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5 Podcasts In 5 Days: Bill Simmons Podcast

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Welcome to a special feature this week on SportsRadioPD.com titled “5 Podcasts in 5 Days“. I’ve returned to my audio laboratory to put my ear on five different podcasts which sports fans all over the world have become increasingly interested in and listen to frequently on iTunes, Soundcloud, and additional apps and websites. Those five podcasts feature Bill Simmons, Clay Travis, Jonah Keri, Adrian Wojnarowski, and the Men In Blazers.

In reviewing each of these shows, I wanted to get a sense of what made them unique, how they sounded compared to sports radio programs, how involved the sponsors were, and what type of content experience they offered the audience. I also wanted to see how similar or different they were to one another. If any other unique items of importance stood out, they too will be included in my final analysis.

To start things off, I’m sharing my review of “The Bill Simmons Podcast”. Between Tuesday, and Friday, full reviews will be available for the remaining four shows. They will be featured in the following order: “Men In Blazers”, “Outkick The Show with Clay Travis”, “The Jonah Keri Podcast”, and “The Vertical Podcast with Woj”.

As a reminder, this report represents the opinion of one person – Jason Barrett. My goal in sharing it is to provide an honest, and objective view of what you can expect to hear based on what I uncovered while listening last week. Does that mean that every podcast created by these personalities are the same? No. But, it’s a reflection of their most recent work. What may or may not happen on other episodes is irrelevant.

Now that we’ve gotten that out of the way, let’s dive into the first review. I’ve included the episode for you to listen to and follow along with if you wish.

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  • TITLE: The Bill Simmons Podcast
  • DATE: June 9, 2016
  • LENGTH: 1 Hour 3 Minutes
  • CAST: Host = Bill Simmons. Contributors = Patrick Barker, Joel Solomon, and Brendan Lynch
  • SPONSORS: Seat Geek, Starr Station, Casper Mattress, Stamps.com, and Five Four Club – extra focus given to The Ringer and Bill’s upcoming HBO program “Any Given Wednesday”.
  • PRODUCTION: Good groove music is used to start and end the show. The same bed is used for all commercial reads. It’s a simple production built around the personalities involved. The audio mic quality is very good (except for when the show is talking to Brendan off-mic).

SHOW BREAKDOWN:

:00-1:30 = Bill starts the program by plugging the sponsors, his website, and upcoming HBO show.

1:30-3:45 = Introductions to Joel Solomon, Pat Barker, and Brendan Lynch who are contributing to today’s show. Bill tells the audience that Joe House won’t be dropping by since he’s playing golf today. The highlight of the intros is when Barker gives some raw meat to Philadelphia fans by acknowledging that he loves the Phillies, 76ers, and Flyers, but grew up around Eagles fans, and believes they are awful people who he hates collectively.

3:45-16:00 = Conversation about a multitude of angles involving Game 4 of the NBA Finals. The guys discuss the Warriors not being favored in Game 4, Steph Curry being out of sync through the first 3 games, whether or not Curry can take the physical toll of the NBA playoffs, and why the Cavs should be using enforcers to try and get Draymond Green off of his game.

Some highlights during this segment include Solomon pointing out that Curry could easily go for 40 in Game 4 (he scored 38) and make everyone forget about his previous issues. He also asked one key question and raised a fair follow up “what if Draymond gets a technical in the next game (he did, and has since been suspended for Game 5)? That could have a big impact on this series.” The one strong take that stood out the most was when Barker labeled Steph Curry as the Peyton Manning of the NBA Playoffs and explained the comparison.

16:00-17:15 = Live read for Five Four Club.

17:15-26:10 = The guys debate what to do with Kevin Love in Game 4, why the Cavs roster mix is bad, LeBron being a bad GM, how Simmons could be convinced that the Celtics trading for Love in the off-season could be a solid move, and why Jerry West was a genius for standing firm and pushing the Warriors to resist the temptation of trading Klay for Kevin Love.

26:10-27:25 = Live read for Casper Mattress.

27:25-37:00 = The third segment starts with a discussion around whether or not the guys would go to Brazil to play for Team USA in this year’s Olympics. Suggestions are made about who to send if the best players in the NBA don’t want to attend. The crew raise the possibilities of sending the 76ers, the Globetrotters, retired players, the D-League champs, 22 and unders, Russell Westbrook and 11 of his friends, and a team featuring the Lopez brothers.

The highlights in the segment are when Solomon brings up that Carmelo Anthony will play because it’s his destiny to build his legacy as the greatest Olympian of all-time, and become the Michael Phelps of USA basketball. The guys also talk about the possibility of JR Smith and Draymond Green mixing it up. Bill says the way to do it is find out one girl in Draymond’s past that is still a sore spot and keep bringing up her name. Barker adds “or just find his current girl and have sex with her before the game”.

37:00-45:00 = The final in-depth discussion revolves around Sam Hinkie’s tenure in Philadelphia. Barker is adamant that the 76ers gave him a raw deal. Bill and Joel disagree. Bill mentions Hinkie’s inconsistency in drafting good talent and uses Michael Carter-Williams as an example. He also acknowledges that he didn’t vote for MCW for the Rookie of the Year award, and it ticked off MWC’s agent.

Another quality part to this discussion centers around Barker’s plan to fix the 76ers. After pointing out that he’d trade Jahlil Okafor to the Lakers for D’Angelo Russell, Bill asks “do you really want one of the worst locker room guys of the past 5 years”? Barker says “He’s 19, and if he exposes a teammate’s infidelity twice on Snapchat then I’ll come back on the podcast and admit that you are a genius”. The segment ends with pointing out how the miss on Porzingis hurt Hinkie, and whether or not the crew could convince Knicks owner James Dolan to have his blues band JD and the Straight Shot become the house band for the show.

45:00-46:20 = Live read for Stamps.com.

46:20-47:05 = Rotating chairs so Brendan Lynch can join the conversation, followed by an introduction of his background.

47:05-51:05 = Bill points out that there’s always one nugget of Brendan’s life that skips out, and brings up a funny story of how Brendan got a friend of his to meet him to see the new OJ movie, but never told him that it was 8-hours long. Brendan admits his friend wasn’t happy. Additional conversation revolves around Brendan taking the OJ tour.

51:05-57:30 = Bill asks Brendan to give his three internet deep dives. This is a part of the podcast which is very entertaining. The first one Brendan lists is being highly interested in chiropractic adjustment videos on YouTube. He says he’s enamored with a chiropractor out of Colorado named Nelson Vetanze who adjusted Jake Plummer to which Simmons points out “Jake retired early.

For the second deep dive, Brendan talks about chiropractic strokes, and his fascination with Kevin Sorbo. He points out that Sorbo had a stroke in his expensive car on Wilshire Blvd. He labels him as one of America’s great storytellers, who is not a fan of neck adjustments.

The final deep dive has to do with the movie “eyes wide shut” which Brendan hated when he was young. Now after going on YouTube and finding people who have analyzed the movie, he can’t stop watching it. Solomon adds a great line “Bill if you learned anything today you need to get a podcast started with the Lopez Brothers, and you need to track down Kevin Sorbo for this show”.

57:30-58:10 = Bill talks about adding a new podcast for Channel 33 called the Writer’s Room.

58:10-61:30 = Bill asks Brendan to tell a story of when his wife’s purse got stolen. He says a guy on a skateboard bear hugged his wife while they were walking down the street after leaving a laundromat. She starts screaming, and Brendan who’s never been in a fight before, says the first words out of his mouth to the guy are “do you want to bang bro”? The phrase came from UFC’s ‘Ultimate Fighter’. The police got called, and the guy gets caught, and afterwards his wife says “do you want to bang bro? what was that?”

61:30-63:30 = Simmons plugs adding a new podcast, thanks the sponsors with additional reads, plugs The Ringer and his upcoming HBO show, thanks the in-studio guests, and signs off.

SHOW ANALYSIS:

The best parts of this podcast are the result of great chemistry between the group. Bill does an excellent job of positioning Pat, Joel, and Brendan as equals, and pulls a few good stories, opinions, and well timed one-liners out of each of them. You get the sense as you listen that these guys enjoy working together, and as a listener you feel like a fly on the wall inside the offices at The Ringer.

Simmons swears a number of times during the podcast which depending on your preference can be a good or bad thing. It’s a reality in most people’s lives, and makes the conversation more real, but for those who don’t like to hear foul language that might be a turnoff. I personally didn’t mind it at all because it’s how people have day to day discussions.

