Home Blog Page 2077

Mark Jackson Leaving ESPN in NBA Booth Shakeup

0

Hours after news broke of Doris Burke being promoted to the lead commentary booth for the NBA and the network bringing on Doc Rivers to join her, Mark Jackson has divulged that he will be leaving ESPN. Jackson, who was demoted as a result of the revamped lead commentary booth, was either going to be on the No. 2 NBA commentary team or out entirely. Now, the network has officially let go of its top NBA analysts following Jeff Van Gundy being laid off, and Jackson is a free agent with 15 NBA Finals under his belt.

Jackson joined ESPN in 2006 after retiring from the NBA following a 17-year playing career. His time with the network is separated by two stints, as he held the head coaching job with the Golden State Warriors for three seasons. A familiar face of the NBA Finals broadcasts, Jackson was known for his candid and forthright commentary while also being able to lean into the intellect of Van Gundy and skill of Breen. Fans on social media have expressed their shock and dismay towards the decision, which the network has not commented on, and the new era of the broadcasts.

The calculus behind the decision to let go of Jackson is not known, as news of his exit was not divulged when ESPN talent were laid off earlier this month. There have been no reports related to whether it was Jackson’s decision to leave the “Worldwide Leader” or if the network independently chose to terminate his employment. He reportedly had two years remaining on his broadcasting contract. If more details emerge, the picture could become clearer – but for now, the NBA on ESPN and NBA Finals will have a new sound going into next season.

Is Elon Musk Doing This Right? Programmers Evaluate The Twitter Rebrand

0

What are you calling that famous microblogging platform owned by Elon Musk? Technically, we’re supposed to be calling it X now, but I am guessing most of us are still referring to it as Twitter.

Rebranding a business is not a decision to be taken lightly and it isn’t something that can be done with half-assed commitment. After all, the second you decide to change your identity, you are giving up equity built with your audience. It better be worth it and you better not make a mistake.

Sports radio (radio in general, really) is no stranger to rebranding. Struggling music stations drop rock, urban, or classic hits for sports talk. Sports talkers that don’t meet rating and revenue projections go away in favor of something cheaper. Those are the big changes. 

There are also the smaller, but no less important, ones. “ESPN [insert city]” becomes “The Fan”. A station starts adding more gambling-focused content and changes its positioning statement to include betting terminology. 

Any shift, big or small, is a change for the audience. As the brand, it is up to you to do all you can to get them to embrace that new position. I’m not sure if Elon Musk and his team are doing that. I mean, the name of the platform is supposedly X, but I still have to go to twitter.com to get to it. Why would I not call it Twitter?

Given our business’s relationship with a good ol’ fashioned “strategic pivot,” I thought programmers may be able to offer some insight and analysis of what they have seen so far. Maybe no one can understand why this rebrand is a necessity for Twitter, but if anyone can spot problems and share experiences that are valuable at this moment, it is these guys.

“I’ll never be as rich, smart or have the ego Elon Musk, but the X move sure looks and feels like an ego and emotional reaction to Threads,” said David Wood, who oversees 107.5 The Fan as Urban One’s operations manager in Indianapolis. “If nothing else, it is a poor launch. As you said, you still have to go to Twitter to access X. Do a Google search on X and you won’t find a reference to ‘the brand formally known as Twitter’ on the first page except for a couple of news stories about the switch. What you will see is all the other brands named X. To my knowledge there is only one Twitter.”

What are your motivations for rebranding? That is the most common question I heard when I asked these guys how you weigh whether or not it is worth shaking things up. Has something happened that necessitates a change or is there a goal that cannot be accomplished without taking drastic steps?

“A rebrand really only makes sense if the ‘old’ brand is out of date, is consistently underperforming or you want to take your venture in an entirely new direction,” Jeff Rickard, program director of Charlotte’s WFNZ, said. “Whatever you do, it has to match what you’re truly offering, sell the property and identify you as a truly unique option. You can wash it, shine it and put a ribbon on it, but your product has to match the energy and ‘storefront’ or you’re just spinning your wheels.”

