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CNN Strikes Data Partnership with Kalshi

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CNN has agreed to a partnership with global prediction market company Kalshi to bring that company’s data to the network’s journalism.

As part of the partnership, CNN will utilize Kalshi data across its television, digital, and social media channels to provide context and information surrounding the prediction market company’s collection of content.

The data will be included in the company’s ticker and will also be referenced when discussing predictions related to politics, news, weather, and culture.

“CNN is renowned for accurate, fact-based journalism and analysis that helps audiences understand what’s happening,” CNN Senior Vice President of Strategic Partnerships and Business Development Sam Felix said. “By partnering with Kalshi to showcase prediction market data in our programming, CNN journalists will have a fresh, data-based angle from which to explore and better understand the world around us.”

CNN Chief Data Analyst Harry Enten will utilize the information from Kalshi during his reporting on air and on the network’s streaming home. It will also be included in his analysis and fact-checking efforts.

The announcement of the collabroation comes on the heels of Kalshi revealing it has secured $1 billion in a round of fundraising that values the company at $11 billion.

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Brandon Tierney, Sal Licata Confirm Craig Carton Return to WFAN With Future of Show Still Officially Unknown

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Reports indicate that former WFAN morning host Craig Carton is expected to return to the station in January, marking what would be his third tenure with the New York sports radio powerhouse. For WFAN hosts Brandon Tierney and Sal Licata, reports say their program will be removed as part of Carton’s return to the radio station.

The news surfaced during Tuesday’s BT & Sal show, where hosts Brandon Tierney and Sal Licata did not address the speculation during yesterday’s program. Wednesday, the duo opened their program addressing the reports while emphasizing professionalism amid ongoing negotiations.

“We have to acknowledge and start the show. We’ve read what’s going on. We’ve been in the loop,” Licata said. “This is not a surprise. You know, dating back months, as I joked about it, that Craig would come back was always inevitable. That said, nothing is official. I’m grateful I have the opportunity to do the show with you every day, and we’ll continue to do that as long as we have that opportunity.”

Tierney echoed the sentiment, explaining the cautious approach both he and Licata have took while reports developed.

“Yesterday was a tough spot. I think a lot of people want to know why we didn’t get into it on the air as things were breaking in real time. Because we’re being professionals. That’s the short answer. I spoke to an executive this morning, and I know the [Carton’s] contract is not signed. I know that, but I also know that Craig will be coming back. So we’re not trying to fool anybody,” said Tierney.

Carton, who originally co-hosted the Boomer & Carton show, left WFAN origianlly following legal issues, including a securities fraud conviction. Carton returned to WFAN in 2021, quickly regaining a following with his outspoken style and loyal fan base.

His anticipated third return comes amid a reshuffling of the station’s programming lineup and reflects WFAN’s continued interest in leveraging Carton’s notoriety and audience draw.

Tierney also stressed that the current program with Licata is far from concluding, emphasizing stability for listeners despite the impending changes.

“I do think it’s important to stress before we get into the actual show. There will be a day where we’ll do this more extensively. For sure, this is not our last show. We could promise you this. And as long as we’re here, we’re gonna do what we do, which should, which is what we think a pretty damn show.”

Official details, including the structure of Carton’s return and potential co-hosting arrangements, remain under negotiation and have not been released.

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Boomer & Gio Address Craig Carton’s Return Amid More Changes at WFAN

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WFAN morning hosts Boomer Esiason and Gregg Giannotti addressed the radio industry’s shifting landscape and the station’s recent lineup changes during Wednesday’s episode of Boomer & Gio, including reports that former co-host Craig Carton will return to the station in January.

“This is the livelihood of people that have worked here for a long time. A number of people have already come up to me and told me about their fate at the end of December. And it’s not easy. It really isn’t,” Esiason said. “I always tell them the same thing: I’ve been fired, I’ve been cut, I’ve been benched, and I just keep going. You just have to keep your head down, and keep going. Look for the next opportunity. You can never be comfortable in a business like this.”

Giannotti echoed Esiason’s perspective, noting that while WFAN remains strong, the radio business itself has changed dramatically.

“Over the last couple of months, there are so many people that I have worked with for a really long time that are not going to be here. This feels different than every other time,” Giannotti said. He added that while WFAN’s performance remains solid, “it’s just that it’s changed. The way that people are used to on the digital side of things… It’s time to sort of reimagine what’s happening in certain areas.”

