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FOX Delivers A Masterclass With All-Star Game Production

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An All-Star Game in Los Angeles called for it to look like a “Hollywood production”. Bells, whistles, sky cams and microphones galore. This production won’t be coming soon to a theater near you, it came your way, live in HD or 4K if you were streaming, a couple of nights ago on FOX. It wasn’t Top Gun: Maverick but then again it wasn’t Lightyear either. It fell somewhere in-between. There were more things about the telecast on FOX that I liked than ones that I didn’t enjoy all that much. 

The All-Star Game used to be appointment TV back in the day. It was a competitive game, even when it didn’t mean anything, just flashback to the 1970 game, when Pete Rose bowled over the late Ray Fosse to win the game for the National League. That day isn’t here anymore. After the nonsense of the game determining homefield advantage for the World Series, it’s returned to what it should be, an exhibition game. A chance for baseball to showcase its stars and future stars in unique ways.  

It was the first time Joe Davis sat behind the mic as the main man for MLB on FOX coverage of the All-Star Game. He and John Smoltz did a nice job, allowing the game and the players to be the star. I enjoy the easy-going manner in which Davis calls a game. He’s not over the top, or without emotion, Davis is pretty spot-on for what a national call should sound like.

There is a built-in chemistry between Davis and Smoltz, having worked together in the past on baseball broadcasts. Davis sounded comfortable, prepared and in control of the broadcast. He and Smoltz were having fun, as they should, in an All-Star game. They handled the in-game and on-field interviews very well.  

FOX pulled out all the stops to make the broadcast look spectacular. They added a second FLYCAM. The second ‘camera on a wire’ showed us the L.A. skyline and views of Dodger Stadium. All in all, FOX used 45 cameras and over 75 microphones in the broadcast. 

It was shot well, considering the ‘twilight’ situation at that hour in Los Angeles. Shadows over home plate but bright sunshine in the outfield can be tricky to televise at times, but I think FOX handled it well. It wasn’t so much about the visual for me, it was more about the audio that intrigued me and glued me to the television for a lot of the game. 

Before the game broadcast, Joe Carpenter, the A1 for FOX Sports told SVG News, the goal was, bring fans closer to the action. 

“We’re trying to get more players to wear microphones, but we still encounter resistance,” says Carpenter. “I get it; they (players) can be a bit superstitious. But there’s tremendous entertainment value in hearing an outfielder talking with Joe Davis or John Smoltz in the booth. We will get some of that, but how much we never know until game time. The players’ union does not give any kind of blanket permission to mike up players.”

That last statement was interesting to me. I did a little research and found that the NFLPA has a clause in the collective bargaining agreement that basically requires players to wear a mic if NFL Films requests them to wear one. MLB’s CBA only states “miking a catcher, first baseman, and one or more outfielders playing in the All-Star Game will be encouraged by the Players Association”. The players FOX did mic up, didn’t disappoint. 

It wasn’t the fact that FOX was able to convince players to wear the mic, it was that they were talking to them as they were pitching, hitting or fielding. To me it shows that the players who let the audience ‘behind the curtain’ are truly All-Stars, for not being hesitant or distracted by the moment. 

Many exchanges were simply terrific. I’ll highlight a few, but the best one to me was Blue Jays’ pitcher Alek Manoah, who struck out the side in the bottom of the 2nd inning, while wearing a mic. He was conversing with Joe Davis and John Smoltz the entire inning. He simply seemed like he was having the time of his life. 

It started with a strikeout of the Cubs’ Willson Contreras on a 94-mph sinker, he yelled, “Here we go! There’s one.” 

Next up was Joc Pedersen, who couldn’t catch up to a 93-mph sinker at the top of the zone, with Manoah to screaming: “Here we go! There’s two.”

When Jeff McNeil, the third batter, swung through a 95-mph fastball on his hands, Manoah said: “By you! Here we go!” When Manoah feathered a sinker over the inside corner for strike two: “Yeah, baby. Front door. Don’t flinch!” He hit McNeil on a nasty 0-2 slider, thus was unable to sit down his National League opponents in order due to a miscall from Smoltz, who told him to throw that backfoot slider to McNeil. 

But Manoah recovered while facing Ronald Acuna Jr, with a 1-2 count he asked for more advice from Smoltz. 

“John,” Davis said, “what have you got for him on 1-2?”

“Make this slider look like a strike on the outside corner and make it disappear off the corner,” Smoltz said.