The one area that I did feel was missing is that there isn’t enough opinion out of Bill. Although he does a great job of getting the others to express their views, Bill is the star and too often it feels like he’s the point guard who’s trying to get everyone else involved but passing up his shot. Given his ability to move the needle with his opinions in print, and his prior experience striking a chord on television on ESPN, I’d like to hear him not only ask the crew to weigh in on subjects, but also take the reigns himself and deliver some memorable commentaries. It’s not a question of whether or not he has opinions to share, it’s a matter of not being aggressive enough due to playing the lead host role.

From a business standpoint, three live reads were done during the show, in addition to the inclusion in the open, and the close. The reads also run longer than sixty seconds, and Bill gets the crew involved during each of them. The segments do get brought to a screeching halt at times, and the setups could be a little better, but Bill treats each client as if he’s giving them a personal touch. They’re treated as partners, and the use of music underneath separates them from the content during the show.

If there’s one area that stood out about Bill’s contributors, it’s that they not only were comfortable being there with him, but their use of humor and hot takes made for an enjoyable listen. Pat enjoys being the antagonist, Joel is witty and well thought out, and Brendan tells some hysterical stories and delivers them in unique fashion.

During the span of sixty minutes, the guys dove into at least six different pieces of content. They provide enough substance, but also keep the pace moving, and don’t allow the topics to become fatiguing. It did take almost 4 minutes before they dove into the opening segment, and with listeners having the option to listen on-demand, they’ll likely fast forward in the future if that becomes a regular practice. I recognize that sponsor reads have to be executed, but an extra two minutes for introductions after sponsor reads was a little long.

CLOSING COMMENTS:

Bill and his crew are a fun listen. If you’re looking for hard hitting takes, inside information, or interviews with newsmakers, this won’t be your cup of tea. But, if you enjoy conversations that you’re likely to hear at the water-cooler, inside a sports bar, or at a house party among friends, then you’ll enjoy what the Bill Simmons Podcast provides.

The one thing I tried to keep in the back of my head as I listened was “how is this similar or different to sports radio”?

From the positive side, there are no rules on the language used. Long commercial breaks don’t exist which keeps the content experience strong (sponsors actually gained more live read time than they usually do over the radio airwaves), and the format is free flowing which allows the guys to enjoy themselves. It’s also a one-hour show instead of three to four, which helps keep an emphasis on making sure the best they have to offer is presented, rather than recycling a lot of the same topics or relying on audience phone calls to fill air time.

The negatives are that aside from hearing a few different voices engage in conversation, there isn’t a ton of creativity in the presentation. In radio, the music changes, production is added, audio clips are incorporated, guests are included, and the audience is invited to participate. There’s urgency over the airwaves, but less in this podcast. Broadcast companies could also ask “how can you make the same amount of money when you’re only implementing three live reads in the entire hour”?

Overall, I found the Bill Simmons Podcast to be entertaining, relaxing, conversational, and fun. It mixed sports, humor, pop culture, and sounded like a real daily conversation between friends that just so happened to be recorded. If you enjoy what Bill does, you’ll like this show. If he starts adding more of his opinion and personality to it, and some additional entertainment value to improve the presentation, you could grow to love it.

The Ticket Wins The Month of May In Dallas

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To those on the outside who don’t understand how radio ratings work, it’s easy to get fooled. Many people look at the higher and lower shares delivered by stations and place credit or blame on brands without having a deeper understanding of how they measure success.

Most sports stations analyze their performances on a quarterly and annual basis. Weekly and monthly reports are important to judge how a brand is progressing, and to study which trends a station should pay closer attention to. Every programmer wants to see their station ahead of their competitor and atop the ratings ladder, but they also understand that it can disappear quickly if literally one person carrying a meter goes on vacation or is removed as a panelist.

The purpose in telling you that is to recognize that the system is extremely weak, and not entirely reflective of how people listen in most markets. Further complicating the picture is digital and mobile listening. Nielsen, the company which measures radio listening, is starting to adapt and measure total audience of radio stations. But even their abilities to capture total listening have flaws. Stations can see detailed data for their digital listening sessions, and although the ratings company is making improvements, it still has a long ways to go.

This is why Nielsen states that radio stations shouldn’t include combined listening totals because it’s yet to provide consistency for all brands in each market. In Dallas, and Philadelphia, this has been a major issue. Unless a media reporter has a full grasp on how the industry works, it’s easy to muddy the situation.

I can see both sides of the argument. Should a station that has great digital ratings not include them in their total audience reports? Of course they should. But, if the measurement company is erratic and not providing a full sample for all stations in a given market, then it makes it silly to provide data for one brand, and not for the others.

I’d love to see the industry reach the point where each station involved has an over the air rating, digital rating, and total combined rating. The measurement system won’t ever be perfect but at least at that point we’d have an even playing field.

For this particular piece, we focus on the city of Dallas, where we have a case of two different stories being told. In print, the Dallas News has made it a point to showcase the strength of The Ticket by featuring it’s combined data between the over the air ratings, and their streaming numbers. The only problem with that story is that the same data isn’t being provided for The Fan and ESPN 103.3 By doing that, it creates confusion in the marketplace, and presents an image that one brand is even further out in front than they really are.

To be clear, The Ticket right now is the market’s leading sports radio brand. There’s no confusion there. They deserve to be recognized, and should feel great about the roll they’re on. Their talent is exceptional and the connection they’ve formed with the local audience is powerful. This isn’t to take away from their accomplishments because regardless of digital data being added, they’d still be in the top position.

The issue is that digital data should not factor into the total ratings report just yet. Here’s why. In the M-F 6a-7p category, there are only two stations in the entire market showing digital ratings – The Ticket, and WBAP News Talk 820. Do we really believe that only two out of sixty radio stations in Dallas have an audience listening on their desktop or mobile phone? Of course not. What if I told you that seven people are responsible for that digital performance?

A great way to look at this in many cases is to ask the radio station owner the following question – if your talent/show receive ratings bonuses based on how they perform in the over the air ratings, and they finish one spot away from hitting a bonus, but with streaming numbers added, would hit that bonus, would you add the numbers and give them the additional money? Most would not.

Making the issue even more complex is that all of these stations can see reports that show how many listeners stream their shows, which devices they listen on, how long they stay, and how many times the app gets downloaded. When Nielsen tells sixty stations they have no digital audience, yet they all see data which counters that argument, it makes it really difficult to take the information seriously. Nielsen is working to make this better, but as of right now, they aren’t where they need to be for digital to be part of the total picture.

For the sake of being fair, we’re going to show you how Dallas looks WITHOUT digital data included. The three sports talkers involved have to live with these results whether they like them or not because each of their companies have made investments in over the air ratings measurement, and these are the results. Whether 10, 20 or 30 listeners determine them or not is irrelevant because all brands know the deal going into each month’s report. This is what salaries, bonuses, and ad rates are often determined by, so until someone changes it, it’s the report we’ll stick with providing.

Here’s the results for May in Dallas!

M-SU 6a-Mid

  • The Ticket = 8.0 (1st)
  • The Fan = 4.8 (6th)
  • ESPN 103.3 = 2.1 (19th)

*** The Ticket wins the full week and has now improved their ratings for six straight months. A very impressive feat. The Fan however isn’t far behind and sits only three tenths of a point away from hitting the Top 5. They’ve also increased their numbers for the past four months. ESPN 103.3 on the other hand is in third place and down three tenths of a point from April’s book.

M-F 6a-7p

  • The Ticket = 10.4 (1st)
  • The Fan = 4.5 (6th)
  • ESPN 103.3 = 2.2 (tied for 17th)

*** A monster month for The Ticket who perform two times better than their competitors. During weekday prime programming, they are clearly clicking on all cylinders right now…..for The Fan, they’re up a point and a half from where they stood three months ago so that’s encouraging. Being in 6th is also very solid, and they’re only a half a point away from reaching the Top 5. That’s a ranking most sports talkers would be satisfied with…..ESPN 103.3 on the other hand remains consistent in the low 2’s and is widely considered the market’s third brand. One thing to take into account, The Ticket and 103.3 are both owned and operated by Cumulus Media, so the lower performance of 103.3 may not be a bad thing. It keeps the company’s top station (Ticket) in focus, and that is after all their bread winner.

