From the time he was young, Sweeny Murti had a penchant for baseball and, by the time he was in junior high school, radio. He was able to find a way to combine his two passions by working in sports media, reporting on the New York Yankees on WFAN for the last 22 seasons as the station’s official beat reporter.
Murti, 52, announced his departure from the radio station last Friday, officially ending a chapter of his career as he seeks to figure out just what comes next. Sports radio, though, was never Murti’s goal because it is something that was nonexistent until later in his teenage years – although he was covering sports for his high school on its radio station WMSS-FM.
Murti learned the game of baseball by listening to Philadelphia Phillies games and had a profound amount of respect for the team broadcasters, including Harry Kalas, Andy Musser, Chris Wheeler, and Richie Ashburn. He later had an opportunity to work with the organization as a pregame and postgame show host in 1999, sparking his interest to aim to report on baseball regularly for WFAN. Getting to New York – the largest media market in the United States – took persistence and hard work, staying grounded in the day-to-day while continuously improving his craft and advocating his interests to executives.
“I listened to Phillies games growing up on radio and the announcers were just as big [of] people to me as the players,” Murti said. “Those were the guys that were in my house every night.”
Murti joined his junior high school radio station at the age of 12 and gained interest in broadcasting sports. He subsequently began to work with sports director John Wilsbach. Through his time at the radio station, Wilsbach knew Murti’s older brother (who was also working at the broadcast outlet) and helped mentor Murti, teaching him how to broadcast games by letting him shadow various sporting events.
By the time he was in ninth grade, Murti was the station’s sports director and was regularly broadcasting high school football and basketball games. He recognized the palpability of pursuing a career in sports media at this point and, consequently, matriculated at Penn State University to study broadcast journalism.
Unlike many college students seeking to work in media though, Murti’s involvement with campus media outlets, specifically in radio, was minimal. Because of his relationship with Wilsbach, he became connected with Scott Geesey, a talk show host on 1390 WRSC-AM.
Through Geesey, Murti began to converse with that outlet’s sports director Jerry Fisher, the son of legendary Penn State Nittany Lions’ football broadcaster and associate athletic director Fran Fisher. After just one meeting with Fisher, Murti was hired as a part-time assistant, giving him exposure to a professional radio station in his freshman year of college.
“I did a lot of scoreboard updates and a lot of production shifts and DJ shifts,” Murti said. “By that fall, I was doing Friday night high school football scoreboard shows and covering some games, and working on our massive Saturday football coverage on pregame and postgame shows for Penn State football…. We spent a lot of our time talking about sports, and I spent a lot of it thinking about talking about sports and how it was going to translate into my radio career.”
In the summer before his senior year, Murti relocated to New York and worked as an intern at WFAN, the inaugural radio station in the sports talk format that had just launched four years earlier. Over the nearly three months, he worked from the outlet’s Kaufman Astoria Studios in Queens and demonstrated a strong work ethic.
In his mind, everyone at the station had an immense base of knowledge when it came to sports and displaying your own expertise would not impress the personnel. Although he was interning at a growing media outlet with hosts including Mike Francesa, Christopher “Mad Dog” Russo, Don Imus, and Steve Somers, Murti remained optimistic there would be an on-air role for him one day and quickly adjusted to life in “the Big Apple.”
“It’s a pretty big leap and I’d never spent more than a couple of days in New York; now I’m spending the whole summer in New York,” Murti said. “I wasn’t overwhelmed; I knew I’d already been doing a lot of things in radio so this was [at] a much bigger scale, obviously. I was comfortable and I think I was confident in what I could do.”
Following this experience, Murti returned to Penn State University for his senior year with a new perspective on sports radio. Once he graduated, he began working as a reporter at WHP 580 and as a sports anchor at the Radio PA Network. Before he returned to New York as a full-time producer at WFAN exactly one year later in 1993, he received a valuable piece of advice from news director Bill Richardson. It reminded Murti of a principle critical to the success of athletes, managers and reporters alike and continues to guide him to this day.
“The advice he left me with was, ‘It’s only radio. If you screw it up, just come back and do it again tomorrow,’” Murti recalled. “I’ve never forgotten it [and] some version of that pops into my head quite often. I think I amended that a little bit to say, ‘Listen, let me just do the job today and I’ll figure out how to do it again tomorrow.’”