“I’m thinking a slider, too,” Manoah said, “but I think if I execute a good heater up, because he’s seen the sinker twice, something that stays true, might throw him off a bit. Think we’re gonna go with that.”

The fastball was straight at 94 mph. It wasn’t high. And that was fine. Acuna whiffed for Manoah’s third punchout of the inning. “Right down the middle, but we’ll take it,” Manoah said. “Three punchies. Let’s goooo. Wooooo! That’s a hell of a bullpen right there. Let’s go win a ballgame.”

GOLD! Absolute gold. Sometimes it’s not about featuring the ‘star’ players, but the ones that have the personality to carry it off. Many folks probably didn’t know about Manoah before Tuesday Night’s game, but they do now. That whole inning was amazing television. 

The pitcher/catcher relationship is often talked about on baseball broadcasts and Tuesday night it was on display for all to see. FOX mic’d up both Yankees’ pitcher Nestor Cortes Jr and catcher Jose Trevino. They called pitches verbally via a two-way conversation in the sixth inning. The battery faced Mets’ slugger Pete Alonso in the inning and Cortes gave an inside look about what pitchers think of ‘the polar bear’. 

“He can hit it a long way if you don’t hit your spot,” (Joe)Davis warned Cortes after Alonso fouled off a 2-2 fastball. 

“That’s for sure,” Cortez replied. “You gotta be careful. He’s up there in power. Top five (in MLB) for sure.”

The whole idea of being able to hear the thinking between the pitcher and catcher with Alonso in the box was awesome. 

“Heater away,” Cortes said at one point, only to miss his spot but make a tough pitch inside that Alonso fouled off.

“Or up and in,” he said with a laugh. “Good spot to miss, though.”

When the count went to 3-2, in fact, the Yankee lefty clearly wasn’t going to throw one down the middle and give up a game-tying home run. “Let’s go sidearm fastball,” he said to Trevino. And then he dropped down and threw a crossfire fastball that was low, walking Alonso in his only plate appearance on the night. 

Trevino was still mic’d up when he came to bat the next inning. “Wow, I can’t believe I’m an All-Star, man. This is unreal.” was all he could say. How real is that? Extremely. Then he collected a base hit. He asked for the ball and was able to get it. We heard it all too, that was fantastic. 

There were a bunch of other great mic’d up moments as well, Liam Hendriks asking Julio Rodriguez to give him the ball from the only out he’d record. “JULIO!!” you could hear Hendriks scream. Giancarlo Stanton and Aaron Judge were wearing microphones at the same time in the outfield too. 

One moment I could have done without, was David Ortiz taking over the AL dugout in the 5th. It was way too frenetic to me. He was loud and sometimes hard to pick up. Ortiz talked to Miguel Cabrera, Manoah and then to manager Dusty Baker. Big Papi asked: “Hey Dusty … can you put me in, man? I can go deep for you.”

“I’m gonna save you ’til the ninth, just in case we’re behind,” Baker responded. It was just a little too much for me. 

On a scale of strikeout to homer, I’d give the FOX broadcast of the All-Star game a solid double to the gap. 

Jorge Sedano: Infamous Dennis Rodman Interview Happened Because Howard Stern Wasn’t Available

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Each week, Stephen Strom gets to talk to some of sports media’s most notable names on The Sports Talkers Podcast. Strom askes about their individual journeys, lessons learned, and in this week’s edition, what being in the right place at the right time can mean for radio infamy.

Strom welcomes in Jorge Sedano from ESPN to talk about his relationship with Hank Goldberg and another Miami-based story, his infamous interview with Dennis Rodman when Sedano was working mornings at 790 The Ticket in Miami.

Strom brought up the bizarre radio interview from 2010 (you can listen below) in which it sounded like “Dennis was having some fun with another woman during the interview”.

“He was being pleasured by a woman while we are on the air,” interjected Sedano.

What was going on in Sedano’s mind during those seven minutes?

“Well, I just asked him, listen to it. I could hear the woman in the background,” Sedano explained. “He kind of put her on the phone a little bit, but then I heard things that sounded like he was getting pleasured and I just asked him: Dennis, are you getting it on right now? And he was like, ‘Oh yeah, brother.’

Sedano said that in that moment, he had to go with it, but delicately.

“I didn’t know what else to do other than to not say what was actually happening but give people the idea of what was happening and then ask him the questions that need to be asked in that moment.”

