VERSANT announced that it has acquired media rights for League One Volleyball, the premier women’s professional volleyball league in the United States. Bringing the sport to a national primetime audience on USA Network starting January 2026.
Under the multi-year agreement, USA Network will exclusively air LOVB’s Match of the Week in primetime on Wednesdays at 8 p.m. The deal also includes live coverage of the league’s playoffs. Culminating with the 2026 LOVB Championship Match, where the season’s champions will be crowned live.
“We’re thrilled to showcase the stars of LOVB and bring women’s pro volleyball to a national primetime audience on USA Network beginning this January,” said Celia Kohl, VERSANT’s senior vice president of strategy and business development. “These women are Olympic medalists and collegiate champions, representing some of the best volleyball players in the world. Our partnership with LOVB is the latest example of VERSANT’s commitment to highlighting premier women’s sports leagues on our networks. Further establishing USA Network as a destination for top-tier sports programming.”
LOVB, the first youth-to-pro volleyball league in the U.S., has quickly built a devoted following domestically and internationally. The league features teams in Atlanta, Austin, Houston, Madison, Nebraska, and Salt Lake City. With rosters boasting 23 Olympic medals and multiple collegiate national champions. Season 2 is expected to elevate the level of play further. With 20% of athletes bringing Olympic experience and a combined 101 All-American honors among team members.
Peter Hirschmann, LOVB’s executive chairman and co-founder, echoed the sentiment, noting VERSANT’s deep Olympic heritage and track record in women’s sports. “As professional women’s volleyball captures the hearts of fans around the world. We couldn’t imagine a better partner than VERSANT to help take the sport to the next level,” Hirschmann said. “This agreement is more than airtime—it’s about creating a stage worthy of the athletes and communities who are driving volleyball to become America’s next major league.”
Raquel Braun, LOVB’s chief media officer, emphasized the significance of the primetime platform. “VERSANT’s commitment ensures that women’s volleyball has the platform it deserves — consistent, national primetime coverage that reflects the caliber of our athletes and the passion of our fans,” Braun said. “By bringing LOVB into millions of homes each week, we’re not only expanding the reach of the sport but also inspiring the next generation and strengthening the communities that have fueled volleyball’s rise across the country.”
The full 2026 Match of the Week schedule will be announced later this year. LOVB joins VERSANT’s growing portfolio of women’s professional sports, which includes coverage of the LPGA Tour on Golf Channel and live WNBA broadcasts on USA Network beginning in May 2026.
LOVB is coming to prime time! 📺
We’re adding to our broadcast slate in season 2! VERSANT has acquired media rights for LOVB, bringing the league to a national primetime audience on USA Network starting January 2026. VERSANT’s deep Olympic heritage and robust women’s sports… pic.twitter.com/39NzkIEQHK
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Amazon Prime Video and Augusta National Golf Club announced that Prime Video will become a domestic broadcaster for the Masters Tournament beginning in April 2026, offering golf fans expanded live coverage alongside CBS Sports and ESPN.
The partnership marks the first time Amazon Prime Video will stream live coverage of one of golf’s most prestigious events. Providing additional broadcast options for viewers eager to follow the early rounds of the tournament.
“It’s an honor for all of us at Amazon to become a broadcast partner of the Masters Tournament and to provide fans additional hours of live coverage of this treasured event,” said Jay Marine, Head of Prime Video U.S. and Global Sports. “We are humbled and proud to begin our relationship with Augusta National Golf Club, and we cannot wait to get started.”
Under the new agreement, Prime Video will stream the first and second rounds of the Masters from 1:00 – 3:00 p.m. ET on Thursday, April 9, and Friday, April 10, leading directly into ESPN’s broadcast coverage from 3:00 – 7:30 p.m. ET on both days.
CBS will continue its live broadcast of the weekend rounds from 2:00 – 7:00 p.m. ET on Saturday, April 11, and Sunday, April 12, preceded by live streaming coverage on Paramount+ from 12:00 – 2:00 p.m. ET.
