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Joe Piscopo Renews with Salem Media Group, AM 970 The Answer

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Longtime New York news/talk radio host Joe Piscopo has inked an extension to remain with Salem Media Group and AM 970 The Answer.

With his extension, Piscopo will remain in morning drive from 6-10 AM on the Salem Media Group station. He has hosted on the station for the past decade.

“Joe Piscopo joining our lineup was one of the best things that could have happened to AM 970 The Answer,” said Salem Media Group New York Vice President and General Manager Jerry Crowley. “Joe is extremely talented on the radio bringing an engaging mix of entertainment and news every day. His connection with his audience is deeply rooted and watching his celebrity skyrocket over the last decade has been nothing short of amazing.” 

“It is a distinct honor working with Mr. Crowley and Salem Media,” added Piscopo. “Broadcasting to the astute, aware, and patriotic audience that we have garnered over 10 years is a huge responsibility, and I am proud to continue speaking truthfully and honestly about the issues of the day with the best Morning Team in radio!”

Piscopo — in addition to his news/talk radio career — is widely known for his stint as a member on Saturday Night Live in the early 1980s.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘The Morning Bullpen’ Is Out At 100.3 ‘The Bull’ Houston

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George Lindsey and Monica ‘Mo’ Lundsford “The Morning Bullpen” at Audacy’s 100.3 “The Bull” KILT is out following Friday’s show.

The two joined the station in March of 2015.

Lindsey spent sixteen years of his career in Louisville as the Program Director and morning host at Hot AC “102.3 The Max” WXMA. He also held the position of Operations Manager for Alpha Media’s cluster during this time.

Lunsford previously served as Promotions Director and morning co-host at Top 40 WRWM, “i94,” in Indianapolis. She co-hosted the morning show at Country KUPL, “98.7 The Bull,” in Portland.

Their departure is the second of two long-time Houston morning shows this week. “Dean & Rog” exited 107.5/106.9 The Eagle Friday. (BMM 12/20)

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

John Keating to Retire at Conclusion of Detroit Red Wings Season

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John Keating will conclude his 45-year career in broadcasting when he retires from the business following the Detroit Red Wings season. Keating has been a mainstay on regional broadcasts of Red Wings hockey and Tigers baseball for several decades, working as a host and reporter on various regional sports networks. Although he made the official announcement via social media on Friday morning, he is said to have made this decision over the summer through conversations with his family and bosses.

Keating started his career hosting radio programming in Grand Rapids, Mich. before moving to WZZM-TV as a sports anchor. After five years with the outlet, he worked in Denver, Colo. at KMGH-TV for 12 years where he witnessed seminal moments in local sports, including the first Stanley Cup championship in Colorado Avalanche history. Keating returned to Michigan in 1996 where he started working for Pro-Am Sports System (PASS) and covered two Stanley Cup championships by the Red Wings.

Shortly after FOX Sports acquired regional broadcasting rights for the Tigers and Red Wings, Keating made the transition and has remained with the entity ever since. Both teams currently air games on FanDuel Sports Network Detroit, which had previously been branded with naming rights from Bally’s Corporation.

“It was wistful getting through the end of the Tigers season and now that the Red Wings season is ongoing, it just feels like it’s time to share the decision,” Keating said in a statement. “It came down to this: There haven’t been enough sunsets with the family in Grand Haven on the Lake Michigan… So, I shared with Jeff [Byle], that I’d like to get through the Tigers and then the Wings season and then be done. Thus, that’s the deal.”

The Red Wings organization concludes its 2024-25 regular season on April 17 when the team faces the Toronto Maple Leafs from Scotiabank Arena. Three days earlier, the team hosts the Dallas Stars in the final home game of the regular season from Little Caesars Arena. In his message on social media, Keating explained that his boss, Jeff Byle, informed him that he had earned the right to tell them when he wants to be done on the air. Throughout his career in Detroit, Keating has covered four Stanley Cup championships for the Red Wings, an NBA championship for the Pistons and two World Series appearances by the Tigers.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘Dean & Rog’ Exit Mornings At 107.5/106.9 The Eagle Houston

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Dean Myers and Roger Beaty have departed from Radio One Houston‘s Classic Rock “107.5/106.9 The Eagle” KGLK after over 15 years of hosting mornings. Their exit came immediately following the conclusion of their program on Wednesday.