Both hosts also emphasized their efforts to support colleagues impacted by recent changes.

“We’re not the victims in this by any stretch of the imagination. They are,” Esiason said. “That’s why you try to give words of inspiration. To give them a fighting chance to find somewhere else in this business, because there are other avenues to go.”

The conversation turned to Carton’s impending return, which was first reported Tuesday during Brandon Tierney and Sal Licata’s B&T Middays program.

“This was in the works for years,” Esiason said. “When he left, there was just too much money for him to turn down. Now he’s going to come back and do what he does best: extemporaneous thought on a radio show for four hours.”

Giannotti acknowledged the emotional and professional toll of ongoing lineup changes.

“I’m excited for the lineup, but also very sad that something else had to change,” he said. “There’s been a lot of different midday and afternoon combinations while we’ve been sitting here. None of them are easy on the people involved.”

He also reflected on how the Carton news broke on WFAN’s airwaves. “It was really tough for those guys in the midday yesterday to have that story come out while they’re on the air. It’s just the worst-case scenario. I really felt for them because their futures are being discussed on major platforms while they’re sitting there doing their show.”

With Carton set to return and other lineup adjustments in place, Esiason and Giannotti said they remain focused on keeping WFAN competitive while supporting colleagues navigating a rapidly changing industry.

WFAN has not officially released any details of changes coming to WFAN for the beginning of the new year.

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CBS Sports Elevates Colt Knost To Full-Time Golf Analyst Alongside Jim Nantz

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CBS Sports is making a significant change to its golf broadcast booth ahead of the 2026 PGA TOUR season. Longtime on-course reporter Colt Knost has been promoted to a full-time analyst role, moving into the network’s Super Tower alongside host Jim Nantz, lead analyst Trevor Immelman and veteran commentator Frank Nobilo.

Knost, a former Tour pro who transitioned to broadcasting after his playing career, first joined CBS Sports on a part-time basis in 2019.

He became a full-time member of the crew in 2021. He quickly earned a reputation for strong player relationships, on-course feel, and a conversational style. His steady rise within the network now reaches a peak. The Super Tower assignment marks his most prominent role to date.

Harold Bryant, CBS Sports’ executive producer and executive vice president of production, said the move reflects both Knost’s growing influence and his chemistry with the rest of the broadcast team.

“Colt has become a valued voice on our team, bringing insight, energy, and his engaging personality to every broadcast,” Bryant said. “Elevating him alongside Jim, Trevor, and Frank in our Super Tower is a natural next step that reflects the trust and respect he’s earned.”

While Knost shifts roles, the remainder of the network’s core crew will stay largely intact. Dottie Pepper will return as CBS’ lead on-course reporter, a position she has held with distinction as one of golf media’s most authoritative voices.

She will once again be joined by Mark Immelman. He continues to handle on-course coverage. Amanda Balionis remains the network’s primary interviewer.

The 2026 PGA TOUR season will once again feature a heavy CBS presence. The network begins its coverage January 31–February 1 at Torrey Pines for the Farmers Insurance Open. It will air on the CBS Television Network and stream live on Paramount+.

CBS will also carry the decisive stages of the FedExCup Playoffs. The network will broadcast the third and final rounds of all three postseason tournaments in August.

The stretch ends with the TOUR Championship at East Lake Golf Club in Atlanta. The FedExCup champion will be crowned there. Anchoring the golf calendar, the Super Tower team, now featuring Knost, will play a central role in this major event.

For CBS, the elevation of Knost represents both continuity and evolution. The network has leaned on familiar voices like Nantz and Nobilo for decades while gradually integrating new talent. Knost’s expanded duties signal CBS’ continued commitment to modernizing its coverage. The network aims to appeal to a younger, more digitally savvy audience. This is done without disrupting the broadcast’s traditional foundation.

Earlier this year, Ian Baker-Finch announced that after more than three decades covering professional golf, he is stepping away from the broadcast booth at CBS Sports. The longtime CBS Sports golf analyst retired from broadcasting, capping a 30-year run in the industry, including the last 19 years with CBS Sports.

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KROQ’s Jake Dill Signs Extension to Stay on Klein/Ally Show

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KROQ morning show cast member Jake Dill has announced that he’s signed a contract extension to remain with the Klein/Ally Show.