For decades, CBS has been synonymous with Masters coverage. While ESPN has provided supplementary broadcasts, including featured groups and early-round coverage. Prime Video’s entrance signals a growing trend of streaming services securing live rights to marquee sports events, allowing fans more flexible viewing options and creating new revenue streams for sports leagues and tournaments.
This addition represents Prime Video’s latest move in live sports broadcasting. Following deals for NFL Thursday Night Football, NBA and NASCAR events. By adding the Masters, Amazon strengthens its position in the competitive sports streaming market. Offering high-profile events alongside its growing portfolio of live content.
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Stephen A. Smith opened Tuesday’s episode of First Take reflecting on his former co-host Molly Qerim’s departure from the program. Late Monday night, Sports Business Journalreported that the longtime host of ESPN’s First Take, will depart the network at the end of the year after nearly a decade in the role. They noted that ESPN did extend Qerim a contract offer, but she elected to move on.
Smith opened First Take sharing his thanks to Qerim for her time hosting the program.
“She’s hosted First Take for 10 years and elevated the show with her grace, her expertise, incomparable kindness. She’s been an enormous part of our success for a decade,” said Smith. “Not only did she keep me and many others in line. She did it with dignity, class and kindness to say the least. We’ll miss her and wish her every blessing on her future.”
Early Tuesday morning, Qerim confirmed her decision in an Instagram post. “After much reflection, I’ve decided it’s time to close this incredible chapter and step away from First Take,” she wrote. “Hosting this show has been one of the greatest honors of my career. Every morning, I had the privilege of sharing the desk with some of the most brilliant, passionate, and entertaining voices in sports — and with all of you. The best fans in the world.”
Smith shared a personal message to Qerim of gratitude before hosting First Take himself on Tuesday.
“I personally am grateful to her for her friendship. I will miss spending every weekday morning with her right by my side,” said Smith.
Qerim has guided the morning debate show since 2015. Anchoring a program that remains one of the network’s most prominent studio properties.
Her decision marks the end of a chapter that began nearly 20 years ago. Qerim first joined ESPN in 2006, starting in digital and mobile coverage before transitioning to the news team in 2008. By the time she was elevated to First Take, the show was beginning to shift into the fast-paced, personality-driven format. The show’s staple of ESPN’s weekday lineup.
Her note on Instagram struck a tone of gratitude and finality, leaving many to wonder where she will appear next.
ESPN executives, meanwhile, acknowledged the significance of the move. In a statement, ESPN President of Content Burke Magnus credited Qerim with playing a vital role in the program’s sustained success. “Molly has been an integral part of ESPN since 2006 and a key driver of First Take’s success since joining as host a decade ago,” Magnus said. “She elevated the show with her poise, skill and professionalism, while supporting others as a kind and encouraging teammate. We respect Molly’s decision, wish her the best in the future, and thank her for her extraordinary daily commitment to sports fans and ESPN.”
Molly Qerim Instagram Story (Screengrab)
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NFL on FOX analyst Greg Olsen wasn’t stunned by Raiders minority owner Tom Brady being spotted in the team’s coaching booth Monday night during the first quarter of Las Vegas’ 20-9 loss to the Los Angeles Chargers. The sight however raised questions about his role balancing ownership and broadcasting duties.
Brady, wearing a headset during the telecast, has served as a resource for the Raiders since being approved as a minority owner last year, according to multiple team coaches. His appearance in the booth marked the first time he was publicly seen in that capacity.
Olsen discussed Brady’s dual role Tuesday at a Front Office Sports event. Emphasizing the value teams can gain from his experience.
“If I’m the Raiders, and I have a minority owner like Tom Brady, who I have access to, with 20-plus years of top-level experience. You’d be silly not to pick his brain,” Olsen said. “Why would you not utilize every resource and every aspect of your organization to try to find that slight margin to be the difference between winning and losing a game?”
Brady is also an NFL broadcaster for FOX Sports. This season, the league has eased some restrictions on his broadcast duties, allowing him to join production meetings remotely. These meetings, where broadcast crews confer with a game’s head coaches and key players, are now open to Brady. Though he is still barred from attending team practices.
