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Sean Hannity: My Issues With 2020 Election Were About State Laws

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Sean Hannity told lawyers during a deposition as part of the Dominion Voting Systems defamation lawsuit against Fox News that he never believed former President Donald Trump’s claims about the 2020 President Election being stolen. That revelation came months before it was uncovered that several other prominent Fox News hosts and executives echoed those claims.

However, the network is now undergoing a credibility crisis, and a caller on Hannity’s nationally syndicated radio show accused Hannity of knowingly lying about the situation, which he pushed back on.

“You knew the election wasn’t stolen from Trump, and you guys lied about it anyway because you felt you had a good reason,” the caller said, as transcribed by Media Matters.

“No. If you listen to what I said on the air every day, what did I talk about? Let me remind you. I talked about laws being violated,” Hannity responded. “Partisan observers, for example, most states have laws that partisan observers get to watch the vote count from start to finish. In 2020, they were a hundred feet back. They were a thousand feet back. There was no accommodation to uphold the law that allows partisan observers to observe.

“I made the case about Pennsylvania’s constitution being violated because the constitution in Pennsylvania, it specifies in great detail, the only people that can vote by mail. Now instead of going through the arduous process of getting a constitutional amendment. State legislators decided they just would pass a law. Well, that’s not how you amend a constitution by passing a law. So they went the unconstitutional route. Now, you know, a lot of courts didn’t want to take up these cases, but I’m just telling you the truth.”

Hannity often gave time to Trump allies after the 2020 Election, including Sidney Powell, who claimed “the dead Venezuelan dictator Hugo Chavez, liberal philanthropist George Soros, communist Chinese money, and the CIA,” had all conspired against Trump in the election.

Powell also told Hannity in an additional interview that Dominion voting machines were implanted with software that would change votes from Trump to Biden.

A message from Fox News Chairman Rupert Murdoch to Fox Corp. board member and former Vice Presidential candidate Paul Ryan claimed Hannity had been “privately disgusted by Trump for weeks, but was scared to lose viewers” after the January 6th Insurrection.

Former Fox News Contributor: Network ‘Created A Monster With Their Own Audience’

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Fox News has come under fire after private messages reveal the network’s hosts, executives, and even Chairman Rupert Murdoch did not believe the election denialism espoused by then-President Trump after the 2020 election.

Former Fox News contributor Jonah Goldberg — who now serves as a CNN contributor — appeared on CNN This Morning Wednesday to discuss the situation and claimed the network had become fearful of the audience it helped bolster and was forced into agreeing with Trump’s campaign out of worry its devoted fans would leave the network for Newsmax or OAN.

“What comes across blisteringly clear is that Fox management thought that the competing issues here have nothing really to do with serious journalism and telling the truth,” Goldberg said. “They had to do with holding on to an audience even — even if that cost them integrity and reputation as telling the truth to their audience because they created a monster with their audience that they were then terrified of.”

Goldberg was a contributor on Fox News for 12 years, but left the network after Tucker Carlson’s Fox Nation project Patriot Purge claimed the January 6th Insurrection was a “false flag operation”, insinuating the FBI, other national security agencies, and Antifa were the culprits for the altercations at the U.S. Capitol.

Goldberg argued that the Fox News news gathering division remains unscathed from the scandal, claiming Bret Baier “fact-checked this stuff”. CNN This Morning co-host Don Lemon pushed back on that claim, saying the news coverage is often overshadowed at the network by the conservative primetime pundits — Sean Hannity, Tucker Carlson, and Laura Ingraham — which Goldberg claimed was indicative of the industry as a whole.

“There is a problem across the media landscape — it’s just wildly out of scale at Fox — and the problem is that the opinion side started to set the news agenda,” countered Goldberg. “The issues that got ratings for the opinion people became the issues that the news side largely reported on. And just became this sort of self-defeating process. And then they just got addicted to the ratings and the returns.”

State of the Union Address Reaches Record Low Viewership

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Perhaps it was due to the continuing downward trends in linear TV viewing. Or, perhaps a divided Congress makes for any messaging to be moot. Perhaps the overall presence of President Biden does not make for scintillating entertainment. Or, a combination of any of these factors, alongside the caveat that Biden’s 2022 SOTU address occurred mere days after the start of Russia’s invasion of Ukraine, might have attributed to the record-low viewership figures for a State of the Union address.

On Feb. 7, a combined 27.312 million viewers across sixteen networks tuned in — the lowest ever, since at least 1993, the first year Nielsen Media Research measured SOTU addresses with total viewers. Biden’s speech to a joint session of Congress three months after being sworn in at his inauguration in 2021 actually drew less viewership, at 26.94 million.

