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Media Salespeople Need to Stay Confident During Cold Streaks

It’s that time of the week again my friends, let’s gather around for our sales meeting and talk about this week’s main topic – slumps. As media salespeople you have either experienced a slump at some point, or you haven’t been around long enough, but it’s coming.

If you’ve ever watched a great hitter in baseball go through a slump, you know how brutal it can be. The swing looks just a little off. The timing’s not quite there. Maybe the player’s trying to force it, gripping the bat too tight. The fans are groaning with every pop-out or strikeout. But if you’ve been around the game long enough, you also know this: the best hitters always find a way out. Not because they magically change everything—they keep doing the work. They stay confident, they stay prepared, and most importantly, they keep taking swings.

Sales isn’t all that different.

Some weeks, you’re spraying hits all over the field—every call gets returned, proposals turn into closed deals, and the scoreboard looks good. Other weeks? Not so much. You’re taking the same swings, making the same effort, but nothing’s falling your way. Clients go quiet. Budgets shrink. Objections stack up. And before long, the pressure creeps in.

You start overanalyzing every conversation. Questioning your approach. You start doubting yourself. Maybe even wonder if you’ve ‘lost it’.

Sound familiar?

That’s when you have to remember—you’re a professional. And just like a seasoned hitter doesn’t throw away the bat after a bad week, you can’t throw away your confidence just because you’re in a sales slump.

The Slump Is Part of the Game for Media Salespeople

Slumps happen. As I said earlier, it’s not about if—they’re guaranteed. The variable is how you respond.

Look, I get it. In sales, your number is staring you in the face every single day. Unlike some other professions, there’s no hiding when you’re in a rut. But that doesn’t mean you’re failing. Baseball has a beautiful saying: ‘Trust the process.’ It’s a reminder that even if the results aren’t showing up today, the work you’re doing still matters—and eventually, the hits will come.

What you can’t do is change your swing every time things go sideways. That’s when the slump gets worse. Same in sales. When media salespeople start second-guessing every sentence, switching up your pitch just to get a “yes,” or chasing deals that don’t fit—you get out of rhythm. You lose your identity as a seller. And that’s when confidence really takes a hit.

Control the Controllables

One of the biggest challenges in sales—and in baseball—is that you can do everything right and still come up empty. You can make a perfect pitch, tailor your solution to the prospect’s needs, follow up exactly as you should—and still not close the deal. That doesn’t mean you failed. It means you’re dealing with a game of percentages. Stop me if you’ve heard this before but sales is a numbers game. Always has been and always will be.

Just like a hitter can’t control where the ball lands once it leaves the bat, you can’t control every variable in the sales process. What you can control is your approach, preparation, attitude and persistence.

Great hitters keep working on their mechanics during a slump. They watch film. They get in the cage. And They keep their head up and trust their training. As sales professionals, we have to do the same. Go back to the fundamentals. Revisit your value proposition. Review your CNA questions. Practice your objection handling. Stay sharp, even when the results aren’t there—especially when the results aren’t there.

Confidence Is a Choice for Media Salespeople

There’s a difference between arrogance and confidence. Confidence doesn’t mean you pretend everything’s fine when it’s not. It means you believe in your ability to work through the challenge. That belief is what keeps you going. And honestly, it’s contagious.

Clients pick up on your confidence. They can tell when you believe in your product. When you believe in your value. When you believe in yourself. And the moment you let self-doubt start running the show, it leaks into your tone, your delivery, your entire presentation.

If a hitter walks to the plate expecting to strike out, you already know how that at-bat ends. But if they walk up knowing they’ve put in the work, that they’ve hit before and they’ll hit again? That’s when they break out.

Stay in the Box

If you are in a slump, the formula to get out of it is fairly simple: Keep showing up. Keep making the calls. Keep refining your pitch. Stay active. Stay visible. Don’t disappear when things get tough. Talk to your teammates.

All media salespeople go through it. I’ve been there myself. But the ones who make it in this business are the ones who stay in the box. The ones who trust their swing. The ones who know that a dry spell doesn’t erase the talent or the value they bring.

