Home Blog Page 2417

Talk Radio Reacts To KGO 810 Format Change

8

One of the oldest news/talk brands in the country is signing off. San Francisco’s KGO 810 is changing formats Monday. The station made its debut back in 1924. 

The Cumulus-owned station has not confirmed what the format change will look like but according to The Desk, KGO Radio will relaunch as a sports betting format using the moniker, ‘The Spread’. A combination of BetQL and local sports betting talk programming is expected to be featured starting Monday.

Late Thursday, broadcast industry professionals reacted to the news via social media.

“It has been a dream come true. When I was a college student at San Jose State University, I always said my dream was having my own show on KGO Radio,” said host Nikki Medoro on Facebook. For the last several years, I fulfilled my dream of talking with people in the Bay Area, the hometown that I love.” 

Listeners were shocked to hear the station interrupt The Mark Thompson Show Thursday with a recorded message shortly after 10 a.m. 

“End of an era, but not all that surprising considering the way the winds are blowing in that business,” tweeted former overnight man Ray Woodson.

“This is extremely sad. I have nothing but happy memories of producing @KGO810 for 6 years. Feel terrible for my old coworkers losing their jobs and to the KGO listeners,” said former producer Albert Ermelo. 

KCBS Radio’s Doug Sovern said he was shocked to learn of the format flip. 

“This is shocking, to say the least,” he tweeted. “A Bay Area Radio institution, which had already been gutted, quite frankly, for years, is dead,” he said. “One of the great stations in the history of radio. Rest In Programming.”  

“So apparently, the last shovel of dirt has been thrown on KGO, interestingly after their best book in some time,” added former KGO host Gil Gross. From the teasers during the music stunting of songs about money and the stupid tease line “you can bet on it”, it’s going to be another robot run sports betting format which is all the rage among brainless, out of ideas, radio companies.” 

WBBM Radio host Rob Hart said that KGO’s 27-year run as the top-rated station in the city was remarkable. 

“I had two co-workers who had long tenure at KGO Radio in San Francisco, and a bunch of people who were second- and third-degree radio connections so I knew the esteem it once held in that city,” he added

Jim Cramer Speaks Out Against Elon Musk’s Twitter Deal

0

“Mad Money” host Jim Cramer is speaking out about the Elon Musk Twitter deal. Earlier this week, Musk reportedly submitted a new proposal to buy the platform for $44 billion after backing out of a deal to purchase the company several months earlier. 

Musk contended that Twitter undercounted the number of fake bot accounts on the platform, Twitter responded by accusing Musk of acting in bad faith and backing out of the deal because the markets were turning. 

With a case in Delaware Chancery Court pending, Musk’s deposition scheduled for Thursday and Friday in Austin, Texas has been placed on hold. 

“The answer is the Chancery is just going to hold him to everything and he realizes that he made a big tactical mistake in not understanding the Delaware law favored the incumbent,” Cramer said via Mediate. 

“It wasn’t like he suddenly realized ‘well, holy cow, I really want the asset.’ He was going to have to pay for the asset no matter what,” he added. 

According to the New York Post, representatives for Musk and Twitter were still negotiating the takeover deal through late Wednesday, with no immediate resolution in sight.

“People I know who practice in that court thought Musk was making an ill-advised campaign to get the stock price lower and that there was no reason whatsoever for the people who run Twitter to say ‘you made a deal, now you can’t break it,’” Cramer said.

A trial scheduled for Oct. 17 will reportedly begin. 

FOX Nation to Debut New Christmas Film

0

FOX Nation will debut a new original Christmas film entitled “Christmas at The Greenbrier.” Additionally, the platform will also expand its library of holiday content in celebration of the upcoming Christmas season with several additional feature-length acquisitions.

“We are ecstatic to mark the upcoming holiday season with the release of our second original film and provide our subscribers with a top tier offering in a genre we know they love,” said Jason Klarman, president of the streaming service. The Greenbrier was an ideal setting to bring this movie to life and we’re incredibly proud of the product.”

“Christmas at The Greenbrier” debuts on Thanksgiving and will feature Emmy nominated actress Alicia Leigh Willis, who plays a widowed mother named Abby, and Josh Murray, who plays a former professional football player Ben.

