Omaha Productions is set to debut a new podcast series featuring Bob Myers, the General Manager of the Golden State Warriors.
Lead By Example is the latest podcast production from the upstart company, and will feature Warriors guard Steph Curry as the guest on the debut episode next Tuesday.
“I’ve been fortunate to have been around so many great leaders throughout my career seeing first hand the many ways they empower and inspire. Now I’m thrilled to be able to share conversations with some of the top leaders in their professions on my new podcast,” said Myers. “I’m excited to team up with my friends at ESPN and Omaha to share these inspirational journeys.”
According to a report from Deadline, the podcast will be sponsored by Caesars Sportsbook, and will also be available under the ESPN Podcasts umbrella.
Omaha Productions will produce video versions of the podcast for the ESPN YouTube channel in conjunction with the audio version of the podcast.
When New Year’s Eve lands on a Saturday, the least-watched night of the week, year-to-year audience declines for celebration coverage are the overall norm. But one network’s full coverage of New Year’s festivities on Dec 31, 2022 bucked the downward trend according to its key demographic of adults 25-54: CNN.
While the total linear audience of its “New Year’s Eve Live with Anderson Cooper and Andy Cohen” from 8 p.m. to 12:30 a.m. ET remained relatively steady (drawing 2.08 million, a mere two percent off from Dec. 31, 2021; as an aside, its streaming simulcast posted 38,000 viewers which is CNN digital platform’s second-best NYE figure on record), it jumped up 8 percent in the key demo by delivering 806,000 within the 25-54 age range, according to Nielsen Media Research.
It ranked as cable’s top adults 25-54 performance of the week (ending Jan. 1) outside of ESPN’s football coverage (pro and college) and Paramount Network’s Yellowstone and its prequel series 1923.
CNN also boasted a younger median audience than most of their New Year’s competitors. Its median age of 51 years old bested the likes of CBS’s “New Year’s Live: Nashville’s Big Bash” (57 years), NBC’s “Miley’s New Year’s Eve Party” (52 years) and Fox News’ “All-American New Yesr’s 2023” (67 years) during the 11 p.m.-12:30 a.m. ET time period.
In addition, of that same 90-minute slot as the East Coast rang in 2023, CNN averaged 3 million total viewers (including 1.2 million adults 25-54) — down from the previous year’s 3.3 million but twice as much as FNC (1.5 million) and nearly matching what CNN drew back on NYE 2016. During that final hour of 2022, comedian Kevin Hart appeared on satellite from Las Vegas to advise CNN to let its hosts drink on the night; with this being the first NYE in the Warner Bros. Discovery era, all its hosts broke from recent years’ pattern to follow the no-alcohol edict.
Although it was a “dry” telecast, it did feature accidental utterances of foul language from its celebrity guests, the aforementioned Kevin Hart and Broadway legend Patti LuPone.
From 12:30 a.m. to 2 a.m. ET, CNN’s New Year’s Eve with Don Lemon drew 1.25 million total viewers including 499,000 in the 25-54 age range. While it represented declines of 14 percent (in viewers) and 19 percent (in demo) from last year, it was still enough to eke past FNC (1.1 million) in total audience but easily top FNC (240,000 adults 25-54) in the key news demo. And, like last year, Lemon’s New Year’s special was cable news’ runner-up telecast for the week among adults 25-54.
In the overnight on CNN, a rerun of New Year’s Live with Anderson Cooper and Andy Cohen from 2:05-3:30 a.m. drew 608,000 viewers (with 225,000 adults 25-54); year over year, down 19 percent (and 11 percent, respectively), although last year’s encore began airing 30 minutes earlier (at 1:30 a.m. ET).
On Fox News, their one-hour 2022 retrospective Who Can Forget at 8 p.m. drew 1.35 million viewers (down 17 percent from Dec. 31, 2021), followed by a one-hour countdown special (958,000 viewers; roughly half of what Greg Gutfield’s Dec 31, 2021 New Year’s special had drawn). All-American New Year 2023 from 10 p.m. to 1:30 a.m. averaged 1.35 million total viewers and 234,000 adults 25-54 — down 27 percent and down 35 percent, respectively, from Dec. 31, 2021, but still way ahead of the sub-1 million total viewer mark from Dec. 31, 2020. (FNC’s live New Year’s Eve coverage was only established in recent years.)