Was the Twitter name out of date? Maybe a better question is had its brand become toxic. I think that is a question worth considering. It’s a simple question with a complicated answer.

Pre-Elon, Twitter’s toxicity largely depended on where you stood politically. Since the 2016 election, every social media platform has been wrapped up in a veneer of politics and since 2021, Twitter has drawn the particular ire of conservatives for banning former President Trump and others tied to the spread of misinformation. However you felt about Twitter, your feelings about that are likely shaded by your beliefs.

As a mechanism, Twitter worked just fine. The app gave you real time commentary and conversation about whatever was happening in the world. Every micro-culture had its own corner. Did you want to talk basketball? NBA Twitter was always buzzing. Did you need to know what is happening in Washington? Political Twitter was thriving. Did you have complaints to share about who didn’t get a rose this week? #BachelorNation could assemble at a moment’s notice.

The functionality of Twitter largely was not toxic until Elon Musk took over and decided to “just be doing shit,” to borrow a phrase from the platform. 

Usage caps, eliminating safety protocols, paid verification, all of this is what had made Twitter less fun to use. If you change the name, none of that goes away. 

So, why bother changing the name? Musk has said it is necessary to transition from Twitter, the news app, to X, the “everything app.”

“If the idea is for Twitter to do other things, I think it would have made more sense to create Twitter brand extensions rather than blowing up a unique and universally known brand,” Wood says.

He has been programming a variety of stations for a long time, and Wood says there is actually a lesson from his career he would impart on Musk. Phased transition, not sudden change, is the way to get people on board with rebranding a product whose problems are not obvious to someone without industry or institutional knowledge.

“In radio I think back to the 90s and a lot of AC stations changed to the Mix brand,” he said. “I know there was a line of thinking that they were all lemmings, and some were. However, when I was programming WRAL/Raleigh we had very old imaging and didn’t have a great image for variety. Research shows the Mix equates to variety for a large group of people. So, we became Mix 101.5 WRAL and later just Mix 101.5. It took time and marketing, but eventually the brand reinforced the image we needed. The station, like many others is still Mix to this day.”

As previously mentioned, if you want to access the platform know called X, you have to go to twitter.com. If you use an iPhone or iPad, the app you open is still the Twitter app with the old bird logo. New CEO Linda Yaccarino can insist the platform is called X and Musk can declare posts on site are now calls Xs and not tweets all they want. There is still plenty of evidence around that I am not wrong to keep calling this thing Twitter.

Rickard and his team at WFNZ recently went through a rebrand of their own. It wasn’t a full overhaul. The station has some serious heritage in Charlotte that no one would want to abandon. But for years, listeners knew to find the station on 610 AM, then it became a simulcast on 610 AM and 92.7 FM. Last year, the station abandoned the AM band entirely. 

To make sure listeners were aware, it took a lot of imaging and promotion. More importantly, Rickard says, it took attention to detail and care to make sure nothing slipped through the cracks.

“There was a slight revision to the logo and a fresh new look on the web-site, cars, exterior images, etc. But the idea was to keep all of the great station history and present it in a 2023 version,” he told me. “The biggest problem you run into is discovering all of the little things around you (including station clothing) that is no longer relevant and you’re always catching the ‘old’ logo or signal on little things here or there. I always believe that once you rebrand – you have to get rid of everything everywhere with the old brand (old sales decks, letterhead, shirts, keychains, coozies, footballs, bandanas, mic flags). If you’re going in a new direction, you have to go all in. Above all, you just push that logo, that branding slogan and your mission as often as possible in as many ways as possible.”

Ever since Musk took over Twitter, we have seen the problems he has with impulse control and with just understanding how human beings work in general. Hell, there are a lot of us that believe he pulled a number out of his ass and bought the company just so his own Tweets would be seen by more people. 

Rebranding Twitter to X in itself, does not make sense, but it is not entirely idiotic. The sudden announcement followed by the error-filled slow roll though has been jaw-dropping. It is more evidence that my belief about Elon Musk is right – while his money and power force you to take him seriously, he is not a serious person. He wouldn’t even be able to hold down a job as a promotions assistant. 