According to a news release, the two, who dated previously but ended their relationship when Ben turned pro, unexpectedly reunite during a stay at The Greenbrier and spend time together enjoying the magical holiday activities that resort has to offer. 

Four festive titles will be made available on the platform beginning in November:

1.       Country Roads Christmas: The daughter of a country singer finds forgiveness and love when she loses her job at a record label and is urged to reunite with her famous father as his road manager. (Dropping 11/27/2022)

2.       Christmas in Wolf Creek: After a runaway reindeer threatens the annual holiday play, a couple struggling to maintain their relationship must work together to save Christmas for the town and each other. (Dropping 12/4/2022)

3.       Christmas in Rockwell: A famous Hollywood actress returns to her hometown where she is enlisted to participate in a Christmas play which threatens her small peaceful village with the chaos of Hollywood. (Dropping 12/11/2022)

4.       The Wise Men Who Found Christmas: In this thrilling, visual adventure that captures the wonder of the Christmas season, New York Times bestselling author and FOX News Media contributor Raymond Arroyo shares the true hidden story of three seekers who followed a star and found themselves in the middle of the greatest story ever told. (Dropping on 12/16/2022)

Grant Stinchfield Joins Salem Podcast Network

2

Los Angeles talk radio host Grant Stinchfield has reached an agreement to work with the Salem Podcast Network (SPN). According to a news release, the “Stinchfield” podcast will be released on Oct. 10. 

SPN was ranked the #11 podcast network in America in August by Triton Digital based on average weekly downloads. SPN averages nearly 14 million downloads per month.

Stinchfield co-hosts “The Morning Answer” on Salem’s AM 870 The Answer KRLA Los Angeles. He will continue in that role with co-host Jennifer Horn. 

“This podcast is about pushing back and refusing to be silenced,” Stinchfield said in a statement. “We will expose the stories the mainstream media refuses to cover.” 

Stinchfield spent nearly four years with the National Rifle Association as the host of “Stinchfield” on NRA TV. He also hosted “The Stinchfield Report” on Cumulus Media’s news/talk KLIF Dallas (570) for more than six years.

“Grant does a great morning show with Jen in Los Angeles, and we’re excited that he’s moving up on the Salem platform,” said Phil Boyce, Salem Media’s Senior VP for Spoken Word. “Now, listeners all over the country get to hear his take on the day’s news and events. We’re delighted to give him this opportunity.”

“I am so proud to be a part of Salem Media, an organization that refuses to sit idly by and watch our nation fall deeper and deeper into debt and despair,” added Stinchfield.

97.1 The Eagle’s Switch From Rock to Talk Could Begin Trend

0

As the entire radio industry knows by now, a huge move took place in the Dallas-Fort Worth market when 97.1 The Eagle flipped from a rock format to talk. Many in the business were shocked by the move, but maybe none of us should have been all that surprised.

Is it possible that this is just part of the trend that we will see more of over the next several years? I believe it will be. 

If you look at what’s most likely to move the needle for radio over the next decade, it’s not playing Stairway to Heaven or Hotel California an extra time per day. It’s not trying to out-Spotify Spotify with commercial-free hours. It’s not trying to out-niche Sirius XM. 

It’s personality-driven talk. 

It is more likely to connect with an audience and drive ratings and revenue off of a loyal audience. The cume for a talk station may not be what the cume would be for a huge music station in any given city, but if in the end, the business is about long-term sustainability, revenues, and loyal, local advertisers, then this is a format move that could end up making sense in other markets.

And this doesn’t just apply to News Talk, it could be any talk format. Sports Talk. Guy Talk. Or “Hot Talk”, as 97.1 The Eagle is being considered. 

One of the hosts, Ben Rogers, told Barrett Sports Media that their station will not be defined by a specific type of talk, saying “If you forced a Philadelphia-style playbook on Dallas-Fort Worth, I think that’s misguided. What city in Dallas-Fort Worth do people dislike the most? It’s probably Philadelphia. What happens is, this playbook is implemented by program directors and they end up being the fun police and they have to micromanage creative people that are trying to do content and they have to say, hey, get back to sports. You need more sports.”

