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The Evolution of Mad Dog Sports Radio

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In society, we use terms like mainstream and underground to describe popular and unfamiliar trends. To those working in the terrestrial radio business, local AM and FM radio represents the norm. An audio platform like SiriusXM satellite radio is viewed as unfamiliar territory because it requires a cost, and leaving the traditional radio space to hear it.

But that doesn’t seem to be an issue for consumers who seek great content and minimal disruptions. The platform offers some of the most popular media personalities in the industry, and has over thirty million people subscribing to hear it.

So why then, especially in the sports audio space, does the platform not receive bigger accolades for the work they produce? This is one of many questions that linger in my mind when I think about SiriusXM. It’s even more magnified when I strip away all of the company’s individual audio brands and put the focus directly onto their sports channels.

MadDogRadioWithout question, the Mad Dog Sports Radio channel features a number of exceptional high profile personalities. To the common sports fan, Stephen A. Smith is a household name. To sports radio fans, Chris “Mad Dog” Russo is one of the founding fathers of the format. To newer sports media consumers, Adam Schein is a rising star who’s grown his brand thru his work on Showtime, the CBS Sports Network, SNY and SiriusXM’s NFL Radio and Mad Dog Sports Radio.

When I look at the Monday-Friday 6a-7p lineup that Steve Torre and Steve Cohen have assembled for Mad Dog Sports Radio, it’s stacked. If their product was featured on a local New York radio station, it would pack a punch, and give WFAN some concern. It’d also likely receive a lot more fanfare and media buzz.

But it’s not a New York brand, even though the majority of its personalities possess New York roots.

In mornings, Evan Cohen and Mike Babchik are both from the big apple. The same holds true for Smith and Schein. Russo, although not originally from New York and currently residing in Connecticut, has built his entire brand and career by entertaining listeners in the concrete jungle. This is what makes it easy to label Mad Dog Sports Radio as an East Coast brand.

But is that a bad thing?

nyMost of the world’s top national programs originate out of New York City or Los Angeles. Whether it’s Jimmy Fallon, Jimmy Kimmel, Stephen Colbert, The Today Show, Good Morning America, Saturday Night Live, Colin Cowherd, Dan Patrick or Jim Rome, they’re all reaching fans across the country while setting up shop in one of the top two media markets. Their location doesn’t take away from their abilities to connect with people and understand the issues that exist in every pocket of the nation.

I was granted access by the great folks at Mad Dog Sports Radio to get a stronger idea of the way they operate. With apologies to the hosts who work at night, I’m keeping the focus of this piece on the M-F 6a-7p lineup.

In addition to sitting down and talking radio with each of the channel’s key personalities, I also spent time with the braintrust (Torre and Cohen). I wanted to get a better idea of how they measure success at Mad Dog Sports Radio, what fuels their passions, and what they consider to be their biggest challenges.

The Beginning:

It was August 19, 2008, when Chris Russo signed a five-year contract with SiriusXM to headline a new sports talk channel titled “Mad Dog Radio” on SiriusXM. Russo, was leaving WFAN where for nearly two decades, he had been one half of “Mike and the Mad Dog”, the most popular local sports radio program in the history of the format. His departure from terrestrial to satellite radio would send shockwaves throughout the industry, and it became possible due to the vision of one man.

mdr-cohen4“I give Mel Karmazin all the credit. He came up with the idea to get Chris and develop a channel around him,” said SiriusXM SVP of Programming Steve Cohen. “When he and Scott Greenstein came to me and asked ‘do you think this would be a good idea if we can get him here’, I said ‘absolutely, are you kidding me?’. Chris is the same guy I started working with in 1988. He has the same work ethic, the same mispronunciations, the same passion, and the same talent. Without him, I’m not the sports programmer that I am today.”

As part of the agreement, Russo would host five hours per day on the channel, and be involved in the hiring of the on-air staff. If a channel is going to built around an individual’s name, it only makes sense that they have a say in making sure the brand reflects what they stand for.

Sensing that he’d need additional help to run the channel properly, Russo brought in long time WINS anchor Steve Torre to serve as Program Director and afternoon show update anchor. Torre would later add hosting duties too.

“Mad Dog and I knew each other for 20 years, and were long time friends, but never had worked together,” said Torre. “When this started to develop, the transition was easy because of the familiarity, but I also had limited management experience, so there was a lot I had to learn.”

On September 15, 2008, less than a month after he had signed with the company, Russo debuted his new program “Mad Dog Unleashed”. By February 2009, the channel would be fully functional with live programming available twenty four hours per day. The original personalities to host programs on the channel (in addition to Russo) were Gary Williams, Bruce Murray, Bill Pidto, Andy Gresh and Larry Krueger.

It was nearly one year later (July 9, 2009), when Russo would learn a lesson about being involved in management. During a ten-minute rant, he proceeded to berate his entire staff on the air for his station being ranked outside the Top 100 stations on satellite radio. He concluded the rant by firing Torre.

mdr-torre2The segment created such a stir that even Howard Stern got involved, bringing Torre on the air as a guest to get an idea of what transpired. Torre was later rehired, and it’s unknown if the rant was legitimate or a radio bit.

“I’m never going to be able to manage him,” added Torre. “We’ve had battles where we’ve wanted to strangle each other, some of it has been well documented. Chris won’t ever be afraid to say ‘you’re out of your mind, I’m Christopher Russo’, but he’ll also give you respect, ask what you think, and allow for give and take. That’s all you can ask for.”

As the years progressed, Mad Dog Sports Radio got a taste of what it’s like to add and lose key talent. Williams would depart for the Golf Channel, Krueger to KNBR, and Gresh to 98.5 The Sports Hub. Pidto would return to television.

That allowed Russo, Torre and Cohen to introduce new voices, including former Mets General Manager and ESPN Baseball Analyst Steve Phillips, John Feinstein, Scott Ferrall, Dino Costa, and Jason Horowitz, just to name a few. They also shifted Schein over from NFL Radio, and partnered with ESPN to bring Stephen A. Smith to the channel after Russo again made headlines after stating that he couldn’t find a qualified black personality to host a national sports radio show.

However, Ferrall, and Feinstein would eventually leave to join the CBS Sports Radio Network, Costa would be terminated after numerous run-ins with station management, and Horowitz’s venture on the channel was short lived, leading to the addition of current morning man Evan Cohen. Phillips, would also be moved over to SiriusXM’s MLB channel, which opened the door for Mike Babchik to join Cohen in mornings.

MDR-Russo1Russo acknowledges that building and developing the brand has required a lot of patience, fine tuning, and creativity.

“We did a lot of editing with this channel trying to find the right pieces,” he said. “We made a lot of mistakes but I think now we have a really good vibe. I probably shouldn’t have started with an overnight show. That wasn’t necessary. I also thought the updates were still significant and that didn’t matter because people don’t buy the channel for that. I learned through that process of what to do to find a connection. There’s a fine line because you want people to be nutty and creative and do what they want and not get in the way, but there’s a line that you shouldn’t cross, even here. We took some chances in the beginning and we have some issues still, maybe we’re a little New Yorkish, but I like how it’s come together”.

The Morning Men:

If there’s a secret ingredient inside the Mad Dog Sports Radio meal, it’s Mike Babchik. He doesn’t receive the fanfare of the other on-air talents, and he’s largely unknown to the majority of people in terrestrial radio, but I dare you to spend one morning listening to him perform with Evan Cohen. If you don’t come away from that listening experience laughing, cringing, nodding in agreement, and wanting to strangle him for something he said, then you may need to be checked for a pulse.

MDR-BabchikSimply put, Babchik is an entertainer. His chemistry with Cohen is a huge reason why “The Morning Men” have been able to find their groove. During the course of one morning that I spent in studio observing the show, he weaved in a number of popular Jewish words to highlight each game result as part of a morning show “Dog Bites” update bit, accepted feedback from a caller who wanted him to undergo an exorcism, conducted an NCAA Tournament Memories draft which included telling a story about passing out drunk and getting his braces stuck in the carpet, and swapped opinions with Cohen about Carmelo Anthony.

“Mike is the single most talented person in radio because he will say what everyone is thinking, and not care if he looks bad because he knows there are people out there thinking the same thing,” said Cohen. “The goal of the show is to relate to as many people as possible, and to do that, you need an everyman, and that’s Mike.”

Prior to being named Cohen’s partner, Babchik produced the morning show. With former Mets GM, and ESPN Baseball Analyst Steve Phillips installed in mornings, Cohen was brought on to guide the program. Quickly the morning show created a strong vibe.

“The first time I met Evan I thought he was an intern” said Babchik. “I sent him to get coffee.”

With the show offering credibility, opinion, and entertainment, and all three members developing a friendship and chemistry on and off the air, the morning show was set up to have long term success.

But then something changed.

phillipsPhillips’ agreement was coming up for renewal, and an internal decision was made to shift him over to the MLB Radio channel where his strengths and profile as a top tier baseball analyst and former GM would shine even brighter. The move though left a gaping hole opposite Cohen, and finding the right individual to counter his brash opinions, and lend some brevity to the conversation was important.

