with Box To Box Films and NHL Productions we cannot wait to bring to the screen the passion, the intensity, and the sheer excitement of the road to the Stanley Cup final, revealing what fans have only speculated goes on behind the scenes of the world’s fastest team sport.”

“We want to stay true to the world of ice hockey with the series. The sport is as beautiful, skillful and graceful, as it is brutal, pressurized and powerful; and we aim to balance the energetic and fast-paced action leading up to the Stanley Cup Final, with the quiet and raw drama taking place off the ice,” said Paul Martin, Co-founder of Box To Box Films and Executive Producer.

“This is so meaningful for our league. Box To Box has revolutionized modern storytelling for Formula 1, golf and tennis,” said NHL Chief Content Officer & Senior Executive Vice President Steve Mayer. “With the full support of the League, players, coaches and owners, we welcome the opportunity to showcase our stars and the greatest season and postseason in sports – the Stanley Cup Playoffs – to a global audience.”

This marks the fourth original hockey program Amazon has produced with NHL Productions for Prime Video. In 2021, All or Nothing: Toronto Maple Leafs multi-episode docuseries chronicled the iconic team’s 2020-21 season. This season, original hockey documentaries Chosen One: Alexandre Daigle and Saving Sakic premiered on Prime Video.

Meet The Bettors: Mike Francesa, BetRivers

New Yorkers haven’t had to guess what Mike Francesa was thinking for the last five decades. Whether it was Mike & The Mad Dog, Mike’s On, or The Mike Francesa Podcast, he always had a way to tell them.

As one of the innovators of the sports talk format, Francesa has seen a lot of evolution in media. As more states across the country have legalized sports betting, he has seen the industry and the leagues we cover move quickly to adapt to fans’ expectations.

In our conversation for the Meet the Bettors series presented by Point to Point Marketing, we cover a lot of ground in both the gambling and media businesses. The Sports Pope touches on why gambling hasn’t really changed his content, why new bettors have not embraced his beloved horse racing the way they have other sports, and so much more.

Demetri Ravanos: I’ve heard you talk before about the shock you would have had in the 80s and 90s if someone had told you all of the major pro leagues embraced gambling. What if I told you that sportsbooks had launched their own media companies? Would that have shocked you?

Mike Francesa: From a business standpoint, not really. Once it was legal and once the leagues not only got behind it but actually started embracing it, it was a logical progression. I don’t think there’s any question. I still think there’ll be a lot more sorting out to come in the business.           

We still probably wind up with two or three very prominent companies. The others will probably get absorbed. You see DraftKings trying to buy a lot of different companies right now, so I think you’ll see a lot of absorption and you’ll probably wind up like most industries with 2 or 3 major players. 

DR: I think about your show, and yes, there is a gambling component to it, but BetRivers wants you to do what it is you’ve done well for a long time. That says to me that the company’s motivation is more about content than creating players.

MF: I do a regular show, and, we’ve always incorporated, well, everybody picks games in the NFL. But even on stuff like NBA playoffs or the Knicks or stuff like that, we did a little stuff for most games. But again, it’s me just doing sports.          

I mean, look, you watch the game and they advertise odds on the game during the game. They update the odds during the broadcast. It’s become part of it.           

I think it’s something they are still learning about. I still think there’ll be issues about control, especially when it comes to the younger kids and the kids in high school. This is all in its infancy, so I think there’s still a pretty good amount of changes coming down the road. 

DR: So what about with your audience? You ask them to email you and they want to hear your thoughts on the current games and old WFAN stories as much as anything. How many questions are you getting that are directly about gambling?

MF: Not many. To be honest with you, no, there’s not many at all. But remember, doing a talk show for as long as I did, I learned that a big part of what America’s about is “who’s going to win the game?”. I mean, that’s what America has always been about. “Who do you like in the game?” “Who do you like in the series?” That’s really what sports talk has always been about, opinions. I mean that’s always a part of it.           

