Home Blog Page 992

Gary Bettman: Local Rights Deals Continue To Be Important for Fan Connection to NHL

0

With the ongoing discussions about how professional sports teams are handling their regional sports network distribution deals, there has been much debate about whether there is a correct formula for all sports to follow when it comes to the business of delivering team broadcasts to the local sports consumer. Recently, NHL Commissioner Gary Bettman was a guest on The Varsity podcast, hosted by John Ourand of PUCK, and was asked about his view on how local NHL teams are managing their own RSN agreements.

“Local rights continue to be important,” said Bettman. “They’re probably financially not as important to us as they are to perhaps baseball and basketball. I also believe that sometimes our clubs are best able to focus on what’s best locally.”

Furthermore, Bettman noted that some of the clubs in the league—like many clubs in other leagues—are facing challenges. However, he emphasized that local teams, with assistance from the NHL, are exploring alternatives, whether it be a streaming option or an over-the-air solution such as the approaches taken by the Las Vegas Golden Knights and Florida Panthers. Importantly, the commissioner still believes it should be up to the local teams to determine what’s best, as opposed to implementing a league-wide distribution model.

“I don’t think it’s a one size fits all yet,” noted Bettman. “I do think there are going to be alternatives to regional sports (networks). Some of that may be again streaming over or over-the-air, and some of it may be more national viewership, where we’re going to get to a point where no matter where you are and who you want to watch, you’re going to be able to get it.”

Moreover, Bettman pointed out that hockey, basketball, and baseball differ from football in a key way: they feature significantly more games. As a result, fans demand additional shoulder programming that provides full context for the daily happenings of their favorite teams. Bettman emphasized that, through all the metrics used to track success, fan engagement remains the league’s top priority.

“There’s still going to be an important role for local coverage,” explained Bettman. “Whether it’s over-the-air or surviving regionals, that is an important element of the fan connection.”

In conclusion, Bettman wrapped up his thoughts by stating that, in his opinion, there is nothing more valuable than sports programming. He firmly believes that if you have a great product, there will be demand for it—regardless of where or how the product is distributed.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CNBC Sees Nearly 50% Ratings Jump After Donald Trump Declared ‘Liberation Day’ on Tariffs

0

On Thursday, April 3rd, Donald Trump said it was “Liberation Day” for the American people as he imposed new tariffs on foreign imports. While the financial volatility has played havoc on the markets, it led to an immediate ratings increase for CNBC.

CNBC saw a 49% increase compared to its usual viewership increase during the day, as Donald Trump prepared to reveal the sweeping tariffs he would place on other nations.

In the Adults 25-54 demographic, the network saw a 13% increase during the “Liberation Day” ratings compared to its usual viewership.

The network topped rival Fox Business Network in both the business day and market hours sectors. That came on the heels of Fox Business besting CNBC in the first quarter in the business day, market hours, and total day ratings all at the same time for the first time since 2022.

According to figures from Nielsen, Thursday, April 3rd was the highest-rated day for CNBC since January 26th, 2022. Additionally, it was the highest number of page views for CNBC Digital since January 2022 and the best day for unique visitors since May 2021.

Since the announcement of the increased tariffs, the stock market has tumbled, with the Dow Jones Industrial Average dropping 3.3% on April 3rd and an additional 5.5% on Friday, April 4th. To open the markets on Monday morning, the Dow was down just over 3%.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Country Q104 Kansas City Announces New On Air Lineup.

0

Country Q104 Kansas City today unveiled a new on-air lineup.

The new morning show will team up Mallory Kay with Kyle Matthews. Matthews arrived at Q104 after spending time at WOW Country 104.3 Boise, where he served as Brand Manager and APD. (BMM 2/26) Other stops for Matthews include Froggy 98 KFGE and K-FROG KFRG Riverside/San Bernadino and two tours of duty at Froggy 98.1 KFGE Lincoln NE. Nashville Insider Tater will join them.

The morning show realignment follows the departure of PD and morning co-host Todd Nixon last December (BMM 12/29/24) and Jenny Matthews in February. (BMM 2/10)

The rest of the lineup includes Middays with Marissa, afternoons with LT and nights with Erika Jay. Marissa was previously in promotions for the station.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Aircheck: Machine Gun Kelly 15 KSTP-AM Minneapolis

0

KSTP-AM in Minneapolis competed in the city’s Top 40 battles in the 70s. Battling with 1130 WDGY, 630 KDWB, and 980 WYOO.