So keep swinging. That next one could be that game-winning grand slam you’ve been waiting for.

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Will Calder Out At Power 96 Miami And Mix 105.1 Orlando

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As first reported by RAMP, Will Calder has exited as Director of Programming and Operations for Classic Hip Hop Power 96 and Brand Manager of Mix 105.1 Orlando.

Calder previously worked at Power from 2013 to 2018, then returned in June of 2023 and was named Mix 105.1 Brand Manager.

Other stops include Hot 1015 Tampa, Power 95.3 Orlando, Energy 92.7 in suburban Chicago, Entercom Milwaukee, and 92.3 Now New York.

RAMP reports that Miguel “Mijo” Irizarry, Brand Manager of Power 96, Radio Libre 790 Miami and 102 JAMZ Orlando, will assume the role.

Reach Calder here.     

   

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Are Stadiums a Worthwhile Investment for Those in Real Estate?

Everything in life is about balancing risk and reward, and real estate is no different. There’s no guarantee when a buyer is going to show up and actually purchase a property, nor when a new building or a block of flats will have all the units rented out to make a profit.

But, on an even bigger scale, is when investors put their weight behind building a sports stadium, something that’s commonly seen in football when a club moves out of its old ground because it’s less viable to renovate it than to build a new one.

Sport, of course, is a massive industry across the UK and intricately entwined with betting, another market directly linked to risk. Punters try to mitigate it, for example by using detailed analytics from experts such as Club Sport predictions to make informed betting decisions on football, basketball and other sports. But investors behind massive stadium projects also face their own challenges. What are these?

Are Sports Stadiums Worth It?

England’s most famous stadium, Wembley, took a huge amount of investment. This was done partly by public money and private investment. It was the FA, through its subsidiary, Wembley National Stadium Limited (WNSL) that invested heavily but also received backing through loans from financial institutions.

The obvious up-front risk is sinking the money into such a massive project and not seeing the returns from it. But thinking about Wembley Stadium, the risk assumed would still have been appealing, as it’s the home of English football.

A new national stadium was all-but guaranteed to sell out for international matches, along with huge domestic club games such as the FA Cup Final and the Championship Playoff Final.

Taking Its Time

The risk with massive real estate investments lies in the time it takes to recuperate money that’s been sunk into it. For domestic clubs like Man City and Everton, who have built new homes in recent times, there’s a guarantee of a minimum of so many matches per season.

With 19 home fixtures in the Premier League, for example, the takings from the turnstiles contribute towards the running costs of the club, but not enough to fully cover the risk. So clubs lean on other streams like merchandise and concessions, season tickets and luxury suites for revenue, which in turn, will filter its way back to the investors.

A lot of new-build stadiums also sell naming rights, which can raise a tremendous amount of ongoing capital to offset some of the expenses, such as Arsenal’s Emirates Stadium and Man City’s Etihad Stadium. Investors of a stadium build can also lease the venue to the sports team that it will host, to ensure repayments and have the club assume some of the risk.

A Wider Audience

Some of the risk of investing in sports stadiums is alleviated by the right kind of marketing. Wembley Stadium, for example, has attracted other major events, like hosting the men’s Euro 2020 and Women’s Euro 2022 Finals.

George Michael played the first ever music concert at the new Wembley Stadium in 2007, and 2024 saw Taylor Swift’s Eras Tour take a pit stop there. The venue has also hosted NFL matches, the Rugby World Cup, the UEFA Champions League Final and the list goes on.

Those are huge revenue streams for the venue and of course, it’s not something that all sports stadiums can do on that scale. However, looking for extracurricular events outside the initial intended purpose is crucial to the overall success of the stadium turning a profit.

The Risks

Time and the incredible amount of money that’s invested into sports stadiums naturally equate to risk. That risk can manifest in anything from delays with the building of the premises itself to long-term interest on raised finances.