Co-host Kelly Ryan and producer Rusty exit as well.

“Dean & Rog” became hosts of The Eagle at its inception in June 2009, following a successful tenure at “93.7 The Arrow” KKRW, where they were morning hosts from 1997 to 2009.

“Dean & Rog” made a controversial exit from KBPI, Denver, after a morning show staffer took a trombone to a Denver mosque and played the national anthem.

That move followed the Denver Nuggets’ Mahmoud Abdul-Rauf’s refusal to stand for the anthem at NBA games.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Netflix Lands U.S. Broadcast Rights for FIFA Women’s World Cup 2027 and 2031

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Netflix has landed the exclusive U.S. broadcast rights for the FIFA Women’s World Cup in 2027 and 2031, which indicates the first time that the tournament is going to appear on a streaming service. The broadcast agreement covers all languages and will include a dual telecast for English and Spanish-language broadcasts airing in the United States. The 2027 iteration of the FIFA Women’s World Cup will feature 32 teams from around the globe and take place in Brazil from June 24 to July 25.

Netflix plans to air studio shows featuring top-tier talent that will supplement its coverage with a blend of commentary and entertainment. The company explained that its deal will ensure that fans in the United States will “have unparalleled access to every match live.” Netflix is also going to produce exclusive documentary programming that will lead up to the tournament, highlighting the top players and their journeys, along with the growth of women’s football as a whole.

“Our record-breaking success with Amanda Serrano vs. Katie Taylor demonstrated the massive appetite for women’s sports and live programming,” Bela Bajaria, chief content officer at Netflix, said in a statement. “I’ve seen the fandom for the FIFA Women’s World Cup grow tremendously — from the electric atmosphere in France in 2019, and most recently, the incredible energy across Australia and New Zealand in 2023. Bringing this iconic tournament to Netflix is not just about streaming matches — it’s about celebrating the players, the culture, and the passion driving the global rise of women’s sports.”

Over the last several months, Netflix has secured media rights deals to expand its coverage of live sports. The platform will air a doubleheader of NFL Christmas Day games as part of a three-year deal with the league commencing this season. Moreover, the platform agreed to a groundbreaking 10-year deal reportedly worth $5 billion that grants it the rights to WWE Raw, set to make its debut on the service in early January. Netflix also had a historic presentation of a boxing card featuring matches of Katie Taylor against Amanda Serrano and Jake Paul against Mike Tyson.

“This is a landmark moment for sports media rights,” Gianni Infantino, president of FIFA, said in a statement. “As a marquee brand and FIFA’s new long-term partner, Netflix has shown a very strong level of commitment to growing women’s football. This agreement sends a strong message about the real value of the FIFA Women’s World Cup and the global women’s game. FIFA and Netflix partnering together makes this a truly historic day for broadcasting and for women’s football. Besides broadcasting the tournaments themselves, Netflix will play a key role in terms of bringing the fascination of women’s football to a multimillion audience in the lead-up to both final tournaments, thereby enabling us to further increase their appeal.”

This round of negotiations marked the first time that rights for the FIFA Women’s World Cup were sold separately from the men’s iteration of the tournament. FOX Sports has held the English broadcasting rights for the competition since 2015 and still currently has the rights for the men’s tournament. The final matchup of the 2023 tournament between Spain and England drew an average of 1.66 million viewers, marking the most-watched championship game of the FIFA Women’s World Cup in English language television history excluding the U.S. Women’s National Soccer Team.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

30 Years in Sports Media Has Been One of the Headlines of My 50 Years of Life

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I turned 50 this week. I don’t know how that is possible, but that’s what it says on my driver’s license. I started in sports media at 20 years old, so this also marks 30 years in the industry. The actual anniversary would be this June, as my first days in the business were as a summer intern at a station I would eventually become the operating partner and part owner of starting in 2008.

I was one of those lucky ones who always knew what industry I wanted to be in. My first goal was to do as much play-by-play as I could do and I had the chance to do many games. I never envisioned being a talk show host but was lucky enough to get to it for 8 years, mostly in my hometown.