“Steve was huge for us, and gave us credibility,” said Torre. “He was relatable and had tremendous knowledge. When he moved on to the baseball channel, the obvious question was ‘who do we get for a co-host with Evan’? I said ‘we have someone (Babchik) right here under our noses, who’s already a big part of the show. Let’s give it a chance’.”

Although the feelings about adding Babchik internally were positive, the call didn’t belong to Evan. That gave him cause for concern. He also had to figure out whether or not he could forge a regular chemistry with Babchik as his main partner, something they hadn’t yet done.

mdr-evan3“I had no idea if we could do a great show together,” said Cohen. “Torre told me ‘Mike is not the norm, but he has the ability to be great’. I knew we we’re from the same area, and knew a lot of the same people. That certainly helped our off-air chemistry, and allowed us to become friends, which helps when you become on-air enemies at times.”

Taking the step from producer and third voice of a show to the main co-host chair isn’t always a smooth adjustment. It’s an even bigger gamble when your name isn’t familiar to the entire radio industry, and high profile talents across the country are ringing the phone lines of Steve Torre, and Steve Cohen, expressing interest in the position.

So what gave Torre the confidence that it would work?

“I always knew their chemistry was great,” said Torre. “There was always a positive reaction to Babchik, and you know why that is? Because he’s the loveable loser, the everyman. People relate to that. That’s why I felt we’d be ok giving him the shot.”

mdr-babchikcohenWhen changes happen in radio, it’s common for personalities to wonder about the future direction of the show they’re involved in. Adding the wrong person to a successful show can send the train off the tracks very quickly. Despite the uncertainty, Cohen’s nerves were settled when Torre told him the company was going to roll the dice and take a chance on Babchik.

“Steve Torre deserves all the credit,” said Cohen. “He was smart enough to pair me with Mike, and saw that there was natural chemistry between us that can’t be taught. That decision has allowed my own personal career to grow, but more importantly it’s allowed the show to grow.”

Next, the show needed a name. SiriusXM SVP of Programming Steve Cohen shares the story of how they decided on branding the show “Morning Men”.

“When Phillips was leaving, Evan was mad at me because I agreed with the move, and he didn’t get a heads up about it,” said Cohen. “So we’re brainstorming the name of the show (Me, Torre, Evan and Babchik) and I’m explaining that it’s a guy talk morning show, it’s how dudes talk, it’s sports and entertainment, and Frank Raphael, a Hitchcock looking figure, opens the door and says ‘Morning Men’. I look at Evan, we just stare at each other, and I said ‘that’s it’. Torre’s like ‘what’s it’? I said ‘the name of the show’. He says ‘are you out of your mind’. I said ‘No, think about it. People call up, it’s how they greet you. It fits them too’.”

mdr-mmWith the pairing now solved, and a brand new show name in place, the rest was up to Evan and Mike. Developing a relationship as partners, furthering their chemistry, and identifying the roles each of them would play was important. Babchik recognized that the show had to be different and make an impression each day.

“In the morning, you don’t want to wake up to a hardcore debate,” said Babchik. “Our thought process is, if you’re out with your friends talking sports, we’re the guys who you relate to. Evan preaches don’t waste space, and he deserves a lot of credit for changing the mindset here, and making sure we all understand our roles. He’s the good guy, I’m the weird guy, and it works.”

In analyzing the show, and what makes it different from the rest of the channel’s programs, I came away with four key takeaways.

* They don’t take themselves too seriously – Russo, Schein and Smith may dive deep into topics, conduct lengthy conversations with guests, and offer piercing opinions on a variety of sports topics, but the morning show places its focus on having fun, interacting with their callers, and keeping the pace fast. They go into unplanned content areas often which plays to each of their strengths, and Babchik’s ability to think on his feet, and follow Cohen’s lead, leaves listeners wondering what the duo might say or do next.

mdr-babs* The Sports Updates (Dog Bites) are fun and unique – Instead of providing the classic sports update that many stations are known for, the Morning Men utilize audio from Russo’s show, and weave in clever lines to have fun with the day’s news. For example, if it’s National Bagel day, Babchik will work in references to bagels in every story he reports. You’ll hear something like “The Spurs poppy seeded the Mavericks”, and as I alluded to earlier, on the day I was there, the references were Jewish, and game results included the terms Oy Vey, and Shalom.

* The guests they secure are people who are topical or interesting and fit their personalities, not necessarily the biggest names – as Evan told me, they’d rather pull two minutes of a guest appearance on Russo’s show or from another one of SiriusXM’s sports channels, than place a guest on the show for 10-12 minutes who’s ultra serious. As an example, the morning show has been trying to land former NBA player Cliff Robinson because he’s now a drug dealer. They look for people who fit their brand of content, not necessarily the biggest names.

* They brand the show by incorporating Mad Dog into it – Evan told me that one of the turning points for the show was when Steve Torre, Steve Cohen, and Scott Greenstein, approached them and said “we need more Dog on the channel”. That gave the show an opportunity to showcase their creativity. They began using Russo’s voice for all of the show’s intros, but acknowledged quickly that reading liners and delivering them in straightforward fashion didn’t fit their style. A change was made to start pulling cuts of things Chris said on his show that were funny, and provided an opportunity to respond.

By adopting that strategy it’s subconsciously connected the morning show to Russo. Their dedicated fans (FALS) are a result of that approach, as Russo mispronounced the word pal on his show, and the morning show grabbed the audio, and ran with it.

mdr-evan2When it comes to the show’s content creation process, Cohen and Babchik use multiple ways to develop their game plan. They’ll monitor social media to see what’s trending, and drawing reaction. They’ll look to see what’s popular on the satellite company’s other channels, and if a great rant is delivered by Mad Dog or Stephen A. it almost always finds its way onto the program. Ultimately though, it still comes down to what excites them individually and collectively.

The morning show meets daily with Torre to discuss the way the program is performing. They’ve developed an open door policy with their bosses which gives Torre and Steve Cohen an all access pass to enter the studio at any time, and call them out on something if they feel they’ve done something wrong. The only downside to that arrangement is that it’s led to Cohen earning the nickname “Larry Long Balls” (it’s a long story).

In a nutshell, the morning show has fun, and their energy is noticeable. It begins with the chemistry that exists between Cohen and Babchik, and thanks to the support of the men up above, they’re allowed to provide a different type of experience on Mad Dog Radio.

“When a listener calls in and says ‘when Howard’s not on, I listen to you guys’ I’ll take that every time,” says Evan. “We can control 3 things – the way we treat our fans, the way we treat our teammates, and the way we treat our advertising partners.”

So far, so good!

Adam Schein:

If the mornings are known for offering a blend of sports, pop culture, hilarity and chaos, middays are known for presenting a different tone. They’re informative, passionate, and provide a highly respectable presentation on the world of sports, and it begins with the ringleader Adam Schein.

mdr-schein3The Syracuse educated Schein attacks the microphone with enthusiasm segment after segment, and his advanced vocabulary, and genuine joy for discussing the ups and downs in sports makes him very relatable. Combine that with exceptional production value and topical high profile guests courtesy of his producers, and you have the makings of a great national program.

Every music bed leading into each segment brings with it high energy and a quick pace. The calls Schein takes, add to the conversation but never slow down the momentum. There’s this feeling you get when you listen, that the show is searching for the answers to help the everyday sports fan feel more informed.

Equally as impressive is the way Adam communicates with his audience. Every person who calls the show is referred to by their first name multiple times during the conversation. That shows Adam is listening and values the time they’ve taken to reach out and contribute to the program.

“What makes this channel great is the variety,” says Schein. “The Morning Men do a totally different show than mine. Mine is different than Stephen A’s. His is different than Mad Dog’s. There’s a method to the madness, and we try to keep it unique and interesting for the audience.”

Although Mad Dog Sports Radio has been in existence since 2008, Schein has actually been with SiriusXM longer. He signed on in 2004 to help launch NFL Radio, during a time when the company had only 200,000 subscribers. Why did he feel optimistic about the future of the company, when it was still foreign to everyone else?

mdr-stevecohen“The number one reason I wanted to come here was Steve Cohen,” Schein said. “He’s a radio guy, and he’s done it all. He understands what makes great sports talk radio. We met for a hamburger in May 2004, and just talked, and it confirmed what this place could be, and would be. It’s become a success because of his vision.”

Schein’s confidence in Cohen was certainly high, but those feelings were also mutual. Cohen saw something early on in Adam that convinced him he was destined to do big things.

“Adam was an intern at WFAN who I always had great respect for,” said Cohen. “His work ethic was tremendous. He was smart, entertaining and hard working. I could tell quickly he had great respect for this business, and I knew he was going to do well. He didn’t even ask me how much money the job would pay when we met. I told him you’re going to be my workhorse, and he looked and me and said ‘where do I sign’.”

mdr-schein6Despite not signing on upon the channel’s inception, when a second opportunity presented itself in 2013, Schein didn’t hesitate. With the product further developed, and a hunger to test himself as a well rounded all-sports talk show host growing, Adam came on board.