M-F 5:30a-10a

  • The Ticket (The Musers) = 13.5 (1st)
  • The Fan (Shan and RJ) = 3.2 (tied for 7th)
  • ESPN 103.3 (Mike and Mike/Le Batard) = 3.0 (tied for 9th)

*** The Musers continue their reign as the market’s most dominant show on radio among males 25-54. They not only are destroying their local sports radio competitors, but all radio stations/shows in the Men 25-54 demo. To put it in perspective, their 13.5 share was 6 full points higher than 2nd place KZPS-FM Lone Star 92.5 Classic Rock which finished 2nd…..for The Fan, the good news is they’re up from where they were a few months ago, and they’ve climbed in front of ESPN 103.3. They were behind them a few months earlier. On the other hand, they’re still way behind The Ticket who has also grown their numbers….for ESPN 103.3 the story remains the same, a solid showing by Mike and Mike who are playing in the Top 10 and performing the best of any show on the radio station, but not in the conversation with The Musers who own mornings in Dallas.

M-F 10a-12p 

  • The Ticket (Norm Hitzges/Donovan Lewis) = 8.6 (2nd)
  • The Fan = 4.0 (G-Bag Nation) = 4.0 (7th)
  • ESPN 103.3 (Le Batard/1-hour of Dennis & Freido) = 1.0 (26th)

*** Norm and Donovan were just under a 9 share which is excellent and more than double points ahead of The Fan. Given that they were in weaker shape last year, this shows tremendous growth and they’ve got to feel ecstatic about the way they’ve turned the tide in their favor…for G-Bag Nation, the first two hours of their show finds them in the top 7. They broadcast five hours each day. Just a few months ago the show was under a 3 share so they have to feel encouraged by the progress even if they don’t feel great about being a distant second to The Ticket…..ESPN 103.3 on the other hand loses the momentum they have in mornings and drops two points. For whatever reason, the meters are moving away from the station during this window.

M-F 12p-3p

  • The Ticket (BaD Radio) = 9.3 (1st)
  • The Fan (G-Bag Nation) = 4.9 (6th)
  • ESPN 103.3 (Dennis & Freido) = 1.7 (20th)

*** Once again The Ticket delivers in big fashion. BaD Radio increases the station’s performance after Norm/Donovan which is impressive since those guys themselves are turning in a strong showing. They’re almost five points ahead of where The Fan is……for G-Bag Nation, they increase their performance by almost a full point between 10a-12p and 12p-3p so that’s certainly a positive. They’re also sitting in 6th place during these 3 hours and that’s nothing to be ashamed of……for Dennis & Freido, they improve as the show goes on, adding seven tenths of a point during this timeslot. They however sit in 20th overall and have a long ways to climb to reach the other two shows.

M-F 3p-7p

  • The Ticket (The Hardline) = 8.9 (1st)
  • The Fan (Ben and Skin) = 5.6 (4th)
  • ESPN 103.3 (Cowlishaw & Mosley) = 2.2 (19th)

*** The Hardline continues to surge in afternoons, leading the market with an impressive 8.9 share. Their challenge is to try and find a way to take that 13+ share from morning drive and convert some of those listeners into afternoon fans. None the less, 1st place is 1st place….for The Fan, Ben and Skin have a lot to feel good about. They’re nearly two and a half points higher than the station’s morning show, and inside the Top 5 which shows that they’re very much a legitimate threat. They’re the highest rated show on The Fan which should make them feel good too. Their challenge is to keep chipping away and hope for The Ticket to stumble……For ESPN 103.3, they remain a distant third, and judging by the past twelve months, they’re going to be consistently in the 2.0-2.5 range.

M-F 7p-12a

  • The Fan = 8.7 (1st)
  • The Ticket = 4.2 (5th)
  • ESPN 103.3 = 2.8 (14th)

*** Texas Rangers baseball has made an impact for The Fan during the evenings. It’s a big reason why the station jumps up three full points between afternoon drive and the night time. The Fan also invests more in local programming during the evenings than the other two brands. That said, The Ticket and ESPN 103.3 are both up. This is likely due to the Dallas Stars playoff run, and airing the NBA Playoffs on ESPN Radio.

As someone who’s programmed multiple stations, lived and died with the ratings, and has a lot of respect for Jeff Catlin at The Ticket and Gavin Spittle at The Fan, my only goal with this piece is to provide an accurate story. I can’t control the numbers, I don’t work for either company or station, and I have no favorites in the race. I know a lot of the talent in the market who do a great job, and they deserve to have a fair and accurate story told about their performance.

For the month of May, The Ticket is in full control. The meters love them right now, and all the other two brands can do is continue to push forward and try to chip away at their lead in the months ahead. Jeff Catlin and his team are doing an amazing job, and I’m sure Dan Bennett and the Cumulus brass are more than satisfied with the results.

What should be understood though is that The Fan is still very much in great shape. There’s only room at the top for one station, but in a city with a population of close to 6 million people, there’s plenty of room for two sports talkers to have success. ESPN 103.3 provides a third option and when the programming (Mike and Mike) meets the needs of the market, you can see a spike in the station’s performance.

There are other areas to measure each brand’s strengths. For The Ticket, they’re going to focus on Men 25-54 and look extremely well. This is their wheelhouse and one which they’re rewarded strongly by. The key to their success comes from listeners aged 45-54.

The Fan on the other hand skews younger and can take some solace from the fact that their Men 18-34 story remains strong. The station has won that battle for 16 months straight, and they’re rewarded most by Men 25-34. That may not be the target demo which most radio groups covet, but it gives them encouraging signs to build upon. They also have a higher cume than The Ticket M-SU 6a-Mid, finishing with 561,400 compared to 471,800.

Dallas sports radio fans will find different things to hang their hats on depending on which side of the fence they sit. But, since sports radio is largely judged by Men 25-54, the month of May belongs to The Ticket. They’ve turned in impressive over the air ratings, which on their own are enough to feel great about. They don’t need a murky digital story to help tell their story. When Nielsen starts including digital data for all brands, then we’ll report that part of the story. For now, this is where things stand for all involved.

A Podcast Experiment + Around The World In Sports Radio

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A quick news and notes column to bring you up to speed on a few developments taking place throughout the industry. Before I do that though, be on the lookout next week for a special series I’m working on. It’s called “5 Podcasts in 5 Days”.

For the series, I’ll be analyzing five national podcasts and offering my assessments on what I took away from each experience. I’ll be examining the length, content, production value, accessibility, promotion, uniqueness, and anything else that catches my ear during the process.

There are certainly no shortage of options to consider. However, for this first exercise I want to test myself and consume some programs that are different from one another. I listen to a ton of audio each week on radio stations all throughout the world so for this particular experiment I’ll be sampling some programs that I don’t get to hear on a regular basis.

I’m personally more interested in podcasts which offer original programming and aren’t just a replica of the same talk show listeners can hear over the radio airwaves minus the commercials. I recognize there’s value in offering both types of podcasts – over the air and original content – but I believe original programming creates higher interest. People enjoy discovering it and it’s been a major factor in why the majority of the top rated podcasts on iTunes’ ‘Sports and Recreation’ category are original shows.

All five articles will be published next week. The first will be posted on Monday June 13th. The five shows I’ve reviewed for this project are “The Bill Simmons Show”, “Men In Blazers”, “The Vertical Podcast with Woj”, “The Jonah Keri Podcast” and “Outkick The Show with Clay Travis”.

Under The Radar:

  • Mike Welch has left 93.7 The Ticket in Lincoln, Nebraska to become part of the morning show on 610 Sports in Kansas City. Welch will make his debut on Wednesday June 8th as part of the “Fescoe In The Morning” show which features Bob Fescoe, Josh Klingler, and Steven Spector.
  • Speaking of 93.7 The Ticket, the Lincoln sports talker is filling Welch’s void by bringing in Brett Kane to host afternoons alongside Jake Bockoven. The new afternoon team debuts on Monday June 20th. Kane moves to Lincoln following a stint with WBBL in Grand Rapids. He previously spent time working in Omaha for AM 590 ESPN.
  • Alpha Media in Portland has hired Bruce Collins as its Talk Operations Manager. As part of his new duties he’ll oversee two news talk radio stations and sports station 750 The Game.
  • The Washington Post reports that Tony Kornheiser told his audience that the main reason for his move away from WTEM-AM ESPN 980 is to own his own content, and broadcast from a location closer to his home. He added that his new podcast will be 60 to 70 minutes in length instead of the 80 minutes he provides on his radio program. Kornheiser’s son, Michael, will oversee social media efforts for the podcast. A website is expected to launch within the week with details on how listeners can subscribe.
  • Greg Peterson has been hired as afternoon producer and college basketball reporter by 750 The Game in Portland. He’s expected to start his new assignment on Monday June 20th. Peterson had done work for WNSR in Nashville, and Yahoo Sports Radio.
  • Jonathan Peterlin will host his final show for Yahoo Sports Radio this Sunday. He’ll be moving to Cleveland to join 92.3 The Fan.
  • 1460 KXNO in Des Moines, Iowa afternoon host Keith Murphy was brought into the national spotlight last week by “Garbage Time” host Katie Nolan. Unfortunately, it was for the wrong reason. Nolan, took audio clips of Murphy’s commentary on Art Briles and the Baylor program and played them on her program. However, she didn’t air the clip in its entirety which created a stir. She apologized to Murphy for the error. He says it’s now water under the bridge.