Ultimately, I was destined to be on the business and management side of things and had my first real opportunity in 2002 at 28 years old when I had the chance to program WHBQ in Memphis. The station was owned by Flinn Broadcasting and the ‘sales manager’ for the station also oversaw sales for the top hip-hop station in town. Since the managers’ dealings on that station, at the time, meant dealing with a lot of clients that were paying cash for short-term advertising, his main responsibility was sitting in his office waiting for clients to come by to buy their schedule.

When I realized this and saw that the manager wasn’t ever going to actually go out and sell anything or spend time with the sports sellers, a reality hit me. I could program the greatest sports radio station in the history of the world but if nobody was really selling it it wouldn’t matter.

So, I taught myself how to sell. I had an advantage because I was still doing an on-air shift and that is really a different experience. When you are the one who is not only selling the ads, but also could be doing the ads, you realize you can sell in a completely different way. It makes a hard job just a little bit easier.

This is why I have told any air talent who will listen, they should be selling their own content. Many do not realize it but that’s what good content creators do anyway, they sell their content to their listeners. All day, every single day. They don’t necessarily realize this while it is happening, but that is exactly what is going on.

Most of the time it is simply a mental game. When radio talent is in a soundproof booth with just a microphone, they are as confident as can be. If they have the ability to take just some of that confidence into a sales call, it makes the whole process that much easier.

When I realized this my philosophy changed to wanting to have the right air talent with me on as many sales calls as possible. The other thing I figured out was that it is a lot more difficult for the client to say no in front of the air talent they admire.

But like any other job, what I really learned in my early days of managing was that a lot of it comes down to work ethic. Whether it is working hard or working smart, it comes down to working. For those who read my sales columns, I talk about this all the time. A big part of the battle is just doing the job – the whole job.

If you are in sales that means doing all of the steps of the sales process and if you are in content it is about entertaining and engaging an audience, which has now become a 24/7, 365 job. If you are in management, it is about making your team better and dealing with the most important issues each day, not just the easier things that need to get checked off the list, that is what evenings and weekends are for.

I have done a lot of reflecting as this big birthday neared. My career is very important to me and is a big part of my identity. I pride myself on having been someone where nobody has ever needed to worry they weren’t going to get my best efforts each day. As someone who has owned my own businesses, I truly try and be someone who works as if I own a part of any company I do work with.

We all know how much the business has changed over those thirty years. Heck, when I started, the commercials were played off cart machines and there was still a news wire connected to the station fax machine. Shortly after I started in the business, all the computers we had were littered with spam from all of the illegal music being downloaded on them!

It has been a crazy ride over these 30 years in the business and I expect more of the same as I look to the back half of my career. I am grateful for the journey and enjoy documenting much of it here in this space each week.

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The Best/Worst Thing I’ve Heard/Watched/Read Recently

It has really been hitting me recently as more and more of the great voices of sports are winding down their careers. One of those legends getting ready to hang up the microphone is Sam Rosen, who is one of the best to ever call the game of hockey.

The longtime voice of the New York Rangers did a sit down with New York Post Rangers beat writer Mollie Walker for their YouTube channel. Throughout the 40-minute talk, Rosen discussed Madison Square Garden, the magical Rangers’ 1994 Stanley Cup run, and being beloved by Rangers fans. A fun watch/listen for sure if you are a Rangers fan, but even just to appreciate one of the great voices in sports we will soon be without.

You can view watch the full interview by clicking here.

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In Case You Missed It

Derek Futterman had the chance to talk with Dave Sims, the new radio voice of the New York Yankees. You can feel Sims’ passion for this new position come off the screen as you read through the feature. I have also noticed how Sims talks about his friendship with Suzyn Waldman in all of his interviews. It seems like the two are going to have a lot of fun working together.

I liked what Sims said at the end of the piece, “I want to do my job, be the best I can and wherever the old chips [are] going to fall [is] wherever they’re going to fall,” Sims said. “What I have control over is doing a damn good job. Anything after that, I got no control over.”

Just a baseball guy calling baseball games but now getting to do it at home.

You can read the full feature by clicking here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Non-Traditional Radio Revenue Will Be the Name of the Game in 2025

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As the College Football Playoff gets set for its first-ever 12-team version this weekend, I have been surprised by those who have been surprised by the number of available tickets to the game. 

If you look on social media or search the secondary market, you might be surprised by the “get-in” prices for some of these games. It was the same thing two weeks ago for the conference championship games. You could have gotten into the Big Ten Championship between Penn State and Oregon for only $10.