Soon the Mad Dog Sports Radio audience would learn what makes Schein stand out. Passion, opinion, knowledge, entertainment, and high energy, are all part of his repertoire. During the span of sixty minutes while sitting a few feet away from him, I observed as he delivered one strong opinion after another.

He started with “I’d rather play with 10 people on the field than employ Greg Hardy. He’s tone deaf, a distraction, and under no circumstance would I sign him”. From there, he moved on to the Oakland Raiders where he added “Raiders fans are not on Planet Delusional if they believe their team can win 10 games next season. This team has what it takes to be the best in the division next season.”

It’s easy to recognize how much pride Schein takes in his work. His respect, and intelligence, and appreciation for the audience are a big reason why his program is an enjoyable listen. It’s that same approach on-air that manifests off the air, and makes working with him attractive to behind the scenes people. Adam says that despite his name being in the lights, he understands that success is created by having good people around you.

MDR-Producers“The only request I’ve had from management is to make sure we have quality producers”, he added. “I think it’s very important. Yes it’s my name, my voice, my face, and my show but it’s OUR show. I like to surround myself with really smart producers because I want to be challenged. I value their opinions and ideas, and I thrive off of the collaboration process.”

In terms of crafting the daily game plan, Schein says he follows a similar model to the one he used while hosting programs on terrestrial radio. He’ll provide a hard hitting monologue, take phone calls, interview a couple of timely guests, and mix in a few other topics that have the largest appeal. He’ll also use Twitter on occasion as a trial balloon to gauge which topics generate the biggest interest.

So how does he know when it’s working?

“You feel it,” he said. “I never judge a show based on how many people are calling. Your management and your audience know if you had a good show. You have to have a Plan A, B, C and D and you never deviate from it based on the calls. You look for angles that appeal to a variety of people. People are going to love you and hate you. You’re supposed to create that reaction. That’s why you were hired. The main thing is, are they listening?”

mdr-schein4As much as he enjoys talking sports, and connecting with his production staff to develop each day’s show, there’s one thing that stands out when you talk to Adam – his love for his place of employment. As one of the originals of SiriusXM, he’s proud of where he performs, and believes much of the good fortune that has followed him in his career is a result of making the decision to join Steve Cohen.

“This is such a great place to work,” says Schein. “People are genuinely happy. It’s a destination for people. If you want to be in sports radio, it’s a place to target. That’s because of the quality and diversity of the programming. The original slogan of the company was ‘it’s the best radio on radio’, and I don’t listen to anything else. Where it is now is amazing, but where it’s going, is going to be even better. I’m signed long term here, and it’s a place I really love working at. I also believe that this channel, Mad Dog Sports Radio, has the #1 sports radio lineup ever.”

Stephen A. Smith

If you enjoy loud opinions, delivered with a purpose, by someone with a reputation for being unafraid to tackle controversial subjects, then you’ve come to the right place. Stephen A. has become a larger than life sports media personality, and with that honor, comes a lot of fame and disdain.

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Much of the love and hate that Smith receives, stems from his over the top personality, and candid assessments that are provided on ESPN’s highly rated “First Take” where he lines up daily opposite Skip Bayless. But many industry experts who talk about Smith’s radio program, form their opinions based on what they see on TV, or what they previously heard while he was a host at 98.7 ESPN New York, not by what he’s producing through the speakers at Mad Dog Radio.

In this business we preach to create content worth stealing, deliver strong opinions that grab the audience’s attention, and be unwavering in your stance when you feel something, even if it’s not commonly accepted. Smith checks every one of those boxes, which is why he’s built an empire as one of America’s opinion leaders.

On the day of my visit, I had the pleasure of sitting back and watching Stephen A. entertain, and what I thoroughly enjoyed was how he could turn the volume up to ten during one segment, but bring it back down to five during the next. Unlike Schein who invites the audience in and treats them respectfully, Stephen A. has no problem verbally slapping a caller in the head if they contribute an opinion he believes is nonsensical.

MDR-SAS1In the matter of minutes, Smith points out that the only time Bears Quarterback Jay Cutler has smiled is when he signed his contract, and after a caller named Hudson suggests the New York Jets should hold off on paying Ryan Fitzpatrick big dollars, and instead spend seven million dollars per year on Geno Smith, Stephen A. gets fired up and tells him “if you think Geno Smith is worth 7 million dollars per year you’ve lost your damn mind”. He gets even more annoyed when Hudson avoids answering his questions adding “Rule #1 Hudson. If you’re going to call this show, you answer my damn questions. I’m done with you.”

For a service that relies on subscriptions and keeping people satisfied, one could question if taking a caller to task is the right approach, but anyone who knows Stephen A. understands, that this is real, honest, and consistent with who he is.

“Of course I care about the subscribers and the people I work for” said Smith. “I don’t take lightly the responsibility I have to represent Steve Torre, Steve Cohen and Scott Greenstein well, but if a caller is getting on my nerves, I’m going to let them know. People know what I do and how I operate and I’m going to stay true to that.”

MDR-SAS3There’s no manual in this business which tells you how to field phone calls, so the fact that Schein and Smith offer different styles which reflect each of their personalities is a real strength. It’s consistent with how they deliver their programs, and the more variety that Mad Dog Sports Radio listeners have throughout the day, the better.

The other interesting twist is that Stephen A.’s program is produced by ESPN Radio. The network and SiriusXM formed a partnership to make Smith’s venture into satellite radio a possibility. With it being commonly known that the rules can be different on the airwaves of Sirius, Smith explains how working with two organizations impacts the way he approaches his program.

“The only thing ESPN asks me not to do is curse, and I respect that,” he said. “I’d rather work for someone with standards than someone searching for them. Each of these companies allow me to be me. I’m a national figure, and this platform aligns with many of my interests. They’re supportive of what I do, and treat me well, and that makes it a great place to work at.”

During the course of my visit, Stephen was a featured guest during a SiriusXM Town Hall with Karen Hunter. It was on this show that the audience had an opportunity to see a very different side of the polarizing ESPN personality. That’s one of the real benefits of having so many talented people under one roof, and being able to concentrate on creating powerful content that excites the audience.

Over the course of his one hour appearance, Smith opened up about his issues with his father, not celebrating his birthday because it falls on the same day when he lost his brother, the challenge of being a black man in a predominantly white male industry, plus he tackled a variety of other topics that were equally as compelling. You can hear it by clicking here.

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As I observed him, I was reminded of why he’s become the success that he has. The hour of conversation between Smith and Hunter, was one of the most honest and interesting hours of content that I’ve listened to in a long time. His ability to run point on his radio program, and deliver razor sharp opinions, and interviews that produce substance, in addition to entertaining exchanges with the audience, and a major league profile, benefits the channel. Because he’s in a workplace where he’s encouraged to operate the way he feels most comfortable, listeners are treated to some memorable material that not every personality has the skills to deliver.

But with a national TV platform, and a relationship with ESPN Radio that’s been established for the better part of the past decade, why make the move into the satellite radio space? Smith says it’s simple.

“Why’d I come here? Because it’s SiriusXM,” said Smith. “This is the gold standard in radio. The quality is incredible and there’s this feeling of not being restricted. No rules if you will. I’m wise enough to know not to put myself or the brand in a bad spot. But there’s no question, this is the pinnacle of the sports radio profession.”

Chris “Mad Dog” Russo:

When your face and name are on a brand, and you’ve walked away from the most recognized sports talk show and radio station in New York City, you’re sure to have pressure on your shoulders each day. But for Chris Russo, he doesn’t allow the complexity of the situation to impact his focus.

mdr-russo3“When you leave terrestrial to come here, it’s flattering. Who gets a station named after them?” says Russo. “At first it was a little overwhelming, but after a while you don’t think much about it. I do think having a name like ‘Mad Dog Radio’ probably helps because it’s not something like Sirius Sports Today. It’s not clumsy, it’s an easy name, and a good moniker to have. I try though not to get too wrapped up in it, and just focus on the show each day.”

At his core, Chris is a sports talk show host. He may have involvement in the creation of the channel and who represents it on the air, but the dirty work falls on Steve Cohen and Steve Torre’s shoulders. That allows Russo to concentrate on doing what he does best, informing, entertaining, and delivering opinions that pierce the brain of the audience.

But if you’ve listened to Chris over the years, you’ll notice one big difference in his content.

By offering a program on satellite radio that reaches people all across the country, a national focus is required. After talking about New York teams for nearly two decades, and continuing to live in Connecticut where the nightly television offerings are those same New York franchises, many would assume that a big adjustment would be required. But Mad Dog says that wasn’t exactly the case.