Murti always sought to be a voice on the air and was placed out of his element in his role as a producer. Through working with established on-air hosts and reporters, including Steve Somers, Suzyn Waldman, Howie Rose, and Ian Eagle, Murti gained an understanding of the responsibility garnered upon them. In order to succeed in the marketplace, the hosts had to be informative and entertaining to sports fans, overseeing a place where fans could express their emotions and convey their opinions about the teams and players they cared about.
“I learned what kind of preparation it takes [and] what kind of personality it takes,” Murti said. “I was a good on-air personality, I thought, when I was in high school and college. This was just a different world; a different level that I was learning and soaking in.”
While Murti did not feel apprehensive about working in the New York-metropolitan area, he was unsure about producing on a full-time basis, leading him to have several conversations with executive producer Eric Spitz.
Nonetheless, Murti absorbed a large amount of information and picked up on intricacies related to producing and stood out. As a result, he was afforded the opportunity to travel with Spitz and his crew at Westwood One Radio to the Summer Olympics in Atlanta in 1996. That experience, quite simply, changed everything, as Murti realized he had the ability to transition from being a producer into a bonafide reporter.
“I got done with those couple of weeks and realized, ‘Wow, I can do what those guys are doing,’” Murti articulated. “It wasn’t, ‘I’m better than that guy.’ I [just] somehow thought this was a different level of something that was higher than me, and after working with them and being around them and helping them do these things, I realized I would be able to do that job just as well as they were because that’s the kind of confidence I had and I knew I’d be prepared for that.”
One year later, Murti joined SportsRadio 94 WIP in Philadelphia to become a full-time sports anchor and had the chance to regularly go on-air. After working at the station for a year, he returned to WFAN and was placed on the air, albeit in a part-time role, doing overnight updates. He also returned to the Summer Olympics in 2000, this time in Sydney, Australia, working with Westwood One Radio as a reporter.
Leading up to the World Series between the New York Mets and New York Yankees in that same year, WFAN reshuffled its midday show. Russ Salzberg and Steve Somers were moved out of the 10 a.m. to 1 p.m. slot in exchange for Jody McDonald and Suzyn Waldman. Because of Waldman’s new role hosting middays and doing television work with the Yankees, her role as the station’s beat reporter for the team opened. Since Murti was working overnight shifts, he made sure to stay early into the morning one day to meet with Mark Chernoff, then-program director of WFAN (he would often arrive for work at approximately 6 a.m. each morning).
Once he made his intention known to Chernoff, he scribbled Murti’s name down on a pad of paper and had other people advocating for him to land the job around the station. Around the time of the Christmas party, Murti received the news that he had landed the job – very much representative of his dream role – and prepared for the upcoming spring training in Tampa. Waldman proved to be a vital resource for Murti to learn the role, accessible both by phone and at the ballpark.
“She helped me kind of work through the early stuff,” Murti said. “After a little while, I just tried to figure it out on my own. I wanted to lean on her to get myself going, but I didn’t want to constantly lean on her. I kind of wanted to see how I could figure it out myself at that point. It was great getting to figure it out with her to start and then kind of going off on my own.”
Murti had been on the air from the time he was in high school and was cognizant of his long-term goals. Combining his adoration for baseball and skillset in reporting was his ultimate intent – and he was fortunate that the timing worked out.
“Those jobs were kind of created,” Murti said. “I didn’t know they existed. I can’t tell you that was a goal; I just knew I wanted to be the play-by-play announcer for the Phillies when I was 13 years old. That was my goal but I didn’t go do Minor League Baseball play-by-play when I was 22. I came to FAN and moved on that track.”
Walking into the clubhouse for the first time in Tampa, Murti knew not to expect to immediately foster deep relationships with any of the players and uncover concealed stories. Instead, he focused on the long game, gradually cultivating dialogue and learning the vernacular to become familiar with the team. He expected this role to last much longer than one season and segmented the process by piecemeal.