The sports talk radio professionals who read this site will understand all the issues in college football that led to these underwhelming prices for what used to be premier games.

For those who are not in the loop, fans are voting with their dollar. They’re being asked to spend more money than ever before on games. And if you’re a fan of one of these teams, you might play up to five postseason games, including the conference championship game. 

Very few people have the time and resources to go to all these games, so they pick and choose. And they’re also realizing that some of these games aren’t as appealing as the college football hype men, led by ESPN, are trying to convince you they are. Consumers are not stupid.

To tie this back to news/talk radio, or any radio format, there will be a big push to find money in non-traditional places since we all know the spot inventory is not as valuable as it may have once been for a multitude of reasons, much of it out of control of anyone working in the industry. There is more competition for ad dollars and a more fragmented media landscape. That means more places to spend money, which has meant a hit for traditional broadcast outlets like TV and radio.

But as we look to next year and try to find new revenue sources, be leery of thinking that your audience is going to pony up for any “station event” you might put on. There certainly can be revenue there. But it better be a damn good and well-thought-out event that is can’t-miss and will provide the listener with an unforgettable experience.

Don’t misunderstand, though. That doesn’t mean it has to cost your radio station in a big way. It just means it needs to be highly creative, unique, and unlike anything else they could experience.

There are stations all over the country doing this already, and the benefits are not just financial but also brand loyalty, which, to tie it back to the ever-changing media landscape, is arguably just as valuable as the financial aspect.

But in a soft economic climate where inflation has eaten away at the wages of everyday Americans, you can’t assume people will open up their wallets for you. Heck, Disney Plus hasn’t been hitting its subscriber goals. If Mickey Mouse and Elsa can’t hit their targets, and if the Big Ten Championship can’t get people to pay $20 per ticket, in part due to a broader pullback from the consumer, you better make sure your station event planning is a must-attend for your audience. And it’s the kind of event that makes them want to go to the next one while also maintaining their loyalty. 

These ideas don’t grow on trees, but when you find one that works, you’ll be off to the races. Happy 2025 brainstorming. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Pulse: Rethink The Timing Of Your Fundraiser, Community Connections, And Radio Industry Happenings

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When I sat down to assemble this week’s Pulse, I looked at dozens of stories and photos of stations doing good things, raising money for their communities, St. Jude Children’s Research Hospital, and so many others.

There was no way to include everyone’s event. Many of these are annual events with station heritage.

People are probably in a more generous giving mood this time of year, but many organizations and charities are also looking for help.

If I was a bit overwhelmed trying to decide what to put in this column, it stands to reason that people are a little stretched trying to decide who to contribute to.

The fact of the matter is that the need doesn’t just exist between November and January 1.

Instead of competing with everyone else in the fourth quarter for charity dollars, why not hold a fundraiser in the summer or first quarter?

Granted, depending on your market, a coat drive might not be good for summer. But sadly, homelessness exists year-round, animal shelters need help, and food pantries will be happy to get donations.

Holding these events at another time allows you to stand out in the community.

The charity of your choice will likely do better, and your station will stand out as a community partner.

Community Connections:

The Two Days of Compassion Radiothon, hosted by Country 92.5 KJJY, Des Moines, raised $149,335 for Variety – The Children’s Charity. The event was broadcast live from the Jordan Creek Town Center in West Des Moines. In addition to the financial contributions, the radiothon also provided 597 teddy bears for children receiving care at local hospitals.

Press Communications’ 107.1 The Boss held its 7th Annual Mistletoe Rock Radiothon on December 6. The event raised $56,252, benefiting JBJ Soul Kitchen, a nonprofit community restaurant operated by the Jon Bon Jovi Soul Foundation.

Max Media’s 100.5 The Vibe successfully wrapped up its inaugural Vibe Coat Closet Winter Coat Drive, amassing more than 200 coats for the ECHO Family Care Center. This initiative aimed at supporting foster children and families in the Norfolk and Hampton Roads areas.

Bonneville Denver has announced that Country 98.5 KYGO has raised $702,551 for St. Jude Children’s Research Hospital during their annual St. Jude Radiothon, achieving a new record for donations. This event, part of the St. Jude Country Cares program, was held on December 4 and 5.