There’s also a risk of misunderstanding the market that the stadium is being built for. Trying to build a Wembley Stadium-sized arena right in the southwest corner of Devon, for example, isn’t going to have the capture area of people willing to go there, as it does being situated in London.

Similarly, it’s not worth building a 70,000-seater for a club that’s never been out of League Two that draws barely a 5,000 crowd for home matches. The location of the new sports stadium, and how large the local market is going to be for that, are crucial.

In Conclusion

Sizeable returns on investments into sports stadiums often take a long time to achieve, if ever. So getting into the game would have to be a long-term vision, because initial revenue streams to recuperate the building cost may not be there.

Much like any business, there are clear risks involved, but when handled correctly, they can be a worthwhile investment, especially among a group of investors where the risk is spread*. If stadiums weren’t viable investments, there wouldn’t be any standing.

*This article does not offer or provide investment advice and has been written for informational purposes only.

Advertising Revenue in News Content Dropped 33% Since 2019, WARC Media Data Shows

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Advertisers have always been somewhat hesitant to place their messages with hard news content. Due to the politicized nature of news coverage, it has seen a dramatic drop in advertising revenue, new data from WARC Media shows.

Globally, WARC projects that $32.3 billion will be spent on advertising inside hard news content in 2025. While that sounds like a massive figure, it is actually a decline of more than 33% since 2019 according to the latest Global Advertising Trends report.

Despite the attention that news content brings, many stories are often demonetized due to the nature of the content and advertising suitability standards are often rejected due to the content.

Alongside concerns about the content and brand safety advertising in news, marketers are now more likely to favor platforms like Google and Meta for scalable targeted ads.

“Brands have become increasingly squeamish about hard news content. Keyword blocking hinders the ability of publishers to monetize newsworthy moments, while ad investment is increasingly shifting from professional journalism to ‘creator-journalists,’” says WARC Media Head of Content Alex Brownsell. “In this Global Ad Trends report, we look at where the news media ad dollars are being allocated and what news brands are doing to combat these losses and win back advertisers.”

The data from WARC Media correlates with other data related to advertising revenue from other outlets. For instance, a study from Magellan AI suggests that of the first-time podcast advertisers in 2024, 27% purchased commercial time in the sports genre compared to only 17% buying the news format.

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Emily Boldon Named Program Director Of Star 94 Atlanta

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Emily Boldon has been named Program Director at Throwbacks Star 94 in Atlanta. In her new role, Boldon will oversee the station’s content strategy, talent, operations and branding. 

Boldon said, “I’m very excited to begin this new adventure with Rick Caffey and his team at Audacy in my hometown of Atlanta. Star is a fantastic heritage station. I am eager to grow it to new levels of success in 2025 and beyond.”

“Emily brings a wealth of industry knowledge, and we’re delighted to have her join Star 94,” said Rick Caffey, Senior Vice President and Market Manager, Audacy Atlanta. “We’re confident that her creativity, results-driven work ethic and leadership will help elevate the brand to a new generation of audiences, while maintaining the legacy and impact the station has in the community.”

Boldon arrives from Cox Media Group, where she was Director of Operations for the Atlanta market and Program Director for 97.1 The River and 95.5 WSB-FM.

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94.7 WCSX Signs Multi-Year Partnership With Michigan Wolverines Athletics

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Beasley Media Group Detroit, in collaboration with University of Michigan Athletics and Learfield’s Michigan Sports Properties, has signed a multi-year agreement that will make 94.7 WCSX the new flagship station for Michigan Wolverines sports coverage. The partnership, which begins with the 2025 football season, will provide fans with full radio coverage of Michigan Football, Men’s Basketball and Men’s Hockey games. It also includes coaches’ shows and exclusive ancillary programming designed to keep fans engaged throughout the year.

Additionally, 105.1 The Bounce (WMGC) will broadcast select Women’s Basketball regular-season and postseason games, expanding the reach of Michigan Athletics across the Detroit metro area.