RussoSiriusXMhoriz(Dave Rubin)1“I’m not a New York fan so that’s helped me,” said Russo. “When I got here I didn’t have to worry about switching my allegiance. The content was easier. The biggest transition was dealing with no commercials. Five hours of radio here is like seven hours on terrestrial radio. At times I liked it, sometimes I didn’t. When you’re doing a good interview you love it, but other times it can be tougher. I’m now on three hours per day which isn’t enough. Five is too much, four is probably perfect.”

To the audience, more Mad Dog is a good thing. But to those on the inside, providing fifty great minutes of content per hour, with limited break times can be a daunting task, even for an industry icon. Program Director Steve Torre admits that it took Russo time to adjust.

“This is a lot harder to do than terrestrial radio,” said Torre. “Chris used to host 5+ hours with a partner, and it included twenty minutes of commercials, updates, benchmarks, and jingles. He comes here, and he’s doing 5 hours solo with limited break times. For the listener it’s great, but for the host it can be very challenging.”

Unlike many terrestrial stations which form partnerships with local teams to carry their games, on Mad Dog Radio there is no home team. Because the audience is spread out, and have different interests, it makes it harder to rally behind one organization, or spend large periods of a show on one team or topic. For a host like Chris who’s spent hours on WFAN battling with Mike Francesa over the Yankees and Mets lineups and rotations, that’s an area of his game that he’s not able to tap into as much.

mdr-russo5However, he does have the advantage of having been in the business long enough to form relationships with listeners who have New York roots, but now live elsewhere. Despite moving away, they still make listening and calling his show a priority. He represents a piece of their upbringing, and remains a connection to their home turf.

“I do have an advantage with New Yorkers who live in other towns and want to call up and talk sports with me,” said Russo. “But at the same time, you don’t want to turn it into a show for transplanted New Yorkers.”

So does that mean Chris feels he’s shed the New York label?

“I still feel like I’m a New York host in a lot of ways,” added Russo. “I’ve done a million of remotes to show that we can do other things besides New York sports. I’ve done the SEC Championship game, the College Football National Championship game, Spring Training, the NHL team store, and a few others. I’ve done a lot to get away from the New York thing but everyone knows my New York connection. I think though that it’s also helped me.”

As much as New York remains attached to his broadcasting career, that hasn’t led to any less interest or reaction from listeners who reside in other parts of the country. On the day of my visit, Chris’ lines were lit up by callers ranging from Philadelphia to St. Louis, Utah, South Carolina, and Florida. All of them interested in picking his brain on the NCAA Tournament, Carmelo Anthony, and NFL news.

mdr-russo2The one constant that remains when you listen to Russo is that he brings passion, and energy to everything he does. He also has a deep bucket of knowledge that he reaches into every so often, just to remind you that he knows his stuff. If you’ve enjoyed listening to Chris during his days on WFAN, you’re likely to enjoy him now. The only noticeable difference is the reduction on New York heavy content.

Another difference that exists off the air, is the change in focus towards judging success. For SiriusXM, the total number of subscriptions is what matters most. In local radio, many live and die by the monthly ratings. After spending two decades charged with the responsibility of finishing 1st with Men 25-54 in the nation’s #1 media market, how has Russo adjusted?

“We don’t have to worry about ratings which is a big advantage,” he said. “That said, I do think about phone calls, and what’s going to generate interest from the audience. We have 119 channels here. It’s like radio socialism. I make fun of it all the time. We’re all in this together. You’re not pressured from a subscription or ratings scenario on a day in and day out basis. Nobody overanalyzes you that way. In eight years I can count on one hand, if that, somebody coming up to me and saying ‘maybe we’re not doing enough of this or that’. They let you do what you want to do. They give you a channel, a show, and they trust you to do your job. ”

It’s clear that Russo has fun once the light goes on. He lives for the opportunity to inform and entertain, and when the lines start ringing, he feels good about the connection he’s making. He’s also a fascinating interviewer who digs for answers, and isn’t afraid to push his guests to tell him what he wants to know.

russoSince signing on in 2008, Russo has solidified his status as a top performer on satellite radio. He re-signed with the company in 2013, and during that negotiation reduced his on-air schedule, while adding a television presence on the MLB Network. On occasion he’ll extend the show an additional hour when big events happen, or road shows are scheduled, but with his contract set to expire this September, and rumors swirling about a future reunion with Francesa, does he envision being back at the birthplace of his national sports radio career?

“I have young kids so I don’t see any reason why I’m going to quit,” said Russo. “As long as they’ll have me, I’d love to stay. I don’t think I’d go anywhere else. I took a little bit of the audience from WFAN and brought them here, so now I’m going to take them somewhere else? They may not go with me to the next place. They’re loyal but they’re not that loyal.”

Does that mean he’s shut the door on a return to terrestrial radio? No. But at this point, SiriusXM is in a good position because the options available for a Mike and the Mad Dog reunion in New York are few, and finding companies capable of writing big checks for sports talk programming are not easy. That doesn’t mean it can’t or won’t happen, but it’s still a long shot.

If there’s one thing that could sway him, it’s the opportunity to regain a higher profile. Although thirty million people subscribe to satellite radio, and the Mad Dog brand is established on a national stage across the nation, it has to be humbling for one of New York’s all-time great performers to not generate the same level of attention in his own backyard that he once did. While I can find the positives of flying under the radar, it’s easy for me to say when I haven’t produced nineteen years of fame as one of New York’s most popular media stars. Hosting the Mike and the Mad Dog reunion special, and seeing the buzz that the show created, certainly had to add to that curiosity.

mdr-russo4After listening to Francesa rib Russo for years about vanishing from the earth, I asked Chris how important relevance was to him.

“You get that knock of ‘who hears you, and did you go into the witness protection plan’?” he said. “Especially me, because New York is such a concentrated market with WFAN, and ESPN New York, and everyone knows me from my days on 660. Most New Yorkers, like most others fans, are going to be into their local market stations. So you have to understand that, and it bothers me at times. For nineteen years I’d go to a deli, and they heard the show that afternoon. Now, they don’t hear it. You don’t have a main fan base, and that takes time to get used to.”

The flipside to that conversation, is that Russo has now become a more familiar name beyond the New York market. That’s not something he’d have been able to do if he remained hosting a local radio program in New York. He’s also opened doors for himself on television, and given his baseball insight, local availability, and unique style, you’d assume he’d remain attractive to the MLB Network in the future.

All that being considered, here we are eight years later, and Mad Dog Radio is still going strong. Chris is entrenched in afternoons, and continuing to provide an exceptional sports radio program. He’ll have a lot to weigh as he considers his future, SiriusXM will too, but if you look at where the channel was, and where it is now, I think it’s safe to say great progress has been made.

The Conclusion:

MDR-RussoSASWhen you’re inside the headquarters of SiriusXM, you can’t help but chuckle when you find Mad Dog Sports Radio’s studios right next door to “The Catholic Channel”. I can only imagine the reactions next door when Cardinal Dolan is delivering a sermon, and the high octane opinions of Russo, Schein, and Stephen A. start penetrating the walls.

As I thought about my visit, and the past few years of consuming the Mad Dog Sports Radio product, I’m left with the belief that the channel has evolved nicely, and become one of the satellite company’s best. Steve Cohen, and Steve Torre deserve a lot of credit for that as does Russo.

Chris is clearly the face of the brand, and his talents speaks for themselves. The decision to shift Schein over from NFL Radio fit the personality of the channel perfectly, and the addition of Stephen A. not only added an ingredient that had been missing, but his profile, and style made for a perfect match.

mdr-mornmen2The one move that may not get the back page headlines, but also deserves acknowledgement, was the decision to pair Cohen and Babchik in mornings. The duo provide a nice spark, and a brand of entertainment that hadn’t existed previously in that timeslot.

I’m also impressed by the unique way the shows are imaged. In mornings, Cohen and Babchik feature Matt Damrow as their primary voice, while incorporating Russo into the mix to further brand the channel, and show. Schein, utilizes Roch Bordenave, who has a strong sound, similar to Paul Turner, the voice of WFAN. Jim Cutler provides the voice over for Stephen A.’s show due to the ESPN partnership, and Rena-Marie Villano rounds things out as the voice of Russo’s program. In addition to the personalities being different, the sound is too, and that keeps the programming fresh.

The one big challenge going forward will be retaining Russo. Without him, the channel would likely require a brand makeover. With him, they’re positioned well for the foreseeable future. Even Torre recognizes that despite the company’s growth, competitors will be lining up to pursue their talent.

mdr-torre“We want to keep our high level talent here,” he said. “But trying to keep them can be challenging financially. In the past we’ve had to fight a perception of how established we were as a company. The competition never ends. Terrestrial has taken hits, but they’re still making money in a lot of markets. We’re also up against a monster in ESPN that’s carried under our own umbrella.”

I’ll give the channel credit for building its strategy around high profile personalities, and listener interaction. The lineup Mad Dog Sports Radio offers M-F 6a-7p is second to none, and they possess a strong ability to entertain, inform, and generate a response.