“I think that I had the idea of hoping to get to do this for a while so let’s just take it slow,” he recalled. “Let’s just not try to talk to Derek Jeter, Paul O’Neill and Bernie Williams every day about something that’s going to make me be their confidant.”
Through performing his role, Murti observed the quotidian routines and habits of the great players – and the Yankees, coming off a stretch of four championships in five years, knew how to optimize their play to get results conducive to success. Murti was able to apply some of those lessons to his own craft as a journalist, keeping him focused and motivated to perform.
“The great ones put yesterday behind them very quickly whether they had a great game or a bad game,” Murti said. “That’s probably where watching Jeter up close really mattered because he was so good at that. He would be pissed off if he made outs or [if] they lost a game, but he wasn’t smashing water coolers like Paul O’Neill or throwing things. It was just, ‘Okay, listen, that’s over. Let’s focus on the next one.’”
Murti focused on both the trials and tribulations of the players, but always looked at the macro (team) rather than the micro (individuals). To him, the big picture was most important and taking each result in stride – just as a well-balanced team establishing and maintaining a winning culture aims to do. It helped him create a style – one that transferred from radio to television to writing. Murti endeavored in all three over his time as WFAN’s Yankees beat reporter, a job he exited last week.
Over his time as a reporter, Murti has contributed to programming on MLB Network, YES Network, and SNY among other networks. The production tactics and time constraints in television contrasted with radio – in fact, Murti likened it to being a cog part of a larger system to execute a play in football – and it gave him different methods in which to present his reports.
“The teammate aspect of what I used to do at FAN is definitely something I loved and appreciated,” Murti explained, “but there are a lot more moving parts to television that make you rely on other people’s help to make everything look and sound better.”
He also had the ability to live out his dream doing play-by-play announcing in a Major League Baseball game when filling in for Yankees’ radio voice John Sterling. With Waldman as his color commentator, Murti brought fans the action in the Yankees’ matchup against the Houston Astros as family and friends listened from his hometown. He did not view the assignment, for which he volunteered, as an audition; instead, it was more about embracing and making the most of a unique opportunity.
“I think I brought a lifetime of caring about being on the radio and loving watching baseball,” Murti said. “I think I bring that every night; I hope I brought [it] that night to a degree that satisfied everybody. It was just a thrill beyond belief.”
Whether it was watching the Yankees win the World Series in 2009; writing articles about the team and its players for WFAN’s website; or hosting various podcasts, Murti thoroughly enjoyed his time at the station. Just as the landscape of media has endured rapid evolution and realignment, the role of a beat reporter was analogously shifting – leading to Murti’s departure from WFAN last week.
“We tried for a long time to figure out how to evolve and create the different content that would click,” Murti said. “It just became harder to accomplish, I guess. I’m grateful that it lasted as long as it did.”
The nature of working in radio has drastically adapted amid a marketplace saturated with an overabundance of content and platforms on which to consume it. As a result, radio faces a maelstrom of competition from media outlets and, nowadays, independent creators disseminating their work. Yet it still remains a medium based on a communal aspect, representing and implementing the authentic voice of the fan as an outlet of both catharsis and jubilation.
“Even though a lot is consumed individually through phones now and through social media, to hear the actual voices and the emotions in those voices – good or bad; high or low – it’s still something you can’t duplicate on social media,” Murti said. “You’ve got to come to the radio to be a part of that. That’s something I hope never goes away.”
The greatest compliment Murti could have ever received was a listener remaining in their car to finish hearing one of his reports – and he hopes to continue to be able to fuse baseball and journalism together in whatever his next role may be. Amid a post-WFAN world, he looks to continue bringing viewers the story and create new memories, utilizing his versatility to be an asset to any media brand.
“I enjoy lots of stuff,” Murti said. “I do enjoy writing and I hope I still get to do some of that. I enjoy the TV work; I love interviewing people and getting to tell those stories. It’s a really big thrill turning on a microphone, wherever that is, and telling people what’s happening. I hope I still get to do that.”
Derek Futterman is an associate editor and sports media reporter for Barrett Media. Additionally, he has worked in a broad array of roles in multimedia production – including on live game broadcasts and audiovisual platforms – and in digital content development and management. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, email Derek@BarrettMedia.com or find him on X @derekfutterman.