Andy Bunker Exits Rip City Radio in Portland

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Rip City Radio 620 launched in Portland in February 2015 with Andy Bunker and Taylor Danforth occupying morning drive. The show was positioned as “Rip City Mornings with Bunker and Danforth” and for the past fifteen months it had been a staple of the radio station’s programming.

But, two weeks ago, Bunker told the local audience he was leaving. He’s moving to Atlanta to be closer to his girlfriend who lives there and works for CNN.He says he remains interested in working in radio but doesn’t have an immediate opportunity lined up. He’s currently driving cross country to relocate to his new home.

Danforth meanwhile has been charged with developing the second version of Rip City Mornings on 620. He’s now partnered with Dan Sheldon, a local television anchor for Comcast Sports Northwest who has since filled Bunker’s vacancy. The new duo took over on Tuesday May 31st.

How Muhammad Ali’s Quotes Relate In Sports Media

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On Friday night at 11:10pm, the world lost an icon. The greatest boxer to grace the squared circle, Muhammad Ali, was called home. His ascension to heaven has left many across the nation sad, but his departure from earth now gives the man upstairs access to the greatest fighter of all-time. I’m sure negotiations for a fourth fight with “Smokin” Joe Frazier will start soon.

Ali’s accomplishments in the ring spoke for themselves. To many, he was more than a champion and colorful personality. He was an influencer, an activist, a husband, a father, a man of faith, and someone who was charitable, kind, cocky, and humble. He lived the better part of the past three decades with Parkinson’s disease, but refused the world’s pity. Others might have asked “why me”, but not Ali. He lived life without regret, and was at peace.

I was fortunate to grow up with a father who loved boxing. I was introduced to the greatness of Muhammad Ali early on, and over the years I’ve watched many of his fights and listened to countless interviews to get a deeper understanding of why he was unique and one of the most important personalities in the history of sports. I never had the pleasure of meeting him, but was impressed with what he stood for inside and outside of the ring just like many others.

Today, the media business uses hype to sell events and content. There’s a steady diet of coverage given to athletes who produce a great soundbite. Games that involve compelling storylines and drama, get pushed into prime time and air on the biggest days of the sports calendar. On and off the field actions that draw a reaction become front page headlines. If an athlete discusses subjects that are viewed as controversial or outside the sports realm, it quickly becomes national news. It’s the type of material that networks salivate over.

We crave personalities on camera and in front of microphones who speak more like Charles Barkley, and less like Derek Jeter or Steph Curry. We all appreciate greatness but when personality is added to the mix, it’s an unbeatable combination. A big reason why athletes have been given a forum to showcase their personalities, and speak their minds, is because Ali paved the way.

When Ali ruled the world, he made sure everyone knew it. He had a flair for the dramatic, and a style that demanded your attention. He was funny, articulate, unfiltered, charming, witty, brash, creative, and sometimes, arrogant. Those attributes made his interviews and fights must-see events. He understood the power of the media, how to use it to his advantage, and how it could help him professionally, and personally. Without Ali, Charles Barkley, T.O., Reggie Jackson, Allen Iverson, and countless other athletes might never have become as popular as they did. They may also not have had an opportunity to address social issues or use their celebrity to make a difference.

Consider this, when Ali fought, there was no pay per view business. Today, many companies (WWE, UFC, Boxing) rely heavily on income generated from direct to consumer purchases to sustain their operations. But even without pay per view, Ali had the entire world’s interest. His predictions made headlines in every newspaper. His personality was a magnet for television. He combined his verbal skills and in-ring style and execution, and became the baddest man on the planet. He was a fighting champion who took on the best the boxing world had to offer. In doing so, he’d slug it out with everyone, even to his own physical detriment. When his career ended, few questioned his place as the greatest to wear a pair of boxing gloves.

During the past weekend, you’ve probably read an article or two on Ali, or watched some of the coverage about him on television. If not, maybe you listened to radio hosts discuss his impact, or dug into the archives on YouTube to be reminded of his brilliance.

https://www.youtube.com/watch?v=_FLjFI8VVag

One thing which Ali was masterful of was the quote. When he said something, it stuck. His words often wound up on living room walls or hanging inside of corporate offices. Although most of his commentaries were directed towards his profession, they were transferrable to every other form of business.

I started thinking about the quotes he offered and the way they relate today in the sports media industry. I selected thirteen of my favorite’s and added a few thoughts to describe how they translate to what we do. He may not have meant to influence the sports media business with the words he uttered, but this is just another example of the greatness of Muhammad Ali. Thank you for the memories champ! You truly were one of a kind.

ali101. “The fight is won or lost far away from witnesses—behind the lines, in the gym, and out there on the road, long before I dance under those lights.”

*** When the lights go on, it’s showtime….but the product you present won’t be great if you haven’t put in the preparation time necessary to stand out. From collaborating with your teammates, to engaging your audience, analyzing the data to understand how you can better help your show be successful, everything done before and after the show is just as important as what you do during it. Allen Iverson may not have been a fan of practice, but great practice habits lead to great execution when it counts most….that’s why Ali was a champion and Iverson never was.

ali52. “He who is not courageous enough to take risks will accomplish nothing in life.”

*** From the people you hire, to the content you create, to the way you interact with the audience or each other, being willing to adapt and try new things will not only keep you mentally engaged and excited, but it will keep your audience feeling that way too. Nobody remembers people who operate comfortably and refuse to risk their position to do something great. It’s those who take chances and have passion, vision, and the confidence necessary to make them work that connect in the biggest way.

ali93. “A man who views the world the same at 50 as he did at 20 has wasted 30 years of his life.”

*** Life changes quickly. The way we broadcast now is different than 10-20 years ago. People now text more than call. They use social media instead of newspapers. Audiences watch or listen to content on-demand not always live as it happens. Music is bought through apps less than in stores. There are many great skills we’ve learned in our careers and many of them are transferrable, but changing with the times, and opening our minds to the future, is important to succeeding. Embrace the unknown, rather than running from it.

ali4. “Float like a butterfly, sting like a bee.”

*** In broadcasting, the goal is to take the audience on an emotional journey. They need to feel your enthusiasm. Cheer you on or wish to choke you when you deliver scorching opinions that demand their attention. Sob with you when your sadness can’t be hidden. Laugh with you and at you, when you display your vulnerabilities. There are multiple layers to your personality, and that’s the one thing that sets you apart from everyone else. Let them in, and they’ll learn to appreciate every part of what makes you who you are.

ali85. “I am the greatest. I said that even before I knew I was. I figured that if I said it enough, I would convince the world that I really was the greatest.”

*** If you don’t have confidence in yourself, who will? Sometimes you have to build your own ego before others can do it for you. If you want others to recognize what you bring to the table, you have to command their attention, and deliver when they’re watching. Talent eventually wins out, but earning respect, appreciation, and support is the result of letting people know you have something to offer and aren’t afraid to prove it. 

ali76. “If they can make penicillin out of moldy bread, they can sure make something out of you.”

*** Everyone starts somewhere. Before you reach the peak of your career, you’ll go through adversity. It’s part of the process. Be receptive to criticism. Seek out people who will provide an honest opinion of your work and give you suggestions to improve. Say yes to jobs that might not be your ultimate goal but put you one step closer to being ready for it. The more you develop trust with a boss, and improve your skills, while getting a stronger understanding of what they need, the closer you’ll be to becoming somebody.

ali147. “Champions aren’t made in gyms. Champions are made from something they have deep inside them—a desire, a dream, a vision. They have to have last-minute stamina, they have to be a little faster, they have to have the skill and the will. But the will must be stronger than the skill.”

*** You can have a great voice, look, resume, or connections, but your potential will never be maximized if you don’t have the inner drive to push yourself to the limit. Are you willing to sacrifice to get to where you want to be? What if that means relocating? Missing holidays with your family? Earning less than you believe you’re worth? Do you want it that bad? Talent is one part of the equation. When it’s combined with a burning desire to be the best at any cost, that’s when you’ll reach your full potential.

ali158. “It’s just a job. Grass grows, birds fly, waves pound the sand. I beat people up.”