Cable news averages for December 26, 2022-January 1, 2023:
Total Day (Dec. 26-Jan. 1 @ 6 a.m.-5:59 a.m.)
Fox News Channel: 1.102 million viewers; 134,000 adults 25-54
MSNBC: 0.632 million viewers; 67,000 adults 25-54
CNN: 0.558 million viewers; 124,000 adults 25-54
HLN: 0.208 million viewers; 40,000 adults 25-54
CNBC: 0.117 million viewers; 29,000 adults 25-54
The Weather Channel: 0.114 million viewers; 20,000 adults 25-54
Fox Business Network: 0.088 million viewers; 8,000 adults 25-54
Newsmax: 0.086 million viewers; 7,000 adults 25-54
Prime Time (Dec. 26-31 @ 8-11 p.m.; Jan. 1 @ 7-11 p.m.)
Fox News Channel: 1.341 million viewers; 136,000 adults 25-54
MSNBC: 0.831 million viewers; 79,000 adults 25-54
CNN: 0.688 million viewers; 183,000 adults 25-54
HLN: 0.303 million viewers; 59,000 adults 25-54
CNBC: 0.188 million viewers; 61,000 adults 25-54
The Weather Channel: 0.147 million viewers; 19,000 adults 25-54
Newsmax: 0.101 million viewers; 5,000 adults 25-54
NewsNation: 0.090 million viewers; 16,000 adults 25-54
Fox Business Network: 0.056 million viewers; 8,000 adults 25-54
Top 10 most-watched cable news programs (and the top programs of other outlets with their respective associated ranks) in total viewers:
1. The Five (FOXNC, Tue. 12/27/2022 5:00 PM, 60 min.) 2.955 million viewers
2. The Five (FOXNC, Fri. 12/30/2022 5:00 PM, 60 min.) 2.641 million viewers
3. The Five (FOXNC, Wed. 12/28/2022 5:00 PM, 60 min.) 2.627 million viewers
4. The Five (FOXNC, Mon. 12/26/2022 5:00 PM, 60 min.) 2.504 million viewers
5. The Five (FOXNC, Thu. 12/29/2022 5:00 PM, 60 min.) 2.330 million viewers
Parlement Technologies, the parent company of social media platform Parler, has laid off the majority of its staff in recent weeks, according to a report from The Verge.
Parler billed itself as “censorship-free” when it launched 2018 as an alternative to more popular social media platforms like Twitter, Facebook, and Instagram. The launch of Parler coincided with then-President Donald Trump’s outspoken views on alleged discrimination against conservatives on more traditional social media sites. The app grew in popularity during the run up to the 2020 Presidential election, but saw a sharp decline when both Apple and Google removed the platform from their app stores after the January 6th insurrection.
Apple reinstated the app nearly four months later, but only after it committed to a different set of moderation policies. However, by the time Parler returned to the app store, the “censorship-free” social media market had become saturated by competitors like Rumble, and the Trump-owned Truth Social.
Parler was nearly purchased by controversial artist Kanye West in October of 2022. “In a world where conservative opinions are considered to be controversial we have to make sure we have the right to freely express ourselves,” West said at the time.
West’s purchase of the platform coincided with his removal from Instagram and Twitter for his continuing anti-Semitic posts. After praising Adolph Hitler during an appearance on Infowars with Alex Jones, Parlement Technologies terminated its deal with the rapper.
The company’s CEO is George Farmer, the husband of conservative commentator Candace Owens.
Tom Barnard recently hosted his final morning show on classic rock station KQRS in Minneapolis, but the Hall of Fame radio personality will now have a new digital show with Hubbard Radio.
The Tom Barnard Morning Show Podcast will stream live each weekday morning from 7:00-10:00 AM on a newly launched website, app, YouTube channel, and social media platforms. The audio of the podcast will then be available on-demand on major podcast services.
“I still love this business and love my listeners and clients,” said Barnard. “The opportunity with Hubbard comes at the perfect time in my career, and I look forward to reaching new and old listeners through streaming and podcasting.”