But how? How does Dennis Rodman get onto the air while in such a compromising position. According to Sedano, it was Rodman’s idea.

“We get a call, my producer Andy King says to me, ‘Hey, so Dennis Rodman’s agent is on the phone and says Dennis Rodman wants to talk to you… He wants to talk about Lebron”.

Rodman wanted to call-in to talk about LeBron James and the Miami Heat. However, Sedano says that he later learned that the LeBron talk was a back-up plan.

“Apparently they tried to call Howard Stern first,” said Sedano, “but Howard was off that day… Dennis was living in Miami, his agent lived in Miami, the agent I guess listened to me and was like ‘let’s just call Sedano and talk about LeBron’ and that’s how that all transpired.”

You can listen to the rest of Sedano’s discussion on Thursday and all of The Sports Talkers Podcast with Stephen Strom here and anywhere you can download a podcast, including on YouTube on the Barrett Sports Media page.

Jack ‘Goose’ Givens Promoted in Kentucky Radio Basketball Booth

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Legendary Kentucky basketball player Jack ‘Goose’ Givens has been elevated to radio color analyst. Givens joined the UK Sports Network in November of 2020 where he co-hosted the team’s pregame radio show alongside Dave Baker.

Givens replaces longtime color analyst Mike Pratt who passed away in June after a lengthy battle with cancer. Pratt had been Kentucky’s radio color analyst for over twenty years. His first assignments will be in mid-August when the team travels to the Bahamas for four-game preseason tour.

Givens led the Wildcats to the 1978 national championship.

Richard Sherman Takes Podcast To The Volume

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Richard Sherman is moving his podcast from Pro Football Focus to The Volume, the podcast network created by Colin Cowherd.

A report from The New York Post details the changes made by the 11-year NFL veteran.

The Volume, which currently features podcasts hosted by NBA star Draymond Green, NBA reporter Chris Mannix, and NFL reporter Mike Silver, among others, has seen expansive growth since its February 2021 launch. Green’s podcast, The Draymond Green Show, was the 11th-ranked show on iTunes in June. That distribution was important to Sherman.

“I am thrilled to partner with Colin Cowherd and his team at The Volume to take my show to new heights,” Sherman said. “I saw what The Volume was doing with Draymond Green during the NBA Finals and it fits the vision of where I see The Richard Sherman Podcast going. I am really looking forward to providing our listeners with some great insight and a unique perspective this NFL season.”

“Richard is one of the most provocative voices in the NFL and he’s continued to deliver that same fearless commentary as a podcaster,” Cowherd added. “We’re excited for him to join The Volume team as we build out our football vertical this season.” 

Richard Sherman has yet to officially close the book on his NFL career, but has agreed to join Amazon as a pregame and postgame analyst for Thursday Night Football.

Marconi Radio Awards Announces News/Talk Radio Finalists

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Several news/talk brands were nominated for the 2022 Marconi Radio Awards on Tuesday. The ceremony will be held and hosted by the National Association of Broadcasters (NAB). 

KCBS Radio in San Francisco and NewsRadio 1080 KRLD in Dallas, and KTAR in Phoenix, were nominated for “Legendary Station of the Year.”

WTOP in Washington D.C. was nominated for “Major Market Station of the Year” and “Best Podcast of the Year” for its production of “American Nightmare Season 2: Murder in a Safe Place.”

Additionally, WTOP General Manager Joel Oxley and WTMJ’s Steve Wexler were nominated for “Legendary Radio Manager of The Year.”

“Coast-to-Coast” host George Noory was nominated for “Network/Syndicated Personality of the Year.”

Baltimore’s WBAL duo of C4 and Bryan Nehman and WIBC’s Tony Katz were nominated for “Large Market Personality of the Year.”  

The “News Talk Station of the Year” nominees include Los Angeles’ KNX, myTalk 107.1 in Minnesota, New Jersey 101.5, Cincinnati’s WLW, and Atlanta’s WSB.

The winners will be announced at the NAB Show in New York City on Oct 19th. 

Marconi Awards Announces Sports Radio Finalists

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The finalists have been announced for the 2022 NAB Marconi Awards, largely seen as the most prestigious award in radio broadcasting. The award, established in 1989, recognizes excellence in radio by personality and individual stations.

Here are the sports radio finalists for the Marconi Awards which will be announced in October.