Stephen A. Smith: ‘I Am A Show’

0

Stephen A. Smith is an invaluable personality on sports television and the featured commentator on ESPN’s morning debate program, First Take. On several occasions, specifically on his podcast through Audacy and Cadence13, he has not been afraid to speak his mind on topics outside of sports and media. Over the last several years, some people around the industry are getting the impression that he has outgrown the auspices of ESPN, evident, perhaps, by eating a baby carrot live on the air in the middle of a debate. Smith’s impromptu snack break caught the attention of Kimberly Martin, who has been featured on the show of late to provide her insight and expertise on the National Football League. In response to her wondering why he could not eat before or after the show, Smith offered a resounding response.

“I will say this as an aside because we’ve got to be honest with the American public,” Smith expressed. “Yes we are doing the show, but I am a show. It comes with it; that’s what I’m saying.”

Smith is duly compensated for his role with the network, which at times includes starring on First Take, NBA Countdown and the NBA in Stephen A.’s World alternate broadcast all in the same week. He has not been shy to talk about the network’s pursuit of Shannon Sharpe, his thoughts on the network inking Pat McAfee to a contract and the future of the television program on numerous occasions. Yet Smith’s demeanor sometimes comes off to those on the show as conceited or bumptious, and Martin decided to address it directly on Monday.

“Every time I do this job, I think it cannot – you cannot be this full of yourself, and every time I sit at this desk – I don’t get paid enough for this,” Martin said. “….I don’t – this is just crazy.”

“Neither do I,” replied Smith.

Molly Qerim, who has been the host of the show since her arrival in the summer of 2015, sympathized with Martin and spoke about how she has had a front-row seat to Smith for the last eight years. Nonetheless, the show continues to be the No. 1 morning program and dominate the competition, setting a new precedent for studio production and modern television.

“I know we’re doing a job, but let me ask you a question,” Marcus Spears said to Smith. “Do you ever listen to the damn words that come out of your mouth sometimes on this show? We’re in front of the whole world – do you ever just listen to what you’re saying?”

“Half the time I don’t care,” Smith replied. “I just say what’s in my heart, bro. I just say what’s in my heart, brother. Let’s roll, y’all! Let’s roll!”

At another point in the show, Smith was visibly reacting to Martin’s opinion on New York Jets quarterback Aaron Rodgers responding to contentious comments about his coach made by Denver Broncos head coach Sean Payton. As Martin outlined her thinking, Smith’s countenance was pensive and accompanied by a smirk, leading her to stop in her tracks and ask Smith what he was doing.

“You’re just starting off – I’ve been here for the last hour – that’s No. 1,” Smith said to Martin, who had been on Get Up earlier in the day. “No. 2 – I just want America to know that Kimberly is emblematic of the culture that Molly Qerim has instigated on this show.”

After more back-and-forth between the First Take duo, Martin interjected and asked Smith to expound upon what he meant by the culture Qerim created on the show.

“The bigger point is the culture that you’ve created with the attitude – these women coming here with this attitude coming in and bullying the men and running all over us,” Smith said, “but that’s okay.”

Bill Handel: Donald Trump Lawsuit Against CNN A ‘Dud’

0

A federal lawsuit against CNN brought forth by Donald Trump has been dismissed. KFI-AM 640 host Bill Handel thought that was the logical conclusion.

During his program Monday morning, Handel called Trump “Mr. Litigation” before noting that the premise of the suit was disingenuous.

“He filed a lawsuit against CNN, comparing the phrase ‘The Big Lie’ somehow connected with Nazi Germany and Joseph Goebbels propaganda. Because the philosophy of Nazi Germany was ‘If you lie often enough, and long enough, people will believe it’,” said Handel. “Therefore, you call ‘the big lie’ or someone who refers to what CNN as ‘the big lie’ is connecting Nazism to in this case, Trump. The federal judge tossed it out. Goodbye. Dud…I don’t think he has won one lawsuit regarding the election.”

Handel argued that the original lawsuit wasn’t about malpractice from CNN as much as it was about Trump being overly litigious.