The Marconi Award-winning talent will be featured alongside a new co-host and a producer, and will be joined by a cast of regular contributors on the new podcast.
“This is an incredible opportunity for Hubbard Radio,” Hubbard Radio Vice President and Minnesota Region Manager Dan Seeman said. “Tom is a Twin Cities radio legend. With this partnership, Tom’s legions of listeners and fans will be able to listen to this iconic personality on multiple digital channels, both live and on-demand.”
Barnard began his broadcasting career 50 years ago with a short stint at Hubbard’s 1500 KSTP, and he’s excited to join the company once more.
“I am absolutely honored to end my career right here where it started, with the Hubbard family and Hubbard Broadcasting.”
The new show is scheduled to launch on Monday, February 6th.
Camille Vasquez made her debut as a legal analyst for NBC News Monday, and not everyone inside the network was happy about the addition.
According to a report from Semafor’s Max Tani, an unidentified journalist inside NBC News filed a written complaint about their concerns of hiring Vasquez.
The 38-year-old lawyer rose to prominence during the spring and summer of 2022 as she represented actor Johnny Depp in his defamation lawsuit against his ex-wife, actress Amber Heard. Vasquez defended Depp against charges of domestic violence against Heard, ultimately winning the actor a $15 million decision before settling with Heard to only pay him $1 million in damages.
One of the issues brought forward by the angry party was the perception that NBC News was undermining its own reporters. During the trial, NBC News reporter Kat Tenbarge was the focus of anger from fans for her tweets about the trial. Tenbarge tweeted Johnny Depp “destroyed Amber Heard’s life and career, made her a global target, and forced her to relive her trauma in multiple courts”.
A Change.org petition was filed to fire Tenbarge from her position, but it failed to gain much traction.
“For her to end up in this branding, as an NBC News Analyst — it puts her in league with the journalists of this network, and that’s unfortunate,” one NBC News employee told Tani.
National talk show host Howie Carr discussed the demise of late-night talk shows during a segment on Monday. Carr said Jimmy Fallon and others are struggling to keep pace with the likes of Fox News stars Tucker Carlson and Greg Gutfeld.
“If you’ve never heard desperation, today is your lucky day. Late-night shows are dying out,” Carr stated. “And we’ll be happy to see them all go. Stephen [Colbert], Seth [Meyers], and Jimmy [Fallon], are no match for Tucker or Greg Gutfeld.”
According to Radar Online, NBC executives regret signing Jimmy Fallon to an $80 million extension with Fallon drawing less than half of the audience that Gutfeld is. Although Fallon has a robust YouTube page, the numbers do little to satisfy advertisers on his television show.
Fallon is also receiving criticism for a skit he performed about COVID-19.
“For this he gets an $80 million contract for five years,” said Carr. “Jimmy Fallon’s ratings are tumbling and his days in the spotlight are numbered, although I am sure he’s laughing all the way to the bank.”
“But maybe he can sing about fender-benders or blocked arteries next time, that always gets the crowd going,” Carr added facetiously.
Syndicated radio host Dan Bongino blamed the media for “gaslighting” the public about President Joe Biden’s trip to the border last weekend.
Bongino made the comments during his radio show Monday. The former U.S. Secret Service agent who was once assigned to protect the president said that it’s no coincidence that Biden made the trip during a news cycle dominated by the House Speaker vote.
“Notice how conservative and other right-leaning media outlets are reporting on this at all,” said Bongino. “You will hear nothing from media people that are acting exactly like Pravda and the North Korea media act.”
Biden’s visit took place in El Paso, Texas. Officials on the ground told Fox News Digital that migrant encampments were cleaned up ahead of the president’s trip.
“I just want to remind you for the third time that this (crisis) is real,” Bongino said. “Gaslighting is getting you to believe in an alternate reality. The media does this in conjunction with the libs, academics, elitists, and Hollywood types.”
“They get you to believe that the real world is the one that they live in,” he added. “The components of gaslighting are very simple. You must lie about the world and you must lie confidently.”
Political journalist Paul Sperry told Fox News Radio host Brian Kilmeade on Tuesday that his free speech rights were violated by California Rep. Adam Schiff (D).
Sperry said Twitter banned his account, at the behest of Schiff who was angry at Sperry for outing a whistleblower in the impeachment investigation against former President Donald Trump.