Olsen noted that teams retain discretion over what is discussed in these meetings.
“There are some teams that are very guarded with their information. It doesn’t matter if you’re an owner of another team or not,” Olsen said. “The vast majority of coaches, especially the ones you develop a good relationship with, are amazing on these calls. They really give you great insight that does make a difference.”
Social media reacted strongly Monday night to the broadcast shot of Brady, with some questioning potential conflicts between his Raiders investment and his FOX role. Olsen stressed that teams themselves determine the scope of information shared during production meetings.
“How these teams handle their own personal meetings, that’s up to them,” Olsen said. “They have to make decisions on how they want to handle their production meetings… Every team can decide how they want to handle those and whatever factors they place value on.”
Brady retired after a 23-year career and debuted on FOX last season under a 10-year, $375 million contract originally agreed to in 2022. Limitations were placed on him due to his partial ownership of the Raiders, a deal approved by NFL owners in October.
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Dirty Mo Media is strengthening its leadership team as the company continues to expand its footprint in sports and entertainment media. Company president and executive producer Mike Davis announced a wave of promotions that will help guide the organization’s long-term vision. With a focus in original programming, digital media, and client partnerships.
Tiff Powers has been elevated to executive vice president. In her new role, she will oversee company operations, lead strategic initiatives. Working closely with Davis on executing Dirty Mo Media’s growth strategy.
Kolby Bass has been promoted to vice president of content and digital strategy. She will lead data-driven audience development, manage digital growth, and spearhead platform innovation.
On the programming side, Alex Timms will take over as head of original programming. His focus will be on the company’s expanding podcast lineup and growing social media presence. Travis Rockhold will be promoted to head of content operations. He’ll oversee the execution and delivery of client-driven productions. Both Timms and Rockhold will remain closely tied to their highly successful projects. These include The Dale Jr. Download, Bless Your Heart, Door Bumper Clear and Actions Detrimental.
“These promotions are both a recognition of the exceptional talent within our organization and a critical step toward scaling for opportunities ahead,” Davis said. “It’s so important to stay versatile in the always-changing media landscape, and each of these individuals bring unique skillsets, expertise, and drive that help us do just that.”
The moves come at a pivotal time for Dirty Mo Media. Its programming has not only resonated with racing fans but has also extended the brand into broader sports and entertainment coverage. The promotions also reflect an internal philosophy of rewarding proven talent, a model that Davis believes will fuel continued innovation and growth.
Dirty Mo Media has already built an award-winning reputation for its original storytelling and branded content. With these leadership changes, the company is signaling that it intends to maintain that momentum while expanding into new spaces.
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TNT Sports has secured the future of one of its most familiar baseball voices. The network has signed a multiyear contract renewal with longtime MLB on TBS analyst Ron Darling, ensuring he remains in the booth for both regular season and postseason coverage.
Darling, 65, has been a central figure on the TBS baseball team since 2008. Working alongside play-by-play partner Brian Anderson to call some of the sport’s most memorable moments. He first joined Turner Sports in 2007 as a guest studio analyst during the playoffs. He then moved into his current role the following year.
“I was just like I can’t believe it. I’m going to do national games,” Darling recalled in an interview with Sports Business Journal. “I was so excited and wonderfully naïve about having a chance to be a national broadcaster. I feel like I’m a caretaker for these amazing athletes. To chronicle what they do in October, and it’s a blessing for sure.”
TBS aired 24 Tuesday night games during the 2025 season. The network will handle exclusive coverage of the National League Division Series and American League Championship Series this October. TNT Sports’ rights deal with Major League Baseball runs through 2028. Though the league’s national packages are set to be renegotiated in three years.
Darling’s favorite call came in 2017, when Dodgers third baseman Justin Turner launched a walk-off home run in Game 2 of the NLCS. Coincidentally on the 29th anniversary of Kirk Gibson’s iconic 1988 World Series homer.
The former Mets pitcher also continues to serve as part of SNY’s award-winning local booth alongside Gary Cohen and Keith Hernandez, a partnership that just marked its 20th anniversary. Darling credited the TNT Sports production team for creating a family atmosphere and said the collaborative effort behind the camera makes the job as rewarding as the action on the field.