“He files lawsuits like crazy with the understanding that he has unlimited resources. And he can pay against you to death,” Handel continued. “I mean, he just goes on and on. You’re gonna see that with these indictments where lawsuit after lawsuit is being filed to at least delay all of them.”

Kevin Mayer, Tom Staggs Return to Disney to Advise ESPN Strategic Partner Search

0

Bob Iger is turning to some familiar faces to help figure out the future of linear TV at Disney. Kevin Mayer and Tom Staggs have been brought in to consult on the search for strategic partners for television.

Mayer and Staggs are both former Disney executives who left the company at different times.

Kevin Mayer oversaw Disney’s direct-ton-consumer strategy. He oversaw the acquisition of BAMTech from Major League Baseball. That is now the backbone of Disney’s streaming services.

Tom Staggs joined Disney in 1990. He was a key member of the teams that led the acquisitions of both Pixar and Marvel. Prior to leaving in 2016, he had served as both CFO and COO.

Earlier this month, Iger told CNBC that he would be open to bringing in a strategic partner to Disney’s linear TV business. Speculation on who that partner could be has run the gamut from investment firms to competing networks to everything in between. Andrew Marchand reports it is likely to come from the tech sector.

It is hard to say what the end game is for Iger’s relationship with Staggs and Mayer. They will work with Iger, ESPN Chairman Jimmy Pitaro and others to find the right match. 

Eric Fischer of Front Office Sports speculates that the involvement of Staggs and Mayer could put them in play as potential successors to Bob Iger as Disney’s CEO.

Saga Communications Names Matt Burgoyne Director of Innovation and Growth

0

Saga Communications has announced Matt Burgoyne as its new Director of Innovation and Growth.

Burgoyne joins the company after co-founding the innovative media sales platform Rumple.

“I am privileged to be a part of the Saga team, Saga Communications is full of talented leaders, a vision for where it is going, financially strong and nimble enough to make it happen,” Burgoyne said.

“We are on a quest to acquire the very best people at their craft, give them, the responsibility, the accountability, the support, and the authority to help Saga and its markets to innovate and grow,” added Saga President and CEO Chris Forgy.

“Matt Burgoyne is the most recent example of that, and we are delighted to welcome him into the Saga family as the new Director of Innovation and Growth. Matt will provide the expertise and training necessary for our sellers to grow not only in our core competencies but also to complete the circle of traditional media and digital for our customers in all our Saga markets.”

FOX Sports Radio Picks Up New Affiliate in Charlottesville, VA

0

FOX Sports Radio has picked up another small market affiliate. WVAX-AM in Charlottesville, VA is dropping ESPN Radio and will rebrand as FOX Sports 102.9 and 1450 Charlottesville.

The station is part of the Saga Communications cluster, which is the flagship of the University of Virginia.

“We’re thrilled to now be offering the biggest and brightest names in sports radio to Central Virginia,” Garrett Klingel, General Manager of Charlottesville Radio Group, said in a press release. “We know how sports-crazed this market is, so they deserve the best!”

In recent weeks, FOX has picked up affiliates in Anchorage, AK; Peoria, IL; State College, PA and Augusta, GA. Like those stations, the Charlottesville station will carry the network’s entire nationally-syndicated lineup.

Doris Burke, Doc Rivers Joining Lead NBA on ESPN Booth

0

After Jeff Van Gundy was part of ESPN’s talent layoffs, the network knew it would need to reshape its lead commentary booth for marquee National Basketball Association games. According to Andrew Marchand of the New York Post, it has a plan in place to ensure its NBA broadcasts remain among the best in the league at the concussion of the national media rights deal, set to expire at the end of the 2024-25 regular season. ESPN is reportedly promoting longtime commentator Doris Burke to its lead broadcast team, which will move her to the NBA Finals on ABC after calling the proceedings on radio for several years.

Additionally, former NBA All-Star and head coach Doc Rivers is being hired as the second analyst on the crew. Mike Breen will retain his role as play-by-play announcer. Mark Jackson, has left the company.