Sperry told Kilmeade that he received an email from fellow journalist Matt Taibbi who was asked by Elon Musk to go through a lot of the communication between Twitter, its former executives, and influential figures like politicians and law enforcement officials.
“Adam Schiff demanded Twitter ban me in November of 2021,” Sperry said. “He secretly sent a letter to them. Less than three months later, I was banned.”
Sperry said the Twitter Files revealed that the platform promised Schiff they would review Sperry’s account for suspension.
“This explains why Twitter could never give me a reason for my suspension even though I broke none of its rules,” he said. “My editors and everyone else tried numerous times to get an answer and we never did.”
Sperry stated that by not providing him with a reason for a suspension, Twitter was breaking its own rules.
“When you make your own rules, you can break your own rules, and there’s nobody left to enforce them,” Kilmeade added.
“I was kind of a thorn in Schiff’s side, and he was mad at me because my stories went viral on Twitter and he tried to silence me,” said Sperry.
Bruce Beck has been to the Olympic Games – but not as an athlete. For 10 different iterations of the heralded worldwide sporting competition and display of cultural diffusion, Beck has been a reporter bringing viewers local and national stories.
Now in his 26th year as the lead sports anchor at NBC 4 New York (WNBC-TV), he has many stories to tell of those experiences, including watching Michael Phelps win eight gold medals in Beijing in 2008, Usain Bolt being victorious in three consecutive 100-meter Olympic dashes, and Sarah Hughes pulling off a shocking gold medal victory in Salt Lake City in 2002. Beck, like these athletes, had a passion for what he was doing and worked hard to refine his talents into an award-winning career in sports media.
“My story’s not a perfect story,” Beck said. “I’m not as talented as many of these guys in the industry, but I guess I’m a survivor.”
Beck’s official workplace is 30 Rockefeller Plaza, the acclaimed New York City landmark which headquarters NBCUniversal and the iconic Christmas Tree during the holiday season. Yet Beck often finds himself working remotely, whether that be locally from Citi Field in Queens; Yankee Stadium in the Bronx; or across the Hudson River at MetLife Stadium in East Rutherford, NJ or at national events such as the Super Bowl or Kentucky Derby.
On a day where he is not scheduled to be on-site – well, that can change at a moment’s notice because of the unique fluidity of the New York marketplace. “The Big Apple” is home to over a dozen professional teams, many hallmark events and famed college and high school athletics programs.
“Once in a while there’s a boring day for the broadcast, but rarely,” Beck said. “Something always happens; something always comes up. One of the hardest jobs for me is prioritizing, ‘What is the story today?’”
Beck grew up near the New York metropolitan area in Livingston, N.J. and was enamored with sports, along with perfecting his impressions of the local broadcasters. At the age of 8, he began imitating Marv Albert; in fact, he can still recite six commercials he did. When he and his family would play basketball in the driveway, Beck would announce the games in the style of Albert, along with other commentators such as Howard Cosell, Keith Jackson and Marty Glickman.
When there were no sports to consume, he would grab a utensil from the kitchen and commentate his mother’s cooking routine, doing anything he could to use his voice and practice the trade.
“She thought maybe I was a little crazy,” Beck said, “but maybe she thought I was on to something because she never criticized me; she just laughed.”
Beck’s first bonafide broadcasting experience was in junior high school when he was responsible for delivering the morning announcements. By the time he was in high school, he was working with the school basketball team, still imitating Albert, and hosting game shows for the team on their bus rides to and from games.
In 1974, Beck matriculated at Ithaca College where he studied accounting and forayed into media-related endeavors on the side. He initially applied undecided though but still found a way on WICB, the school’s radio station, for early morning broadcasts and compiled local reports to air on station programming.
Over his time as an undergraduate student, he anchored Sunday night broadcasts and did play-by-play announcing for sporting events on campus while also working as the television sports director in his senior year. He cemented a legacy at the school by being the first nonmajor to win the National Honor Society AERho Award for Outstanding Broadcaster; however, Ithaca College was not his first choice. Beck had hoped to attend Northwestern University but his request for admission was turned down in a letter that remains preserved at his desk.