*** You might have big ratings, get recognized in restaurants, have powerful people part of your inner circle, and a paycheck that confirms you’re important. Those are the perks of being a success on radio or television. But to steal a line from Lou Holtz, everyone puts their pants on the same way. Don’t become so caught up in your own ego that you forget who you were before you reached a level that only you thought was possible in your dreams.

ali139. “Impossible is just a big word thrown around by small men who find it easier to live in the world they’ve been given than to explore the power they have to change it. Impossible is not a fact. It’s an opinion. Impossible is not a declaration. It’s a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”

*** Those who think they are beaten, are. No battle is won without confidence. Be willing to embrace a challenge. Whether you’re taking on a radio or television brand that’s enjoyed decades of success. Working with a high profile personality who’s so good that you’re unsure of how to make them better. Or something simpler like growing your social media following or caller activity inside your talk show. If you approach the situation with doubt in your mind, it’s only a matter of time until it takes control of you.

ali1110. “Silence is golden when you can’t think of a good answer.”

*** We all make mistakes in this business. There are times when we don’t meet expectations. Our words and/or actions may even offend or create issues with people we’re close to or in business with. When you’re in the wrong or not in a position of strength, understand that you’re not going to win every war. Sometimes you have to just listen, nod, and let people express themselves. Be willing to hear and understand their concerns, and work towards improving the situation. We all have opinions, and love to talk, but the wisest ones recognize that biting their tongue is necessary sometimes to continue enjoying a great position, and positive working relationship.

ali1611. “I never thought of losing, but now that it’s happened, the only thing is to do it right. That’s my obligation to all the people who believe in me. We all have to take defeats in life.”

*** Winning is in our DNA. We want to be the highest rated talk show in the market. The best paid personality on a radio or TV station. The host featured on billboards who the city takes notice of. But when we come up short (and you will at some point), it’s important to learn from it, and handle losing with class. Being arrogant and offering excuses only makes you easier to root against. Tipping your cap to the competitor and giving credit where it’s due, shows people that you have respect. It may twist your insides apart but more people will flock to your corner, and help you enjoy future success if you treat others respectfully when the odds don’t turn in your favor.

ali412. “Don’t count the days; make the days count.”

*** Every second, minute, segment, hour, and day is an opportunity to create something memorable. How you approach it determines whether or not it matters. Don’t “fill” your air time, own it. Don’t take the safest path because it’s solid and simple, pursue a new road that leads you to greater heights. You’re blessed to do a job that millions wish they could. Never lose sight of that. Take advantage of it every chance you get, because if you don’t, there will be plenty of others who are willing to make that commitment.

ali613. “People don’t realize what they had till it’s gone. Like President Kennedy, there was no one like him, The Beatles, and my man Elvis Presley. I was the Elvis of boxing.”

*** Do you think about your legacy? Do you live day to day or think about the long-term impact you hope to leave on the industry? When you’ve spoken your final sentence on the air one day, will your departure matter to those you broadcasted to? Will they remember the body of work you produced five to ten years after you’re gone? It’s impossible to know what the future entails, but there’s a big difference between being a successful host and a game changer. Work towards developing a deeper connection with your listeners or viewers. Establish a niche in the market that makes you unique. Challenge yourself to do work that moves, influences, and satisfies the audience. The longer you do it, the more likely you are to look back one day and appreciate the contributions you made. It could very well make you a legendary figure.

Josh Lewin Named Play by Play Voice of UCLA

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Josh Lewin is used to being busy. Come this fall, he’ll be even busier.

The play-by-play voice of the San Diego Chargers, and New York Mets, has been named the new play-by-play announcer for both UCLA football and men’s basketball.

“Calling games for UCLA is the best job in college sports as far as I’m concerned,” said Lewin. “I’m fortunate to work for two tremendous organizations in the San Diego Chargers and New York Mets, and to think I now get to do this for UCLA is both incredible and an absolute honor. I’m so excited to join the Bruin family and cannot wait to start doing something I totally love for a university I so completely admire. September 3rd cannot get here soon enough!”

Lewin replaces Bill Roth, who stepped down from his position at UCLA after just one season.

“Serving as play-by-play announcer for UCLA football and men’s basketball was, in every way, a dream come true,” said Roth. “The people here – from the fans, coaches, our administrators and especially the student-athletes – have been amazing. While UCLA is a magical place, my roots are back East and unexpectedly, I missed home more than I ever imagined possible. Candidly, I just did not feel I could do this job to the best of my ability. I appreciate all the support I received from IMG and UCLA as I came to this decision and thank the entire Bruin family for giving me this truly remarkable opportunity.”

Tony Kornheiser To Leave His Radio Show on ESPN 980

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Red Zebra Broadcasting has announced that sports radio icon Tony Kornheiser is leaving his radio show on WTEM-AM ESPN 980. Kornheiser, who was named the top midday program in America earlier this year by Barrett Sports Media was part of 980’s original lineup in 1992, and has been broadcasting his show in the nation’s capital for over 20 years.

“Tony is a pillar in the Washington, D.C. sports community and we would like to express our sincerest gratitude and thank him for his dedication,” said Terry Bateman, Chairman of Red Zebra Broadcasting.

Kornheiser’s final show on ESPN 980 will air in late June. Red Zebra will announce plans for a new midday show shortly.

“I have loved every minute on the radio at WTEM,” Kornheiser said. “But I felt it was time to pursue a new and appealing challenge. I will be launching a podcast this September. I am excited that this endeavor will allow me to continue to work with so many of the people who have been a part of my radio show for over the past 20 years. But I will miss all of my friends and colleagues at WTEM.”

In The Media Jungle, Katie Nolan Outlasts Dan O’Toole

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Inside a jungle, anything can happen. You can die from getting bit by a mosquito carrying malaria, drinking bacteria infested water, or eating a poisonous plant. Heavy rainfall and monsoon like winds can make jungle weather unforgiving, also leading to your demise. And if those options don’t do the trick, there’s always the possibility of being devoured by a wild animal.

To survive, one must know how to build a shelter, locate water and food, and avoid potential dangers. Assuming you can do that, then you’ve got to have the endurance to hike, escape the rugged terrain, and give yourself a chance to be rescued.

Sounds dangerous doesn’t it?

Well, I have no grand plans to pursue that type of journey, as interesting as it may sound. But, when I think about the jungle, I see similarities to many layers of the media business. The side order of death aside.

In the world of sports media, your success or failure is a result of the effort you give and the strategy you create to fulfill your personal destiny. From developing your natural born talent to your work ethic to embracing new roles to relocating to pursuing high profile opportunities that make others uncomfortable, it’s a dog eat dog business. If you can’t handle the heat, stay out of the kitchen.

nflmediaThe media industry is ultra competitive. Many want to do this line of work. Some will do it for less than you might be willing to accept. If stepping on a few people in the process is what’s required to reach the top of the ladder, some won’t hesitate to put on their best shit kicking boots and walk all over you. That may sound harsh but it’s a cold hard fact.

To become a high profile talent or high ranking executive, you’ve got to have thick skin, and understand that there will always be someone who wants what you have. And there’s nothing wrong with them wanting it either. Remember, you were once in that position yourself. I used to tell my peers, the day that my employer believes they can get equal or better performance out of my position for a fraction of the cost, will be the day when I’m packing up my office and someone else is moving in. Luckily I never ran into that situation.

For many of us, we’re driven by desire. We push ourselves because we’re eager to prove that we can achieve personal goals and ascend to heights that few believed we were capable of. As we grow older and wiser in this business, we become more appreciative and humble. We place a greater importance on delivering results for our employers because we understand that despite talking about subjects that many receive joy from, we are still part of a business. That’s not a strong area of focus for most twenty-something media professionals.

During the journey we hope to earn respect, trust, and love from our colleagues, and the audience, to signify that we’ve made a difference. If all of the boxes have been checked, we put our faith in our employer to acknowledge our performance, and demonstrate their appreciation by supplying a lucrative financial reward that satisfies our expectations.

katienolanAs I read Mike McCarthy’s interview last week with Katie Nolan of Fox Sports, I found myself wrestling with a number of different feelings. I was impressed by Nolan but for a different reason than usual. She is known for being witty, creative, and smart on camera, but she’s also unafraid off of it. In the interview, she acknowledged that she wanted a larger stage and was determined to work towards achieving that goal. She told McCarthy she hoped to host a late-night program on Fox Sports 1, and the ideal time for the show would be 11pm or 11:30pm.