Now, it doesn’t just come down to a particular game or a particular moment. Remember you’re dealing with individual players and stuff like that where there’s a finite element to the whole thing. But as far as the basis, it’s still who’s going to win, and then why did they or why didn’t they win. 

DR: Everyone knows your passion for horse racing. Have you seen that spread? Has horse racing grown in popularity thanks to the spread of legalized gambling?

MF: No, I haven’t. I haven’t seen horse racing grow at all. Horse racing has its own set of problems. I have not seen horse racing change even a little bit.           

Most of the sports companies don’t really know much about horse racing or how to handle horse racing, and mutual wagering is completely different. So I think it’s still separate.           

I think the people who bet still bet in the same places they’ve always bet. They’ve not moved their horse racing bets to these sites. Maybe someday they will. I’m not sure if that will happen or not, but the guys who are horse racing clientele are very old. A lot of it is older people. It really is. It has not cultivated the youngsters well, except on big events. I mean, if it’s not the Derby, Triple Crown, Breeders Cup, that kind of thing. Other than that, it’s a very different sport and I haven’t seen any growth in it at all. 

DR: Is that something that these online books can do anything about, or is it largely going to be up to the stakeholders in horse racing to make those kinds of changes? 

MF: With young people, I think it’s probably less likely that they become horse players now considering the fact that they can bet sports. They grow up with sports and they just don’t take the time to learn. Handicapping thoroughbreds or if you’re talking about harness racing, but mostly talking about thoroughbred racing. You have to learn something about the sport. You even have to learn how to read the racing form. You even have to learn how to read past performances.           

You can’t wager on horse racing without understanding past performances. So, I mean, you could, but you wouldn’t be very good at it. So, it’s a very unique sport. It’s actually like doing the puzzle. Handicapping a race is like doing a puzzle. That’s really the best way I can equate it. It has the elements of a puzzle that you have to put together. 

DR: I want to pivot away from gambling and ask you a media question. I wonder what you think watching the NBA media rights play out. The idea that TNT may be losing the NBA and we might be losing Inside the NBA is kind of shocking. 

MF: I think that’s probably going to happen. I think it’s pretty much a foregone conclusion. I think it’s going to move. I don’t think there’s any question.          

TNT is going to get hurt. They’re going to miss it a lot.           

As far as losing, you know, one show? You know those shows come and go. I grew up on The NFL Today when it was by far the biggest show. Nothing even close. It was much bigger than this basketball show even is, much bigger because people actually got their weekly information from that show. Now, that never happens. You’re just going there to be entertained or to get opinions, to hear Charles say something crazy or something like that, you know?           

Charles has created a very unique place for himself where he can say anything he wants, which is a very unique place to be in America. I think it will move. Like I said, shows come and go, but they won’t be able to duplicate that show. 

DR: Will you watch any of Stephen A. Smith’s documentary about sports talk that’s on ESPN+ right now? You kind of lived the evolution of sports debate. Any interest in watching a documentary about it?

MF: It’s true. I mean, Mike and The Mad Dog changed everything. I don’t think there’s any question about it. Then you have to give Pardon the Interruption credit because they were the next extension of it. They took what Mike and the Mad Dog did and made it a TV show and made it very popular. Then everybody took everything from Pardon the Interruption. It’s a progression, but I think it did start with Mike and The Mad Dog. So, if he’s given us credit for that now, he goes back to that because it’s true. It’s flattering, but it’s true.           

I’ve told people, Stephen A. Smith actually came and talked to me after Dog left. I really wasn’t going to hire anybody, but we did talk to a lot of people, and he was one of the first ones we talked to. He was one I actually would consider because I thought he would fit in. Very well, as a matter of fact. So, I’m not surprised by his success with that kind of show.           

But hey, that’s what those shows are. It’s about opinions. It’s about takes. It’s about having an opinion and understanding how to present it, have a personality, have a unique opinion, and be able to back your opinion up at least fairly decently in an argument. That’s what all these shows are about now, and that really did start with us. There’s no question about it. 