Dill has been with the station since November 2021. He joined after spending a decade working at iHeartMedia in Los Angeles.

In a post on social media, Dill shared the news of his extension.

“After much reflection and heartache, I regret to inform you that I have made the tough decision to sign my first contract at KROQ,” he sarcastically shared. “My deepest apologies for staying on Klein/Ally Show for at least the next few years.”

The Klein/Ally Show airs from 5-11 AM on The World Famous KROQ 106.7 FM.

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Rebecca Lowe Added To FOX Sports World Cup 2026 Coverage Team

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Rebecca Lowe is set to take on a prominent role in FOX Sports’ coverage of the 2026 FIFA World Cup, marking a rare and noteworthy on-air crossover between two major networks. The NBC Sports’ lead Premier League presenter will join FOX as part of its hosting team for next summer’s global tournament. The Athletic was first to report the addition.

The announcement was made by FOX Sports President of Production & Operations/Executive Producer Brad Zager.

“FOX Sports is thrilled to welcome Rebecca to our team for FIFA World Cup 2026™,” said Zager. “Rebecca is a world-class presenter and one of the most respected and revered voices in the global soccer landscape. We look forward to having her help lead the conversation among our roster of esteemed broadcasters and are grateful to NBC Sports for granting Rebecca the opportunity to cover the tournament with FOX.”

For 12 years, Lowe has been one of NBC’s most trusted soccer voices. She has built a strong connection because of that with U.S. viewers. Beyond leading the network’s Premier League coverage, she regularly appears on Olympic broadcasts and the Kentucky Derby telecast.

“To have the chance to host the FIFA World Cup™ – the greatest event on Earth – in my adopted home country and help to continue to spread the word of the beautiful game across the U.S. is truly a dream,” said Lowe. “I’m so thankful to both NBC and FOX and am already counting down the days until the tournament kicks off next summer.”

Her experience, credibility, and ease with both casual and hardcore soccer fans made her an attractive option as FOX Sports finalized its World Cup roster.

The 2026 tournament expands to 48 teams and spans host cities in the United States, Mexico, and Canada. With Kate Scott leaving FOX Sports for a full-time Champions League role at CBS Sports, the network needed a host with proven soccer credentials and broad recognition among fans. Lowe checks every box.

Rob Stone, who has long served as FOX’s primary soccer studio host and leads the network’s Big Noon Kickoff college football program, will continue in his World Cup role.

However, Fox has not yet announced its full broadcast lineup, leaving room for additional moves as the tournament approaches.

Lowe’s shift required formal approval from NBC. Cross-network borrowing has become increasingly sensitive as media companies compete for live sports viewership. NBC, however, reportedly granted FOX Sports the clearance needed for Lowe to participate in its World Cup plans.

Even with her expanded responsibilities next summer, Lowe’s ongoing work with NBC will remain fully intact. She will continue in her regular roles as the face of the Premier League in the United States. Lowe will also continue as part of NBC’s Olympic and Derby coverage.

For FOX Sports, the addition of Lowe signals a commitment to elevating its World Cup presentation. She presents a host who brings both authority and familiarity.

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Max Kellerman Feels No Relationship Was Formed With Stephen A. Smith on ‘First Take’

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Former First Take co-host Max Kellerman says he left ESPN’s flagship debate show with confidence in his work and clarity about the challenges that come with sitting across from Stephen A. Smith every morning. Appearing on The Bill Simmons Podcast, Kellerman spoke candidly about the dynamics behind the scenes, the on-air expectations, and why he never felt a true relationship formed during his five-year run on the show.

Kellerman said the attention he received following his departure didn’t bother him. In fact, he admitted he was flattered by the reaction. “You’re talking about me… I was very flattered because if you go off the air, you’re not sure that the sports world would care,” he said. “People seemed to care.”

That confidence extended into his view of himself as a debate partner. Kellerman, who often leaned into analytical arguments, said he understood exactly why working with him could feel demanding. “If you’re doing a debate show and you’re a competitive person… why would you want me as a partner?” he joked. “You want to go 15 rounds every day with Muhammad Kellerman? That’s just bad.”

But the competitive spirit never translated into a close bond with Smith. Kellerman described Smith as the one long-term partner with whom a personal relationship never fully developed.