Listeners of Christian WGTS 91.9 have played a vital role in supporting the homeless community in Washington, DC, through a donation initiative called “Loads of Hope.” In 2024, the station’s audience actively engaged in various Sticker Stops and events, resulting in the collection of 1,347 bottles of laundry detergent to assist local families in need.

Beasley Fayetteville’s WKML and Sunny 94.3 have announced the successful outcome of their 38th annual Country Cares Radiothon, which raised $207,273 for St. Jude Children’s Research Hospital.

Industry Happenings:

Country Radio Seminar (CRS) has announced a virtual singer/songwriter competition to uncover the next generation of talent in country music. The overall winner will be able to perform alongside Tyler Hubbard, Rhett Akins, and Old Dominion at Bob Kingsley’s Acoustic Alley during CRS 2025.

This competition, in partnership with LOOT8, will kick off with four live-streamed preliminary rounds on January 7, 8, 14, and 15. The Grand Finals are set for January 22. In addition to the chance to perform at CRS 2025, the grand prize package includes cash awards, professional judging, and significant global exposure for the winner.

The Grand Ole Opry will kick off its centennial celebration on January 3, 2025, with a special performance at Nashville’s Ryman Auditorium. The event will feature Charlie Worsham, Charlie McCoy, Craig Morgan, and others. In addition to the opening gala, further “Opry at the Ryman” shows are set for January 4, 10, 11, and 17, 2025, showcasing performances from Opry members Kelsea Ballerini, Henry Cho, Ashley McBryde, Gary Mule Deer, Steve Wariner, and Lainey Wilson.

A new exhibition commemorating 100 years of the Grand Ole Opry is set to launch on January 3, 2025.

Add Ons:

WSM-AM/Nashville will begin reairing classic episodes of American Country Countdown with Bob Kingsley on January 5. These episodes will be available on WSM-AM/Nashville and on WSM Digital Streaming Platforms. Listeners can tune in on Sundays from 12 p.m. to 4 p.m.

Bob Kingsley Presents @ The Bluebird Cafe will kick off its new season on February 19 at 9 PM, with additional shows to be announced throughout the year. This series features classic audio introductions from Kingsley’s archives, complemented by live performances from talented songwriters. The Bob Kingsley Estate collaborated with The Bluebird Cafe in 2021 to complete a preservation project focused on the venue’s extensive audio recordings spanning over 40 years.

Futuri has announced a partnership with Florida’s Division of Emergency Management and the University of Florida to introduce BEACON, an AI-powered emergency communication system.

BEACON, which stands for Broadcast Emergency Alerts and Communications Operations Network, integrates artificial intelligence with the reliability of broadcast technology. This system aims to enhance communication between emergency managers, first responders, and communities before, during, and after disasters.

According to the press release, BEACON represents the nation’s first 24/7 emergency preparedness network, delivering critical and real-time information designed to help keep citizens safe during emergencies. Dive deeper here. https://futurimedia.com/solutions/beacon/

Bit Of The Week:

In future weeks, The Pulse will include the “Bit Of The Week.” If you want to be featured, please send me an mp3 of your best, most recent bit to jeff@barrettmedia.com.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Alex Byrne Has Kept Western Massachusetts Rocking For Twenty Years

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Alex Byrne is the Program Director of “Lazer 99.3 & 98.5” (WLZX) and “Rock 102” (WAQY) and the Midday host on Lazer in Springfield, MA. Like most dedicated PDs, Alex jumps in when needed, whether in promotions, production, sales, or engineering.

Radio has always been in his blood. “My grandfather used to host a weekend Jazz program at WFUV in New York (I still have some reel-to-reel tapes in my basement),” he explains. “I grew up in central Massachusetts during the Rock radio wars between WAAF & WBCN in the late ’80s & ’90s, and I always had the radio on at home or on my old Walkman, wherever I went. It was a medium I was always drawn to.”

Byrne got his first real taste of radio in college as an intern at the legendary WBCN in Boston, occasionally answering the studio lines and helping in the office with various tasks. “One of the tasks I remember most vividly centers around the New England Patriots first championship in 2002,” he explains. “BCN carried all the games, and I was tasked with calling all the Rock Radio Network station’s General Managers to tell them that they didn’t have broadcast rights to the Superbowl, and as you can imagine, those were not fun phone calls to make (based on the reactions I got, I’m not surprised it was assigned to an intern).” 