NETWORK/SYNDICATED PERSONALITY OF THE YEAR
Dan Patrick, Premiere Radio Networks, Inc.

MAJOR MARKET PERSONALITY OF THE YEAR
Danny Parkins and Matt Spiegel, WSCR-AM, Chicago

Mike Felger and Tony Massorotti, WBZ-FM, Boston

Greg Hill, WEEI-FM, Boston

MEDIUM MARKET PERSONALITY OF THE YEAR
Harlen the Sports Guy & Pigskin Bob, KYKX-FM, Tyler, Texas

MAJOR MARKET STATION OF THE YEAR
KTCK-AM, Dallas-Ft. Worth, Texas

SPORTS STATION OF THE YEAR
KNBR-AM, San Francisco
WBZ-FM, Boston
WIP-FM, Philadelphia
WMFS-FM, Memphis
WXYT-FM, Detroit

Mark Chernoff to Boomer & Gio: ‘107.1 The Boss Management Loves When You Make Fun of Me’

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Boomer Esiason has been at WFAN long enough and had enough success to be considered one of the station’s legends. That is why he and his Boomer & Gio castmates were shocked that former program director Mark Chernoff left them off of a list of the great talent he worked with at the station.

Chernoff was interviewed by Niel Best of Newsday for a column and video that came out on Monday. In it, Chernoff listed a series of current and former stars he either worked with at WFAN or brought to the station. In the list, he mentioned Evan Roberts twice and Craig Carton four times. It was something Esiason and Gregg Giannotti noticed and took exception to.

After a series of Esiason’s tongue-in-cheek complaints and Gio’s impressions of Chernoff, the former boss called in to defend himself Tuesday morning.

“I hate you,” Boomer said after Chernoff wished him a good morning.

Mark Chernoff said he was sorry that Boomer’s name did not come up more in the column. He assured the former quarterback that he did talk to Niel Best about the success of the morning show before they started recording.

“I don’t want my name ever coming out of your mouth again,” Esiason shot back.

Before he hung up, Mark Chernoff said that he was enjoying his work with 107.1 The Boss, where he is now the sports anchor on the station’s morning show and covering select swing shifts. He said that it has been like going back to the early days of his career.

Giannotti asked how the bosses at the New Jersey station reacted to Boomer & Gio playing his sports updates and reacting to them on air. He wondered if anyone there was upset.

“No,” Chernoff said. “It’s great publicity for 107.1 The Boss.”

Matt Spiegel: Letting Eddie Olczyk Leave Is ‘Short-Sighted, Stupid, Embarrassing for Blackhawks’

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There was no mistaking how Parkins & Spiegel feel about Eddie Olczyk leaving the Chicago Blackhawks for anyone that tuned into 670 The Score on Monday afternoon. The Chicago duo opened their show by ripping the local NHL franchise.

“Eddie Olczyk didn’t leave for a better job. He left for the Seattle Kraken,” Danny Parkins said with a mix of confusion and contempt. “The highest profile analyst in Chicago, who calls the Stanley Cup Finals, left for the Kraken? That is an insane headline!”

The Hall of Fame forward and Chicago native played five of his 18 NHL seasons with the Blackhawks. While he began his broadcasting career in Pittsburgh, he had been on the television call of Blackhawks games for the last 16 seasons.

His work for the Blackhawks may be how Chicagoans know him best, but Parkins pointed out that Olczyk’s appeal in the Windy City isn’t limited to hockey fans. He has become something of a local institution.

“He’s a huge deal in town beyond hockey. He goes on every show in town to talk hockey. He goes on every show to talk Kentucky Derby and horses. This is a nationally relevant broadcaster at the top of his day that is beloved.”

Eddie Olczyk has been doing national broadcasts, first for NBC and now for Turner Sports, since 2006. Speculation in the Chicago media has centered on that national schedule, with many openly theorizing that the Blackhawks did not want to pay Olczyk for a full season if he was going to miss more than a quarter of the team’s games.

While it may make financial sense, Matt Spiegel said that the Blackhawks are mired in negative headlines. They cannot afford to think that way with someone like Olczyk.

“It is astonishing that that organization that desperately needs positivity is letting the most positive thing they have associated with them walk out the door.”

He added that if it is indeed a money issue, it shows a level of arrogance in the organization, thinking there wouldn’t be someone willing to show Olczyk that they understand his value is more than just the number of games he is in the broadcast booth.