And frankly, that’s how it should be. 

Local personalities and decision-makers who know their market and can drive the talk format in whatever direction they see fit. 

Also, we will probably continue to see the lines of News Talk and Sports Talk blur together over time as well. We already know that sports, politics and culture are continuing to converge, which can make for great talk radio in general. And if you have engaging, smart, entertaining hosts who are up to speed on the topics and issues of the day, you may tune into a talk station years down the road and have no idea if it’s supposed to be what we would consider today a News Talk station or a Sports Talk Station.

So as we look into the future and figure out where the growth is going forward, it’s finding, developing, and promoting the next generation of talk personalities. Don’t get me wrong, there will always be a demand for great music stations in cities across the country and they will remain successful. But when we look down the road and find soft spots in the market, talk may be the answer. 

Andrew Patterson Jumped At Chance To Join Jomboy Media

0

Until June 2022, Jomboy Media operated without a chief executive officer, but as time went on, it was determined that the company needed to add someone to help lead planning, operations, strategy and development across multiple media platforms. Andrew Patterson was selected to help lead Jomboy Media into the future and now three months into the job, he recognizes the power of the company in its ability to innovate within the world of sports media.

Jomboy Media is a digital sports media brand that has experienced exponential growth over the last several years. The company was started by Jimmy O’Brien and his friend Jake Storiale, and it initially became widely known due to video breakdowns O’Brien created of prominent moments in baseball, such as ejections and evidence of sign-stealing following initial reports of the Houston Astros illicitly engaging in the practice during the organization’s 2017 championship season.

First centered around the Talkin’ Yanks podcast started by avid New York Yankees fans O’Brien and Storiale in 2017, Jomboy Media eventually reached a point where it was beginning to grow so quickly that it required a larger time commitment. That growth has hardly slowed with the brand attaining $5 million in a recent funding round led by Connect Ventures featuring athletes such as Dwayne Wade, C.C. Sabathia and Karl-Anthony Towns, along with other renowned celebrities.

Major League Baseball is the oldest professional sports league in the world and while it has been criticized for being behind the curve in various facets of its game ranging from pace of play to the promotion of its athletes, it was at the forefront of the proliferation in social media usage at the start of the last decade. Patterson was hired by MLB Advanced Media (MLBAM), the league’s interactive division, as the senior director of new media.

In fact, he was the first employee hired with a focus on social media altogether. Now working as a manager for the first time in his professional career, Patterson built the new media division with the addition of 85 employees and enlarged the league’s social media following by over 4300%.

“I think it’s better to be lucky than to be smart, but even better to be smart not knowing you’re getting lucky,” Patterson said. “It was just the right timing and the right place there. I found myself at MLBAM and that kind of started my career in sports at this point.”

Following a stint of over eight years with MLBAM, Patterson joined Greenfly, a digital media asset management and distribution platform co-founded by former Major League Baseball all-star outfielder Shawn Green. Patterson initially served as its vice president of partnerships and strategy before being promoted to senior vice president and, eventually, chief strategy officer.

Coinciding with Patterson’s time at Greenfly was the rapid evolution of Jomboy Media from an independent start-up cultivated out of a passion for baseball and love for the Yankees to a brand at the forefront of the growing digital sector in sports media. As a Yankees fan himself, Patterson noticed what O’Brien was building and once it was announced that the company was looking to hire its first CEO, was excited to explore the opportunity.

“There was a tangential kind of familitary there and then being a Yankees fan, you see [the] content,” Patterson said. “It was one of those interesting things where there’s a lot more under the hood when you start to get into it.”

An important value ingrained within the culture of Jomboy Media is its people-first mentality, and it is one of the reasons the brand has attracted fans of baseball and sports as a whole to its various pieces of multiplatform content, such as podcasts, tournaments and YouTube breakdown videos. It is a facet of the company that impressed Patterson during the interview process and has given him further motivation to help the brand soar to new heights as one of its newest members.