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Terence Crawford’s victory over Canelo Álvarez live on Netflix wasn’t just a career-defining moment in the ring. It also became a landmark event for sports media, producing the most-watched men’s championship boxing match of the century. Crawford (42-0, 31 KOs) defeated Álvarez (63-3-2, 30 KOs) by unanimous decision in front of a sold-out crowd at Allegiant Stadium in Las Vegas.
The bout, part of the Riyadh Season card presented by HE Turki Alalshikh in conjunction with Dana White, Zuffa Boxing and Sela, drew an estimated average minute audience (AMA) of 36.6 million live viewers globally, according to VideoAmp and Netflix.
The audience continued to grow after the final bell. When factoring in delayed viewing, the fight amassed 41.4 million viewers worldwide, cementing its status as the most-watched men’s championship boxing event of the century. In the United States alone, the matchup averaged 20.3 million live viewers and peaked with more than 24 million concurrent streams.
The streaming numbers represented a breakthrough moment for Netflix, which carried the fight in 91 countries. It ranked No. 1 in 30 markets, including the U.S., Mexico, Canada, and the U.K. Social media engagement matched the broadcast success, generating nearly one billion impressions across Netflix’s global accounts. On X, the fight dominated conversations, with “Canelo” and “Crawford” becoming the top two trends in Mexico and 21 of the top 30 trends in the U.S.
Joe Hand Promotions, which specializes in distributing live sports to bars and restaurants, estimated an additional 500,000 fans watched the fight out-of-home at more than 2,700 venues across the U.S., Canada and Puerto Rico.
Inside Allegiant Stadium, the spectacle lived up to its billing. A record-setting crowd of 70,482 filled the venue, producing a live gate of more than $47 million — the largest in the stadium’s history.
The guest list reflected the cultural weight of the event. Celebrities from across entertainment and sports, including Mike Tyson, Stephen A. Smith, Charlize Theron, Dave Chappelle, Magic Johnson, Sofia Vergara, were among those in attendance.
For Netflix, the success of Crawford-Canelo validates its push into live sports programming. The streaming giant has gradually tested the waters with events ranging from golf to pro wrestling, but this fight marked its biggest breakthrough.
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Last week, Megyn Kelly announced a tour of live events all across the nation, which included Charlie Kirk appearing as a guest. She says in the wake of his murder, she’ll still be on the stage at each of those appearances.
During The Megyn Kelly Show, Kelly noted that there had been questions both internally from her team and externally about whether or not she would or should continue the tour as planned after Kirk was assassinated on the campus of Utah Valley University.
She came to the conclusion that the show must go on.
“I’ve heard everyone’s concerns,” said Kelly. “And I’ve been well aware of the challenges that now face us in doing this. All I can tell you is there is no f—ing way I am canceling one stop on this tour. Not one stop. It’s not that I don’t have some concerns. Of course I do. I’m human. I, as you know, have been covering the news very closely, but there is no f—ing way we’re not doing this tour,” she reiterated.
“No fucking way I'm canceling…” @megynkelly announces that her live tour will continue as planned after the tragic Charlie Kirk assassination.
Kelly continued by noting that she has traditionally not been as open to making live appearances as Charlie Kirk was, but believes the best way to honor his memory is by continuing the conversations he would have held.
“I’m more of a private person,” she shared. “I know it’s odd, because I have a public job, but I just am more of a private person, and most of my spare time is spent with my family.”
“It’s more important now than ever,” Kelly later added of her decision to continue with her tour. “I said to my team ‘At this point, I don’t care if every single guest cancels on me. I don’t care if there are two people in the audience as we go from city to city. I’m going to stand on these stages, and I’m going to say all the things that we say all the time on this show, and I will speak to those two people from the heart and be forever grateful to them for showing up.’ There is no other way forward. We can make this safe for me. We can make it safe for you and for our guests. And we absolutely have to keep talking. We absolutely have to keep this discussion going. To cower, to hide, to go silent is not the answer.”