“They think ‘Eddie loves it here. Eddie’s a Blackhawk for life. This is a great backdrop for what Eddie wants to do. His son is employed here and everything else like that, so he’s not going to be leaving us’. And now he leaves you perhaps in part because you have the audacity to offer him less than a full season’s salary because he happens to have a national gig? 

“His goodwill and his presence and his association with the brand is worth every bit of the full season salary you aren’t willing to give because he only works 60 games. Incredibly short-sighted and stupid and embarrassing for the Blackhawks today.”

Mia O’Brien is Raising The Bar at 1010 XL

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It all started during one summer at broadcasting camp. Indeed, that is where Mia O’Brien’s foray into sports media began, drawing inspiration from lead instructors and decorated New York sports broadcasters Ian Eagle and Bruce Beck early into her high school days.

While many aspiring media professionals attend seminars and participate in other modes of instruction before college, few get to learn in the number one media market in the country, let alone from two of its most prominent air talents. As a native of Freehold, New Jersey, O’Brien took advantage of every opportunity to familiarize herself with professional teams, most notably the New York Yankees, and find her own unique style to differentiate herself from her competition.

“I attended that camp every summer for the next three summers, building my way through the advanced and elite versions of the [program], and then I was a counselor for two summers at the camp,” said O’Brien. “….The camp has evolved over the years, but it was the most critical step for me into getting into the field and also having a blueprint of sorts of how I would attack this career.”

Energized by her innate will and determination, along with the experiences she had had in her first summer at the broadcasting camp, O’Brien began doing freelance media work as a high school student. Whether it was serving as a summer camp videographer, a broadcast and digital media intern with the New Jersey Jackals, or as a social media and communications intern for her local assemblywoman, O’Brien always remained open to any opportunities that would help her advance her career. From participating in the broadcasting camp, she also worked as a student reporter for MSG Networks on its MSG Varsity channel during her junior and senior years of high school, an anomaly in and of itself – no less in “The Big Apple.”

O’Brien began studying at Ithaca College in 2011 as a Park Scholar, and immediately began partaking in various extracurricular activities, including Ithaca College Television, WICB Radio and the Student Government Association. By her junior year, she was named the sideline reporter for the Ithaca College Bombers football team and hosted The Gridiron Report, a football magazine television show – doing it all as the only woman on-air at the entire school. One year later, she was voted as senior class president. During her free time, she volunteered as a coach at the Ithaca Youth Bureau and helped at a local school, all while maintaining a high grade-point average and freelancing as both a sports reporter for WENY-TV and college football columnist for AOL Sports.

While many of her college experiences were linked to media as a whole, some of them may not have had an obvious correlation to what was her career trajectory; however, all of her activities ultimately served as means to an end. An example of such – aside from her role in the media industry, O’Brien recently completed her first semester adjunct teaching at the University of North Florida within its leadership department.

“When you’re in college, when you’re early in your career, do everything,” said O’Brien. “You never know what random skill or random club you’re a part of then leads to a job down the line.”

Ithaca College is one of a handful of schools known for its communications program and success in placing graduates in favorable positions to land jobs thanks to its vast alumni network and state-of-the-art facilities. Yet one does not need to go to schools known for communications, according to O’Brien, so long as wherever they go not only has the necessary equipment and facilities – but also opportunities. At some larger and prominent communications schools, those can be especially tough to come by.

“You need to make sure at your school there are games you can call – whether that is live-streamed on the internet, radio broadcasts, TV, it doesn’t matter,” O’Brien emphasized. “[You need] the opportunity to get reps calling games or get reps reporting on games and turning packages.”

Upon her graduation from Ithaca College, O’Brien relocated to Cedar Rapids, Iowa to take her first full-time television job as a multimedia journalist and sports anchor at KGAN/KFXA, the locale’s CBS and FOX affiliates, respectively. While it may seem like a smaller market from the outside, Cedar Rapids is within driving distance of several sports hubs, including Chicago, St. Louis and Milwaukee, and has several NCAA Division I programs including the University of Iowa, University of Northern Iowa and Iowa State University.

“To get to cover three major D-1 programs at 22 years old in the heart of Big 10 country is a rare, rare opportunity,” said O’Brien. “It’s obviously changed a little bit now with the evolving nature of local news. At the time, it was not easy to jump right there.”