“As you kind of start to unpack understanding a little bit more about me [and] quite frankly understanding about the business and them and where they’re going and where they’re headed and how they think – there’s kind of an alignment [in] vision and direction,” Patterson expressed, “and that’s why I was excited to come on…. It’s definitely been eye-opening just kind of the pendulum the business has and all the places that they’re going and the opportunities that fit there.”

The world has undoubtedly been forever changed by the events of the COVID-19 pandemic and in the business world, that means the diminishing practice of reporting to work in an office for five days a week. Jomboy Media recently moved its headquarters from the Bronx to Manhattan, which was announced in the form of a YouTube video, and features various podcasting studios and workspaces to ensure maximum comfort and productivity.

Nonetheless, the company is operating in a hybrid format, meaning that people are not required to come to the office every day of the work week, but still maintains a tight-knit, congenial atmosphere.

“People are happy,” Patterson said. “They’re excited about it. I think it pervades… the work that they do and the relationship they have…. It’s just a fun place to be, and having worked in a lot of places that I really enjoyed; even when I’ve left places… one of the biggest parts that I missed was the people, and that’s one of the parts I’m most excited about here.”

While emerging technologies have made the effectuation of stellar and engaging content more facile than ever, it can be argued that the synergy and chemistry between people lacks when working in separate locations. A massive adaptation in lifestyle due to changing global conditions evinced feelings of dis-ease experienced through difficult times, nor did the adaptation represent one of permanence to some company leaders. Patterson believes it is ultimately the decision of each individual company to determine the future of working in-person among colleagues – and subsequently establish means of collaboration.

“I think there’s a balance to it,” Patterson said. “….Given the first two years of the pandemic where remote work in some way, shape or form is here to stay, I think that what we’ve also found from the office is that there’s a gravity and a reason people come together. When we are filming and we have talent working from one place or another or just kind of cross-sharing ideas; just the small things. People walking to lunch together, bumping into each other and having conversations. I think that aspect of it – just the community aspect of it – is a real piece of it.”

Consumers value authenticity in today’s media world and it is embedded in the fabric of Jomboy Media, a company with a podcast network consisting of over 20 shows and a YouTube subscriber count of nearly 1.7 million people. The authenticity comes from an amalgamation of perspectives garnering unparalleled ethos including directly from fans, established commentators and professional athletes. The company values people who possess a good work ethic and are driven to find new ways to grow the platform, along with having a presence behind the microphone and/or in front of the camera and being sincere in their opinions.

“I think the business is not about takes; it’s about storytelling [and] I think that’s the difference,” Patterson said regarding Jomboy Media’s approach towards its content. “[Our talent] is not looking for shocking and aweing; they’re having an authentic and probably more than authentic I’d say a genuine experience in how they enjoy the game and how they talk about that.”

Storytelling is the foundation of journalism in all contexts, as its premise is one’s ability to gather information, ensure its accuracy and communicate a message to an audience both clearly and concisely. In evaluating talent both internally and externally, Patterson looks for a sustained level of curiosity, willingness to improve each day and, as O’Brien puts it, people who are able to be “fun, not funny” and assimilate into the culture.

“You can find very talented people, but for a team I think even more special than [it] is the kind of atmosphere and environment that people have here,” Patterson said. “It’s something that’s very special and it’s a hard thing to kind of keep over time. I quite frankly think it comes through in the content that we produce which is why people very much enjoy it.”

Being able to place oneself into a conversation with content creators and fans encompasses consumers within a brand, and Jomboy Media leverages that effect of social media to its advantage. When he worked at MLBAM, Twitter was the primary platform for interaction and while it remains prevalent today, other competitors such as Instagram, Snapchat and BeReal are competing for people’s attention and engagement.

The congested landscape of social media platforms requires employees accruing new knowledge or companies bringing on new people with relevant knowledge and, when applicable, experience, in order to safeguard that it does not fall behind. For example, Lorenzo DeMalia and Jack Doyle – co-hosts of the We Got Ice Show and content creators at Jomboy Media – are trying to help the company expand its reach on TikTok.

“Technology creates a new way to have a new spin on existing conversations, and then it’s just finding new ways to leverage that,” Patterson explained. “We’re constantly looking at what our fans are doing, how we can tell our stories in different ways and how we can push those and in some cases where we can find people who can do an even better job.”