DR: You know, it’s interesting to think about those kinds of shows now that having a take and having an opinion, sort of to combine everything we’ve been talking about, now it’s come around to a lot of these guys having to face the music or I guess their partners give them hell about their losing bets. That’s certainly not something I ever thought I would see in that format of television. 

MF: Well, listen, my competition was always my partner. It was Dog against me. That’s what the audience liked. We give each other grief. Now, it’s more pronounced because gambling is so pervasive. It’s so commonplace.         

I’m not sure where legalization will take the individual bets. I think it’s a very, very risky proposition to have individual bets on college players. I think that’s a very dangerous thing to do. I don’t think it’s something that will be legal for long. If it even is legal in certain states, I don’t even think it will be legal for long. As far as the everyday player, there’s going to be some ways to control that. It’s only going to be for the star players because let’s be honest, you know, you could manipulate a player who doesn’t play much, as we’ve seen already in a couple of cases. If it’s just about the star players, there’s really no way to manipulate it.           

But again, you get accusations. JB Bickerstaff made the point this year and it came up with a Nets coach this year. Hey if you sit a guy a star player three minutes into the game, you decide. “You know what? I’m giving you the rest of the night off,” the people who lost his points bet, or his three-point goal bet for the evening are all ticked off. Well, you know what? That’s just tough luck. That can’t be part of the equation. 

DR: It’s interesting to see the way people will send social media messages directly to players or coaches. It is almost like the early days of sports radio callers. Now it’s a different level of “There is no reason I can’t voice my opinion on this.” 

MF: Well, when people are going to be wagering on these things, it really impacts them. They have skin in the game now. So now it becomes a very different thing when it’s just about whether your team wins or loses or a personal opinion that’s far different. Now with this, we have people who feel like they should be able to voice their pleasure or displeasure based on the performance of the player on a given night. It’s opened up a whole different Pandora’s box. 

But hey, any time you are going to have wagers on outcomes, you’re going to have unhappy people. That’s just part of the deal.

To learn more about Point-To-Point Marketing’s Podcast and Broadcast Audience Development Marketing strategies, contact Tim Bronsil at tim@ptpmarketing.com or 513-702-5072.

Sports Radio Could Learn from the ‘Oldies Station’

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There’s a music station I listen to in my home market when I’m not listening to sports radio that most people refer to as the ‘oldies station.’ It used to actually have oldies in its name. Sadly, for me, it now plays the music I listened to growing up and through my college days. On any given day, you can count on plenty of Journey, Bryan Adams, Hootie & the Blowfish, Bon Jovi, Aerosmith or Tom Petty.

I love that music, I just don’t love that my music is now on the ‘oldies station.’

However, a few months ago, I discovered that on Sunday mornings the station airs old episodes of American Top 40, the show famously hosted by co-creator Casey Kasem. Since discovering it, my Sunday morning tradition of listening to Acoustic Sunrise and then some of the country music countdown has changed to tuning in to “the hits from coast to coast.”

You see, ‘oldies’ doesn’t play anymore because that makes a person feel, well, old. ‘Nostalgia’ on the other hand is completely different. That makes you feel good, even young again. It’s really all in the presentation.

This past weekend, I tuned in and caught songs 20 through 16: Too Shy by Kajagoogoo, She’s a Beauty by The Tubes, Never Gonna Let You Go by Sergio Mendes, Photograph by Def Leppard and Electric Avenue by Eddy Grant. Add some Eazy-E, Beastie Boys and Motley Crue and it sounds like my Spotify list. I didn’t want to get out of the car (my 14-year-old daughter couldn’t get out fast enough), I was completely locked in.

When I listen to AT40 I’m thinking about what I was probably doing when I originally heard that countdown or who I might have been hanging out with, what sports I was playing or what girls I was thinking about. Just hearing Casey’s voice takes me back to a certain time period, it takes me away from the now, there’s emotion involved because of the connection I have to that show.