I also appreciate quality production, timely guests, and a commitment to topical content, and once again that’s an area where the personalities on Mad Dog Sports Radio deliver. Whether it’s the result of talent instincts, programmer feedback, effective producing, or a combination of all of the above, the bottom line is that it’s working.

The only area I wish I had a better read on, was how the channel performs in comparison to the other sports and talk offerings on SiriusXM. Most people agree that Howard Stern is the company’s biggest draw, and while I don’t expect Mad Dog Sports Radio to be in the same neighborhood with the audience he pulls in, I’d be curious to see how Russo’s channel is received compared to others such as NFL Radio, and MLB Radio.

Not receiving ratings measurement makes that problematic, but it’s also a big reason why the content is as good as it is. The focus internally is on satisfying the audience and every set of ears possible, not creating programming to appeal to a meter. If more brands in our industry worried about providing a programming benefit to the audience, and less on satisfying ratings and sales objectives, we’d all benefit from it.

Whether you love satellite radio or not, I think we can all agree that when a customer base grows from 200,000 to 30 million in twelve years, a company must be doing something right. Mad Dog Sports Radio is just one of SiriusXM’s great brands, and if they can continue offering high profile personalities, and excellent programming on a consistent basis, I’d expect their support to increase. All they have to do now is make sure they retain the man the brand is named after.

ESPN Announces NFL Draft Plans

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ESPN Media Zone has confirmed the broadcast plans for ESPN’s coverage of the 2016 NFL Draft which airs on Thursday, April 28, at 8p ET. Rounds 1-3 (Thursday and Friday) will be presented in primetime from Chicago’s Auditorium Theatre of Roosevelt University. Rounds 4-7 (Saturday) will originate from ESPN’s outdoor set in nearby Grant Park. For the fifth year in a row, the first hour of Round 1 will be presented with limited commercial interruption.

Covering his 36th draft, Chris Berman will host Round 1 with veteran NFL Draft analyst Mel Kiper Jr. (his 33rd), Monday Night Football analyst and Super Bowl-winning head coach Jon Gruden, and NFL Front Office Insider Louis Riddick. Riddick made his NFL Draft television debut in 2015 and will appear on ESPN’s main set for the entirety of the event.

Also, NFL Insider Adam Schefter will provide reports and NFL host Suzy Kolber will interview draftees. ESPN bureau reporters Josina Anderson, Bob Holtzman, Britt McHenry, Sal Paolantonio, Shelley Smith and Ed Werder will contribute to the telecast reporting from team sites.

On Friday and Saturday, April 29-30, Trey Wingo will host Rounds 2-7 with Kiper, Riddick, Schefter and NFL Draft analyst Todd McShay.

Additionally, ESPN Radio will broadcast Rounds 1-3 with host Dari Nowkhah, NFL Front Office Insider Bill Polian and NFL Insider John Clayton. Freddie Coleman and Ian Fitzsimmons will provide post-draft analysis Thursday and Friday at 11:30 p.m.

Surrounding the NFL Draft telecast, editions of SportsCenter, NFL Insiders, NFL Live, Mike & Mike and First Take will originate from Chicago beginning Thursday, April 28.

When Corporate Greed Takes Over The Game

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Allow me to vent for a minute. On Friday, Bloomberg reported that the NBA owners have approved advertising on jerseys. As soon as I heard of the decision my stomach began to ache. It’s a case of corporate greed rearing its ugly head again, and bastardizing the product.

adamI’m all in favor of every corporation, and employee making as much money as possible. If you’ve seen the movie “The Wedding Singer“, there’s a scene when Adam Sandler interviews for a job in a bank. During the conversation he’s asked if he has any experience. He responds by telling the interviewer “No. But I’m a big fan of money, I like it, I use it, I have a little, I keep it in a jar on top of my refrigerator, I’d like to put more in that jar, that’s where you come in”.

That’s probably the way I’d describe myself. I enjoy making a good living, and having the opportunity to provide and do well for my family. Wanting to be wealthy, and increase your profits is what most American’s hope for. There’s nothing wrong with that.

But when it’s all that you’ve become focused on, and it gets in the way of a brand’s integrity, that’s where I draw the line.

ad2I’m sure some of you reading this will take exception. After all, we include title sponsors on radio shows, feature product endorsements by on-air personalities, allow the movie industry to film scenes in sponsor locations, place advertiser messages on highway billboards, and look for as many avenues as possible to generate revenue.

That’s not my issue. It’s what this decision represents that concerns me. Is a 2.5 x 2.5 logo going to kill the game of basketball? Of course not. But, do you think this is where it ends? If so, wake up and smell the coffee.

NBAKeep in mind, the NBA has been profitable for a long time. They make money from multiple television and radio partners, merchandise sales, ticket sales, in-stadium advertising, and numerous other businesses. The growth of the internet, and social media, have opened doors to other revenue streams too.

Once doors are cracked open, it’s only a matter of time until money hungry owners are stampeding their way to the league offices in search of more. Even if it means compromising their own brand.

ad6Do you think they won’t put a second or third logo on the player’s jersey or shorts? Or a Home Depot logo on the hardwood floor? Or a windex logo on the backboard glass? Force their referees to wear sponsored suits from Men’s Wearhouse?

I want to believe that the owners wouldn’t be foolish enough to allow sponsors to own their team names, but as Ted DiBiase once said “every man has a price“.

Even if they consider sponsored team names off limits, do you think they won’t allow those opportunities for special events such as their annual All-Star Game?

ad1I can picture it now, the State Farm Insurance West Coast All-Stars tipping off against the AT&T East Coast All-Stars. The Dunkin Donuts Dunk contest where a player dunks a basketball with one hand and a donut with the other. The Three Musketeers three point shooting contest where the participants have to devour a candy bar after completing each rack.

You may laugh, and find it ridiculous, but it’s closer to reality than ever before. Just thinking about it makes my head hurt.

abAbout ten years ago, Major League Baseball tried to incorporate the movie “Spiderman” into their All-Star game by allowing a spider web design to be placed on their bases. The feedback was so negative that the league wisely reversed its course.

The New York Yankees also experienced backlash when they decided to eliminate Cracker Jacks in favor of Crunch and Munch. While that might not appear to be a big deal on the surface, it felt terribly wrong to fans when the line “buy me some peanuts, and cracker jacks“, came up during the seventh inning stretch.

In each case, baseball executives fell in love with dollar signs, and failed to consider the consequences of their poor decisions. To their credit, they recognized their mistakes, and fixed them. The NBA on the other hand has no such conscience.

ad3What troubles me about the decision to incorporate advertisers on every team’s jersey, is that the NBA has been viable for decades and shouldn’t have needed to do this. Owners aren’t facing poverty, and advertisers have plenty of opportunities to reap the benefits of being associated with the league. Were they really not going to continue investing in a business that delivers large audiences and helps them move product and make money?

What this all boils down to are two things.

  1. A pressure to generate revenue from corporations who are willing to sell their own souls if it helps them increase their economic position.
  2. Audiences valuing great content, and being willing to pay to remove sponsors from their viewing or listening experience.

wweBrands like SiriusXM, the WWE Network, YouTube, and countless others are providing a content experience minus sponsor intrusions, and fans are demonstrating a willingness to pay for it. The interference in the programming has bothered them enough to lighten their own wallets to eliminate it.

Even regular television which relies on paying households, and advertising to make money, have decided that protecting the user experience is more important to long-term business than sponsor dollars. That’s why the DVR exists. Clients are now ticked off because viewers can breeze right past their paid commercials and continue enjoying their favorite programs.

I can’t blame them for being mad about that, but rather than continuing to do things that frustrate the audience, how about working with the brand to create solutions that position the advertiser in a positive light without negatively impacting the customer?

ad11What’s frightening is that for over one hundred years, professional sports has existed without sponsors infiltrating the fronts and backs of the brands we love. We’ve made exceptions in little league, and Nascar, but when advertisers start messing with the NFL, MLB, NBA, and NHL, that’s a whole different ballgame.

So why is this happening? Is it due to the rising cost of player salaries? Might it be the result of television networks over extending themselves with bad rights deals and promising to fix the problem when the next opportunity arises? Or is it because the rich have no remorse for damaging a brand as long as it fattens their wallets?

It’s probably a mixture of all of the above, plus some other factors that the league will disguise as catastrophic problems, in an attempt to avoid paying its players what they’re worth.

ad13The one thing I wonder is if any of these geniuses considered the negative results that an advertiser can face if they place their company logo on a team’s jersey. If you’re a fan, and you don’t like advertising interfering with the products you enjoy, how are you going to view a company that places its business logo on your favorite team or player’s uniform? Are you going to buy more or less cheeseburgers from McDonalds when they place the golden arch on the Denver Nuggets uniform? Chances are, you’ll spend less.

How about when you go to Champs or Dick’s Sporting Goods, and you’re considering purchasing your favorite player’s jersey. Are you really going to wear a tanktop that includes the logo of Jiffy Lube or Wendy’s on it?