Machine Gun Kelly (Gary D. Sinclair), or M.G. Kelly, was one of several AM Top 40 personalities who would achieve future success in Los Angeles, working at KODJ, now KCBS, 103.5 KOST, 930 KHJ, and 1020 KTNQ.

Kelly hosted a variety of syndicated shows and held several acting roles, including playing the part of a DJ in “A Star Is Born” starring Barbra Streisand.

In this aircheck from KSTP, Kelly is holding down evenings. His up-tempo, high-energy delivery was often copied, and on more than one occasion, Program Directors during the 1980s would say, “Get me someone with a Machine Gun Kelly-type delivery.”

Photo mgkelly.com

I can attest to that. In the 80s, I applied for evenings at Top 40 98.5 KLUC in Las Vegas and was told I wasn’t “the Machine Gun Kelly type they were looking for.”

Here is Machine Gun Kelly at 15 KSTP Minneapolis.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

J.J. Watt: ‘I Have a Very Difficult Time Criticizing Guys’

0

J.J. Watt has been a member of CBS Sports since 2023, joining the entity following his retirement after playing 12 seasons in the NFL as a defensive end with the Houston Texans and Arizona Cardinals. Watt is widely reputed to be one of the best to ever play in his position, and he has been sharing his insights and perspectives on a weekly basis on The NFL Today studio show for the last two seasons.

With Gary Danielson retiring from the lead college football broadcasting team after next season, CBS Sports divulged that Watt would become an NFL game analyst in the 2025 campaign as Charles Davis transitions to take over Danielson’s position. Watt will be delivering analysis alongside play-by-play announcer Ian Eagle on the No. 2 broadcast team throughout the season. During a recent appearance on the GOAT Talk podcast from the Texans, Watt discussed what it has been like to make the transition to television and expressed his gratitude for remaining around football despite no longer playing.

“It would be very weird if I didn’t have some tie to the game because I love watching it, talking about it, breaking it down,” Watt said. “At the same time, I have a very difficult time criticizing guys because I was on the field. I know, like you got a guy who breaking down film and he’s drawing up the plays and you’re like, ‘That’s not my assignment, that’s not my job, and you just threw all this blame on me on national TV,’ so I never want to be that guy, and so I’m always careful from that standpoint, but it has been really, really fun still being a part of the game.”

Watt will be joining the CBS Sports configuration of game analysts as the company prepares for a Super Bowl broadcast to conclude the 2027 season. Following a record-breaking regular-season slate in 2024, CBS Sports registered a 0.7% decline in year-over-year viewership with a reported average of 19.2 million viewers. The AFC Championship Game broadcast was reported to have averaged 57.7 million viewers, according to John Ourand of Puck, making it the most-watched iteration of the matchup in at least 35 years.

This will be Paramount Global’s third season operating under a 10-year media rights deal reportedly worth $2.1 billion per annum.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Angelo Cataldi Believes Joe Weachter Leaving 94WIP Was Due to Age Discrimination

1

Last month, Joe Weachter, the producer of the morning show at SportsRadio 94WIP, announced his retirement after 38 years working with the station. Weachter worked his final show on March 20 as the station celebrated his legacy working alongside morning program hosts Joe DeCamara and Jon Ritchie, as well as his 33 years previously with Angelo Cataldi, Rhea Hughes, and Al Morganti.

Subsequently, Cataldi joined longtime WIP host Howard Eskin on the most recent episode of The Howard Eskin Show on YouTube and was asked about the reasons why he felt Weachter departed when he did.

“What happened to my producer, who was my producer for pretty much the whole time I was there,” explained Cataldi. “Joe Weachter, a great producer and a terrific guy, was just wrong. It was awful. It was, in my estimation, age discrimination.”

At that point, Cataldi was discussing the current environment of broadcast radio, specifically when it came to his opinion on 94WIP since his own and Eskin’s departures from the station in recent years. Moreover, he noted that Weachter’s salary came into play as the longtime producer announced his departure as a retirement from the Philadelphia sports radio brand.

“He was let go because he was older, and because on a ledger sheet he made a certain amount of money. The corporate people couldn’t justify it,” said Cataldi. “It’s a different world than it was now what it was then. Frankly, it’s not a world I’m happy about. I don’t think it treats people fairly the way it used to. So many people now get caught because it’s better for the company not to have to pay them. It’s a money decision.”

In response, Eskin then noted the history of Audacy’s—who owns and operates 94WIP—chapter 11 bankruptcy tale over the past year, saying that there are issues within the company when it comes to dealing with their own people.

“It’s too expensive for what you get any more on radio,” noted Eskin. “You got to find a way for people that have helped you become the success that you were. That’s my point there, and I feel bad. I feel bad for those people.”