For many, sports nostalgia is the best kind and sports radio should be taking more advantage of it. Sure, it comes up as a topic probably every single day in some way, shape or form, but what I’m talking about is how else can we look at nostalgia and find ways to make revenue off of it?

I would think it could work in almost any market for someone to do a show or a podcast or even vignettes that focused on the history of sports in that city and/or on the athletes, coaches and executives who helped make that history. Perhaps it could be a list of some sort, everyone loves a list. Get your audience involved and have voting – now you have something with a digital tie-in where you can drive traffic to a trackable site.

It could be a ‘Where Are They Now’ on-air feature or something where you play 10 minutes of a 30-minute interview on the air and post the full interview on your website. Maybe it’s having your talent and notable ex-athletes from the area hosting local sports trivia contests to find out who the most knowledgeable fan is in your city. That, too, could possibly be a digital play.

Maybe it’s an interactive discussion about different eras of sports in your town. Or you could do them by team. The key would be to come up with ways people can interact with their heroes they grew up watching. Figure out a way to make it something where they can capture that picture to post on social media – that’s when you know you’ve hit a home run.

In some markets it could be a big live event with autograph signings, stage shows, merchandising and more. In other markets it could be as simple as re-airing old broadcasts or clips of old interviews.

The point is nostalgia plays. It’s something people can get passionate about and that generally means advertising support should be easier to find. Talk to your team, figure out what the right plan is for your station and your market, but if you aren’t capitalizing on nostalgia, you are missing out on a tremendous opportunity.

Now, if you’ll excuse me, I have to go write my Long-Distance Dedication. “Dear Casey…”

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The Best Thing I Heard/Watched Recently

While my colleague Garrett Searight believes this might have been a work, the Boomer & Gio interaction with 86-year-old ‘Joan in Ridgewood, New Jersey’ the other day on WFAN was fun content. Allegedly, Joan just happened to call the new WFAN 888 phone number, by mistake, trying to get someone to help her.

Producer Al Dukes explained, “When I spoke with Joan, she told me she was having an issue with her dryer, her La-Z-Boy and her telephone as well.” Dukes called the police in her area and said they did a wellness check; everything was ok, and they even helped her with everything she needed.

You can hear the full segment by clicking here.

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In Case You Missed It

Late last week, Derek Futterman caught up with Spike Eskin who is a couple of months into his new role hosting afternoon drive with Ike Reese and Jack Fritz on 94WIP in Philadelphia. Eskin told Derek, “…I can tell you I am loving doing this. It feels natural, it feels like what I’m supposed to do, and I would love if this is what I did until the end of my career.”

Eskin also has lofty goals for the show, saying, “I want us to be the most important and most well-liked radio show in Philadelphia.”

You can read the full feature by clicking here.

Anatomy of a Broadcaster: Ryan Ruocco

Dream big, because you never know how things will turn out. Ryan Ruocco is living proof.

“If you look at my fifth-grade yearbook, under career goals, it says to play and announce for the Yankees,” Ruocco told the Daily News in 2023. “The playing didn’t work out, but the announcing has. I kind of knew it right away.”

Ruocco grew up idolizing Derek Jeter and several years later was covering the Yankees for the YES Network. Not bad for a kid from Fishkill, NY, which is a little over 60 miles north of Manhattan.

The dream began as a student at Fordham University. There, Ruocco called Rams football and basketball on WFUV. Ruocco’s path to doing play-by-play for a living, included working at YES as an intern and as an in-booth statistician. He gave ESPN Radio updates and was even an in-game host featured on the scoreboard at Yankee Stadium.

There was a method to his madness when it came to the road he followed.

“I just sort of had this natural progression where people got to know me for one thing, saw my work ethic, took an interest in me, then listened to my work and said, ‘Oh, we think Ryan’s pretty good.’ My whole mentality was if you crack the door open, I’ll kick it down,” Ruocco told the Daily News.

He’s doing just that.