Despite the address receiving one of the more raucous feedbacks in U.S. history — with several Republicans in Congress reacting loudly to Biden’s verified claim that some GOP members have plans to cut Social Security and Medicare as a way to reduce the deficit — it was off 29 percent from Biden’s 2022 State of the Union (38.2 million), with every outlet covering the speech seeing a decline from last year:

  • Fox News Channel: 4.695 million viewers (-35 percent)
  • ABC: 4.405 million viewers (-30 percent)
  • NBC: 3.778 million viewers (-20 percent)
  • CBS: 3.637 million viewers (-25 percent)
  • MSNBC: 3.569 million viewers (-12 percent)
  • CNN: 2.411 million viewers (-50 percent)
  • Fox broadcast network: 1.656 million viewers (-11 percent)
  • Univision: 1.083 million viewers (-20 percent)
  • Telemundo: 0.836 million viewers (-28 percent)
  • Newsmax: (9-11 p.m.) 0.277 million viewers (-40 percent)
  • CNBC: 0.128 million viewers (-55 percent)
  • NewsNation:  0.097 million viewers (-37 percent)

In the key 25-54 demographic, ABC posted 1.1 million viewers, followed by NBC with 1.0 million, Fox News with 853,000, CBS with approximately 700,000, CNN with 651,000, MSNBC and Fox Broadcasting each with about a half million.

Arkansas Gov. Sarah Huckabee Sanders delivered the Republican response on Feb. 7 from 10:47-11:01 p.m. ET. Fox News Channel (4.716 million) led in coverage, followed by ABC (2.992 million), MSNBC (2.631 million), NBC (2.494 million), CBS (2.353 million), CNN (1.621 million), Newsmax (0.302 million from 10-11 p.m.), CNBC (0.109 million) and NewsNation (0.100 million). Note: viewing figures for the GOP response on the Fox broadcast network, Univision and Telemundo were included within the same data block as the State of the Union.

Cable news averages for February 6-12, 2023:

Total Day (Feb. 6-12 @ 6 a.m.-5:59 a.m.)

  • Fox News Channel: 1.540 million viewers; 205,000 adults 25-54
  • MSNBC: 0.777 million viewers; 92,000 adults 25-54
  • CNN: 0.500 million viewers; 98,000 adults 25-54
  • HLN: 0.153 million viewers; 39,000 adults 25-54
  • CNBC: 0.122 million viewers; 32,000 adults 25-54
  • Fox Business Network: 0.116 million viewers; 13,000 adults 25-54
  • The Weather Channel: 0.089 million viewers; 15,000 adults 25-54
  • Newsmax: 0.089 million viewers; 7,000 adults 25-54

Prime Time (Feb. 6-11 @ 8-11 p.m.; Feb. 12 @ 7-11 p.m.)

  • Fox News Channel: 2.520 million viewers; 359,000 adults 25-54
  • MSNBC: 1.374 million viewers; 159,000 adults 25-54
  • CNN: 0.719 million viewers; 163,000 adults 25-54
  • HLN: 0.192 million viewers; 43,000 adults 25-54
  • CNBC: 0.180 million viewers; 52,000 adults 25-54
  • Newsmax: 0.120 million viewers; 12,000 adults 25-54
  • NewsNation: 0.099 million viewers; 17,000 adults 25-54
  • The Weather Channel: 0.095 million viewers; 17,000 adults 25-54
  • Fox Business Network: 0.055 million viewers; 9,000 adults 25-54

Top 10 most-watched cable news programs (and the top programs of other outlets with their respective associated ranks) in total viewers:

1. State of the Union/Analysis (FOXNC, Tue. 2/7/2023 10:22 PM, 25 min.) 4.797 million viewers

2. State of the Union/Republican Response (FOXNC, Tue. 2/7/2023 10:47 PM, 14 min.) 4.716 million viewers

3. State Of The Union 2023 (FOXNC, Tue. 2/7/2023 9:09 PM, 73 min.) 4.695 million viewers

4. State Of The Union Coverage (FOXNC, Tue. 2/7/2023 8:55 PM, 14 min.) 4.280 million viewers

5. Tucker Carlson Tonight (FOXNC, Tue. 2/7/2023 8:00 PM, 55 min.) 3.724 million viewers

6. Tucker Carlson Tonight (FOXNC, Wed. 2/8/2023 8:00 PM, 60 min.) 3.716 million viewers

7. MSNBC Special Coverage “State Of The Union Analysis 2023” (MSNBC, Tue. 2/7/2023 10:22 PM, 25 min.) 3.688 million viewers

8. State Of The Union Address “2023 Address” (MSNBC, Tue. 2/7/2023 9:09 PM, 73 min.) 3.569 million viewers

9. The Five (FOXNC, Wed. 2/8/2023 5:00 PM, 60 min.) 3.546 million viewers

10. Tucker Carlson Tonight (FOXNC, Thu. 2/9/2023 8:00 PM, 60 min.) 3.500 million viewers

32. State Of The Union 2023 (CNN, Tue. 2/7/2023 9:08 PM, 75 min.) 2.411 million viewers

186. Real Time With Bill Maher “Episode 624” (HBO, Fri. 2/10/2023 10:01 PM, 58 min.) 0.834 million viewers

387. The Daily Show “Feb 9, 23 – Chelsea Handler” (CMDY, Thu. 2/9/2023 11:00 PM, 35 min.) 0.348 million viewers

391. Varney & Company (FBN, Mon. 2/6/2023 10:00 AM, 60 min.) 0.342 million viewers

423. Shark Tank “Shark Tank 1206” (CNBC, Mon. 2/6/2023 9:00 PM, 60 min.) 0.293 million viewers

429. Forensic Files (HLN, late Fri. 2/10/2023 1:00 AM, 30 min.) 0.284 million viewers

467. World’s Funniest Weather “207 Quit Pooling Around” (TWC, Sun. 2/12/2023 4:00 PM, 30 min.) 0.252 million viewers

657. Cuomo (NWSN, Mon. 2/6/2023 8:00 PM, 60 min.) 0.170 million viewers

Top 10 cable news programs (and the top  programs of other outlets with their respective associated ranks) among adults 25-54:

