SiriusXM is giving one of sports media’s most distinctive voices a daily platform. Katie Nolan will debut her first-ever live show today, bringing her mix of humor, curiosity and fan-first perspective to Mad Dog Sports Radio with the launch of Fan Service with Katie Nolan.
The show will air weekdays from noon to 1 p.m. ET on Mad Dog Sports Radio channel 82, creating an hour-long outlet where fans can call in, celebrate wins, lament losses and share the rollercoaster of sports fandom. Nolan said her goal is to capture the communal energy that makes following sports more than just stats and box scores.
“Sports fandom is inherently about community, and I wanted to create a space where we can foster that,” Nolan said in a statement. “Being a sports fan is a complex experience, and I’m dying to talk about it.”
The addition further strengthens SiriusXM’s Mad Dog Sports Radio lineup. Fan Service follows Adam Schein’s morning block and leads into The Stephen A. Smith Show and Mad Dog Unleashed with Christopher “Mad Dog” Russo. For Nolan, the positioning offers a chance to establish her own lane while complementing the channel’s mix of established personalities.
This move also expands her presence on the platform. Earlier this year, she launched the podcast Casuals, which takes a lighthearted approach to sports and culture rather than focusing solely on X’s and O’s. New episodes of Casuals will continue twice a week, while the daily call-in show offers a new opportunity for real-time interaction with fans.
“Katie is an exceptionally versatile talent and brings a unique voice to the Mad Dog Sports Radio lineup, connecting with those fans who are as interested in what goes on outside the lines as much as what happens on the field,” said Jared Fox, SiriusXM’s senior vice president of sports programming, content marketing and partnerships, and artist relations.
Nolan earned attention as host of Fox Sports 1’s Garbage Time with Katie Nolan, which won a Sports Emmy for Outstanding Social TV Experience, before moving to ESPN where she hosted the late-night series Always Late with Katie Nolan. She later contributed to NBC’s coverage of the 2022 Winter Olympics, appeared on Apple TV+’s Friday Night Baseball broadcasts, and co-hosted the 2023 Women’s World Cup podcast 91st Minute for Just Women’s Sports.
Her personality has also resonated outside of traditional sports programming. Nolan reached the finals of Celebrity Jeopardy! and has built a reputation as a voice who can balance irreverence with insight. That reputation now extends to a live radio audience.
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iHeartMedia has ensured continuity at the top of its executive team. The company has extended the contracts of Chairman and CEO Bob Pittman and President/COO Rich Bressler through the end of 2029.
The media company confirmed both leaders signed amended agreements that push their terms to December 31, 2029. Unless further extended by October 1 of that year, each contract will expire at year’s end. The filings, made with the SEC, largely keep prior provisions intact. However, they include notable updates around retirement planning, aircraft usage, and post-employment restrictions.
For Pittman, 71, the amendment creates a framework for a retirement termination beginning after December 31, 2029. Under the new terms, he must provide 60 days’ notice before stepping down. At retirement, Pittman would be entitled to unpaid salary, earned bonuses—including those for 2029—and continued benefit payments. His equity awards granted at least six months before retirement would continue vesting on schedule or remain eligible if performance targets are met.
Bressler’s amendment mirrors much of Pittman’s while introducing additional provisions. His personal use of company aircraft is capped at $250,000 annually. Any excess requiring reimbursement under company and SEC standards. The new deal also strengthens his post-employment restrictions, adding an 18-month prohibition on soliciting clients, employees, or vendors.
In addition, Bressler’s “Good Reason” resignation clause was clarified. It now requires a 30-day notice period, a 15-business-day cure period, and a 10-day post-cure window to formally exit. Should he resign under those conditions, Bressler would receive two years of base salary and target bonus in installments. He would also receive along with 18 months of COBRA premium reimbursements and a prorated performance bonus. Those payments remain contingent on him signing—and not revoking—a release within 60 days of termination. His retirement clause is aligned with Pittman’s structure and entitlements.
The moves follow the company’s second round of amended agreements filed in March 2022, signaling iHeart’s intent to solidify its leadership team for the long term. With Pittman and Bressler locked in, the company maintains continuity at a pivotal moment in the audio industry.