“When I was the keynote speaker about eight years ago for St. John’s University Staten Island Campus… I held it up,” Beck said of the letter. “I read from it. I use it as the power of rejection.”
Upon his graduation from the school four years later, Beck did not waste any time entering into the professional world in a job with Suburban Cablevision TV3 in East Orange, N.J. The broadcast outlet gave viewers the ability to watch local athletics programming, taping high school and collegiate sporting events and subsequently airing them, utilizing remote production trucks and commentators.
In addition to live games, the channel broadcast talk shows, one of which was titled Time In that was hosted by Beck and another he co-hosted called Scorecard. Eventually, he was working as the assistant sports director alongside Bob Ley, who was the outlet’s sports director and the person who initially hired Beck.
Ley, however, departed Suburban Cablevision TV3 in 1979 to be one of the first employees for a new all-sports network called ESPN. It turned out to be the place where Ley primarily worked for the majority of his career, hosting national shows such as SportsCenter and Outside the Lines to millions of viewers around the world.
Bruce Beck is a big believer in trying to outwork his competition. (Photo provided by Beck)
Meanwhile, Beck, who questioned whether or not Ley had made a prudent decision, had been promoted to sports director. For the next three years, he was working to elevate the channel’s sports coverage and manage its team of broadcast professionals as he continued to provide play-by-play commentary for select matchups.
“It built the mechanics and it built kind of the framework for my career today in terms of how much attention to detail I take and how serious I take my preparation,” Beck said. “Bob Ley – can you think of a better mentor? One of ESPN’s greatest ever in terms of integrity, in terms of broadcasting. I was really lucky.”
In his youth, Beck had imagined what it would be like to work with Marv Albert – and those early aspirations turned into a reality when he entered what former New York Knicks public address voice John F. X. Condon referred to as “the magical world of Madison Square Garden.”
Stepping into “The World’s Most Famous Arena,” Beck covered games and worked as an in-studio host for MSG Networks, contributing to events including Golden Gloves boxing, the Millrose Games and the National Horse Show. Additionally, Beck was the primary interviewer for the New York Knicks and New York Rangers, the latter for whom he also hosted television studio coverage.
“I was the youngest guy working on the airwaves in New York,” Beck said. “It was the opportunity of a lifetime. I still had a high-pitched voice; I was still far from accomplished but I was able to get reps in a tremendously professional environment and I continued to improve throughout the years.”
As a reporter, Beck had the opportunity to interview prominent figures in the world of professional sports including Patrick Ewing, Mark Messier and Bill Russell. Having the ability to elicit thoughtful and cohesive answers from interviewees was always Beck’s focus, and although he thoroughly prepared for each interview, there are instances where it was best to go with the flow of the conversation.
“I did an interview with Dennis Rodman at the Garden and I said to him, ‘Dennis, this is the best offensive start you’ve ever had to a season. Are you happy with your offense?’,” Beck remembered, “and he said: ‘Man, I won’t be happy until I’m 6 feet underground.’ I took all my notes and I just threw them in the air, kind of, and I just said: ‘Why? How come? What made you feel this way?’”
To this day, Beck follows the three principles of interviewing he learned at a young age; these are: (1) – Asking the question everyone wants to know. (2) – Asking the question nobody else will ask. (3) – Deriving a follow-up question based on a previous response.
Effectively interviewing comes from active listening and comprehending answers in the moment to guide the discourse. Similar principles apply when it comes to live game broadcasts in which one duty of the play-by-play announcer is to ensure the color commentator is properly positioned to offer their esoteric knowledge and informed opinions.
No matter the sport – whether it was filling in for Sam Rosen on the boxing broadcast; to calling college football and basketball games; or covering the Yankees in different capacities – Beck was ready for the challenge and to duly perform his role.
“I was always taught that the color man is the star so if you could do a solid job as a professional play-by-play guy and set up the color man,” Beck said. “If he had a good broadcast, you had a good broadcast. We had a who’s who of announcers that was working for MSG, and I was just fortunate to be around them.”
In 1994 at the age of 38, Beck’s contract with MSG Networks was not renewed in what could have been a significant blow to his career without his inherent persistence and drive to succeed. In what some might call a devastating setback, Beck, who was disappointed, tried to remain optimistic that he would find a way to succeed.