If a team jersey is sponsored by Bose, how is the league going to prohibit a player from endorsing Beats by Dre? We’ve already seen that exact scenario take place in the NFL with Colin Kaepernick. If you’re Bose, and you’re spending millions for this sponsorship, are you going to be comfortable with the team’s best player supporting your competitor?

I haven’t even touched on the overall value of the deal. NBA Commissioner Adam Silver says the addition of jersey ads will help the league generate an extra 150 million dollars per year. That sounds like a lot of revenue right? But now let’s examine it a little deeper.

The NBA has 30 teams, which means that each team will earn an extra 5 million dollars. Each team also plays 82 games per season. If you take the total amount (5 million) and divide it by the total number of games played (I didn’t even include the playoffs), each team earns a little more than $60,000 per game.

Now let’s compare it to the revenue generated during an actual game broadcast. A thirty second television commercial during an NBA Finals game costs a little more than five hundred thousand dollars. The regular season rates run much lower, and vary based on the team/market. Even if we reduce the rate drastically to 5-10K per commercial, would it make sense to a client to buy six commercials at 10K per game instead of a jersey ad sponsorship? The TV ads take up three minutes during the span of a three hour game broadcast. The jersey ad display is in place the entire time.

ad15If a client pays $60,000 per game for the jersey ads sponsorship, that amounts to a little more than $1,000 per minute per NBA game for the ENTIRE TEAM to wear their logo across their chest. Now let me ask you again, do you think the NBA is getting good value for this sponsorship? Is this really worth compromising brand integrity?

Fans don’t show up at arenas or sit down in front of their television sets to watch referees, team executives, commercials, or sponsor logos. They come for the game, and to watch the best players in the world perform. They accept that the league, and its teams need advertisers to cover costs, and turn a profit, which is why they endure commercials, logos on the screen promoting specific programming features, and in-stadium signage. But, when the brand is compromised for the sake of greed, sold at an undervalued rate, and presents an image that turns off loyal customers, that’s when the backlash begins.

The NBA has every right to do this. Just as fans have a right not to support it. Bitching and moaning won’t accomplish much, but if jersey sales decline, ticket revenues drop, jersey sponsors receive less support, and social media fury increases, fans will have the league’s attention.

If the past is any indication, I wouldn’t expect them to change anything. They clearly thought this through and determined that risking the integrity of their brands was worth the revenue they’d receive in return. The only way to change the course of history now is to do one thing – hurt them in the one place they fear most – their wallets!

KILT Leads The March Sports Radio Ratings In Houston

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The numbers are in for Houston, and overall it was a weaker month for the market’s top sports radio brands. With all due respect to KGOW, it’s a three station battle, and although March produced a dip in the overall numbers, April figures to provide a spark for all three brands due to the return of baseball, the NBA Playoffs, and the NFL Draft.

As the Houston Chronicle first reported, the ratings information covers the period of February 25th through March 23rd. The data being analyzed is Men 25-54, the key demographic for sports talk radio stations.

As always I remind you that things can change quickly. With KILT undergoing a change in morning drive due to the departure of Nick Wright, that could provide an opening for 790 and 97.5. How will that news impact KILT? We won’t know for a while, but for now, the radio station gets to celebrate a clean sweep victory in the March ratings book.

Here are the breakdowns for each of the key dayparts:

M-F 6a-10a:

  • Sports Radio 610 KILT = 2.6
  • 97.5 ESPN = 2.3
  • SportsTalk 790 = 0.8

*** The drop from February in mornings was significant. Both 610 and 790 suffered a seven tenths of a point setback, and 97.5 lost eight tenths. Some of this could be due to the typical winter listening decline, but when three brands collectively lose two ratings points, that can also indicate that a meter or two disappeared from the panel. What’s odd is that the same pattern didn’t occur in middays, afternoons or evenings.

M-F 10a-3p:

  • Sports Radio 610 KILT = 2.6
  • 97.5 ESPN = 1.5
  • SportsTalk 790 = 0.7

*** 790 was flat month to month, and 610 and 97.5 saw minor decreases. KILT lost one tenth, ESPN dropped two tenths.

M-F 3p-7p:

  • Sports Radio 610 KILT = 3.3
  • 97.5 ESPN = 2.6
  • SportsTalk 790 = 1.1

*** All three stations were unchanged month to month. 

M-F 7p-12a:

  • Sports Radio 610 KILT = 2.3
  • 97.5 ESPN = 0.8
  • SportsTalk 790 = 1.0

*** 790 remained even, but KILT lost two tenths, and 97.5 lost three.

M-SU 6a-Mid:

  • Sports Radio 610 KILT = 2.7
  • 97.5 ESPN = 1.7
  • SportsTalk 790 = 0.9

*** All three stations suffered a minor dip from February. KILT lost two tenths of a point, 97.5 was down three tenths, and 790 lost one tenth. With the Astros back, and the Rockets in the playoffs, that should help 790 make improvements. KILT and 97.5 should also benefit from the increased attention on the local teams, and being the flagship station for the Texans probably won’t hurt 610 as they gear up for the 2016 NFL Draft.

The Power of Branding and Versatility

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The world of sports media has evolved over the past decade, causing industry professionals to make career sacrifices, and open their minds to new possibilities. Those who’ve adapted to the new way of sports media, have put themselves in position to enjoy long term stability and an exciting career. The ones who haven’t now find themselves on the outside looking in.

Are there parts of the job today that aren’t fun? Of course. Are there things people do each day that seem pointless and pull them away from their main focus? Probably. But despite those challenges, the audience demand for sports media content remains high, and the platforms providing content are growing at a rapid pace. In fact, expansion has become so strong that brand recall has become difficult even for people who work in the industry.

tv

For example, each day a host can find sports content to use on their show by browsing their local newspaper and television websites. They also have the option of turning to national outlets such as ESPN, Fox Sports, Yahoo Sports, Sports Illustrated (don’t forget The Vertical and MMQB), Pro Football Talk, CBS Sports, The Players Tribune, Vice Sports, and Bleacher Report.

If they can’t find written material to use from one of those websites, they’ll turn to television. ESPN, ESPN2, ESPNU, The SEC Network, MLB Network, NFL Network, NHL Network, TNT, FS1, NBC Sports Network, CBS Sports Network, and regional channels also offer content.

If video isn’t the solution, and it’s audio they seek, there’s local radio available, or national radio programming from ESPN, Fox Sports, NBC Sports, CBS Sports, Yahoo Sports, SiriusXM (multiple channels offered too), and popular podcasts from personalities like Bill Simmons, Shaquille O’Neal, Adrian Wojnarowski, Jonah Keri, etc.

The amount of content offerings are enormous. Although I was able to recall a number of those choices, and provide them for you, there are plenty of others who I’m sure I’m forgetting.

On a daily basis, this level of competition awaits every single media company. It becomes increasingly difficult to build a dynamic brand and generate massive numbers when you’re stuck in a crowded field of content providers. That’s a big reason why companies are constantly on the prowl searching for great talent.

content

If there’s one thing we’ve learned, it’s that being a sports talk radio show host, or sports television anchor in today’s media world is not enough. We’ve entered the multi-media personality era where industry people are expected to possess skills to perform across many different platforms. This is necessary because content is consumed by the audience in multiple places, and for brands to create a powerful story for advertisers, and gain the full return on their investments, they’ve got to be strong in every location.

To compare sports media to baseball for a second, there are no pitcher’s getting paid in the media business for one out saves. If you’re gifted enough to start the game, work the middle innings, and close out the 9th inning, the demand for your services will be high. It’ll be reflected in the offers you receive too.

Some may complain about being overworked, and point out that industry people are being tasked with so much responsibility that it stifles their creativity. This may be true in many instances, but if you expect media companies to alter their approach, and hire people who perform as specialists, be prepared to be disappointed.

The future belongs to personalities who possess an ability to host a radio program, create an original piece of content for a podcast, write an interesting column, and deliver compelling television or digital video content. If an individual lacks the total package, the person behind them who possesses it will get the nod.

mundo5

I was curious how younger people in the business felt about the heavy load they’re expected to shoulder, so I called on Pete Mundo of the CBS Sports Radio Network, and WFAN in New York to provide his perspective. As a guy who’s under thirty years old, working in the nation’s top market, and performs in multiple roles for various brands, I knew he’d be able to explain why being versatile, and building a brand is critically important in today’s media climate.

Now without further adieu, here’s Peter’s column!

The Power of Branding and Versatility

There are no two words more important in today’s ever changing, sports media landscape than versatility and branding. Where is sports media heading? It’s the most important professional question I ask myself multiple times per week.

We’re all aware of the job cuts that have recently permeated the industry. As a relative newcomer to this dynamic environment, it’s clear to me one needs to stay ahead of the curve or face the possibility of a short career.

mundo4

When I first entered the business, my ultimate goal was to be a drive-time, talk show host in a major market. In many respects, it still is. But as I’ve witnessed the changes in our industry, I’ve tried to remain flexible and expand my sights.