Burke was the lead sideline reporter for The Walt Disney Company’s presentation of the NBA Finals for 11 years before being moved to the national ESPN Radio presentation with Marc Kestecher and P.J. Carlesimo. Throughout the last several years, she has been featured in the No. 2 broadcast booth, often broadcasting games alongside play-by-play announcers Dave Pasch and Ryan Ruocco. She has been honored with numerous awards in broadcasting and is seen as a trailblazer in the industry, working with ESPN in various different roles since 1991.

Rivers had been contemplating a return to broadcasting after being relieved of his duties as head coach of the Philadelphia 76ers, and he seems to be making a return to sports media. He previously served as an analyst on TNT’s coverage of the NBA, and will now be bringing his candor and comprehensive basketball knowledge to The Walt Disney Company (ESPN/ABC) airwaves.

Jackson has had two separate stints with ESPN on its lead commentary team, separated by his stint coaching the Golden State Warriors. Now being demoted by the network, his future is somewhat in flux amid interviewing for various NBA coaching jobs over the last few offseasons. Jackson has called 15 NBA Finals during his time with the network, all which have been with Mike Breen, and is a fixture of NBA Saturday Primetime on ABC.

As for Van Gundy, the network purportedly recognized Van Gundy’s palpable interest to return to coaching, and the National Basketball Association reportedly expressed dismay towards him repeatedly criticizing its rules and officiating. While the Association does not seem to have mandated a change, the “Worldwide Leader” made the decision to move on from Van Gundy after calling 17 NBA Finals throughout his time with the entity.

FOX Nation Adding OutKick Programming

0

Programming from OutKick — including projects from Clay Travis, Tomi Lahren, and Riley Gaines — has been added to the FOX Nation streaming service.

The subscription service provided by FOX will feature daily episodes of OutKick The Show with Clay Travis, Tomi Lahren is Fearless, and Gaines for Girls.

“OutKick has seen rapid growth over the last two years and we are thrilled to begin streaming our authentic content with the loyal audience that FOX Nation has cultivated,” said OutKick founder Clay Travis.  

Previously, the programs had only been available on social media platforms and YouTube. With the expanded reach, however, the shows will not see a change in schedule. Lahren’s program will continue to air on Mondays, Wednesdays, and Thursdays at 7:00 PM ET.

Gaines for Girls will continue to be a weekly show that focuses on protecting women’s sports.

Projects currently in development for OutKick will also be available on FOX Nation once launched.

Fox Corp. purchased OutKick in 2021.

1310, 96.7 The Ticket Announces New Midday Shows With Matt McClearin, Sean Bass & David Mino

0

Things are changing at The Ticket in Dallas. After weeks of goodbyes, the station said hell to not one, but two new shows on Monday. 

The middays will still be made up of two shows, but there are a whole lot of new faces. Donovan Lewis is getting a new partner and adding an hour. Matt McClearin, who said goodbye to JOX 94.5 in Birmingham last week, will join him every weekday from 10 am to 1 pm. That expands the time slot Lewis shared with Norm Hitzges by an hour.

While he is a new addition to the lineup, McClearin is not new to Ticket listeners. This is actually his third stint at the station and with Cumulus in Dallas. 

“How are we going to do three hours?” Lewis joked. “I’m used to doing two hours. You’re used to doing two hours. We’re gonna be so exhausted in that third hour.”

“He knows what he’s talking about and he knows what he’s doing,” he added. “And I’ve listened to some of his show preparing for this, and he’s done the same thing. So we’re really, truly excited to get this thing going.”

The other new show will see two producers move up to hosting roles. Sean Bass and David Mino will be on the air every day from 1-3 pm. Bass had been producing Lewis and Hitzges. Mino was producing The Hardline in afternoon drive.

“Reality hasn’t really set in,” said Mino. “We landed in California last night. Like, we’re halfway expecting to be pranked.”

Listeners got a surprising one-two punch of goodbyes recently. Hitzges’s retirement was expected. The sudden departures of Dan McDowell and Jake Kemp were not. 

“Obviously, the changes we’re all still adjusting to, but we’re thrilled,” said Bass. “We’re not going to half-ass it. We’ll give you everything every day.”