“Jerry Eisenberg once said to me, and this kind of tied into how to treat people too, ‘You better remember us on the way up, because you’re sure as hell going to need us on the way down,’” Beck remembered. “He also said, ‘If you’re always on a high note, when you do come down you’re going to have an uncushioned crash.’”
Beck began announcing Ultimate Fighting Championship (UFC) events as one of the promotion company’s first announcers, starting with UFC 4 held at the Expo Square Pavilion in Tulsa, Okla. His previous background commentating combat sports also helped land him a gig as a commentator for Showtime Championship Boxing, contributing during the network’s fight weeks around the country.
In addition to these jobs, Beck also called harness racing for ESPN, college basketball for Prime Network with Al McGuire and Rollie Massimino and college football and basketball for CBS Sports.
He was often on the move, taking a total of 102 flights in 1997 – some of which he boarded as the jetway was moving away from the terminal – and built what he says was a “mini-empire.” Through all the minutiae and spontaneity of his work schedule, Beck focused on embracing new challenges and building relationships in the process.
“I did anything that was asked upon me because it was just a matter of preparing, having great energy and being able to work with your color guy and knowing your material well enough that you could carry a broadcast,” Beck said. “It was fun; it was invigorating.”
At the same time, Beck was the host of Sports Images and Comcast Sportstalk for CN8 with its studios located in Union, N.J. Working other freelance jobs during the day, he found himself having to race to the studios four nights per week for the latter program and would sometimes arrive two minutes before the show was set to hit the air.
“I believed in outworking people,” Beck said. “I certainly wasn’t more talented but I just believed you could build relationships and you could outwork people and you could be up at 2 or 3 in the morning and you could study and you could do any assignment.”
By the fall of 1997, he received an audition with Dennis Swanson, the president and general manager of WNBC-TV New York, for the role of weekend sports anchor with the network. Shortly thereafter, Beck’s “three hard years” ended when he was officially hired by the network. He remains there nearly 26 years later.
“Local reporting [has] changed over the years but the secret sauce really hasn’t changed,” Beck explained. “The trust of your audience; relationships with those people you cover; and good old-fashioned shoe-leather reporting. Being in the trenches; in the locker room; on the ballfields.”
Beck’s approach to local reporting is in identifying the key story and finding unique ways in which to present them, doing so in longform on the Sunday night sports show Sports Final. As an employee of a local news affiliate, he seeks to find aspects of sports bridging news in his reporting as well, telling stories to viewers such as New England Patriots owner Robert Kraft obtaining and delivering masks to New York City at the onset of the COVID-19 pandemic.
Stories like that, which were told in the months without live sporting events, helped NBC 4 New York win the prestigious Alfred I. duPont-Columbia University Award for its reporting during the early stage of the pandemic and continues to make the local network a trusted voice in the marketplace.
“You’re still covering a multitude of things on a Sunday night,” Beck explained, “but you get two, usually, longform stories with a guest that you’re going to cover – and that’s the way I usually approach it. We’ve had a lot of athletes; a lot of coaches [and] some of the premier guests around. Other times, I’ll get a writer who’s covering the team who might have the better inside scoop. We’re trying to show depth and we’re trying to give [viewers] a behind-the-scenes look.”
Bruce Beck has worked at NBC 4 in New York, in addition to several other roles during his storied career. (Photo provided by Beck)
Over the years with NBC 4 New York, Beck has covered events both near and far with the mission of accentuating local perspectives and giving viewers unique access. The ability to do this, though, comes through establishing and maintaining mutually-beneficial relationships.
For example, Beck visited the home of former St. John’s University and NBA head coach Lou Carnesecca where he conducted an exclusive interview with him reflecting on his career. They had fostered a relationship when Beck was hosting Carnesecca’s eponymously-titled show on MSG Network.
Although the industry has considerably shifted in terms of the creation and distribution of content, motivated reporters like Beck are resolute in their mission to uncover and present compelling stories – all while being cognizant of their audience.
“You have to be innovative; you have to be creative,” Beck said. “I think you have to reimagine, and that’s what I’ve tried to do and that’s what I’ve encouraged younger people to do. You’ve got to reimagine in today’s day and age, but there’s still a place in my mind for local news although it’s redefined.”