1. State Of The Union 2023 (FOXNC, Tue. 2/7/2023 9:09 PM, 73 min.) 0.853 million adults 25-54

2. State of the Union/Analysis (FOXNC, Tue. 2/7/2023 10:22 PM, 25 min.) 0.849 million adults 25-54

3. State of the Union/Republican Response (FOXNC, Tue. 2/7/2023 10:47 PM, 14 min.) 0.826 million adults 25-54

4. State Of The Union Coverage (FOXNC, Tue. 2/7/2023 8:55 PM, 14 min.) 0.737 million adults 25-54

5. State Of The Union 2023 (CNN, Tue. 2/7/2023 9:08 PM, 75 min.) 0.651 million adults 25-54

6. Tucker Carlson Tonight (FOXNC, Tue. 2/7/2023 8:00 PM, 55 min.) 0.635 million adults 25-54

7. State Of The Union Preview “State Of The Union 2023” (CNN, Tue. 2/7/2023 9:00 PM, 8 min.) 0.616 million adults 25-54

8. State Of The Union Analysis “State Of The Union 2023” (CNN, Tue. 2/7/2023 10:23 PM, 24 min.) 0.581 million adults 25-54

9. Hannity (FOXNC, Tue. 2/7/2023 11:03 PM, 57 min.) 0.537 million adults 25-54

10. Tucker Carlson Tonight (FOXNC, Wed. 2/8/2023 8:00 PM, 60 min.) 0.537 million adults 25-54

12. State Of The Union Address “2023 Address” (MSNBC, Tue. 2/7/2023 9:09 PM, 73 min.) 0.500 million adults 25-54

191. Real Time With Bill Maher “Episode 624” (HBO, Fri. 2/10/2023 10:01 PM, 58 min.) 0.124 million adults 25-54

265. Forensic Files (HLN, late Mon. 2/6/2023 12:30 AM, 30 min.) 0.101 million adults 25-54

270. The Daily Show “Feb 9, 23 – Chelsea Handler” (CMDY, Thu. 2/9/2023 11:00 PM, 35 min.) 0.099 million adults 25-54

292. Shark Tank “Shark Tank 1206” (CNBC, Mon. 2/6/2023 9:00 PM, 60 min.) 0.094 million adults 25-54

574. World’s Funniest Weather “203 Wanna Pool Around?” (TWC, Sun. 2/12/2023 2:00 PM, 30 min.) 0.042 million adults 25-54

582. Varney & Company (FBN, Fri. 2/10/2023 11:00 AM, 60 min.) 0.041 million adults 25-54

610. Newsnation Prime (NWSN, Sat. 2/11/2023 7:00 PM, 60 min.) 0.039 million adults 25-54

Source: Live+Same Day data, Nielsen Media Research

Megyn Kelly Calls Sally Field’s SAG Awards Speech ‘Virtue Signaling’ & ‘Apology For Being White’

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During the 2023 Screen Actors Guild Awards, actress Sally Field was honored with a lifetime achievement award. In her acceptance speech, Field acknowledged the struggles of people of color in the entertainment industry and noted that by comparison, the struggles of a “little white girl with a pug-nose born in Pasadena, California” were miniscule.

Her comments drew criticism from Megyn Kelly, who accused Field of “apologizing for being white” and of “virtue signaling.”

“The Megyn Kelly Show” host called Field’s speech “pathetic” and suggested that the actress could have instead focused on issues such as the casting couch culture and the difficulties faced by women in the industry. Kelly argued that Field’s comments were “diminishing” to people of color in the room and accused her of assuming they were all oppressed.

Megyn Kelly suggested that Sally Field could have utilized her speech to speak out against the casting couch culture prevalent in the industry she worked in, which had led to the emergence of individuals like Harvey Weinstein. She added, “no, she’s got to be like, ‘I’m the little white girl from Pasadena, and I suffered nothing like you people did here in this room.” 

Comedian Adam Carolla, a guest on Kelly’s show, suggested that entertainers feel pressure to address issues such as systemic racism to remain employable in Hollywood. However, Kelly pushed back and called for an end to what she sees as the practice of virtue signaling during acceptance speeches.

Kelly argues that actors should say “thank you” and avoid divisive comments. While it is essential to acknowledge and address systemic issues in the entertainment industry and beyond, Kelly believes that doing so in acceptance speeches is counterproductive and unnecessary.