One thing that is not always instantaneous is the cultivation of new ideas since the creative process varies in duration for different people. There is often an incessant need to produce new content – especially in today’s day and age –  but ensuring the quality of that content meets and/or exceeds standards has a considerable impact on long-term growth. Putting out meager content that fails to adequately tell a story can sometimes be counterintuitive to brands akin to Jomboy Media, but being willing to fail and try new things often facilitates improvement and eventual success.

“We see people who have ideas coming to the table consistently just bringing new things and pushing it,” Patterson said. “[Try] one idea and if that doesn’t work, let’s try another remix or let’s try a derivative of that and keep on going there. I think when we find something that works, we’re patient enough to kind of keep on trying until we find a way to [make it] work and then we can build on what we’ve done.”

There are a myriad of similarities between traditional radio and podcasts, primarily their bases in aural communication; however, the growing prevalence of podcasts in the marketplace is depictive of shortcomings traditional radio as a medium has yet to significantly overcome. For one thing, podcasts are designed to be consumed from wherever and at whenever consumers see best fit rather than scheduled radio shows, some of which are posted in full or in smaller segments in an on-demand format soon after their initial debuts over the airwaves.

“The accessibility of podcasting as a format and just kind of how it’s ubiquitous and no matter where you’re listening you probably have an opportunity there,” Patterson said. “That’s the biggest difference, I think, between podcasts and radio – where you can do appointment viewing, but in addition to appointment viewing, on the platform of your choosing.”

Jomboy Media, while it is a digital company at its core, also works with traditional sports media outlets including regional sports networks. The company struck a deal with YES Network prior to the start of the baseball season to produce exclusive content for the television home of the Yankees, including podcasts and digital series.

A few months later, the company partnered with NESN, which serves as the television home of the rival Boston Red Sox, similarly producing original content for the NESN 360 direct-to-consumer subscription-based streaming service.

“I think the idea of taking the communities we have and bringing them to their content [creates] a mutually-beneficial relationship,” Patterson said. “To be able to work with YES and NESN and learn from all that’s worked well with traditional media but also being able to bring our spin, our distribution [and] our approach to content is something different. I think that those two things are where you get one plus one equals five, which I think has been really different.”

Another aspect of the YES Network deal specifically is the production of an alternate broadcast available exclusively on the network’s app. Tilted the Watchin’ Yanks Jomboy-Cast, the broadcast follows a similar model to ESPN’s production of Sunday Night Baseball with Kay-Rod, except it is built on a partnership between a regional sports network and digital sports media brand. The alternate show features longtime hosts O’Brien and Storiale and gives fans a new way to watch the game and exposure to perspectives rooted in zealous fandom.

“As we find new partnerships and new ways to innovate, I think that’s just part of the nature of the business,” Patterson said. “You can’t sit still; you have to be always looking at what the next frontier is and how we can push forward.”

In fact, the alternate broadcast was featured for several nights during the final games of Aaron Judge’s quest to break the American League single-season home run record (61) set in 1961 by former Yankees outfielder Roger Maris.

Judge blasted his 62nd home run earlier this week, 61 years later in Arlington against the Texas Rangers, prompting jubilation from baseball fans around the world including those at Jomboy Media. The next day, O’Brien put out a video breakdown of the historic moment on the company’s YouTube channel, and it has already received over 500,000 views.

“He has a very unique perspective and interesting way of approaching content because at his core and [in] his heart, he’s a storyteller,” Patterson said of O’Brien. “He finds stories in ways of thinking and seeing things in ways that I think are extremely unique…. There’s an ingenuity in what he does that is extremely interesting, and I’m excited to learn from him.”

The average age of a baseball fan in a recent survey by Sports Business Journal was found to be 57, the oldest among all professional sports. As a result, Major League Baseball has prioritized growing its game among younger demographics – and content coming from digital brands such as Jomboy Media certainly help further its mission.

Patterson does not believe Jomboy Media as a company facilitates the growth of baseball though; instead, he attributes the somewhat-contrived role of a catalyst for the expansion of the game to an understanding of the audience and what kind of content people are interested in consuming.