I often think back to my start, hosting weekdays on a small, non-profit station in eastern Long Island and then driving almost 400 miles round trip to Easton, PA to board op and anchor on weekends. After a few months of back and forth, I accepted a position with a regional station in Oklahoma. Here my duties included hosting a show, and performing local play-by-play and anchor work. I recall telling my mentor, David Brody, that I had little interest in being a play-by-play guy or being an anchor and doing updates. He explained the importance of being a well-rounded broadcaster and being versatile and multi-faceted in a consolidating industry. Boy, was he right!

My two-plus years in Oklahoma served as the ideal training ground. Since moving back to New York City to work with CBS Radio, I’ve have been able to utilize all three of these skills to build my career. While my goal at age 21 was to be a talk show host, I now find myself just as excited over calling a game or delivering 20/20’s on the FAN or CBS Sports Radio.

mundo6

Furthermore, there’s no longer any benefit to being just a “radio person”, “TV person” or “print person”. Without a doubt, radio is my first true love. The spontaneity and depth of the work are constant allures. But the desire for growth and longevity require a willingness to branch off into other mediums.

That leads to the second most important ingredient for success in today’s sports news world … building a brand.

What is your brand and how are you developing it? Is it to be a jack-of-all-trades broadcaster? Is it play-by-play, updates or sports talk? How are you establishing that brand? Is it through multiple media outlets or are you focused on single medium delivery. Is your brand limited to a specific sport, or even a specific team?

bill

The best example of quality branding is Bill Simmons. He’s one of the brightest, most talented guys in our industry, be it audio or written, and he’s not on a radio station. He’s podcasting. Simmons created his own brand, with ESPN as his launching pad. But remember, he began as “The Boston Sports Guy” on his own website. He now has an upcoming HBO show, and a new website, The Ringer, run as part of his venture known as the Bill Simmons Media Group.

If our best content creators can develop their brands through less expensive models like podcasting, where there is no FCC regulation, then what does that tell you about where traditional media fits into the picture?

Another excellent example of brand building is Clay Travis. Travis was a former attorney in Tennessee who started the SEC fan website, Outkickthecoverage.com. He first attracted media attention in late 2004 with his personal blog written while he was living in the U.S. Virgin Islands. Travis’ popularity grew and landed him a radio show in Nashville and then a national show on NBC Sports Radio.

Like Simmons, Travis can no longer be heard on a traditional media platform, at least not on a daily basis. In 2015, Travis signed a deal with Fox Sports to license his entire sports media brand. He works in TV, appears on radio shows like Colin Cowherd’s, and is very involved with digital. As you see in his post below, Travis has recently been hosting live shows via Periscope and Facebook and has had a ton of success.

clay

So what can we conclude when two of the business’s most compelling talents are doing most of their work on digital platforms? While I don’t think radio as we know it will become extinct anytime soon, one better start thinking outside the box about the way we receive content. Equally as important will be fitting in as a communicator of content in a way that is both durable and profitable.

Britebox Electrical

Personally, I have been granted a plethora of opportunities since coming to work in New York City three years ago. I’m very grateful to the folks at CBS Radio, iHeart Media, Fox News, Westwood One, Sports Illustrated, CineSport, and Wagner College who have allowed me to pursue the various mediums in today’s sports landscape. Additionally, as a result of a passion for Big 12 sports that I developed while living in Oklahoma, I launched Heartland College Sports. This multi-media site provides me with a digital presence, a niche to expand my brand and an avenue to deliver original content.

Ten years ago there was no iPhone, or podcasting, Facebook was relatively new, Twitter had just launched, and video streaming was still in its infancy. Look at how far technology has come and how rapidly it has changed our business.

If you’re not thinking and planning for the change that is sure to come in the future, you run the risk of getting left behind. Diversify, adapt, and build your brand. In the end, that’s your best way to stay both relevant and employed.

To learn more about Pete, check out his website PeteMundo.com. You can also follow him on Twitter by clicking here.

The 2016 NFL Monday Night Schedule

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The 2016 NFL schedule has been released, and here are the games that are scheduled for Monday night on ESPN.

Week 1 – September 12: Pittsburgh at Washington (Game 1), and Los Angeles at San Francisco (Game 2)

Week 2 – September 19: Philadelphia at Chicago

Week 3 – September 26: Atlanta at New Orleans

Week 4 – October 3: New York Giants at Minnesota

Week 5 – October 10: Tampa Bay at Carolina

Week 6 – October 17: New York Jets at Arizona

Week 7 – October 24: Houston at Denver

Week 8 – October 31: Minnesota at Chicago

Week 9 – November 7: Buffalo at Seattle

Week 10 – November 14: Cincinnati at New York Giants

Week 11 – November 21: Houston vs. Oakland in Mexico City

Week 12 – November 28: Green Bay at Philadelphia

Week 13 – December 5: Indianapolis at New York Jets

Week 14 – December 12: Baltimore at New England

Week 15 – December 19: Carolina at Washington

Week 16 – December 26: Detroit at Dallas

The 2016 NFL Thursday Night Football Schedule

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The 2016 NFL schedule has been released, and here are the games that are scheduled for Thursday nights. A reminder, CBS, NBC, and the NFL Network will all air games. Twitter will also make ten of them available digitally.

Week 1 – September 8: Carolina at Denver, NBC

Week 2 – September 15: New York Jets at Buffalo, CBS/NFL Network/Twitter

Week 3 – September 22: Houston at New England, CBS/NFL Network/Twitter

Week 4 – September 29: Miami at Cincinnati, NFL Network

Week 5 – October 6: Arizona at San Francisco, CBS/NFL Network/Twitter

Week 6 – October 13: Denver at San Diego, CBS/NFL Network/Twitter

Week 7 – October 20: Chicago at Green Bay, CBS/NFL Network/Twitter

Week 8 – October 27: Jacksonville at Tennessee, NFL Network

Week 9 – November 3: Atlanta at Tampa Bay, NFL Network

Week 10 – November 10: Cleveland at Baltimore, NFL Network

Week 11 – November 17: New Orleans at Carolina, NBC/NFL Network/Twitter

Week 12 – November 24: Pittsburgh at Indianapolis, NBC

Week 13 – December 1: Dallas at Minnesota, NBC/NFL Network/Twitter

Week 14 – December 8: Oakland at Kansas City, NBC/NFL Network/Twitter

Week 15 – December 15: Los Angeles at Seattle, NBC/NFL Network/Twitter

Week 16 – December 22: New York Giants at Philadelphia, NBC/NFL Network/Twitter

The 2016 NFL Sunday Night Schedule

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The 2016 NFL schedule has been released, and here are the games that will air on Sunday Nights on NBC.

Week 1 – September 11: New England at Arizona

Week 2 – September 18: Green Bay at Minnesota

Week 3 – September 25: Chicago at Dallas

Week 4 – October 2: Kansas City at Pittsburgh

*** Flex schedule begins Week 5

Week 5 – October 9: New York Giants at Green Bay

Week 6 – October 16: Indianapolis at Houston

Week 7 – October 23: Seattle at Arizona

Week 8 – October 30: Philadelphia at Dallas

Week 9 – November 6: Denver at Oakland

Week 10 – November 13: Seattle at New England

Week 11 – November 20: Green Bay at Washington

Week 12 – November 27: New England at New York Jets

Week 13 – December 4: Carolina at Seattle

Week 14 – December 11: Dallas at New York Giants

Week 15 – December 18: Pittsburgh at Cincinnati

Week 16 – December 25: Denver at Kansas City

The Ticket Leads The Present; The Fan Looks To The Future

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If you only look at what appears on the surface, sometimes you can miss developing trends. In Dallas, there are some signs to keep an eye on that could impact the landscape of the ratings race in the future.

At this time though, The Ticket is on a roll with Men 25-54. That’s especially evident in mornings where The Musers continue to deliver double digit ratings and one of the best performances in the format across the country. What Jeff Catlin and his team have done to perform at an elite level over a consistent period is very impressive.

However, as we’ve seen over the past few months, the ratings can turn quickly in the Metroplex. It was only this past fall and last summer when The Fan was in front.

If you’re inside the offices of The Ticket, you’d attribute The Fan’s success to play by play. Being the radio partner of the Dallas Cowboys, and Texas Rangers certainly has its ratings benefits. You’d also remind advertisers of how the two stations measure up during prime time programs when play by play isn’t a central part of the conversation. The winter ratings would seem to support The Ticket’s case.

But with baseball back in full swing, that’s a positive for The Fan. As I’ve said before, there’s no reason for them to apologize for providing games that local fans want to hear. With the Rangers expected to be in contention, that local enthusiasm and interest should carry over to the radio station’s weekday programs.

Despite the play by play details, I was curious to see how Men 18-34 were responding to The Fan, and what the radio station’s performance looked like over the past three years. The reason that’s important is that the competition between the two top sports radio brands has become stronger over the past few years, and The Fan skews younger with its weekday shows.