Jon Stewart Reflects on Backlash For Supporting Covid-19 Lab Leak Theory

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During a recent episode of his show “The Problem with Jon Stewart” on AppleTV+, the comedian and talk show host addressed the controversy surrounding his support for the COVID-19 lab leak theory. Stewart faced backlash for expressing his belief during an appearance on “The Late Show with Stephen Colbert” last year. Despite the recent disclosure by the US Energy Department stating that a laboratory leak is now considered the most probable cause of the pandemic’s origin, Stewart did not believe this absolved him of any wrongdoing.

According to the New York Post, Stewart joked that he wasn’t waiting on the Department of Energy to weigh in on the issue and expressed concern about the inability to discuss ideas without falling into absolutes and litmus-testing each other’s political allegiances. He also criticized the dismissive and angry response he received from critics on the left, who attacked him for his remarks last year.

Stewart recalled that his backlash was swift and loud but didn’t take it personally. In the past year, most mainstream media organizations widely criticized the lab leak theory of COVID-19 as a conspiracy theory.

“The part that I don’t like about it is the absolutes and the dismissive like ‘f–k you, I’m done with you. I will never forgive you; you have crossed an unforgivable line. You’ve expressed an opinion that is antithetical to mine or not mine,'” Stewart said.

During his appearance on “The Late Show,” Stewart used humor to illustrate his belief in the theory. He expressed disbelief that the virus could have originated from a lab but highlighted the need to consider all possibilities. He pointed out that science had helped ease the pandemic’s suffering and may have caused it.

The controversy surrounding the COVID-19 lab leak theory continues to generate debate and discussion. Some believe Jon Stewart’s recent comments highlight the need for open and constructive dialogue about controversial topics without falling into absolutes and litmus-testing each other’s political allegiances. 

FOX Weather Celebrates Expanded Distribution

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FOX Weather’s President, Sharri Berg, has revealed that the ad-supported streaming TV (“FAST”) weather service offered by FOX News Media is now available on Optimum, Spectrum, and LG Channels as part of its expanded distribution. In a news release, Berg expressed her pride in America’s Weather Team for continuing to expand their best-in-class weather service and making FOX Weather a destination for viewers across many significant providers.

Spectrum subscribers can watch FOX Weather through its Spectrum Select Package on channel 217, which may vary depending on the area.  Additionally, FOX Weather is available on LG Channels, a free streaming service exclusively offered by LG Electronics USA. Users of LG Smart TVs can access FOX Weather on channel 148 through the LG Channels home app within the Electronic Program Guide.

Since its launch in October 2021, FOX Weather has added many distribution partners including Verizon Fios, The Roku Channel, fuboTV, YouTube TV, Amazon News, DIRECTV STREAM, Xumo Play, WOW! Vidgo, TuneIn, and Plex. The service remains available via simulcast on FOX Business Network on weekend mornings and through FOX Television Station Diginets in top markets such as New York, Los Angeles, and Chicago.

FOX Weather’s expansion to these new distribution partners allows viewers in more areas to access its weather service. FOX Weather continues to add to its distribution partners to ensure broader access to its quality weather service, which includes real-time weather updates, radar maps, and live coverage of severe weather events.

Rush Limbaugh Headlines Recipients of BFOA Leadership Awards

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The Broadcasters Foundation of America Leadership Awards for this year will recognize Rush Limbaugh’s remarkable career contributions to the broadcast industry. Limbaugh’s widow, Kathryn, will accept the award on his behalf. 

Other award recipients include Jim Doyle, the founder of JDA Media; Steven Lanzano, who currently holds the position of President at the Television Bureau of Advertising; Debra O’Connell, President of Networks at The Walt Disney Company; Deborah Parenti, who is the President and Publisher of Radio Ink/RBR+TVBR; and Heidi Raphael, the Chief Communications Officer at Beasley Media Group.

The ceremony will occur during the National Association of Broadcasters (NAB) Show at the Broadcasters Foundation Annual Breakfast in the Bandol Two room at Wynn Las Vegas on Wednesday, April 19. The ceremony starts at 7:00 a.m. The Breakfast will include the presentation of the Lowry Mays Excellence in Broadcasting Award, and information regarding the award recipient will be revealed soon.

The Broadcaster’s Foundation has assisted numerous broadcasters who have suffered catastrophic events, debilitating illnesses, or unforeseen tragedies by providing millions of dollars in aid. Individuals can make donations to the Foundation’s Guardian Fund. Donations from businesses can be received via the Angel Initiative. 

The Broadcaster’s Foundation was founded as a 501(c)3 Public Charity and has earned a top rating of 100 for financial health from Charity Navigator. For more information, please visit www.broadcastersfoundation.org, call 212-373-8250, or email info@thebfoa.org.

Jamie Hersch Is Breaking News and Glass Ceilings

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With every tick of the clock, the NHL trade deadline draws closer as organizations decide whether or not to add pieces to compete for a Stanley Cup championship. Whether teams elect to make deals ahead of deadline day or wait until the final seconds, the landscape of the league is subject to change at a moment’s notice and fans are on edge to learn and react to breaking news. It is adrenaline garnered off the ice, and a feeling that Jamie Hersch and those at NHL Network typically experience as spring nears its bloom.