“The constant is that we’re fans and we enjoy the game,” he said, “and when you’re having fun, people are often having fun with you. If what we do is highlighting the fun parts that we love about the game and that lets other folks that are baseball fans or new fans or otherwise also see what we see and they love the game, then that’s the purpose that we serve. I don’t think that it’s an intentional one on our part. It really is just to enjoy and to show people what we love and what we’re passionate about.”

There is a positive growth trajectory for the company as it looks to continue to produce multiplatform content about baseball and professional sports as a whole, and Patterson looks to ensure its sustained success. As long as everyone involved looks to keep creating and discovering new ideas for content, the future of the business is bright.

“There’s a lot of directions that we can go; how we decide where our core strengths are and where the business’ core strengths are and how we leverage and double-down on those; that’s the challenge,” Patterson said. “I think there’s a lot of opportunity out there and remaining kind of focused on what we do special and what works for us particularly I think is the important part and that’s challenging and fun.”

It is essential to innovate and remain at the forefront of changes in the industry, and being adaptable and versatile are commodities many employers look for in today’s job market. For Andrew Patterson and Jomboy Media, staying tenacious in content creation and continuing to push boundaries is what they hope will allow for the company to soar to new heights.

“A lot of this is just working and doubling down on it; being dedicated to kind of pushing it,” Patterson said. “I don’t really know if I have a secret per se. It really is just kind of finding something you’re passionate about and then just being curious about expanding that, learning and growing.”

How Do You Position Your Sales With a New Competitor in the Market?

0

Last week we discussed how to evaluate a third station coming into the sports format from a programming perspective. When a third station moves into your format, things can get crowded. We looked at the situation in Dallas-Fort Worth with an anticipated third all-sports station, iHeart’s 97.1 The Freak joining market leader KTCK from Cumulus and Audacy’s The Fan 105.3. As it turns out, The Freak is explaining on-air that they are a Lifestyle, not ALL SPORTS talk station, even though most of the on-air talent came from the other two sports stations in the market. And that includes Mike Rhyner, credited with co-founding The Ticket in 1994 and winning afternoon drive for most of his 26 years on the air.

To help with the sales strategies, I asked Alec Drake to lend his insight. Drake is President of Drake Media Group, a sales consulting company. In his radio career, Alec was most recently DOS for Cumulus Dallas and managed The Ticket from 2009 to 2021. He is a regular writer for Radio Ink Magazine.

How would a market leader with a new format competitor handle this with clients? 

That #1 station has been a premium buy and choice in the market for years. The ongoing process of building value with clients, being confident rather than arrogant, and not taking business for granted should sustain them. The best approach is to be “aware” but not reactive to a new player in the format.

Your narrative with clients should acknowledge the change and, at the same time, reinforce what has made you the strongest station for many years. There will be clients who want to take advantage of the new circumstances, and in the short term, you might have some turnover in clients that are not preventable. Terms and conditions in your existing business agreements should afford some stability and be revisited with key clients on potential changes. For example, rates on any station are always in motion due to demand shifts, seasonality, and ratings.

Longer-term clients are protected with predictable pricing, preferred treatment on schedule clearances, and access to top-tier assets on the station, like endorsements and event and content sponsorships. These are sticky connections and will give everyone time to see if the new entry in the market has staying power. There is a big difference between buzz and sustainability. Anyone in radio has seen the ups and downs due to circumstances, and the professionals in the business always look out six to 18 months with strategic planning. Lastly, do not negatively sell or trash talk anyone who is a competitor.

What strategies can the new competitor take when approaching its former clients and clients on the competition? 

What impact does the format change have on current agreements? You can offer incentives to stay if they want to leave, but you must be careful not to give away the farm, or your upside from the change will get eaten up in concessions. The proof of your decision to change and the positive results will take some time, so do not be hasty to touch every order and client with options. Again, what terms and conditions are in place with your existing business?

Regarding approaching clients across the street, watch out for overpromising something and then under-delivering on what the outcome might render. Creating a buzz and being shiny and new only lasts for so long. 