To become a premier brand in a market takes a lot of time, and persistence. By endearing the brand and its personalities to younger listeners, Gavin Spittle is counting on a long-term play for his brand.

If there’s a positive for the radio station to hang their hat on, it’s that they’ve been the preferred sports radio option among Males 18-34 for the past 14 months. That should give the brand great confidence about its future.

Additionally, when you look at the past three years among Men 25-54, The Fan has grown from a 2.6 (16th) in March of 2014, to a 2.8 (14th) in March of 2015, to a 3.6 (9th) in March 2016. That shows that they’re making strides.

It’s customary to want to win each ratings book, but if you’re inside the halls at The Fan, you have to acknowledge that The Ticket is a dominant force and they’re going to enjoy some wins. To knock them down to #2 status on a regular basis is going to be a very difficult task. They’ve established a strong brand and lineup, and have more than two decades of success in the format.

That’s why The Fan’s connection to the younger demo is important. If they can grow with the younger demographic and remain healthy in the current environment, that bodes well for their future. A Rangers world series and Cowboys Super Bowl probably wouldn’t hurt either!

Although the signs for The Fan are strong with their younger audience, and the consistent growth during the past three years has to make them feel like they’re headed in the right direction, the one area that can’t be overlooked is the powerful performance of The Ticket among Men 25-54. What The Musers, Hardline, Norm Hitzges and Donovan Lewis have produced this month, and during the first quarter of 2016 is worthy of a tip of the cap.

Sometimes when you compete head to head, it’s difficult to acknowledge a competitor’s success. But, just as The Ticket had to accept the fact that they were knocked from the top spot last summer and fall, The Fan has to do the same this month.

The beauty of it is that this is last month’s performance. It’s already forgotten. All eyes now will turn towards the April book.

If you’re at The Ticket, you’re looking to keep the momentum building during the weekday shows, and hoping that the lead you’ve built over the past three months is strong enough to sustain the return of Rangers baseball. The Ticket has won in the spring and summer in the past despite the challenge, and I’m sure they expect to do the same this time around.

For The Fan, you’re counting on a great lift from the Rangers, continued quality and consistency from your talk shows, and the return of the Cowboys this summer/fall. When all of those things are clicking, the radio station gets a big ratings boost, and that makes the competition a close one. It’s even helped them ascend to the top of the mountain.

Now let’s take a closer look at the head to head comparisons for March:

M-F 6a-10a:

  • The Ticket = 10.6 (1st)
  • ESPN 103.3 = 4.0 (6th)
  • The Fan = 3.5 (7th)

*** The Musers remain the highest rated sports program in the market and perform higher than the two other morning shows combined. Even scarier is that the show picked up a half a ratings point between February and March. For Shan and RJ, they’ve closed the gap on Mike and Mike. Their show also added a half of a point and climbed from 8th to 7th. Mike and Mike meanwhile gained one tenth but dropped from 5th to 6th. Overall, three sports morning shows in the Top 7 is really impressive, and speaks to the Dallas market’s appetite for sports radio content during the morning commute.

M-F 10a-3p:

  • The Ticket = 6.9 (2nd)
  • The Fan = 3.3 (10th)
  • ESPN 103.3 = 1.3 (26th)

*** Norm Hitzges and Donovan Lewis are on a roll and gained three tenths of a point and rose from 3rd to 2nd. G-Bag Nation did return back to the Top 10 thanks to adding eight tenths of a point. ESPN 103.3 continues to lag far behind. They were down two tenths and lost two ranking positions.

M-F 3p-7p:

  • The Ticket = 8.1 (1st)
  • The Fan = 4.6 (5th)
  • ESPN 103.3 = 2.0 (22nd)

*** The Ticket took the top spot again, but were flat. Given that they’re turning in an 8 share, I’m sure they don’t mind. For Ben and Skin, this was a great month. The show returned to the Top 5, and grew from a 3.2 to 4.6. That was the best improvement month to month out of any of the key weekday 6a-7p shows. For ESPN 103.3 they’re down one tenth and two ranking positions.

M-F 7p-11p:

  • The Fan = 7.1 (1st)
  • The Ticket = 2.1 (20th)
  • ESPN 103.3 = 2.1 (20th)

*** The Fan has to feel great about this. K&C Masterpiece finished 1st and were ahead of The Ticket and ESPN 103.3 by five full points. The Ticket doesn’t put a lot of stock in their evening programming, but there does remain interest in evening listening in the market, and K&C have tapped into that and deserve credit for seizing the opportunity.

M-F 6a-7p:

  • The Ticket = 8.4 (1st)
  • The Fan = 3.8 (7th)
  • ESPN 103.3 = 2.4 (16th)

*** A big month again for The Ticket. That’s now back to back months in 1st place. They’ve started the year with nothing less than a 2nd place finish which has to give the talent and sales team a lot of confidence heading into the spring, summer and fall. On the other hand, The Fan has to feel good about gaining nine tenths of a point month to month. That’s a positive sign heading into the April book. ESPN 103.3 was flat month to month but lost one ranking position. 

M-SU 6a-Mid:

  • The Ticket = 6.4 (2nd)
  • The Fan = 3.6 (9th)
  • ESPN 103.3 = 2.2 (19th)

*** The Ticket has finished 3rd, 2nd and 2nd over the past three months, and are comfortably ahead in this matchup. The real question will be, how does The Fan cut into that lead with the return of baseball? If the Rangers perform well, their play by play should help The Fan close the gap. That said, the radio station still grew by eight tenths during the past month so that’s great news entering the spring book. Last but not least, ESPN 103.3 had their worst performance of the quarter, losing six tenths month to month.

The Zone Leads The Way In Salt Lake City

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Last month, The Zone reigned supreme in the Salt Lake City sports radio ratings race. In March, the story was no different.

The ratings for Men 25-54 are in, and once again, The Zone continues to lead the pack. The radio station finished well ahead of its competitors (ESPN 700 and 1320 The Fan) while turning in a 6th place finish in the station’s key demographic.

For ESPN 700, the news wasn’t all bad. The radio station received another excellent month from Dan Patrick, plus increased its rank and share during Bill Riley’s program. The Fan on the other hand was in the distance, and has a lot more ground to make up.

Here are the station by station comparisons for this month:

97.5/1280 The Zone (Simulcast combined number):
  • 6a-10a = David James and Patrick Kinahan (DJ and PK) – 4.6 (8th)
  • 10a-12p = Jake Scott and Tony Parks – 5.1 (5th)
  • 12p-3p = Hans Olsen and Scott Garrard – 5.3 (3rd)
  • 3p-7p = Spence Checketts and Gordon Monson – 5.3 (4th)
  • 6a-7p = Monday-Friday – 5.1 (6th)

*** The Zone is competing against their own success. They’re comfortably ahead in the market, but do have a legitimate threat to deal with in the Dan Patrick Show. Month to Month they were flat in mornings, but lost a little more than a point in middays and nine tenths of a point in afternoons. However, their rankings remained the same for the 12p-3p and 3p-7p shows. The station currently sits 6th which is excellent. The challenge on their end is to stay consistent and find a way to crack the Top 5.

ESPN 700 (Flagship station for the University of Utah): 
  • 5a-8a = Mike and Mike – 2.7 Ranked 12th)
  • 8a-11a = Dan Patrick – 4.1 Ranked 9th)
  • 11a-2p = Bill Riley – 3.1 (12th)
  • 2p-7p = Sean O’Connell & Brian Swinney – 1.7 (23rd)
  • 6a-7p = Monday-Friday – 2.6 (16th)

*** Dan Patrick is popping a strong number for the radio station. Given that his show is national and doesn’t add a local expense, that’s a big help. Riley’s first full month was solid. With a few more months under his belt, he could work his way into the Top 10. The main priority right now is to support the afternoon show which recently underwent changes. If O’Connell & Swinney can deliver similar numbers to Riley, and the national programs continue to pull their weight, 700 can close the gap on The Zone. Catching them though will be very difficult.

1320 KFAN
  • 6a-10a = Tim Lewis – 0.9 (29th) ***Just arrived in the market, first full month
  • 10a-1p = Jim Rome – 1.3 (29th)
  • 1p-3p = Doug Gottlieb – 0.7 (33rd)
  • 3p-7p = Kyle Gunther and Ben Anderson – 2.2 (20th)
  • 6a-7p = Monday-Friday – 1.3 (31st)

*** Lewis is brand new in mornings so it’s going to take some time for his show to become familiar to people. To gain a fair evaluation of the show’s progress, a good six to twelve months is necessary. As we mentioned last month, the national syndication between 10a-3p isn’t helping the station’s ratings performance. It does allow them to keep expenses down, which may or may not be helpful to the radio station’s economic position in the market. Gunther and Anderson are carrying the radio station right now. They’re the only show that’s ranked ahead of ESPN 700.