Hersch grew up as a fan of the Minnesota Wild, but she closely follows the NHL and the evolution of the game working for this league-owned broadcast entity. Throughout each program, she has the freedom to express her opinion, implement analysts as she sees fit and collaborate in segments to present a compelling, on-air product. Much like developing strategy at the trade deadline, Hersch continues to ruminate over her career – filled with relocations, special events and other trials and tribulations – to serve as a role model for women in sports media and catalyze a new normal.

Over the last year, Hersch has experimented working as a play-by-play announcer for select showcase games on NHL Network, something she never thought possible; that is, until someone recommended she try it. The suggestion came after she voiced a desire to hear more women call live sporting events. “Someone kind of called my bluff on that,” Hersch explained pertaining to how she started to think about working at the craft.

Through preparation at home, in the studio and in the studio parking lot before her shift, she has quickly honed her craft, augmented her versatility and set an example for women everywhere.

“No one ever told me you can’t call games because you’re a woman, but I think I never had that example in my mind as an option for me because it hasn’t really been done,” Hersch said. “….I’m having the time of my life.”

In this new wrinkle to her broadcasting career, Hersch has had to spend an immense amount of time preparing for games, which she satisfies by reading articles, reviewing statistics and learning background information about the players and personnel. She calls the games remotely off of a monitor from NHL Network’s studios in Secaucus, N.J. and pairs with an analyst to break down the action. The preparation for this type of role, however, is nuanced and intricate, demanding pliability and alacrity to rapidly adjust and tailor the broadcast to the story of the game – all while keeping informed about the movement of the puck.

Within her preparation, Hersch tries not to depend on studying line charts considering forward and defensive units often change over the course of a game. As a result, it is nearly impossible to guarantee consistency unless a line is well-established and invariably productive, giving the coaching staff no reason to alter it. Moreover, it is critical to know information about each of the players whether they are a superstar or a healthy scratch, along with their tendencies – just in case they end up becoming the primary storyline of the contest or a last-minute addition.

“I’ve always believed that the separation is in the preparation,” she added. “….I know that if I’ve put in my time and prepared to my utmost, then I can go into a game confident that I know what I’m talking about.”

With each broadcast, Hersch estimates she spends about 20 hours in total studying, whereas hosting studio programming and reporting takes considerably less time since it comes much more naturally to her. Growing up in Champlain, Minn., Hersch has early memories watching Minnesota Vikings football games with her father, along with keeping score of Minnesota Twins’ baseball under her grandfather’s tutelage. One of the first times she thought about pursuing a career in sports media came from watching Michele Tafoya, former sideline reporter on Monday Night Football, present information to enhance the broadcast from the field.

“[She] really stood out to me as a component, capable woman speaking about football just as eloquently and knowledgeably as any of the guys,” Hersch said. “I remember really being struck by that as a girl and thinking, ‘Oh wow, I could do something like that; I think that would be really fun.’”

In high school, Hersch demonstrated an indefatigable drive to attain her goal and began attending football practices as a student-media member. Accompanied by her friend who desired to work in film, the duo recorded interviews with players and coaches, along with collecting other B-roll to compile into video reports that aired on the school’s morning news program, The Rebel Report.

Shortly thereafter, she submitted her work to the Minnesota State High School League, an organization that offered her a chance to work as a student sideline reporter. Eventually, Hersch found herself reporting from state hockey, football and basketball tournaments as a high school student, her penchant for sports and journalism evident on news networks across the Minneapolis-St. Paul area. Simultaneously, she was a member of the school’s softball, basketball and volleyball teams, affording her recondite perspectives garnered by athletes.

Captivated by its broadcast journalism program, Hersch attended college at the University of Southern California’s Annenberg School for Communication and Journalism. Once per week, she participated in a newscast resembling professional working conditions, including a morning editorial meeting, shooting stories as a “one-man band” and editing the piece in time for the show. Additionally, she had the chance to anchor some of the programs, sometimes pivoting to breaking news in the process, along with reporting on the esteemed USC Trojans football program.

“I always say it was like a first job because it allowed me to get that experience of actually reporting live and having to work under incredible deadlines and go out there and actually get the story,” Hersch said. “I did that on the news side, but I also always loved sports.”

Out of school, Hersch relocated to Madison, Wis. where she began anchoring a weekend news program and serving as a multimedia journalist with WKOW-TV. Being in the state capital, Hersch was frequently assigned to cover gubernatorial stories, such as those pertaining to the Wisconsin state legislature. While she was grateful to receive chances to go on the air, she desired to tell feature stories that she found excitement in reporting, drawing her back to the world of sports.

“My time in news taught me that I only want to work in sports,” Hersch said. “It takes a really special type of person to be able to handle the grind of a daily news reporter job in terms of the content that you’re covering.”

Hersch transitioned into anchoring and reporting on sports on WKOW-TV where she covered teams including the Milwaukee Brewers, Green Bay Packers and University of Wisconsin Badgers. Through this work, she was able to attend events including the NCAA Division I men’s basketball tournament, Super Bowl XLV and the National League Championship Series. Additionally, she had the chance to return to Los Angeles, Calif. to cover the Badgers in the Rose Bowl for three consecutive years (2011-2013), creating lifelong memories and building vast on-field reporting experience.