That gig led to another internship at what was then the Citadel radio cluster in Worcester, MA, of WXLO, WWFX & WORC. He basically hung around and helped in any way possible while learning everything he could until they finally gave him a job.

He was promoted to Promotions Director of the Rock station, which was then called “100.1 The Fox” (WWFX), and ended up co-hosting mornings with the late Chris Engel, who was PD at the time. “I grew up listening to Chris on the ‘Hillman Morning Show’ on WAAF,” says Byrne. “He was a major influence and mentor to me, along with the great Zip Zipfel of ‘Bob & Zip’ fame.”

Byrne couldn’t get enough of radio, so in 2005, he took on a weekend on-air shift in the Springfield market at Saga’s “Lazer 99.3” (WLZX) in addition to his full-time gig in Worcester.

That role grew into a 14-year run as the Promotions Director for both Lazer and Classic Rock sister station Rock 102 (WAQY), as well as nights and, ultimately, middays on-air on “Lazer.” In 2021, Saga gave him the chance to transition from promotions to programming, and here we are!

According to Byrne, “Lazer” is Massachusetts’s last Active Rock commercial radio station. “Crazy, right?” he asks. “And because of that, we’ve got a real responsibility to the Rock fans here in Western Mass. We try to be thoughtful in what we play and provide a good balance of new music and Rock favorites from the last 20 to 30 years.”

“We’ve got two solid Rock stations here with ‘Rock 102’ and ‘Lazer 99.3 & 98.5’, and they co-exist and play well off each other. We know there is some audience sharing, but we work hard to strike a balance musically and make sure each station has its own unique sound and personality while serving the audience and community in similar & different ways.”

As for the staff on both stations, their main priority is connecting with their listeners. “We love hanging out with them at big station events like Bacon & Brews, The Wing Thing, Bourbon, BBQ & Blues, the Big Bonkin’ Smoke, the Free Music Friday outdoor concert series in the summer at MGM Springfield, as well as many other events.”

Another priority for the staff is shining a light on a lot of different local organizations throughout the year. “We participate in many charitable local events, including fundraisers for Shriner’s Children’s Hospital, the Miracle League of Western MA, the Spirit of Springfield, the TJ O’Connor Animal Control & Adoption Center, and ‘Rock 102’s‘ own Mayflower Marathon Food Drive which celebrated its 31st year in 2024 and raised over $239,000 in food and monetary donations for the Open Pantry of Springfield.”

“Community is a part of everything we do here,” insists Byrne. “Our stations strive to be the place where people in the area come to both share and hear about local news and events. If something is happening in our area, not only do we talk about it, but we try to be a part of it. One of the mantras we live by is ‘see a need, fill a need.’”

“If there is a need locally or if some kind of emergency or tragedy happens, streaming services & satellite radio are not going to come into the market to help. Local radio does that, and we will continue to serve our community day-in-day-out. For local radio stations to succeed, you need to live and breathe the ‘local’ part,” says Byrne.

“People can find music in many places, so it’s what we do in between the songs that truly sets us apart. We’ve got an excellent team of professionals here, both on the air and behind the scenes. We all get along well and have a lot of fun doing what we do.” The average tenure of the staff for both stations is greater than ten years, which is rare in radio and speaks to what a special group they have there.

And the good news for Byrne is that Rock music is on the verge of having another renaissance. “There seems to be a new generation of musicians coming up that are finding inspiration from artists of the past but paving their own way with fresh perspectives, styles, and energy,” he says.

“Whether it be collaborating across genres, experimenting with new sounds, or putting more focus on live performances, these artists are continuing to attract audiences. Rock has always been the music of expression for rebellious outsiders who strive to be heard, and as long as people have the desire to communicate through music, Rock will be just fine.”

Byrne agrees that artists like Mammoth WVH, Greta Van Fleet, Dirty Honey, Sleep Theory, Bad Omens, and many others have growing fanbases and will continue to carry the format forward along with long-established artists like Foo Fighters, Metallica, Pearl Jam, Linkin Park, Green Day, and more.

Some additional up-and-coming artists in the format include Nothing More, I Prevail, Sleep Token, Turnstile, Dorothy, Tim Montana, Ayron Jones… The list keeps growing, which is a good thing.