PROFESSIONAL WORK

We almost have to split his work in the profession into local and national. The local part also seems like a national job because it’s the Yankees. He’s a busy guy.

ESPN

Ruocco joined ESPN in 2008 working in a variety of roles, including calling college basketball and football on ESPN Radio. He was also the host of ESPN Radio SportsCenter and later became one of the voices of The NFL on ESPN Radio, starting with the 2013 NFL season. Also, that year, Ruocco was named the lead play-by-play voice for the network’s coverage of the WNBA, a role he still holds today. He also serves as the lead play-by-play announcer for Women’s College Basketball, including the Women’s NCAA Tournament.

Last year, ESPN formed a second core NBA broadcast team for the season, with Ruocco as play-by-play and former NBA players Richard Jefferson and JJ Redick as analysts. The three called the NBA Sunday Showcase series on ABC and worked into the NBA playoffs.

YES Network

Ruocco joined the Nets broadcast team in 2011. He is one of the play-by-play announcers on the Nets’ telecasts. He’s also called select college basketball games on the network.

Along the way he’s hosted pre-/post-game shows for Yankees telecasts and This Week in Football for YES, which focused on the New York Giants and New York Jets.

Ruocco added Yankees’ play-by-play in 2015, when he called a series against the Astros. During the 2019 baseball season, he stepped up as the main voice of the team, when Michael Kay underwent vocal cord surgery. Ruocco also had the distinction of filling in for the legendary radio voice John Sterling in July of 2019. Sterling decided to take a day off for the first time since 1989, a span of 5,060 straight Yankees games.

WHAT MAKES HIM GOOD?

Ruocco’s voice is unmistakable. That’s a good thing, because he doesn’t sound like the prototypical, stereotyped play-by-play guy. He’s easy on the ears with a style that is smooth and energetic all at the same time. His energy is infectious and reels you into the game. I really enjoy his approach to games and big moments, which he’s been no stranger to of late.

Lately he’s been involved in many huge calls and has done some pretty big games of late. Most have been in the realm of the Women’s NCAA Tournament. The last two years have provided ESPN with some big audiences as the popularity of the sport continues to rise, right alongside Ruocco.

He had a widely appreciated final call of the South Carolina Gamecocks win over the Iowa Hawkeyes in the NCAA Women’s Title game a couple of months ago. The setup to the call was as good as the actual call itself. Ruocco, in the final moments of the game, mentioned South Carolina’s undefeated season, and the redemption in beating Iowa after a loss to them in the Final Four last year. The viewer was then prepared for a simple, but meaningful final call.

“Perfection with a touch of sweet redemption!” Ruocco said. “Undefeated South Carolina has won its third national championship!”

A good lesson to other broadcasters, the call of a championship doesn’t have to be a screaming, over the top thing to be memorable and meaningful. Less is more, this call proves that notion.

Calling a number of games in a given week can prove to be a challenge for broadcasters. Especially when most are nationally televised. It’s a different type of preparation, which requires a little extra.

“I think the key to doing a national game is not sounding like you’re parachuting in,” Ruocco told BSM. “You need to sound like you have your finger on the pulse of what’s been happening with that team because any fan that watches that team regularly is going to sniff out you not really knowing what’s going on with their team very quickly.”

That kind of recognition is why Ruocco is good at what he does. The extra work makes the broadcast sound better and in turn the broadcaster. Fans can tell when a broadcaster has ‘mailed it in’. They also know when you’ve done the extra homework.

WNBA APPRECIATION

Ruocco has been associated with the WNBA for over a decade now, but he never imagined the run would go on as long as it has. He appeared on the The Awful Announcing Podcast last month and described the process of taking over the coverage of the league and how his thinking changed.

“When I was first asked about it, and I’ve been honest about this, I kind of was like, ‘OK, that’s cool, but I’m already doing NBA. Why is this such a great gig for me?’ And there were people inside ESPN…who said, ‘Trust us, you’re going to love this. You’re going to love working with Rebecca Lobo, and this league is awesome to work on.’” Ruocco said.