If you’ve followed Nolan’s ascension in this business, you’re aware that one of the reasons why she cuts through the clutter is because she shoots from the hip. She’s willing to laugh at herself, speak out on controversial issues, and even take her own employer to task if it’s warranted.

Give FOX Sports some credit too. Rather than seeking to silence or edit their rising star, they’ve thrown their full support behind her. She’s rewarded their faith by making a huge splash in the digital world, including winning a sports emmy for outstanding social TV experience. FOX officials say that her clips generate more than 500,000 views across Facebook, Twitter, Instagram, YouTube, FoxSports.com, and FOX Sports GO.

Where the story gets murky is when Jay Onrait and Dan O’Toole enter the picture. The two hosts presently occupy late nights on Fox Sports 1, hosting the show “Fox Sports Live”. Their program airs weeknights 11-11:30pm ET.

Upon hearing of Nolan’s comments, O’Toole took to Twitter and let the host of “Garbage Time” know that he wasn’t too happy with her.

otoole

After O’Toole’s tweet went viral, many speculated that he was kidding around. Others suggested that the show believes Nolan is overhyped. When a listener challenged Dan on his show’s ratings being low, and a reason why FOX Sports executives would consider moving Nolan into their time slot in the future, he responded by adding that “Fox Sports Live” has better ratings than Nolan.

To be fair, Nolan’s television audience is thin. Her program is watched by a mere 49,000 people and has yet to make a significant difference. But, when a show airs weekly, and during a time when audiences watch less television, to expect a big return is foolish.

fslFor Onrait and O’Toole, they can’t complain about a lack of consistency. They hit the airwaves every night at the same time and are given an opportunity to present a different type of show than the one sports fans receive on ESPN courtesy of SportsCenter. Their program may be laid out differently than the one they initially signed on to host upon joining FS1, but this format is supposed to be looser, and give them the freedom to showcase their personalities more.

Despite the change in style and presentation, “Fox Sports Live” continues to underperform. The show as of last check was being watched by 57,000 viewers per night. That’s only 8,000 more than Nolan’s weekly program.

Which is why O’Toole should immediately thank Katie Nolan.

Two weeks ago, nobody was talking about “Fox Sports Live”. Based on the numbers, they weren’t watching either. That’s not a jab at Jay and Dan, that’s a simple fact.

By being brought up in conversation by Nolan, the show has gained additional headlines. For Onrait and O’Toole’s sake any publicity is good publicity. Assuming people tune in to find out what all the fuss is about, it’ll be up to Jay and Dan to convert them into casual fans. If they can do that, they might have a chance of building up their audience.

The second reason why O’Toole needs to thank Nolan is because she’s put them on notice, and done so publicly.

Here’s a little truth about the media industry. Most people who are gunning for an individual’s job, treat them with a smile to their face, and then twist the knife into their back the second they aren’t paying attention. It’s a kill or be killed business, and the competition is always intense.

nolanSay what you will about Nolan, but she makes no bones about wanting to expand her show and compete against the best on late-night television. Given that FOX recently put up a billboard of her in Times Square, and her popularity has led to appearances on Seth Meyers and Jimmy Kimmel’s shows, the network has every reason to believe they have a star in the making inside their company.

If Jay and Dan think they’re going to win a battle by calling out the network’s top prospect they’re clearly not in tune with reality. It’s the equivalent of a veteran baseball player who’s not pulling his weight calling out the future face of the franchise. You have every right to do it, but the organization also reserves the right to trade or release you.

In this instance, Nolan told them both “I’m coming”. They should respect the fact that she had the guts to communicate it publicly and welcome the challenge. She might have intended for her message to be aimed at ESPN, but if you were in Jay and Dan’s shoes you’d recognize the threat as well.

Friendly competition is supposed to bring out the best in performers. It’s a way of life in professional sports. Coaches like Bill Parcells and Jim Harbaugh were notorious for creating battles that involved every member of their team’s 53-man rosters. Players on the other hand, don’t take their ball and head home the second they face adversity or lose a starting spot. They dig down deeper to find out what they’re made of, get back on the field, and push themselves harder to reclaim what they once had.

fsl2If Jay and Dan focused more on putting on a great show, building an audience, growing their ratings, and less on social media complaining, they’d be in position to deal with any challenge in front of them. But because O’Toole reacted like a fifth grade child, it sent the message that he has very thin skin, doesn’t respond well to pressure, and is already looking over his shoulder.

Ask yourself this, if you were running FOX Sports, and that was the mindset of one of your best on-air talents, would you trust them to compete against the best late-night programs on television? Forget about Katie Nolan for a second. How are you going to handle the pressure of performing against SportsCenter, Jimmy Fallon, Jimmy Kimmel, Stephen Colbert, and every other quality show on TV if you’re that easily distracted and shaken?

Whether Dan O’Toole likes it or not, every day someone in the media business is going to seek out Jamie Horowitz and explain why they’d be a better fit to handle late-nights on FS1. That interest will never subside and that pressure will never go away.

jamieThe only difference in this instance is that Katie Nolan had the decency to express her desires to occupy their time slot publicly rather than behind closed doors in a private meeting with Horowitz. For that reason alone Jay and Dan should respect her.

If you’re working in this business and looking over your shoulder, it’s only a matter of time until the person behind you is running past you. You control your work ethic, focus, content, creativity, and results. If all it takes to get you off your game is someone expressing an interest in taking what you have, then you’re beaten before the fight even begins. In sports they say the game is 90% mental. In sports media, it’s no different.

I don’t know Jay and Dan at all. I’ve watched their television show a few times, listened to a couple of their podcasts, and am well aware of the strong impression they made while working on television in Canada. They’re professionals, and don’t need a sermon from me or anyone else, but since I’m in a giving mood, I’m going to offer them a piece of advice that they can enjoy free of charge.

Rather than bitching and moaning about the possibility of being replaced, go out and kick some ass tonight on television. Do that again tomorrow. Then the next day, the next week, the next month, and every single time you get in front of that camera. Make it so painfully obvious to everyone in your company that removing you from the picture would be a catastrophic business decision. Force FOX executives to take notice of the difference your show is making, and alter the plans they had laid out for Ms. Nolan. You control the outcome of the situation more than anyone else.

If by chance you fail, and Katie Nolan ends up in your time slot, don’t blame her. She understood what was required to survive in the jungle. She took the advice, kicked ass, and put herself in position to make a bigger impact. While you were distracted and letting the whole world know how easily rattled you could be, she was focused on reaching the top, and not worrying about who she had to step on to get there. Whether you like it or not, that’s business. At least you can’t say you never saw it coming!

John Clayton To Host Daily Show on 710 ESPN Seattle

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710 ESPN Seattle is making a major move in middays, giving “The Professor” John Clayton his own daily talk show. Clayton will officially take over on Monday and host weekdays from 10a-12p PT.

To make room for Clayton, the current midday show featuring Justin Myers and Gee Scott is being dropped. Myers was let go by the radio station on Wednesday. Scott is being reassigned to another role. For the rest of this week, Scott will continue hosting the midday program.

In addition to his new midday program, Clayton will continue to host his Saturday morning show. His duties with ESPN won’t be affected. He will also host an original weekly podcast and write for 710Sports.com, along with making a weekly appearance on the “Brock and Salk” morning show, and “Danny, Dave, and Moore” afternoon show.

“I’ve spent 30 years in the Pacific Northwest, and the time couldn’t have been better to expand my local presence here at 710 ESPN Seattle,” Clayton said. “I’m also excited to focus on the Seahawks, Mariners and the Seattle sports scene in an expanded role for 710Sports.com.”

As the flagship radio station for the Seattle Seahawks, adding Clayton on a daily basis should provide a major lift in mid-mornings for 710 ESPN, especially during football season when sports radio listening is at its peak. With Brock and Salk serving as a lead-in during mornings, and Bob, Groz, and Tom following Clayton, the radio station has given itself a chance to compete consistently in all three dayparts.

“We are thrilled at the opportunity to include the most highly acclaimed local sports media personality to our local weekday lineup,” said Dave Pridemore, Vice President and General Manager of 710 ESPN Seattle. “With over 1.4 million Twitter followers and a Hall of Fame résumé, John Clayton will be a tremendous addition for both 710 ESPN Seattle and 710sports.com.”