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Molly Qerim, the longtime host of ESPN’s First Take, will depart the network after nearly a decade in the role. Sports Business Journal first reported the news. They noted that ESPN did extend Qerim a contract offer, but she elected to move on.
On Tuesday morning, Qerim confirmed her decision in an Instagram post. “After much reflection, I’ve decided it’s time to close this incredible chapter and step away from First Take,” she wrote. “Hosting this show has been one of the greatest honors of my career. Every morning, I had the privilege of sharing the desk with some of the most brilliant, passionate, and entertaining voices in sports — and with all of you. The best fans in the world.”
Qerim has guided the morning debate show since 2015. Anchoring a program that remains one of the network’s most prominent studio properties.
Her decision marks the end of a chapter that began nearly 20 years ago. Qerim first joined ESPN in 2006, starting in digital and mobile coverage before transitioning to the news team in 2008. By the time she was elevated to First Take, the show was beginning to shift into the fast-paced, personality-driven format. The show’s staple of ESPN’s weekday lineup.
Her note on Instagram struck a tone of gratitude and finality, leaving many to wonder where she will appear next.
ESPN executives, meanwhile, acknowledged the significance of the move. In a statement, ESPN President of Content Burke Magnus credited Qerim with playing a vital role in the program’s sustained success. “Molly has been an integral part of ESPN since 2006 and a key driver of First Take’s success since joining as host a decade ago,” Magnus said. “She elevated the show with her poise, skill and professionalism, while supporting others as a kind and encouraging teammate. We respect Molly’s decision, wish her the best in the future, and thank her for her extraordinary daily commitment to sports fans and ESPN.”
Qerim’s tenure coincided with the show’s rise as a tentpole for ESPN. She helped steer fiery exchanges between Stephen A. Smith and a rotating cast of analysts and guests, ensuring the program’s spirited debates maintained structure and rhythm.
The timing of her exit creates natural questions about succession. ESPN has not yet announced who will take over as host, though internal talent and outside options are expected to be considered. Whoever steps into the role inherits a demanding assignment: managing the network’s most visible debate show while preserving the chemistry that has fueled its longevity.
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There’s truly no correct way to hear the news that your employment is no longer needed. If you work in media, there are all sorts of stories of how talent, staff, and management find out their employment is coming to an end. For Emmanuel Acho, he was on vacation in France. Enjoying downtime away from the grind of hosting The Facility on FS1 while the NFL season was nearing.
“I’m biking around the streets of France just minding my business. My agent calls me and says FOX is canceling the show [The Facility],” explained Acho. “There were rumblings. There was smoke before there was fire. Honestly, nobody found out from FOX. Twitter informed us before FOX did officially.”
In the moment, Acho—while on vacation—got right to work. Following his trip around the streets of the City of Lights, Acho returned to his hotel room and began to craft his next venture. A concept that his agent had been pressing him on for some time but which he found now was the right time to pursue. Fifty-four days after the news of his departure from FOX Sports, Acho launchedSpeakeasy.
“I sat on my laptop and said what’s next,” said Acho. “While I was in France somebody came up to me and said, ‘Acho, I love you on Speak [Acho’s former FS1 program].’ I hadn’t done Speak in twelve months. If you’re going to create a new show, leverage the IP of the show you spent months building. Now where is the vacancy in the market? It’s at night.”
Welcome to the Speakeasy
Speakeasy is a show that airs live on YouTube following every NFL game day, including Sundays, Mondays, and Thursdays, immediately after the contests. There are Tuesday and Thursday episodes airing as well, but they are designed more for diving into topics outside of sports.
Acho hosts the program alongside his former The Facility co-host LeSean McCoy and comedian Kieran Hickey-Semple. The program was conceptualized by Acho as a show for the current generation.
Acho has spent time in traditional network sports television as an analyst for both ESPN and FOX Sports over his career. He says the format of Speakeasy is designed to react immediately following the games of the evening. Instead of the traditional standard for networks where topics are generated for the next day.