As a reporter, Beck’s use of social media is an imperative aspect of his job, especially in being able to connect with viewers at a moment’s notice. When he is not promoting upcoming broadcasts or breaking news in the field, he uses the platform to break the metaphorical third wall between followers and professional media members. By giving them an inside look as to just where and how he does his job, he communicates and displays the story within the story; a sort of metadrama encompassing the craft.
“Take them to places they can’t go, and tell them things about you that they don’t know,” Beck said. “That’s what people want from me on social media. ‘Where am I? Am I [in] the Yankee locker room? Is this a cool spot at Dodger Stadium? Let me show them something they can’t normally get to.’”
In addition to working with NBC 4 New York, Beck’s versatility has allowed him to take on other roles over the years, including an eight-year stint hosting programming on NBA-TV. He currently works with Rutgers University on its digital athletics programming, along with freelancing as a commentator for Top Rank boxing coverage airing on ESPN+. Beck’s work ethic and ability to adapt helped him in his quest to succeed in the New York marketplace, interacting with players, coaches and other team personnel to create meaningful, impactful connections.
“I never feel like I can cover everything but I love to be in the field; that’s what I’m known for,” he said. “I’m known for outhustling people and being at every possible event I can get to, and yet I know I still don’t do a good enough job because it’s impossible.”
Beck has covered several Olympic Games during his career. (Photo provided by Beck)
Six years ago, Beck pioneered the Bruce Beck Broadcasting Camp, a place for aspiring sportscasters to learn from industry professionals, gain experience in various different roles, and become inspired by the craft.
For the 15 years prior, Beck held a similar broadcasting camp with sportscaster Ian Eagle with attendees including MLB Network host Scott Braun, ESPN NHL reporter Emily Kaplan and NBC News correspondent Jesse Kirsch.
Some of the guests who have attended the program in recent years include MSG Networks/ESPN basketball commentator Mike Breen, NFL on FOX play-by-play announcer Kevin Burkhardt and YES Network reporter Meredith Marakovits. This year’s program begins on July 17 and takes months of planning and coordinating for Beck, who is assisted by his wife Janet.
Whether it is mentoring students at the camp or on late-night phone calls on his way home from work; or volunteering with different charities to help those less fortunate, Beck recognizes the value and importance in being a source of goodwill. Even if other people see it as being naïve, Beck continues to find a way to exude a sense of optimism while working in “The City That Never Sleeps” for over 40 years.
“You can’t change the world but you can impact lives,” Beck said. “….My father and mother taught me [that] receiving is nice, giving is nicer [and] giving back is nicest of all. My parents, who are the foundation for everything that I’ve ever accomplished; they taught me that and I’ve tried to pass that on to my two kids and my five grandkids.”
In March 2017, Beck was the winner of the Jessica Savitch Award of Distinction for Excellence in Journalism from Ithaca College – his alma-mater. The honor was not only for his career as a multimedia journalist, but also as a source of support and mentorship for aspiring professionals looking to work in sports media. Even though studying in upstate New York was not his first choice, the foundation he built in college and has extended throughout his ongoing professional career is surely deserving of a gold medal.
“It’s easy to get up when there’s a storyline that changes every day in New York and there are these teams that are striving for excellence that [don’t] always achieve it,” Beck said. “That drive; there’s dreams of success and fears of failure for all of us every day, and I think that drives me and it drives the athletes and it drives the coaches and I think it even drives the fans. I haven’t lost it yet; I haven’t lost my desire to generate good news, good stories and cover the people that are worthy of it.”
The national championship game could not match the Fiesta Bowl and the Peach Bowl. That was true of both viewership and excitement. Georgia’s blowout victory against TCU drew an average of 17.2 million viewers across ESPN networks.
The Bulldogs won their second consecutive national title thanks to a 65-7 demolition of the Horned Frogs. That likely accounts for the fall-off in audience from the semi-finals. The Fiesta Bowl averaged 21.4 million viewers. The Peach Bowl drew an average audience of 22.1 million.
ESPN has plenty to be happy about when it comes to the entire College Football Playoff. The entire three game event averaged 20.6 million viewers. That is up 9% from last season, when the final featured two SEC games.