Here’s a look at the new lineup as of Monday June 6th:

7A-10A = Brock and Salk

10A-12P = John Clayton

12P-3P = Bob, Groz and Tom

3P-7P = Danny, Dave and Moore

Staying Ahead of the Curve In Sports Radio

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In sports media circles it’s well documented that Jamie Horowitz is looking to turn Fox Sports 1 into an opinion driven programming network. He’s gone on the record numerous times stating that he’d like to add what he calls “opinionists” to his channel’s roster. Personalities such as Colin Cowherd, Skip Bayless, Jason Whitlock, Clay Travis, and Nick Wright are fit that description.

Whether the vision and execution will work is yet to be determined, but what I appreciate about Horowitz’s strategy is that he’s aiming to develop his network as the place to turn to for the opinion leaders in sports media. So much of today’s sports content is built from reaction to what unfolds in sporting events, and commentaries made by those playing or talking about sports, so choosing to build a brand around opinionated personalities and content isn’t a bad idea. Many have said he’s essentially taking sports talk radio and putting it on television.

When you look at how Fox Sports 1 stacks up presently, they’re way behind the worldwide leader in sports in many categories. Awareness, ratings, play by play deals, digital growth and even the size of the talent roster, all fall short of ESPN. They’re also nearly forty years behind in terms of branding, comfortability, and dependability with the audience.

To turn the tide in their favor it’ll likely take a decade or more, and that’s assuming they continue to make major improvements. The process will be long, painful, emotionally exhausting, and it’ll require smart strategy, risk taking, change, and achievable short-term and long-term goals, and a firm commitment, and great amount of patience from the higher ups at Fox Sports.

Even then, the plan still may not work. But what will take place if they stay committed is the creation of a legitimate competitor, and a brand with an identity which differs from ESPN. That gives the viewer a choice when seeking sports programming.

The reason I’m interested in their approach is because I see them seizing one part of ESPN’s identity, and looking to build their own empire around it. For sports fans, ESPN represents multiple things. They offer an abundance of play by play, SportsCenter, high level reporting, opinion driven programs, documentaries, and a collection of high profile personalities. It’s their mission to serve sports fans everywhere, and venture into all areas of sports programming, not necessarily focus on one particular area.

By placing less focus on highlight shows, documentaries, and reporting, Fox Sports is putting all of their eggs in the opinion basket. In doing so, they’re hoping to establish an identity, and generate enough traction to put themselves in position in the future to consider adding other elements to that strategy.

Which brings me to the radio industry. If there’s one area where the business underperforms, it’s in creating the next big trends in original programming. From digital to podcasting to ratings measurement, and other areas, staying ahead of the curve has never been radio’s strong suit.

Today, if you turn on your television, you’ll find a strong supply of sports programming options. Channels such as ESPN, ESPN2, ESPNews, ESPNU, SEC Network, Fox Sports 1, Fox Sports 2, NBC Sports Network, CBS Sports Network, NFL Network, MLB Network, NBA TV, and the NHL Network all have something for you to enjoy. I didn’t even mention all of the regional sports programming channels, TNT’s select coverage, the Tennis Channel, Golf Channel, beIN Sports, Pac-12 and Big Ten Networks, or the slew of others.

When you examine the digital space, another wide variety of options exists. If you’re in the mood to read sports content, ESPN, Fox Sports, CBS Sports, NBC Sports, Yahoo Sports, Bleacher Report, Vice Sports, SB Nation, Sports Illustrated, and Sporting News are available. If those brands don’t meet your needs, each sports league, and every single team in collegiate and professional sports has their own website. There are even other smaller sites which are built around specific sports, leagues, local regions, and personalities.

In sports radio, we find nearly eight hundred stations offering sports content. The majority of the formats though are similar. Brands are often attached to one of six national networks (ESPN, CBS, NBC, FOX, Yahoo, ESPN Deportes), and a large number use the same brand names, voice talent, and programming strategies.

Some of these stations will rely on their network associations to identify their brand. Other local talkers use monikers such as The Fan, The Ticket, The Game, The Score, The Zone, or The Team. The only things major differences are the personalities, content focus, network affiliations, and play by play associations. Even then, the content on these stations revolves around all-sports talk programming targeted towards each market’s local teams, and the biggest national stories making news.

We could debate station names, network associations, and the way many brands implement similar sounds and strategies, but I want to shine the light on a bigger issue – a lack of choice and originality for local audiences.

If you look at the top 25 markets, you’ll find a minimum of two sports stations offered in each city. In many cases, there are three or four radio stations offering sports talk programming. In nearly every one of these situations, each station provides all-sports programming. This means that the topics are driven by the news and results produced by the area’s local teams. Big national stories also warrant discussion.

Take for example the cities Denver, Houston, Miami and Portland. They each have at least four stations offering sports programming. Aside from offering different local shows, and on-air talent, and entering into business with different national sports networks, much of what they provide in terms of content is the same.

Sandwiched around their network hours are local programs which talk about the local market’s teams, take calls, interview guests, and possibly offer play by play of local or national games. They even provide sports updates two or three times per hour.

When the ratings and revenue are taken into account, some of these brands perform well. Others fall far below the mendoza line. For those that don’t pull their weight, they’ll either invest less, change the talent, or entertain a format change to something non-sports related. The one thing they rarely consider is a different way to present sports programming.

I want you to place yourself in the position of an owner of the third or fourth best performing sports station in a marketplace. If your competitors have a dedicated audience, strong ratings, and high revenues, do you honestly believe you’re going to make inroads by doing the same thing they do? Here let me save you a lot of time, money, and aggravation, you won’t.

So what can you do? How about doing some research in your market, discovering what matters most to people, and then creating a different form of sports programming?

Sports radio doesn’t have to consist of all-sports focused shows on radio stations which feature a mix of local and national content. It also doesn’t have to feature sports updates, personalities from the same walks of life, or the same voices and sounds that we’ve grown accustomed to.

This isn’t to suggest that you’re going to become the market’s leader by introducing a different version of the format, but if you want to create an identity, separate yourself from the competition, and help your ratings and revenue, sometimes being bold, and original pays off.

As you scroll through some of these possibilities, remember that they may work in some locations, but not in others. For example, a college sports radio network may be well received in the southeast, but not up north. This is where research comes into play. If you analyze the makeup of people in your city, and tap into their passions for specific sports, teams, people, and content, you’ll give yourself a fighting chance. That can be the difference between staying afloat, or sinking.

College Sports Programming Network: SiriusXM has done this incredibly well, and we’ve seen the same occur on television with the launch of the SEC Network, ESPNU, Pac-12 and Big Ten Network, and many others. So why hasn’t the format been offered by terrestrial radio?

Is it not possible for a company to create it and offer it to a number of stations in markets where the programming has mass appeal? Don’t you think local radio companies in college towns would have an interest?

If a group launched an all-college sports programming network, and partnered with a company like Learfield, IMG, or Westwood One to add college play by play to the mix, they’d have the ability to stand out in a number of locations. The focus would primarily be placed on football, and basketball. Other exceptions may be worth considering from time to time.

The right cities, towns, and regions have to be considered, and local operators have to be open to changing network affiliations, but if ratings and revenues aren’t high, that becomes a much easier conversation.

Hispanic Sports Programming Network: This is an area that even the television industry should be taking a closer look at. First of all, there are over three hundred and fifteen million people in the United States. Caucasians are the largest group of people, but Hispanics now represent 15% of the total population. That makes them the second largest race in our country.

When you look at states like New York, California, Texas, Florida, Arizona, Nevada, and New Mexico, the percentages rise to well above 25%. In major cities it’s an even bigger deal. For example, Miami is 51%, Los Angeles 43%, Houston 34%, San Diego 31%, and New York City is 24%. Other major cities such as Chicago, Dallas, Denver, Phoenix, and San Francisco are all above 20%.

These aren’t just some of the largest markets in America, they’re also the locations where most of the nation’s advertising gets done. Buyers realize that the Hispanic population is rapidly growing, and selling products has to extend beyond Caucasian males and females.

Rather than introduce the seventh or eighth sports television channel or launch another sports radio station which does the same exact thing, how about building a programming around Hispanic talent? I’m not suggesting either that the content be presented in Spanish. It would be delivered in English by a station comprised of Hispanic personalities.

Many in our industry label Los Angeles, Miami and Houston as weak sports markets, yet each of them are heavily Hispanic and under represented on the local airwaves. It doesn’t take a rocket scientist to figure out that connecting to that audience in each of those cities is important. If done right, it could produce great results. Some will suggest that it won’t, but until I see someone try and fail, I remain optimistic about the idea.

Black Sports Programming Network: Similar to the Hispanic programming idea, African Americans are also under represented, especially on sports radio. In television, we have channels like BET which cater to the African American viewer. In radio, multiple companies have launched urban brands which have been well received by predominantly black audiences. Urban sports for some reason hasn’t been considered, at least not on-air.