Pittman joined then Clear Channel as Chairman of Media and Entertainment Platforms in 2010 and rose to Chairman/CEO of the company in 2013 overseeing its rebrand to iHeartMedia in 2014. Bressler has served in his role alongside Pittman since January 2013 after previously working as a Managing Director at Thomas H. Lee Partners.
Financially, iHeart posted second-quarter revenue of $937 million, a 0.5% increase year-over-year and up 1.5% when excluding political revenue. Digital audio continued to be a bright spot, growing 13.4% to $324 million, powered by a 28.5% surge in podcasting. Non-podcast digital revenue grew 4.7%.
The company’s Adjusted EBITDA was $156 million at the quarter’s conclusion, compared to $150 million in the same window in 2024.
Additionally, the company’s GAAP operating income was $35 million, compared to a GAAP operating loss of $910 million in last year’s second quarter.
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Tom Brady is just a season into his new career as lead analyst for NFL on FOX, and he’s already seeing benefits from the league’s decision to ease restrictions on broadcaster access. The NFL recently lifted rules that had prevented Brady from participating in production meetings with coaches and players during the week leading up to broadcasts. For Brady, the adjustment makes sense and brings his role more in line with that of traditional media members covering the league. Albeit the access for Brady will be restricted to remote access only.
Brady was a guest on Cris Collinsworth’s Pro Football Focus podcast. He discussed how he’s adjusted to the rules that were placed against him last season.
“I would listen to press conferences all week anyway,” Brady explained how he adjusted to the so-called ‘Brady Rules.’ “Whether it’s the weekly coaches press conference on a Wednesday or Friday, I’d listen to that. The players all speak to the media. So it’s not like you’re forcing players to answer a question.”
Brady added that his approach isn’t about prying but about gaining valuable insight that will ultimately help the viewer for his broadcasts on FOX Sports.
“The only thing I want to do is gain insight into the game to help the viewers understand it a little bit better,” he said. “You want both teams to perform very well. I don’t want to be on a broadcast and be negative about people. I want to showcase the great parts about every organization because I love the NFL. And if I can communicate that in a positive way to the viewer, great.”
Transitioning from quarterback to broadcaster comes with challenges, but Brady emphasized that his intentions are grounded in professionalism. He noted that while he won’t shy away from honesty on the air, his goal is to frame analysis in a constructive way.
“We’re on live television. I’m not going to lie about anything I’m seeing to the audience. I’m trying to be as raw and as unfiltered with as possible,” Brady said. “Me asking questions in a production meeting is no different than a media member asking a question in a weekly press conference. They’re going to answer it the same way.”
The access also strengthens his chemistry with the FOX crew. Brady said being in the room with producers, broadcasters, and support staff helps unify the team’s approach to each game.
“It’s nice for my crew to have me involved because I think as a cohesive unit, what we’re trying to do is going to be a real positive,” Brady said.
As with his playing career, preparation remains a central theme for Brady.
“I just want to go in there and be as professional as possible. And I am a professional. I was a professional as I played. I’m a professional in this role,” Brady said. “Ultimately, I want to be as prepared as I can be so the broadcast for our viewers is the best possible.”
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Chad Millman, a pioneer in sports gambling media and co-founder of Action Network, is taking on a larger role at Colin Cowherd’s podcast network, The Volume. Millman will launch a new betting show, Sharp or Square, that debuts today across audio and video platforms.
The program will air four times weekly, with episodes on Tuesdays and Thursdays. Additionally, there are two shows every Sunday during football season. One airs in the morning before NFL kickoffs and another in the evening. Joining Millman on the new project is gambling analyst Simon Hunter, who previously worked with him at Action Network.
The duo is no stranger to working together. Millman and Hunter co-hosted The Favorites at The Volume. That show is being replaced in favor of the new format and feeds for Sharp or Square.
Millman’s move comes just days after he publicly announced his resignation from The Action Network, a company he co-founded in 2017 with support from The Chernin Group. Action Network quickly grew into one of the most recognized brands in sports betting media before being acquired in 2021 by Better Collective.
At ESPN, Millman established himself as one of the earliest voices in mainstream sports media to give gambling coverage a serious platform. During his tenure, he served as editor-in-chief of ESPN The Magazine and ESPN.com.