O’Brien made a sacrifice going from Ithaca to Cedar Rapids in an effort to galvanize her career, and was the only woman reporting on sports in the state for quite some time. Even though it is not a major market in terms of size, the daily grind was enough to allow her to garner and refine the skills necessary to continue to move upwards in sports media. She would not have had it any other way though, and remains grateful for what it taught her to this day working in a different region of the country.

“I firmly believe if anyone wants to get into the media business, you have to know how to tell stories and you have to know how to work the gear,” said O’Brien. “You learn how to do that in local news. They throw you into the deep end nine times out of 10, and I was definitely prepared for my next step in my career and beyond.”

O’Brien’s reputation as an on-air talent from her early days in the industry was as someone who possessed great creativity, candor and congeniality; however, the first of those three “C’s” was suppressed during her time in Cedar Rapids. Upper management’s philosophy of local news and its purpose did not align with O’Brien’s long-term goals; therefore, she left Iowa after three years and moved to Jacksonville to take a job with First Coast News. Then, everything changed.

“It was [because of] the ownership group at First Coast News that I was truly able to embrace the creative person that I was at Ithaca [and] that I wanted to be in the field,” O’Brien stated. “….I can’t thank them enough for that opportunity to really tap back into that side of my brain and also giving me the opportunity to really attack any and every project I wanted to…. Whatever it was, they said ‘Here’s the trampoline – go jump on it.’”

For over two-and-a-half years on local news television in Jacksonville, O’Brien reported on the Jacksonville Jaguars and Florida Gators, along with other local high school and college sports teams.

She decided to make the move to work in radio on a full-time basis this past March. While the move may have seemed confusing to those on the outside, following a similar path to other women in the industry, including Vanessa Richardson of ESPN 97.5 Houston, made it less daunting for O’Brien.

After working as a co-host for the all-women sports show Helmets & Heels on 1010 XL/92.5 FM Jax Sports Radio for just over six months, O’Brien accepted her first Monday-to-Friday job at the station. In her new role, O’Brien has teamed up with Joe Cowart, Leon Searcy and Matt Hayes on XL Primetime, a midday trio that had fostered a working chemistry to create an entertaining and informative radio program. The co-hosts, along with show producer J.J. LaSelva, were welcoming and offered their assistance to O’Brien to help her assimilate into the show, and it was assistance that she certainly valued. Yet she knew through her previous experiences in media that chemistry is not fostered instantaneously and cannot usually be expedited. Thus, she studied the rhythm of the show and eventually found points where she could contribute.

“Getting used to the workflow; getting used to ‘Okay, this is where I step in [and] this is where I step out and I let everybody else talk.’ I knew it wasn’t going to be an overnight fix,” said O’Brien. “It’s still not completely 100% perfect and it never will be, but it definitely took a little bit of time.”

In terms of professional sports, Jacksonville, Fla. revolves around its NFL team, and the city also has franchises in the East Coast Hockey League and Indoor Arena League. Additionally, it is home to the Jacksonville Jumbo Shrimp, the Triple-A affiliate of Major League Baseball’s Miami Marlins, and the PGA Tour’s PLAYERS Championship often takes place just outside of the city. Being able to talk about the local teams, along with national sports news, has been a welcome change for O’Brien, who had grown accustomed to stringent time limits on her reporting in local news.

“We can talk NBA; we can talk other sports on radio because we have three hours a day to fill,” O’Brien said. “That’s been really fun because in local television, we don’t necessarily have that because… you’re only getting a minute-thirty for a story [and] three minutes for your sportscast so you’re really hyper local-focused. In radio, we can talk about whatever we’re feeling; whatever the news of the day is, and that has been really exciting because I do have a lot of interests.”

Even so, much of the listening audience in Jacksonville craves content related to the Jaguars, whether it be during the season or the offseason. O’Brien does more than just co-host the station’s midday sports radio show, but also manages its multimedia content, meaning she must have even more of an awareness of what resonates with the audience and the alacrity to deliver it to them.

“You have to pick and choose how you are strategic in what you put out there in terms of the content,” said O’Brien. “It’s been a learning process; it has been a learning curve… but it’s exciting and the hope is obviously down the line we’ll have an even better idea of what our audience wants.”

One of the ways in which 1010 XL/92.5 FM Jax Sports Radio has penetrated into the digital age of radio is by making sure all of its shows are supported with video, to ensure fans have multiple means of consumption and engagement. The 1980 hit single Video Killed The Radio Star by The Buggles has been proven wrong, according to O’Brien, for video is now enhancing the brand of the radio star and the content and ratings of their radio station.