“When it comes to college athletics, no brand is bigger and no fan base is more passionate than the University of Michigan,” said Kevin Rich, Vice President of Operations at Beasley Media Group. “We’re thrilled to partner with the University and Michigan Sports Properties to bring top-tier programming and play-by-play coverage to fans across Southeast Michigan. Go Blue!”

The agreement extends beyond traditional radio broadcasts. Beasley Media Group will offer extensive coverage through its omni-channel platforms—including on-air, online and on-site content. As part of the rollout, fans can expect weekly features on Michigan Athletics, exclusive interviews, and digital content designed to bring the University of Michigan’s spirit to life every day.

The collaboration also marks a meaningful connection between two long-standing institutions in the region.

“Michigan Athletics has a long and storied tradition, just like WCSX, a heritage station with deep roots across Southeastern Michigan,” said Patti Taylor, Vice President and Market Manager of Beasley Media Group Detroit. “We’re proud to unite these two legacies and continue delivering Michigan Athletics to passionate fans across the region on our platforms.”

For the first time, fans in the Detroit area will be able to listen to Michigan Football, Basketball and Hockey broadcasts on a regional FM signal. Longtime broadcast voices Jon Jansen and Doug Karsch will continue their roles during football game coverage.

“We’re thrilled to begin this new partnership with Beasley Media Group. For the first time in the Detroit market, Michigan fans can hear live coverage of all football, basketball, and hockey on a regional FM signal with 94.7 WCSX,” said Jennifer Cadicamo, Vice President and General Manager of Michigan Sports Properties. “We are also pleased to announce that Jon Jansen and Doug Karsch will remain as the voices of our football radio broadcasts.”

Michigan Sports Properties, a local division of Learfield—the media and technology company that powers college sports—serves as the exclusive multimedia rights holder for Michigan Athletics and manages the relationship with Beasley Media on behalf of the university.

According to university leadership, the partnership is expected to deepen the connection between the athletic department and its supporters.

“Partnering with Beasley Media Group as our new flagship radio station marks an exciting chapter for our athletics department,” said Doug Gnodtke, Michigan’s Executive Senior Associate Athletic Director and Chief of Staff. “This collaboration will not only amplify the voices of our student-athletes and coaches, but it also strengthens our connection with fans and alumni in metro Detroit and across the state of Michigan. We appreciate Learfield partnering with Beasley to bring the energy and spirit of our games to a broader audience, celebrating the dedication and hard work of our teams on and off the field, court and ice.”

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NFL Media Reveals NFL Draft Coverage Plans In Green Bay

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NFL Media will be providing comprehensive on-site coverage of the 2025 National Football League Draft from Green Bay, Wisc., airing more than 50 hours of programming starting on Sunday, April 20. The league-owned media division, which includes NFL Network, NFL Films, and NFL RedZone among other services, will be creating and sharing content throughout the locale throughout the week with a team of hosts, analysts and reporters providing their insights and opinions.

First-round coverage of the NFL Draft will feature host Rich Eisen, draft expert Daniel Jeremiah and analysts Charles Davis and Joel Klatt. In addition, they will be joined by Pro Football Hall of Fame quarterback Kurt Warner and NFL Network insider Ian Rapoport, and Good Morning Football host Jamie Erdahl will be on stage interviewing draft selections. The same crew outside of Warner will return for the second day of the Draft before the proceedings wrap up on Saturday.  Throughout the week, NFL Network reporters will be stationed at various locations following different teams, including the Tennessee Titans, Cleveland Browns and New York Giants.

Following each round of the Draft, new editions of NFL GameDay Final will take the air featuring Rhett Lewis, Maurice Jones-Drew, Steve Smith Sr. and Gerald McCoy. NFL Network will also air other special programming surrounding the event, including NFL Mock Draft on Sunday, April 20 at 8 p.m. EST featuring Mike Yam, Bucky Brooks and Cynthia Frelund. In addition, Daniel Jeremiah will unveil his final mock draft of the year on the night before the event at 8 p.m. EST alongside Charles Davis and Colleen Wolfe. NFL Network will also present episodes of Good Morning Football and The Insiders throughout the week featuring various personalities across the network.