“People used to love to use the WNBA as a punchline, as a joke,” Ruocco said. “Now people understand the value, first and foremost of the basketball, and also of these women and how incredible they are as leaders in our society.”

He and Lobo are really good together on the air and again will be the featured announcing duo for ESPN’s coverage of the WNBA this season.

DID YOU KNOW?

On June 28, 2023, Ruocco called New York Yankees pitcher Domingo Germán’s perfect game against the Oakland Athletics.

Ruocco is the co-host of The Ringer’s R2C2 podcast on Spotify alongside former New York Yankees’ pitcher CC Sabathia.

In 2008, Fordham honored Ruocco as the winner of the prestigious Marty Glickman Award, named for the legendary play-by-play announcer.

How Radio Professionals Know When Its Time to Hang It Up

When do you know it’s time to hang ‘em up? It’s always been the case that radio people try to hang on even when the jobs dry up and the medium has passed them by. It’s also true that radio programming hasn’t changed all that much in 30 years, so it’s understandable that someone who’s been doing this for all that time would think that it’s still an option. For some, it is.

There’s always the progression from Top 40 to Classic Hits to Talk, right? But with fewer jobs, voice tracking and automation, and the dreaded AI looming on the horizon, it might not be realistic for someone in their 50s or 60s to keep going in the business. I’m not saying that’s good or fair – and I am saying that a lot of it is blatant age discrimination – but at some point in your career, you have to step back, assess your career and your options, and make a decision. It just doesn’t get easier as time goes on.

And you have less time because you knew I had to address the mortality issue. That’s where I am now, and I made a decision based on that consideration. But more on that later.

If you’re one of the guys – it’s almost all guys – who post on Facebook dreaming about starting a station aimed at the 55+ crowd, unless you put together a solid business plan, buy a good signal on the cheap, and have a ton of local business who don’t care about demographics and ratings so much as just getting the word out, it will not happen. You’d need to do the full WOW Factor plan, and that is a lot of work. If you’re 55+ yourself and wondering why you aren’t getting responses when you apply for a Top 40-morning gig, it’s fair to say that you’ve aged out of being relevant to the target audience.

So you have to decide what your game plan will be, and that goes for everyone, no matter how young or old you are. We don’t yet know what the remaining shelf life of broadcast radio will be, and we haven’t hit on the formula to make podcasting a revenue (and salary) generator, “What do you see yourself doing at age 45 or 50?” has never been more relevant.

That’s a long way of saying that I’ve decided on my own career, such as it was:

I’m out. Oh, I’ll continue to write this column every week as long as Jason offers me the platform, but in the ten months since All Access imploded, I’ve been taking stock of where I am and what comes next. And I’ve been looking at the coming years and thinking that I don’t know how long I’ll have, but I don’t want to spend it reporting on format changes and lineup shuffles and conventions.

I want to spend it with my wife here in Medicare Country, enjoying lunch on the Intracoastal, taking driving trips, and not waking up at 3:30 AM every day to get the news ready for the morning. I want to have a life, and at some point several years ago, radio ceased to play a positive role in that life.

If radio still provides you with a creative outlet and a decent salary, by all means, keep going. One day, however, you may find yourself wondering if this is all there is. You may lose track of what day it is. You might realize that you’re not spending enough time with your family, or you just don’t care about what you’re talking about anymore. It’s hard when your entire identity is tied up in being a “radio person,” but there is life after radio, life after podcasting, and life after video.

What happens to me now? I have no idea, besides sticking with this column. (I cannot stress this enough: I am going to continue writing this column, more for this site, and, ideally, other pieces not about radio. You are not rid of me yet.) Hey, I might even get back into radio or podcasting, if a miracle were to occur.

I just know that I didn’t want to stay on the same track until it was too late, and if I’m unofficially semi-retired early as a result, well, I can live with that. Besides, the lines at Flakowitz Deli are a lot shorter if you go to lunch early, and now, I can.