As far as good collabs go, Byrne recognizes a few big ones from this year. “Ozzy Osbourne, Billy Morrison, and Steve Stevens ‘Crack Cocaine,’ and Falling In Reverse & Jelly Roll ‘All My Life.’ “Some all-time favorites of mine are Anthrax & Public Enemy, Run DMC & Aerosmith, Queen & David Bowie, Black Crowes & Jimmy Page, I could keep going…Not sure about an ideal collab for the future because whatever I pick would likely be a trainwreck,” says Byrne.

As for 2025, Byrne’s goal is to grow and evolve both stations in Western Mass and beyond. “We continue to try and make ourselves more available to our audience wherever they are, whether it be on the radio, smart speakers, station apps, in the connected car, on social media, through unique personality-driven podcasts, or out in the community,” he says.

“For me personally, 2025 marks twenty years here at Lazer, which is wild to think about because I don’t feel like I’m that old. Hopefully, I’ve got another twenty or more years ahead of me!”

Follow Alex Byrne, Lazer 99.3 & 98.5, and Rock 102 on Facebook, Instagram and TikTok.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Ratings Roundup: Fox News Finishes 2024 With Highest Audience Share in Nearly 10 Years

The Lead

Fox News is poised to finish 2024 as the leading cable news outlet and the highest-rated network in all of television according to Nielsen Media Research.

During 2024, 70 of the top 100 cable news broadcasts originated from Fox News.

In the total day ratings, Fox News averaged 1.5 million viewers for the year, a 21% increase compared to 2023. It also averaged 187,000 viewers in the Adults 25-54 demographic, a 26% year-over-year uptick.

In primetime, Fox News saw 31% year-over-year growth with 2.4 million viewers on average. In the key demographic, it averaged 298,000 viewers, up 42%.

During 2024, Fox News commanded 55% of the cable news audience in primetime and 53% of the total day audience. That marks the network’s largest share since 2015.

“Throughout coverage of a tumultuous political cycle, wars in the Middle East, and major breaking news events, millions of viewers across the political spectrum continued to tune into FOX News Channel for our unrivaled reporting and analysis,” said Fox News Media CEO Suzanne Scott.

“I am extremely proud of our entire team for proving once again why we are the nation’s most-watched network as we outpaced the competition in covering the stories that mattered most to everyday Americans,” she continued.

Meanwhile, MSNBC averaged 1.3 million viewers in primetime for the year. That figure was up 4% year-over-year. In Adults 25-54, the network averaged 137,000, a 12% increase. CNN saw a 20% increase in primetime, as it averaged 700,000 total viewers and 151,000 in the Adults 25-54 demographic.

Newsmax On Fringe of Top 25 Cable Networks

During the week of December 9th, Newsmax was just on the fringe of the top 25 cable networks in primetime, according to data from Nielsen.

In the 8-11 PM ET timeslot, Newsmax averaged 256,000 total viewers. That placed the network 26th overall for the window. For comparison, CNN was 19th at 360,000 total viewers.

Newsmax was actually higher in the total day ratings. The network saw a 23rd-place finish for the week with 176,000 total viewers.

NewsNation was 55th in the primetime rankings with an average of 103,000 viewers and finished the total ratings in 65th with an average audience of 51,000.

Face the Nation Leads Overall Viewers, Meet the Press Earns Top Spot in Key Demo

The Sunday political affairs ratings race between CBS News’ Face the Nation, NBC News’ Meet the Press, and ABC News’ This Week with George Stephanopoulos has been incredibly close in recent months.

However, on Sunday, December 15th, Face the Nation — hosted by Margaret Brennan — took the top spot in the overall viewer category. Meet the Press, which is hosted by Kristen Welker, earned more viewers in the Adults 25-54 demographic.

Face the Nation saw 2.6 million viewers on Sunday, while Meet the Press was close behind with 2.299 million. The ABC News program hosted by George Stephanopoulos was right on the NBC News program’s tail with 2.265 million as well.

In the key demographic, 424,000 viewers tuned into the Welker-led show. That bested the 381,000 who watched Brennan’s CBS News show, and the 333,000 viewers of the ABC News program.

FOX News Sunday, which is anchored by Shannon Bream, saw an audience of 1 million viewers Sunday. Of that figure, 219,000 were from the Adults 25-54 demographic.

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