For The Volume, adding Sharp or Square bolsters an expanding lineup that has become a mix of sports, personalities, and culture. The network already features shows with Nick Wright, Draymond Green, Richard Sherman, Daniel Cormier, Sophie Cunningham, John Middlekauff, and Jason Timpf. Cowherd himself hosts a podcast, and the company has branched out further into entertainment content. For example, there is Joe and Jada featuring Fat Joe and Jadakiss, as well as New Rory & Mal.
Cowherd’s network has aimed to differentiate itself in the crowded podcasting space by recruiting established voices with loyal followings. Adding a betting veteran like Millman fits the model. It simultaneously gives the platform a bigger foothold in an increasingly competitive sports wagering content market.
Thanks to all those who have listened to me and @SimonHunterNFL over the years.
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David O’Leary, a familiar voice to Boston radio audiences for more than four decades, is back on the air. The longtime broadcaster has joined Classical 99.5 WCRB as its new morning host, marking his first full-time role since departing Audacy’s Magic 106.7 earlier this year.
O’Leary shared the news on Facebook over the weekend, saying he was eager to start a new chapter with the GBH-owned classical station. “Monday morning I begin a new professional chapter, joining an amazing team at CRB Classical to host Mornings with David O’Leary at 99.5FM, WCRB, Boston,” he wrote. “I couldn’t be happier to be a part of the talented air staff, program and productions team that make this iconic radio station the success that it is. Please tune in beginning Monday morning, from 5 a.m. to 9:30 a.m.”
For Boston listeners, the move represents both continuity and change. O’Leary had been a morning mainstay at WMJX for two decades before a round of corporate layoffs in March forced him off the air. His new home at WCRB places him in a different format, but his return underscores the staying power of seasoned local talent in a shifting industry landscape.
The station also made sure his arrival was anything but quiet. WCRB projected O’Leary’s image on a 40-foot digital billboard overlooking the Massachusetts Turnpike to welcome him on day one. In a statement on social media, the station said, “Please welcome CRB’s new morning host: Boston’s very own David O’Leary! David has appeared on radio and television in Boston for over 40 years. Off the air, he’s a pilot, community leader, and longtime voice behind countless commercials and narrations. Now, he’s bringing his voice and passion for music to CRB Classical 99.5 mornings, 5 a.m.–9:30 a.m. weekdays. We couldn’t be happier to have him on our team.”
O’Leary’s radio resume is among the most recognizable in the Boston market. Beyond his 20 years at Magic 106.7, he has logged time at legendary rock outlets WAAF and WBCN, as well as WXKS (Kiss 108) and a 14-year run at WBOS. His ability to adapt across formats — from rock to adult contemporary and now classical — has been a hallmark of his career.
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Howard Stern did not return to his program on Tuesday to discuss his future with SiriusXM as promoted. The 71-year old radio legend had promised to be back on his show on September 2, following summer break to discuss his future in broadcasting. However, listeners on Monday morning were greeted with another cryptic promo. It aired on his Howard 100 channel, saying Stern will return to the air on Monday, September 8.
The highly speculated return for Stern is amid reports that Stern and SiriusXM are in contract negotiations. They reportedly are not finding any agreement. The reports were kicked off by an August 5 report by the Sun U.K. tabloid. This report, citing an anonymous “insider,” claimed SiriusXM would not renew Stern’s contract, which expires at the end of 2025.
SiriusXM has not commented on the matter.
Since August 15, the Howard 100 channel has been rotating in promos leaning into the controversy promoting Stern’s reveal. It will tell the tale of the future of his program on his return Monday in an updated promo.
Howard Stern joined the company in 2006 after a 20-year run at WXRK in New York, where his show was nationally syndicated with more than 60 affiliates. His star has only risen since joining the satellite broadcaster, leading to his appearance as a judge on the NBC reality show America’s Got Talent for three seasons, in addition to authoring several books.
Stern’s contract is slated to expire later this fall. The current five-year deal pays him a reported $100 million per year. Sources at The Sun claim that while the satellite radio brand is planning to offer him a new deal, it does not expect Stern to accept the offered terms.
Barrett Media has reached out to SiriusXM for comment on the matter. As of this publication, the company has not responded to those requests.