“I didn’t feel like a relationship was really forming,” he said.

Even so, Kellerman insisted that whatever tension existed off-camera should never bleed into the broadcast. “A cardinal sin is betraying that on the air,” he said. “You should always be thinking about making the show entertaining… and I do think it reached a point on that show where it was like, ‘Come on, dude. The first priority is to make good TV.’”

Kellerman also pulled back the curtain on First Take’s structure and the pressure placed on its co-hosts. He argued the format pushed debate partners into manufacturing contrarian opinions at an unrealistic pace.

“What is a hot take? A counterintuitive conclusion,” he explained. But with a dozen topics a day, he said having 12 counterintuitive takes wasn’t just difficult — it was “insane.”

According to Kellerman, Smith’s role on the show remains misunderstood. He argued Smith isn’t the one delivering the shocking conclusions. Instead, he plays the reactor. “Stephen A has no hot takes,” Kellerman said. “His job is to be the big reactor… to hear the crazy conclusion his partner has come to and be the everyman with a loud voice, like, ‘You are crazy,’ and do it theatrically.”

Kellerman left First Take in 2021 after five years on the program. He served as the first-ever host of Around the Horn and worked in a number of other roles with TV and radio. Kellerman was laid off by the Worldwide Leader in 2023.

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Former WBEN 930 News Anchor Mark Leitner Dies

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Former WBEN 930 news anchor and reporter Mark Leitner has died at the age of 80 after a battle with an illness, the Audacy Buffalo news/talk station has revealed.

Leitner departed the station in 2002 after spending nearly 20 years anchoring newscasts, as well as hosting the Newsday at Noon broadcast. He later worked at WBFO Radio in Buffalo before retiring and moving to Florida.

“It is truly the end of an era,” said former WBEN News colleague and current Audacy Buffalo Market Manager Tim Wenger. “Mark’s commanding voice and use of the English language to tell stories accurately and succinctly was unrivaled.”

“It’s a sad day for the WBEN family,” WBEN anchor Susan Rose added. “Mark was a colleague, mentor and friend. He was the foundation of the newsroom. A calm, steady presence on the air with exceptional interviewing skills. He knew every police dispatcher in Western New York. I would not be doing what I do today, if I hadn’t worked with Mark for so many years.”

Leitner is survived by his wife of 50 years, Suzanne, and their children Catherine and Emily.

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Scott McCarthy Joins SealX as Chief Executive Officer

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Paul Anderson, Principal & CEO of Workhouse Media, is ushering in a major leadership shift for one of the Pacific Northwest’s fastest-growing service companies. Scott McCarthy, currently President of Workhouse Sports, has been named Chief Executive Officer of SealX, LLC, effective December 15. Anderson serves as Executive Chairman of the SealX Board, which unanimously approved the move.

McCarthy will relocate from Los Angeles to Washington State while remaining a special adviser for sports with Workhouse Media. He joined the company officially in February 2024.

Scott’s resume brings an unusually broad blend of finance and media experience to the operation. After seven years in investment banking and venture capital, McCarthy spent 25+ years across audio, television, print, gaming, and digital — most notably a 12-year run at ESPN, where he last served as Vice President, ESPN Audio. His academic pedigree includes an MBA from Harvard Business School and a BA from Colorado College. He also studied at the London School of Economics and the University of Chicago.

Anderson said McCarthy’s arrival is the product of a long-building vision. “What started with an Uber ride ten years ago and developed into a business partnership with Jaz Singh, Gurpreet Singh, and Sonia Kaur is now SealX,” he said. “Today, SealX employs nearly 200 people, continues to experience rapid, double-digit growth with strong EBITDA, and has developed a smart strategic vision for explosive growth. The board of directors recently determined that it was time to hire a CEO to help us achieve our vision, and we are confident that Scott will do an outstanding job of executing our strategic plan and leading our next phase of growth and beyond.”

McCarthy called the opportunity both humbling and energizing. “I could not be more excited or honored to join SealX as its CEO,” he said. “I am very grateful to Paul, Jaz, Gurpreet and Sonia for this amazing opportunity. What they have already built at SealX is the very definition of the American dream. I look forward to helping the SealX team expand aggressively over the coming years.”