NFL Network is going to be engaging in storytelling ventures throughout the week granting viewers access to prospects on the precipice of entering the league. The network will present a feature on former Boise State running back Ashton Jeanty, former Virginia safety Jonas Sanker and a piece on two-way football talent. On top of that, Rich Eisen will run the 40-yard dash for Run Rich Run raising awareness and support for St. Jude Children’s Research Hospital for the 21st time, and he will be joined by former Los Angeles Rams running back Todd Gurley, former Pro Bowl offensive lineman Trai Turner and St. Jude patient ambassadors from the Rose Bowl.

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Lisa Allen Exits Middays At 101.9 The Mix Chicago

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Lisa Allen has exited middays at 101.9 The Mix Chicago after 13 years with the cluster.

According to her LinkedIn profile, Allen joined the Hubbard cluster in April 2012 as an evening host on Rewind 100.3 before heading to 101.9 The Mix and middays in January 2013.

She moved to PM drive for two years alongside Chris Petlak before returning to middays.

In a social media post, she thanked her listeners and said she was dealing with a “flurry of feelings” and a little “shocked, sad, and a little mad.”

Jenny Valliere will take over the midday slot vacated by Allen.

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105.7 The Point’s Rizzuto On Keys To Morning Show Success

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Scott Rizzuto leads the morning show at 105.7 The Point in St. Louis. “The Rizzuto Show” ensemble cast includes Moon Valjean, King Scott, Rafe Williams, and Lern. Rizzuto has been on mornings at The Point for 15 years, and the show has built an amazing and loyal following.

I caught up with Rizzuto to find out what he feels is essential in putting together and maintaining a Rock morning show.

“I don’t know if this is different in different markets, but here in St. Louis, it is. You need to be local, local, local, local. Like, super local. You need to talk about things that happen in St. Louis. You need to talk about the Cardinals and the Blues, and you need to talk about what’s going on on the highways and the latest that’s going on with the restaurants and all the comings and goings here in this city.”

“I’ve been doing mornings here for fifteen years, and I’ve seen plenty of syndicated shows come and go. And the one thing that everybody says is they don’t talk about St. Louis. St. Louis loves hearing about St. Louis.”

The Rizzuto show has a strong social media presence, which allows not just for a four-hour show but also enables the station to carry the morning show throughout the remainder of the day.

“It’s crazy that when we all started, there was no Facebook or X or Instagram or TikTok. It’s wild to see how some morning shows have embraced it while others haven’t. It’s 2025. I found a good mix of doing social media stuff, but not jeopardizing your on-air content.”

“I always saw social media as almost a flyer for what we do on the air. And that was at the beginning of what social media was. The more successful shows have shifted to this as an arm of what we do on the air.”

“It’s not like we’re on the air four hours anymore. We’re also on the air with social media and Facebook lives and Instagram lives and extra content and just even fun and goofy shit and also show our personal sides.”

The Rizzuto Show has developed its online community with something that started as the Team Rizz Member Of The Day.

“We have a small army where we could take over our country, if we all got together and mobilized. But it started with Team Rizz member number one, who we had on the air with us the other day. They do their own events, and they have their own meetups. And there have been people in Team Rizz who have gotten married.”

“Husbands and wives try to compete with each other to see who can become a Team Rizz member before the other one. It’s an amazing community, and they have their own Facebook page that’s pretty wild. They don’t just let anybody in. Even my mother tried to get in”

Rizzuto says remaining hungry is important to maintaining the show’s success. Can you ever let up on the gas?

“Not when you’re competing with a gazillion other things or a gazillion other pieces of media. I’m competing with YouTube, Spotify, and a million other things. You can’t just sit on your hands and coast. You’ve got to keep it fresh every day.”

“I still maintain the same schedule of getting up at 02:30 in the morning, getting here at 03:15, and doing the same thing. I’ve been told that maybe come in an hour later and throttle back a little bit.”

“This is such a competitive thing we do. I wouldn’t feel comfortable doing that. Every morning, I still have that little feeling. I still get the little nerve in my stomach.”