“By streaming, not only do you tap into more potential consumers, but for us on the digital/multimedia side, it’s so much easier for me to press inpoint, outpoint [and] crop that clip if there’s a great moment from a show and then stick it on Instagram… TikTok… or Twitter,” said O’Brien. “It promotes our posts [and] gives the consumers an idea of who [the hosts] are and what they look like.”

One of O’Brien’s ongoing projects is working on the documentary series The Book of Bo, a look into the career of former Jacksonville Jaguars’ tackle Tony Boselli. The series will be released in various chapters, and will be made available in video form on Facebook and YouTube for fans to watch. Additionally, O’Brien has been appearing across station programming to play clips from each upcoming episode to create buzz and promote the series as a whole.

“I think it’s really cool that the station has supported initiatives like that, and moreover my general manager Steve Griffin has been amazing in terms of whatever I need, they go get for me,” said O’Brien. “They are ready to tap into the future and step into what multimedia sports coverage is going to be 10-20 years down the line, and I don’t think a lot of terrestrial radio stations could say that.”

Terrestrial radio as a means of transmission and paradigm on which to base content is not being eliminated; rather, it is simply being modified to be part of a multi-platform approach to creation and subsequent dissemination. Through this modern approach, stations like 1010 XL/92.5 Jax Sports Radio are able to remain at the forefront of innovation and find new ways to expand their body of consumers.

“I think what’s really cool is that the terrestrial radio station is obviously the backbone to everything we do; that’s what gives us the ability to take risks like what we’re doing with this project and so many others,” O’Brien explained. “But at the same time, you can still utilize it; it’s not like it’s going away. We are keeping terrestrial radio – that’s not going anywhere – it’s how we generate so much of our content. We can use the multimedia channels to also generate content that we can then put on terrestrial radio as well.”

Throughout this story, a theme you may have noticed is how O’Brien was consistently one of, if not the only woman working in sports media from the time she attended broadcasting camp. Although she has occasionally worked with other women in the industry, including ESPN’s Emily Kaplan who just served as the network’s lead hockey reporter during the Stanley Cup Finals, she never saw her situation as unique. Rather, she accepted it as an aspect of the intrinsic meritocracy of sports media and was thankful for her other colleagues for viewing her as another member of the team.

As the conversation around diversity has been amplified though, it has shifted her perspective and opened her eyes to the disparities that regrettably exist in sports media. O’Brien hopes to serve as an inspiration to girls looking to work in sports media, and is always willing to extend a helping hand to those who need it.

“That’s something I think I would have done anyway, but I think a lot of the conversations around women in sports and encouraging women to reach out to each other and to have this bond and commiserate about some of the nuances that go on in the industry – I think that has encouraged me not to just dismiss it as: ‘Well, I’m just one of the guys.’”

O’Brien is currently the only woman on the Jaguars’ beat on a day-to-day basis, continuing to prove women can work in all facets of the industry. There are obvious implications of the imbalance ingrained within parts of the industry, yet by taking action, people – whether they are directly affected or not – can right these wrongs to foster an environment of inclusivity and equity. Nonetheless, O’Brien and other women working in sports say they are selective in terms of what complaints they choose to publicly voice.

“The more flexible and adaptable you can be and the more you can laugh and just move past and kind of pick and choose your battles, the better off you’re going to be,” O’Brien said, “and also knowing there’s other women out there going through similar situations.”

It is evident that O’Brien enjoys the spontaneous nature of her career, being able to work on multiple projects varying in size and scope to bring content to sports fans inside and outside of Jacksonville. Much like Samantha Ponder, the former host of College GameDay on ESPN, O’Brien values versatility in media, and likes being able to do multiple things such as sideline reporting, hosting and audiovisual post-production work. As long as she continues to find new ways to differentiate herself in today’s media landscape by utilizing and enhancing the repertoire of skills she has been cultivating since broadcasting camp, O’Brien will “Catch ya later,” on whatever platform you choose.

“I knew very early on that sitting at a desk wasn’t going to be my M.O., and it still isn’t,” said O’Brien. “I also enjoy changing it up – whether that’s working on a video project one day; working on a podcast project the next day; meeting with clients a third day. I feel very lucky that this is a very big step forward towards that ultimate career goal of being a Swiss-army knife. Not that I wasn’t before, but I especially am now.”