SealX operates as a high-tech, high-touch commercial cleaning enterprise serving government, healthcare, retail, corporate, fulfillment, senior living, and education clients. Workhouse Media continues to represent premium audio-first and visual storytellers across major media hubs nationwide.

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Why Your Radio Station Isn’t Growing – And the 4 Behaviors That Fix It

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Every Program Director wants the big jump. The ratings spike. The book that finally gets them that bonus or, at minimum, a “nice job” email before corporate moves on to the next radio station crisis.

But here’s the truth most programmers learn the hard way. You don’t grow by hoping. You grow by behaving differently.

After two decades of hiring PDs and working with hundreds of programmers across every format, I’ve learned one thing that never fails. Ratings respond to behavior.

Here are four behaviors you can start today. These are not theories or consultant fluff. They’re actual actions that will move your ratings forward.

Let’s Phil-in the blueprint.

1. Promote Your Existing Products Better

Most stations don’t have a product problem. They have an awareness problem.

Your talent might be funny. Your promotions might be great. The station’s weekend features might be strong. But if listeners never hear about them, they don’t exist.

Better marketing is the fastest, lowest cost way to grow cume. And before you say “Phil, we don’t have a marketing budget,” great stations market through creativity, not invoices.

  • Start by promoting what listeners already love, not what you wish they loved.
  • Use video to highlight real moments from the audio you create.
  • Put talent faces everywhere people look. Humans connect with humans, not logos and not slogans. Show your face, but please retire that blurry jock photo from 2014.

If you’re waiting for corporate to hand you a marketing budget, you’ll get it right after they update the lobby signs for the seven people a week who still walk into a radio station lobby.

Great stations don’t need more promotions. They need more promotion of the right promotions.

2. Incrementally Improve the Listening Experience

PDs often chase the giant swing when the real growth is hiding in the tiny adjustments. The stations that win aren’t always the most creative. They’re the most consistent.

Small improvements compound fast. Think of them like radio interest payments. The real ones are burying half the industry, so make these the kind that pay you back instead of paying the bank.

  • Clean up those tiny dead-air gaps in your intros and imaging. They add up.
  • Replace one weak category with one strong one. Update imaging that has outlived its timelines, that’s the audio version of an email signature stuck on “stay safe” in 2025.
  • Audit every benchmark and cut the ones listeners tolerate but don’t actually enjoy. Tolerance is not the same as relevance.

Incremental doesn’t mean insignificant. Small improvements create big momentum.

3. Introduce a Breakthrough in Performance

Every station has its Highlander rule. There can only be one thing you’re known for.

But here’s the trap. Too many stations are solid everywhere and remarkable nowhere.

A breakthrough isn’t about adding more things. It’s about creating one moment, one voice, one show, or one idea that makes listeners say, “Did you hear what they’re doing over there?”

  • Maybe it’s a talent who stops performing and starts connecting.
  • Maybe it’s a contest that cuts through the clutter because it feels handcrafted, not recycled from the “Win $1,000” template. If your contest came free with a conference lanyard, it’s not a breakthrough.
  • Maybe it’s a signature sound or production style that instantly distinguishes your station.

Breakthroughs don’t happen accidentally. They happen when PDs understand that average is expensive and remarkable is worth the work.

4. Create a New Category

The biggest growth in audience doesn’t come from beating your competitors. It comes from making them irrelevant.

Category creation is the rarest but most powerful behavior a PD can attempt. It’s when you stop trying to win the lane and start painting the whole road.

Create a category and the measurement shifts in your favor. Create a category and your competition starts sounding predictable. Develop a category and your brand becomes the listener’s first choice, not their backup.

  • Maybe it’s a station that redefines a format instead of inheriting it.
  • Maybe it’s a show that blends content in a way the market has never offered.
  • Maybe it’s a music position that feels risky at first and obvious later. The best ideas usually age that way.

Every legendary station you admire created its own lane first. Then they owned it and everyone else tried to copy it.

Copying never beats creating.

The Closing Phil-Osophy

All four behaviors share one truth. They require action, not approval.

You don’t need a bigger budget to market smarter. You don’t need permission to introduce a breakthrough. Nor do you need corporate consensus to create a category.

What you do need is curiosity. You need courage. And you need the willingness to try something before your competition does.

If you take these behaviors seriously, your next book will come in strong. You can claim it was all strategy. I’ve been doing that bit my whole career.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.