Let me give you an example regarding a pricing strategy that backfired for KEXL when they came after us at KISS in San Antonio. KEXL came in with very low pricing, which was 15 to 20% of the rates on KISS. We knew that competing on price was not an option, so we encouraged bottom-feeder businesses that wanted to jump on their station for low rates to go ahead. We made sure our better clients knew that the rates were very low and they should take advantage of using funds outside of commitments to us and buy up some “cheap” spots during the initial hype. This sold out KEXL in short order and did two things to their plan; they were stalled in coming after us since they were sold out for a month, and they had to start raising rates earlier, which was not part of their short-term strategy. They also looked unorganized in managing their business. We showed confidence in our position and our commitment to our clients’ longer-term success. 

What if you are #2 in the format and get a competitor? How is that response different? 

Each station in a Sports/Talk format will have its unique characteristics regarding show lineups and strength of personalities, PXP affiliations, and a core of P1 listeners. Anyone might sample something new because they are curious about what the new station will sound like, what is the chemistry of the new lineup, and do they offer anything that was missing from existing choices in the market. This is a natural process and will happen regardless of what you do. The key is how you react, what you project in confidence, and keeping an even keel in the middle of some choppy water.  

Depending on the gap between you and your previous competitor, you might consider becoming a follower of the dominant station instead of a competitor. If you were number two already, your goal is to keep that ranking and not drop to #3. You should watch carefully how the leader handles the new competition and take notes. You want to associate some of the same principles in your narratives, like heritage, relationships, and established research that supports your value vs. the unknown. In pricing, you also want to follow the leader and not try to discount your way into saving business and look like a station that does not know its own value.

Alec Drake offers insights 24/7 in his free Sales Success Library at Alecdrake.com. I recorded a pod with Alec about this topic. Listen to it here.

ESPN NBA Countdown Will Have New Team for Wednesday Doubleheaders

0

ESPN announced the change of it’s NBA Countdown show’s Wednesday setup today.

Starting in November, Malika Andrews, Richard Jefferson, Chiney Ogwumike and Kendrick Perkins will expand their roles from NBA Today and join senior NBA Insider Adrian Wojnarowski in anticipation of ESPN’s Wednesday NBA doubleheaders.

Wednesday NBA Countdown shows will air on ESPN at 7p ET.

Jimmy Smith Out as WWE Raw Announcer

0

The WWE made some play-by-play announcer shakeups on Thursday and that includes Jimmy Smith’s time with the company coming to an end.

Smith replaced Adnan Virk as the lead play-by-play announcer for WWE Raw last May.

Smith tweeted a statement.

“Just wanted to say, now that the story is officially out, that my time with the WWE is officially done. Had a lot of fun and met some great people. Really and truly blown away by the acceptance from the WWE fans! You folks make it work every week and your enthusiasm was amazing!”

The WWE Raw announce team now consists of Kevin Patrick and Corey Graves. WWE will move Byron Saxton from color commentator to backstage interviewer and Cathey Kelley is returning to the company to become a backstage interviewer as well.

The company’s FOX product, SmackDown, will feature Michael Cole and Wade Barrett until Pat McAfee returns from his ESPN College GameDay role. Megan Morant and Kayla Braxton are the backstage interviewers.

Drew Brees Open to Doing an Alternate Broadcast

0

When Drew Brees stepped away from NBC to spend more time with his family, he didn’t close the door on any future broadcasting opportunities completely.

Brees spoke to the AP Pro Football Podcast about his broadcasting past and what could be his future. In the discussion, he noted that he sees the way football is being watched is changing with alternate broadcasts.

“I think the world by which the fans consume the game is also changing. I think you see a lot of these alternative broadcasts that are taking place. … It’s really kind of an interesting way to watch the game and hear the game and learn about the game.”

Brees then added that doing an alternate broadcast, much like the ManningCast, is something that he’d be very interested in exploring.

“From my perspective, I just watch a game totally different than probably most people,” he said. “It’s hard to just sit back and watch it as a fan. You’re so analytical with everything. You put yourself in the moment at all times. And I think that’s a really interesting perspective for fans to hear. I look forward to finding ways that that can be communicated in a much more in-depth way that’s kind of outside the norm or what is like the typical formula for broadcasting a game.”