“We’re making a show for the year that we’re living in,” noted Acho. “I would suggest that sports television is one of the most outdated things in society. We’re still doing sports television like it’s the 1970s and 1980s. Why aren’t you sitting in the YouTube chat talking to the people that just watched the game? Why aren’t you looking at the social media clips that everyone is looking at, going viral, and talking about those clips?”
The Licensed Content Era
Following Acho’s exit from FOX Sports, he understood the trends in network broadcasting were not slowing down. He referenced ESPN’s licensing agreements with Pat McAfee and Rich Eisen, as well as Barstool Sports’ partnership with FOX Sports, as examples of where the industry is headed. In the same vein, Acho admitted the goal is to develop Speakeasy into a model that’s somewhat similar.
“Creating your own show isn’t the future anymore, it’s the present. If you look at both FOX and ESPN, about 50% of their programming from 8 a.m. to 3 p.m. is owned by talent and licensed back to the network. This is no longer something that is down the line. This is where we are,” explained Acho. “I wanted to create a show that Netflix, Peacock, or Amazon Prime would come banging down my door asking me to license.”
The goal for Acho was a one-of-a-kind show. One that would beat everyone else to the marketplace of licensed content on network television or streaming platforms. To do that, he felt he needed the assistance of McCoy. A person Acho has known for nearly a decade and trusts like a brother. In pitching the idea to McCoy, Acho knew he would be the first person he had to sell on the concept.
“He’s one of the hottest people in the industry right now,” said Acho about McCoy. “To be able to work with somebody that I’ve worked with for the last four years and is extremely talented, that was exciting. I went to Shady [McCoy] with everything—I created, conceptualized, funded everything. This is Emmanuel Acho’s production.”
Reflections on FOX Sports
When Acho was let go from FOX Sports, he knew time was short to launch a concept before the start of the NFL season. In 54 days, Acho was able to secure talent, staff, equipment, and studio space to launch on NFL Opening Night as the Dallas Cowboys faced the Philadelphia Eagles. He noted he was solely focused on the venture with no eyes toward returning to sports network television for the season ahead.
“At this point, it’s all in on Speakeasy from a sports perspective. If I were to go to network, I would go to network outside of sports,” said Acho. “For sports right now, it’s irrelevant. Going to network would be like trying to put on your granddad’s suit. It’s not that it ain’t a suit, it’s not even that it ain’t nice. It’s just that it doesn’t fit you well.”
Acho believes talent should no longer see going to a network as the only goal. Though he understands that it could be for some. He says his resume is already loaded with experience hosting his own program and an Emmy win for outstanding sports personality in 2021. In search of what’s next, leaving FOX Sports may have served him at the right time to find something new.
Reflecting on his time with FOX Sports from 2020 until July of this year, he says the network supported him a lot through his tenure. Although Acho wished there had been more time for The Facility to continue on FS1, he noted the challenges of not only the network but also the daypart.
“It was like an expansion team going up against the 1998 Chicago Bulls in First Take in the same timeslot,” said Acho. “A new show, name, timeslot, and new talent. The network—I would have hoped for a longer runway, but I understand. If you don’t produce, you get cut. You’ve got to be better.”
Acho considers yesterday to be the best time to leap into the digital creator space for talent. He said if you didn’t leap in yesterday, the best time is today. Acho has high expectations and even higher hopes for Speakeasy being a smashing success despite the challenges and guardrails that prevent many from ever trying in the first place.
“What McAfee, Eisen, Barstool have done and what I’m doing—my God. It’s near impossible. I see why people don’t do it,” noted Acho. “It’s incredibly and highly expensive. It’s also incredibly difficult. I did it in 54 days—I would rather have done it in five months. The barriers to entry are there. They are definitely there.”
The plan for Speakeasy may circle around football as the NFL enters the third week of the regular season. The long-term plan for Emmanuel Acho is to expand into other sports as well. With the World Cup coming to the United States in 2026, the former NFL linebacker is looking to capitalize on the moment with a global audience on YouTube in search of content surrounding the event.
For now, Speakeasy is officially open for business, as Emmanuel Acho’s vision that began in the City of Lights looks only to the stars of tomorrow.
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