Rizzuto also believes an element of success is caring for the station’s clients and the businesses he endorses.

“That’s crazy to me that you wouldn’t maintain your relationships with the thing that keeps you on the air. What keeps you valuable to your company is the money that comes in. All my sponsors, I use. I think I’m at the point now where I could say no to certain things. And if I don’t use the product, I’m not passionate about it. How can I endorse it?”

“I’ve had some sponsors for fifteen years. I’ve been to weddings, and I’ve been on vacations with some of my sponsors. Maintaining that relationship.”

Success also comes from being visible and out in front of the audience.

“What company still has money for billboards and TV advertising. The best way to get the word out is actually to be out and do stuff. I have such a great team with me, and we’re all over the place. All my co-hosts, whether it be concerts or doing their own side hustle. We’re all over the place.”

Being a safe zone and staying away from third rail issues is important in building and maintaining the brand.

“I look at it this way. There’s so much crap going on in the world. They can turn us on for four hours on their way to work, whether it be a job they love or a job they hate and not hear political BS and just five people in the studio having a good time, actual friends, talking about life and the things that are good in the world too. I love it when people say they sit in their car and wait till a bit is finished. It’s great.”

Rizzuto admits that his job is made easier by having a great PD and company to work for.

“I’m so blessed to have Tommy (Mattern) as my boss, who leaves me alone, leaves us alone, lets us do our thing. As long as we play all commercials within the four hours, and even that sometimes I’ll bleed into the next day part. Tommy’s been great like that. He always gives me the resources that I need.”

“I love working for Hubbard. And I’ve worked for a couple of different companies in my radio career, and Hubbard’s been the best without a doubt. I believe in what this company is doing. I love that we’re a small boutique company that is still privately owned, and that we don’t have people in another city who have to answer shareholders.

“It really is awesome working for not only Tommy but also John Kijowski, our general manager. They’re amazing people. I love that. And Ginny Morris is awesome.”

Stream The Rizzuto Show here. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

WWE, Fanatics Announce “What’s Your Story?” Podcast Hosted By Stephanie McMahon

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WWE, a division of TKO Group Holdings (NYSE: TKO), and Fanatics have announced the debut of a new podcast, “What’s Your Story?”, hosted by WWE icon Stephanie McMahon. The show will launch Thursday, April 17, with new episodes released every other week. The premiere episode features UFC President and CEO Dana White.

On the show, McMahon is joined by her co-host and best friend, Elyse, as they interview influential figures from the worlds of sports, business and entertainment. The podcast aims to uncover guests’ personal stories of struggle, perseverance and triumph. In addition, McMahon will share never-before-heard details from her own life, including her career, personal journey and upbringing in the WWE.

“‘Stephanie’s Places’ on ESPN+ inspired me to help tell the stories that shape who we are as people,” McMahon said. “This podcast is the perfect medium to do just that, in a very informal environment, where we can all just be ourselves.”

Episodes will be available across all major audio platforms, as well as on WWE’s official YouTube channel, which currently boasts more than 108 million subscribers.

The new podcast is part of WWE’s growing slate of audio content produced in partnership with Fanatics. In March, the two companies announced a broader collaboration that includes podcast production and distribution. This builds on their existing relationship across global e-commerce, licensed merchandise, memorabilia and more.

Yesterday the WWE in partnership with Fanatics announced the launch of the podcast “What Do You Wanna Talk About,” a new show hosted by Undisputed WWE Champion Cody Rhodes. The podcast, sponsored by Wheatley American Vodka, will debut later this month with new episodes airing biweekly. The company also announced “The Raw Recap Show”, hosted by Megan Morant and Sam Roberts which debuted with the WWE’s debut on Netflix earlier this year.

The WWE and Netflix agreed to a monumental 10-year, $5 billion deal last year that would move RAW off of linear television for the first time in its history to stream exclusively on the digital platform. As part of its new rights deals, SmackDown would move to USA Network, while NXT would move to The CW.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.