Cataldi agreed, further noting that one of the main reasons he left radio when he did was because the culture for the product he was delivering has changed regarding what’s acceptable to audiences today in comparison to years past.

“I got to the end of my tenure realizing that things I had said and done in the first 10 years would have gotten me fired immediately,” Cataldi said. “I was having a hard time judging where the line was. When you reach that point, and you’ve been so many years in it, and there’s a cancel culture like there is today, you’re better off sitting it out or doing what you’re doing now on a podcast where you have more control.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Graham Bunn Joins Mornings At 96.9 The Kat Charlotte

0

Former Go Country 105 KKGO Los Angeles morning host Graham Bunn has signed on to co-host mornings at Country 96.9 The Kat in Charlotte, NC. He will join incumbent Sarah Lee. Bunn was first known as a contestant on the fourth season of “The Bachelorette.”

Bunn is a North Carolina native who, in addition to radio, played professional basketball in Europe. He has also hosted shows for USA Network, including “Real Country.”

Bunn said, “I’m incredibly honored to be joining 96.9 The KAT, Sarah Lee, and iHeartMedia. It has long been a dream of mine to combine my love for country radio with the place that cultivated my love for country music. Thomas Wolfe once said, ‘You can’t go home again.’ Respectfully, I disagree. Coming back isn’t just a homecoming—it’s an opportunity to give back to the place that started it all.”

Lee said, “I’m honored to be welcoming home Carolina native Graham B. I am excited about everything that we are going to do together for our Carolina community.”

iHeartMedia Charlotte Market President Dave Carwile added, “We are thrilled to welcome Graham Bunn to the 96.9 The KAT family as our new Morning Show host. Graham’s vibrant personality, deep connection with the biggest country stars in America, and passion for community make him the perfect addition to our team. We are confident his unique blend of charisma and experience will bring a fresh and exciting energy to our listeners every morning. Welcome aboard, Graham!”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

KIRO Newsradio 97.3 Tabs Manda Factor to Pair with Charlie Harger for Seattle’s Morning News

0

KIRO Newsradio 97.3 has announced that Manda Factor will join Charlie Harger as the new permanent co-host of Seattle’s Morning News.

Factor has more than 35 years of journalism experience. She has spent the past 22 years working as morning anchor at cross-town Northwest Newsradio. Other stops include working at 1190 KEX in Portland as well as serving as a new anchor in Pullman, Bellingham, and Tacoma in Washington state.

During her career, Factor has won multiple Edward R. Murrow and Associated Press Television Radio Association awards.

“I am beyond excited to join Charlie and the KIRO team,” Factor said. “There is so much happening in the world, and I’m passionate about diving into those stories for our listeners.”

“We’re thrilled to have Manda Factor join Seattle’s Morning News,” added Bonneville Seattle Director of News and Talk Programming Bryan Buckalew. “Her reputation in the Pacific Northwest and genuine enthusiasm for connecting our community make her a fantastic addition. With Manda and Charlie Harger at the helm, we’re excited to bring our listeners a morning show that’s both informative and engaging.”

The pairing of Manda Factor and Harger completes the transition of the venerable morning show. Late last year, longtime host Dave Ross and his morning co-host, Colleen O’Brien, departed the station.

Ross retired after more than 40 years with KIRO Newsradio 97.3. O’Brien stepped away from the station at the same time. Charlie Harger was named as the replacement for Ross in December, and officially began helming the show later that month.

Factor began co-hosting Seattle’s Morning News on Monday morning.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Five NBA Teams Deadline To Extend With FanDuel Sports Network Delayed Again: Report

0

Five NBA teams are continuing to face an expiration of their current regional sports network broadcast rights agreements with FanDuel Sports Network following the conclusion of the current NBA season. Following a soft deadline of April 1 to renew their agreements, the Sports Business Journal is reporting that all five teams have now delayed their soft deadline to work out an extension for an undisclosed period.

According to the publication, the Atlanta Hawks, Cleveland Cavaliers, Miami Heat, Minnesota Timberwolves, and Milwaukee Bucks have yet to renew their agreements with the RSN to at least broadcast games for next season at the minimum. Meanwhile, as the teams weigh what they’d prefer to do locally with an RSN, the league is currently negotiating a potential national streaming RSN with Amazon, YouTube, Apple, among others.

This is not the first time this soft deadline has been pushed back, according to SBJ. Previously, the deadline was in December of last year, before shifting to April 1, and now it appears to be sometime during the summer.