Weeks after the 2013 Rose Bowl, Hersch announced she would return home to cover the Minnesota Twins and Minnesota Wild in a dual media role with Fox Sports North (today known as Bally Sports North). During the baseball season, Hersch was a reporter, traveling with the Twins and enterprising stories to present during the broadcast.

Conversely, the start of hockey season was indicative of transitioning into hosting studio coverage, through which she previewed and subsequently recapped Wild games. In addition to staying on the pulse of the team, she was responsible for eliciting comprehensive, succinct analyses from panelists and, when necessary, conducting interviews.

“The person you’re interviewing, I think, can very quickly know if you’re just nodding your head and waiting to ask your next question,” Hersch said. “I think it’s disrespectful almost to not listen to the answer when they’re taking the time to give you an interview. Not only that, but then sometimes they might say something really interesting or really ridiculous and you can ask a follow-up question if you are listening to the answer.”

The two jobs, which are currently held by Audra Martin, have a stark contrast in how they are executed; however, their broader goals align in keeping the fan informed and engaged. Although Hersch preferred her time as a studio host for Wild broadcasts because of the extended time to effectively report a story, being able to maintain a constant presence around the Twins gave her unparalleled access. The tradeoff of having the potential to divulge stories that, without traveling, may have otherwise gone undetected was in the way the information was delivered.

“You have about 20 to 30 seconds that they want you to get all the information you can in that time and then talk back to the action because you don’t want to miss a hit in baseball or a goal in hockey,” Hersch explained. “[The roles] are completely different just in terms of the length of time that you kind of have a voice.”

While baseball has instituted several new roles ahead of the 2023 season to speed up the pace of play – which have largely been successful in spring training – the game of hockey at its core is predicated on dynamic action. Whether it is the addition of a pitch clock, larger bases or limiting defensive shifts, baseball is attempting to modernize tradition and ingratiate itself towards a younger audience. There is a definitive strategy involved in finding ways to innovate and position teams and leagues for success regardless of the varying tempos of different sports.

“I’ve thought about maybe trying baseball in the future, and it couldn’t be more different than hockey,” Hersch said. “Hockey is non-stop action [where] every second, something could happen; whereas baseball is a lot more methodical.”

Hersch affirms that being a woman in sports media evinces heightened expectations and conspicuous misogyny from consumers and some colleagues. Despite many women entering the industry in a variety of different roles, Hersch believes they are held to a higher standard and expected to be flawless. While she knows these expectations are prejudiced, they motivate her to show up informed, alert and ready for each broadcast.

“I think credibility as a woman in sports is so, so hard to build and so easy to lose,” Hersch said. “I feel it’s my responsibility almost not just as a woman, but someone who cares about their job, to make sure I do my homework, do my research and go in prepared as much as possible [for] every single show. One slip-up that may have been easy to overlook if you’re a man can be very easily turned against you as a woman.”

Following her stint with Fox Sports North, along with working as a sideline reporter for the Big Ten Network’s presentations of football and hockey games, Hersch joined NHL Network as a studio host. Leaving home was not an easy decision for Hersch and it disappointed fans of Minneapolis-St. Paul sports; however, it gave her the opportunity to appear on a national stage.

As the host of On The Fly, a nightly recap show with highlights, news, analysis and interviews, Hersch brings fans action from around the league in less than an hour (when factoring in commercials). She has also contributed to Quick Pitch, the baseball recap show on MLB Network, which usually requires summarizing 15 or more games per episode. Certain game days in hockey have considerably fewer matchups on the slate, meaning more time per episode to explore games in detail and focused preparation.

Sometimes, the network pairs Hersch with a studio analyst to break down aspects of contests to be able to dive deeper into the program. She generally does not leave the studio until 2 a.m. EST, coinciding with the completion of games on the West Coast, but finds that working on a show in this format keeps her thoroughly immersed in the sport.

“To be able to tune in and watch a one-hour recap show, you literally see almost every goal [and] every big save, and we try to sprinkle in a lot of relevant information as well,” Hersch said. “It’s exciting; it’s fast-paced; we’re only showing the very best of each and every night.”

During her time at the network, Hersch has also hosted NHL Tonight, a national show featuring hockey analysts and insiders discussing the game in a more protracted format, often centering around the night’s action. As hockey seeks to market its superstars and entice younger demographics, Hersch hopes network programming plays a role in growing the game no matter the viewer.

“I think we do a good job, or at least we try to, of balancing both generating interest from people that really know the game and want to know even more [while] also making it very applicable to people who are just tuning in because they’re trying to learn more about hockey or maybe another team because they only follow one team,” Hersch explained. “We try to do a good job of covering all 32 teams in the league and making it fun in the process.”

Over the years, Hersch’s hosting style has evolved to a place where she is able to let her personality shine through. Moreover, she interacts with her colleagues on the air, fostering compelling conversation surrounding hockey aimed at retaining viewers by imbuing the show with entertainment-value. It took time for Hersch to become comfortable displaying her personality on camera, but she has found a way to gradually grow accustomed to expand her on-air presence and exhibit her versatility.