In the digital space, The Undefeated was launched by ESPN. Another website Black Sports Online operated by Robert Littal has also entered the fray.

But why hasn’t radio examined the possibility? It can’t be for a lack of options. Personalities like Stephen A. Smith, Michael Smith, Jemele Hill, Stuart Scott, Jason Whitlock, and Michael Strahan have proven they can shine on the national stage, and local talents such as The 2 Live Stews, Michael Holley, and Terry Foster have demonstrated they can be difference makers too.

So why not explore it further?

According to the U.S Census Bureau, in Washington DC, African Americans outrank Caucasians 48% to 36%. In states like Mississippi, and Georgia, blacks represent 31% of the population. In Maryland it’s 29%, and in South Carolina, and Alabama, the number stands at 27%.

I’m not suggesting that a network or locally programmed station featuring all black personalities would play in every part of the country, but I challenge you to show me proof of why it wouldn’t work in some of these locations. I can find local brands built around network programming in many of these towns that don’t deliver a big number, yet an idea like this isn’t even considered, even though the statistical data suggests it’d be worth discussing.

Team Centered Sports Radio Stations: We’ve seen a few teams own radio stations, and face backlash because their content is viewed as being team controlled. But what if an independently owned radio station chose to brand themselves around a local team, and focus their entire content presentation around them? Would it be different?

Some stations seek to be everything to everyone, rather than tapping into the one or two teams that matter most. Imagine if you ran a third sports station in New York. If you went up against WFAN, and ESPN NY, and offered the same strategy that they do with different talent, you’d get killed. But if you positioned yourself as the New York Football Network, that would at least peak the curiosity of local football fans.

Using that approach, all of your shows would be built around the Giants, and Jets, and the rest of the NFL. Your talent roster would feature people who were recognizable to New York football fans, and had strong knowledge and passion to discuss the sport. You could even supplement your coverage by adding Monday, Thursday, and Sunday night football, or aim to pry away the rights to one of the market’s two local teams when their deals expired.

This isn’t just a New York idea either. If you were running the third or fourth station in another market, and a local team had a stranglehold on local audience and advertiser interest, connecting your brand to them would be wise. Teams love being the center of attention, and certain ones carry such prestige with the audience that it’s impossible to deny the value of being connected to them.

If your radio station was built around non-stop Lakers in Los Angeles, 24/7 Cowboys in Dallas, or all access Giants in San Francisco, you’d be further ahead than you would by positioning yourself as the third or fourth all-sports programming alternative. Would there be periods of the year when your station isn’t a destination? Yes. But, when you add it all up, you’d have many more months of strong listenership, and a unique identity in the marketplace. The brands sitting on top would definitely be aware of your presence.

Action Sports Programming Network: Imagine if a channel was built around the UFC, Boxing, and Pro Wrestling. Your immediate reaction is to tell me that it’d be too niche. A format like that would only make sense for SiriusXM or on a podcasting platform. And therein lies one of radio’s massive problems. It operates inside of the same box too frequently.

Did you know that of the top 50 podcasts in sports and leisure, 11 of them are either wrestling, or mixed martial arts related? Did you know that over one million people subscribe to the WWE Network? How about the pay per view business, what brings in its largest revenues? That would be Boxing, and the UFC.

Do you think the UFC, WWE, and Boxing world don’t attract advertisers, audiences, or ratings? On a weekly basis, the WWE is watched by three to four million people on Monday night’s and a few million more on Thursday’s. They also reach younger audiences which is why ESPN entered into a partnership with Vince McMahon’s company. I’m not even taking into account the audiences which watch other wrestling promotions on television.

Would this type of format work everywhere? No. Is it built better for SiriusXM than others? Probably. But would it not have appeal in certain local cities? That one we can debate.

How many local stations do we see across this country deliver weak ratings, little revenue, and offer the same exact strategy as the competition, only not as good? It happens more than you may realize. If a station or network was built around personalities like Jay Glazer, Joe Rogan, Mike Goldberg, Teddy Atlas, Chuck Liddell, Stone Cold Steve Austin, Chris Jericho, and Jim Ross, it would have appeal.

Audiences are already seeking out the content. If radio made it easier to hear and find, some cities might just surprise you with their level of interest in the programming.

Bye Bye Sports Updates, Hello NFL Reports: The NFL is now a twelve month, three hundred sixty five days per year sport. It’s the number one subject that audiences crave, and it stretches beyond local borders. Ratings, and rights fees are at record highs, and it’s not slowing down anytime soon. It’s why sports radio loves the fall, and dreads other parts of the calendar year.

In 2016, sports fans seek out information by reading multiple websites, and following specific brands and people on social media. If you think you’re giving them something they don’t know in a sports update by pointing out when your local team’s game airs later that evening or what happened the night before, you’re simply insulting their intelligence. That’s the classic case of doing updates the way they’ve always been done.

I should point out that I don’t believe sports stations need to air three updates per hour. I’m not sure they’re even needed. I love the addition of an extra voice, and I see value in using audio to redirect the audience back to your website to listen to a podcast, or piece of content from another show, but game previews, recaps, and scoring updates are a waste of air time.

However, what is undisputable, is that sports radio listeners love football. Having three to four minutes per hour to use on your airwaves for updates can be worthwhile if the content is branded, and presented around the NFL. If a station were to switch their SportsCenter, Sport Flash or Sports Update, to NFL reports, I believe the interest level would increase.

First of all, the audience is aware of local sports issues, and the bigger national stories. They aren’t always aware of what’s being discussed in other cities in print and on sports radio. If you can gather good football related audio or written stories from other areas, and present something different than what the on-air host is providing, they’ll gain value from your reports.

One thing we know about football fans, they want to be informed, or given insight that will help them with their fantasy team or upcoming bets. If you’re going to remove two to three minutes per hour from your top talent to air a sports update, it better be news that your audience can use. Football content gives you that.

Facebook Live Programming Opportunities: Sports fans are voyeurs. They love video. They’ll even watch it online without the sound. They tune in for simulcasts of a local radio show on television. They eavesdrop on personalities who broadcast on Periscope. Now with Facebook Live available, it’s become an even bigger sensation.

So how do you take advantage of it?

If you’re programming a sports radio station, have you considered conducting video chats with your audience to discuss things taking place on your airwaves? If you’re a host, are you utilizing it before or after your show? How much more invested would your audience be in the current day’s show, if an hour before you hit the airwaves, they had an opportunity to share feedback with you on something you were considering doing that day but weren’t sure about? What if your show meeting was captured on it?

Maybe your brand has a deal with a local player to call-in weekly during the season, and as part of your next agreement, it includes one in-studio visit to one of your shows, and a separate 15-minute video chat with your audience. Players and agents are usually receptive, especially when they’re being compensated and given a platform to extend their brand. You might even offer to do the chat on their turf or an area of their choosing that would make the experience unique for the audience.

The world lives on Facebook. It’s your responsibility to figure out how to utilize it to your advantage. Between the airwaves, your website, email distribution, text message pushes, and social media, the opportunity to draw people to your Facebook Live video offerings is easy.

Remember this, every single thing you do in life now is a potential video moment. Every relationship you create and develop, possesses video potential. The more you dive in, and present yourself, the brand, and those you interact with in a strong light, and the more unique experiences you create in the space, the more attached your audience will become.

Closing:

I could spend another thousand words explaining why an all-female sports programming network on television would have appeal. Why a network built around the greatest games in sports history would generate interest. How sports documentaries could be created for radio and turned into compelling programming. Or why a Spanish sports podcasting platform would draw an audience. But I think I’ve given you enough to chew on at this point.

I’m not going to predict that every one of these ideas will work. If introduced properly, offered in the right locations, and given reasonable goals and time to connect, they could. In the wrong places, with inferior talent, and run by groups expecting instant gratification, they’d fail.

It’s easy to debate what would or wouldn’t work, but the challenge is to continue thinking of different concepts, researching your market, and focusing your product strategy on what matters most to the people in your region. There’s no reason why we should consider ourselves restricted in this format. Music formats have discovered ways to create extensions of their formats, and sports can do the same. Given the results of some brands, there’s no reason why we shouldn’t be testing more ideas.

Those that take the risk, not only will be trendsetters, but they’ll create additional buzz, and give themselves an opportunity to enjoy better ratings and revenue success. They’d also add some spice to a format that’s built on predictability, and either lacks the imagination to create new ideas, or fears the consequences of what might transpire if they installed them.