In the meantime, while the NBA continues to work on a potential national streaming option, the teams will have other alternatives they could investigate beginning next season. For example, they could all return to FanDuel Sports Network and work on their own RSN agreements, or alternatively, choose to adopt a more linear, over-the-air model like what the Utah Jazz, Phoenix Suns, and several other teams have done in recent years.

Furthermore, Sports Business Journal reports that sources have said the NBA is informing team executives that the streaming RSN deal for the league is not imminent and to stay patient with the ongoing negotiations. As a result, this could lead to a situation where each of the five teams may enter the summer with no distribution agreement at all, ultimately forcing their hand with a local agreement before the season begins.

Finally, the report stated that it is more than likely—according to their sources—that four of the five teams (Bucks, Heat, Hawks, Timberwolves) will likely extend their agreements with FanDuel Sports Network. The only question mark remains the Cavaliers, due to Dan Gilbert’s launch of Rock Entertainment Sports Network. The over-the-air network could potentially house broadcasts of the Cavaliers, but nothing has been confirmed for next season.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

David Samson: MLB Work Stoppage is ‘Almost Assured’ After 2026 Season

0

As the Major League Baseball season has commenced with significant storylines and thrilling finishes, there is attention focused off the field with the future of media rights surrounding live game broadcasts. ESPN and MLB recently exercised a mutual opt-out of its rights contract for which the league was reportedly receiving an average of $550 million per annum. With the impending expiration of the other national rights deals after the 2028 season, MLB Commissioner Robert D. Manfred Jr. is exploring a new strategy through which the league would acquire linear and digital rights for all 30 teams to be available concurrent with the national renewals.

David Samson, host of the Nothing Personal podcast licensed by Meadowlark Media and former president of the Miami Marlins, discussed recent developments surrounding this situation on the Monday edition of his show. Pointing out that Manfred has been on a media tour of late, he expressed that there is an active negotiation taking place with the Major League Baseball Players Association (MLBPA) without beginning to bargain ahead of an “almost assured” work stoppage after next season. Within a story published by The New York Times about the future of baseball, Manfred spoke about television deals and extolled league production and distribution of San Diego Padres games

“He needed to make sure that we all knew that they took over the broadcasts for San Diego and that they sold tens of thousands of direct-to-consumer in-market packages,” Samson said of Manfred. “I’d be scared of how I talked about that.”

The Padres were the first time for which MLB Media handled regional broadcasts amid the Ch. 11 bankruptcy of then-Diamond Sports Group. The regional sports network company has since re-emerged as Main Street Sports Group upon entering into a restructuring support agreement that diminished its pre-petition debt. With Manfred divulging that “tens of thousands” of people were viewing the games through the in-market packages, Samson surmised that it would cost $150 for the season and accrued 30,000 subscribers.

“The total amount of money there is $4.5 million,” Samson said. “You understand why there’s a problem with the math? You understand the issue of why all of these teams telling you that, ‘Our solution of going over-the-air, our solution of starting our app and selling direct-to-consumer,’ that all sounds good for P.R., but when it comes to money, it’s a problem. Our local rights deals used to be $80 million a year, absolutely like clockwork.”

Twenty-six of the 30 MLB teams currently have direct-to-consumer streaming functionalities in their local markets, facilitating the elimination of blackouts for fans in the regions. While the league could continue offering games on linear television through over-the-air channels in future years, Samson does not believe there is money there. Reflecting on Manfred’s comments, he wishes that the commissioner would have made people dream that it was hundreds of thousands of people subscribing rather than just those in the San Diego marketplace.

“When you say that tens of thousands of direct-to-consumer in-market packages are being sold and you’re trying to say, ‘Look how many people want to pay to watch baseball,’ and then you do the math, oy,” Samson said. “Not good.”

Samson mentioned how he had previously discussed a solution surrounding charging by the game utilizing a dynamic pricing scale similar to tickets. Estimating that consumers could be paying $1,620 a year to view games at an average of $10 per contest, a number he admits is above market pricing at the moment, the returns for 30,000 people would fall short of $50 million. Although Samson knows that the league will publicly say it is working for a union, he knows that the reason why some teams cannot operate at the top of the free-agent market is because of the economics. This can subsequently create disparities in player signings and risk potential correlation to diminished on-field performance.

“Think about why TV revenue has to be pooled and it has to be national because there is no way for an overwhelming majority of teams to even come close to what they were getting from a cable, having an RSN on cable, where cable subs were paying and supplementing the income for those who wanted to watch the sport,” Samson said. “The numbers don’t add up.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.