“In the past few years, I think we’ve all been encouraged to kind of have our own voice,” Hersch said. “….All of us as hosts, I think now we tend to be a little more open and fluid with the more, I guess, traditional style of hosting.”

Amid the continued trend of cutting the cord and consuming content through OTT providers and direct-to-consumer platforms, the future of regional sports networks is very much up in the air. With the expected bankruptcy claim of Diamond Sports Group; the recent news that Warner Bros. Discovery is looking to divest its assets in the business; and NBCUniversal planning to stream its RSNs on Peacock, the business and coverage of teams is changing.

In the near future, it is entirely reasonable to surmise teams may own their own broadcast network, as is the case with Monumental Sports and Entertainment – owners of the NHL’s Washington Capitals, the NBA’s Washington Wizards and the regional sports network, NBC Sports Washington.

In working on a regional sports network prior to joining NHL Network, Hersch enjoyed focusing her coverage on hometown teams. Yet she was unable to go genuinely in-depth with some of the topics around the league, making subpar seasons challenging in terms of retaining interest. 

Now at the national level, Hersch has a plethora of teams to discuss and a roster of expert analysts and contributors to confer information from and instantiate working chemistry. In other words, she is able to examine timely storylines whether they pertain to the Montréal Canadiens, Seattle Kraken or any team in-between – free of the repudiation or suppression from expressing a point of view.

“Having that freedom to criticize teams when they’re not doing as well and maybe some changes should be made… is a much more sensitive topic when you’re working for a regional sports network because you are partners with that team,” Hersch said. “….I think it’s a lot better to just be able to speak your mind and kind of just for our analysts to be able to call it like they see it and they don’t have to sugarcoat it. That’s, I think, liberating from a national perspective.”

Throughout her career in sports media, establishing and maintaining relationships at all levels of the industry has been imperative for collaboration and success. Whether it is members of the crew, on-air colleagues, producers or executives, she is grateful to have a team of people around her assisting in all facets of the production. It reminds Hersch of her formative days in the industry when she was effectively her own production crew, capturing stories in the field while serving all roles from director to production assistant.

Furthermore, Hersch views the hockey community as familial in the sense that there is a predominant sense of professional congeniality around the league. For example, she points to a pattern of fired coaches quickly being hired by other organizations, ensuring they remain part of the game and still lend their expertise.

Even though the game is played with the ultimate goal of winning the Stanley Cup in mind, the action on and around the ice genuinely extends beyond a frigorific clash. It is encapsulated in the proceedings of NHL All-Star Weekend, a gathering of players, personnel and fans where they exude their passion for the game.

“It’s one of my favorite events ever because everyone is just relaxed and everyone knows that they’re just there for fun and to celebrate the game and there’s nothing really on the line,” Hersch said. “It takes the pressure off of everything, and you end up getting to talk to some of the biggest players in the game who would normally be really stressed out.”

On March 8, Hersch will be part of an all-women program on NHL Network on International Women’s Day alongside colleagues Jackie Redmond and Lauren Gardner. The first time the network aired such a broadcast in 2018, Hersch was nervous whether she and the other women would be able to carry it, but her fears were quickly assuaged thanks to their knowledge and abilities as media professionals.

“It’s been so much fun to kind of watch it grow over the years and evolve into kind of just a regular NHL Now that happens to be hosted by all-women and have women contributing in various roles on- and off-camera. It’s no longer this big deal, pressure-cooker show that it [once] was.”

In the past, Hersch was motivated to excel in order to continue improving and satisfy her ego and other self-serving interests. Today, she is a mother of two children and looks to set a positive example for them as both a woman in sports media and a working mother. Being a parent has changed Hersch, and renewed her perspective on the impact she garners in the industry.

“I posted a video that my husband took of me calling a game and my kids watching,” Hersch said. “I’m getting emotional thinking about it because it’s so special to me to have them be able to see that. I think that it’s really cool [for them] to know that women have a voice in sports just as much as men do, and I think they’ll grow up knowing that’s completely normal. That’s a really beautiful thing to me.”

Entering any broadcasting assignment prepared and ready to perform at a high level in any role is a fundamental aspect of durability and productivity. By gaining as many repetitions as possible and possessing an acute awareness of sports and the business world, established and aspiring professionals alike can stay ahead of the curve and avoid mayhem at the last minute. Hersch will host trade deadline coverage on NHL Tonight this Friday at 7 p.m. EST, where she will recap all of the transactions around the league, guiding and contributing to the discussion as the playoffs move closer.

“It’s fun to talk about winning teams,” Hersch said. “Every single night, we’ve got plenty of winning teams to talk about.”

Sam Pines Wants To Make Life Easier at the BSM Summit

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The BSM Summit will be here before you know it. In less than a month, we will all be in Los Angeles discussing what is and isn’t working for our industry and what we can do better. Sam Pines is already there and thinking about these very topics every day.

Pines is the Senior Vice President of ESPN 710 LA. After spending seventeen years in Cleveland, Good Karma Brands sent him to California when the company took over operations in Los Angeles. Maybe it has taken some getting used to, but who wouldn’t rather spend winters with sunshine and days that top out in the 60-and-70-somethings as opposed to freezing rain and negative temperatures?

One thing he hopes visitors to the city won’t do is buy into the stereotype of local sports fans. LA is very worthy of hosting a conference featuring some of the most influential minds and biggest names in sports media.

“The sports fandom is as passionate, I will say, as anywhere I’ve seen, for teams,” Pines says. “If you saw the LAFC final, it was an incredibly passionate fanbase. If you look at LeBron’s record-breaking game, it’s an incredibly passionate fanbase. Even if you’re at a game where the Lakers win or lose by ten, it’s still a really passionate fan base. We see that with all the teams that that we work with.”

Sam will be on an executive panel at the BSM Summit alongside Don Martin, and Stacey Kauffman. Bonneville’s Scott Sutherland will moderate the session titled “Business Strategy For Economic Uncertainty“. The group will address some of the key issues facing the media industry while also reflecting on some of the biggest success stories.

I asked him what it is he hopes to cover while on stage.

“I think getting, for sports radio, more of a diversity of thought. I think the panel, it sounds like it’s going to look way too much like me. I think that is our one of our challenges as we go into the future.”

Diversity has been a common subject at past BSM Summits. How sports radio attracts more black and brown faces is a problem. Many have stood on stage and said they want to help solve the problem, yet we keep having the same conversation year after year.

ESPN 710 LA can point to Amanda Brown as evidence that it is worth investing in and elevating diverse points of view. She has been with the station for twelve years and is now the program director.

She has been shouted out from the stage at multiple BSM Summits in past years as speakers acknowledge the rarity of a woman being given the chance to program a sports radio station, let alone a station in a top 2 market.

The acknowledgment has been great, but we are back in LA in 2023. Sam Pines is excited that this year, Amanda Brown gets to be on stage and share her opinions with the crowd.

“I think it’s great, and that goes to the diversity of thought when we look at what sports radio has been in the past. To continue to evolve as sports and sports media have is awesome. So to see someone like Amanda up there, it’s long overdue.”

People choose to attend the BSM Summit for all kinds of reasons, and it is people at every level of the sports media business. Leaders of networks and media companies will be there. Some of the biggest stars in our industry will be there. Students will be there. A wide variety of perspectives and opinions will be available to anyone that uses the time between sessions to network.

Pines wants to hear as many as he can. Sure, executives want to talk to other executives and compare notes on how to solve common problems, but there is value in talking to the people that either haven’t yet reached your level or are on a different path in the business completely. Those are the people Pines is most interested in hearing speak, whether on stage or one-on-one.

“I prefer the way content creators think. It is amazing to me,” he says. “So whether you’re putting together 5 minutes of social or 4 hours of filling in dead air and making hundreds of thousands of people interested in what you ate for dinner. To me, how they story gets told is awesome. But I want to know how can we, as executives, make their life easier and make it better to make that content and more enjoyable because it can be a grind for them. I’ve seen that and want to know how to combat it.”

The BSM Summit will be held on March 21 and 22 at Los Angeles’s Galen Center on the campus of USC. Tickets and hotel packages are on sale now.

KFC: Barstool New York Office Will Evolve Into Comedy Production Powerhouse

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Kevin “KFC” Clancy has a vision for the future of the Barstool Sports office in New York City.

With Penn Entertainment recently completing its acquisition of remaining ownership stake in the digital media giant, Clancy pondered the future on KFC Radio on Tuesday. He said Barstool’s presence in the comedy scene is growing, and he’s ready to take things to the next level.

“If Barstool is serious about it and we go about it the right way, I do not see how Barstool fails in the world of comedy,” Clancy said. “We have made so many inroads at KFC Radio in the comedy world that almost every comic respects us and likes us and wants to work with us. And now if we formalize that and Barstool New York becomes hopefully a hub for stand-up comics and TikTok stars and scriptwriters and internet video creators and whatever genre of entertainment you’re in, it’s like we were able to do that the first go-round.”

Clancy added that if Barstool puts all the knowledge they have about networking and connecting with the best of internet comedy then they’ll do well. He said with the Penn backing and the already established resources and connections, combined with strong social media platforms, there’s no reason they can’t successfully seek out talent to work with.

“I can go to every up-and-coming comic or up-and-coming personality and be like, you want to get involved with us? Here is what you get immediately,” he said. “You get exposure like this, you get distribution like this. We can help you with production, we can help you with creativity. We give you the production space. The literal and figurative support that you need.”

“Now we’re in a place that we’ve figured out the game and we know how to do it,” KFC added. “So let’s go do it with the funniest people on planet earth.”

But Clancy did say the road was paved with plenty of breaks and good fortunes along the way, so he’s trying not to get too far ahead of himself at this point.

“We would still need a lot of that shit to fall in to place to ever really replicate that success again,” he said. “But we’ve positioned ourselves so well to go do that I don’t see how it doesn’t work out.”