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The Toast to 10 series presented by Premiere Networks, is a month-long series looking back on 10 years of Barrett Media. Throughout the month, you’ll hear from those who’ve shaped the company, managed and created the content, read the site, and partnered with the brand between 2015-2025 to share how they’ve seen it play a role in covering the media industry and educating, celebrating, and challenging the business.
Celebrating 10-years in business is a feat that I’m very proud of. I’m not the type to seek credit or slow down but knowing this is a special achievement isn’t lost on me. But how do I capture 10 years worth of trials and tribulations in business in a digestible column? I’m not sure that’s possible. If you don’t like reading, I’d exit now. This article will take you through various parts of our journey, and give you an idea of where I see us moving in the future.
None of this happens without the support of our readers, our partners, our clients, our members/voices, and many staffers and contributors. The list is endless. We’re spending the month of September highlighting the different parts of this brand that have helped it survive and thrive during the past ten years.
Opening Statement
The odds of a business lasting 10 years are 35% according to the U.S. Bureau of Labor Statistics. For an independent media outlet, the odds are even lower. Yet here we are still plugging away. To say that I expected this when I announced the brand’s arrival in September 2015 would be false. At that time, I had saved enough money before leaving 95.7 The Game to move home to NY, gain custody of my son, and give it a full-year of effort. At best, maybe I could’ve pushed it eighteen months.
I paid the first six months of rent up front to make sure my family was supported and finances weren’t a distraction. From there, I locked myself in our downstairs office 13-16 hours per day and began building the brand. It’s evolved many times to what you see currently when you visit our website, follow our socials, open our newsletters, or attend our conferences. I’m constantly examining our business and the marketplace, building/strengthening relationships, and have a good feel of when to stay the course and when to pivot. I’ve made many mistakes in business since 2015, and there are times the stress of doing this takes its toll. However, not once have I woken up in ten years dreading what I do. That itself is success.
The SportsRadioPD.com Years (2015-2019)
Sportsradiopd.com was created to give folks in sports radio an outlet they could turn to for ideas, insight, and information. The site launched in June 2014 before I even knew Barrett Sports Media would be a thing. I was programming 95.7 The Game and my contract stated that I needed permission for outside ventures. Since I knew that I was going to leave 95.7 The Game the next summer to return to New York, and the company wasn’t necessarily encouraging of folks exploring side projects, I chose to roll the dice. If they fired me, I’d just get a head start on moving home.
We didn’t provide content every day back then. I’d interview people at other stations occasionally, and use it as an opportunity to create content and scout talent either for 95.7 The Game or a future employer. From there I started adding my opinions and insights, and even announced my forthcoming departure from The Game. There were other sites at that time like Insideradio.com, RadioInk.com, Talkers.com, RadioInsight.com, AllAccess.com, and others, but most overlooked sports radio, prioritizing music or business. The industry didn’t have Andrew Marchand covering it daily, frontofficesports.com and The Ringer didn’t exist, and newspapers disliked sports radio and only wrote about it when it involved talent and could help drive clicks. I saw an opening, built the website, and hoped people would check it out.
My first two consulting clients didn’t sign on until April/May 2016. One was a prior employer, and an outlet that I’m proud to still work with today. I didn’t sell website or newsletter advertising or have any idea of SEO, Google Adsense or other online revenue affiliate models, which meant that I worked the first 8 months for free. It was simply a website with informative content, podcasts created by myself or promoted through a content sharing partnership with a former employee and friend Zach McCrite, some promotion on a personal Twitter and Facebook account, and direct emailing of links to industry folks. To suggest it was a business would be a stretch.
I did everything myself during the first two years including talking to people across the format, gaining inside information, and pursuing consulting work. Content grew from 30 to 300 to 3,000 to 30,000, and suddenly there were expectations. My motto was ‘I’d rather reach 500 executives than 5,000 fans’, because I wanted to work with the industry. However, when you start sharing thoughts and reporting news, things change. Suddenly, PDs and on-air friends became hesitant to talk, and clients got annoyed if they were ranked lower than competitors on Top 20 lists. A friend once said, ‘this isn’t what a consultant is supposed to do’. I replied, ‘I’m not a consultant, I’m a business partner and publisher and I write what I see, hear, think, and feel.’
I challenged the sports radio industry over shortcomings with diversity, called out the Talkers Heavy Hundred, highlighted under the radar talent, shared local ratings stories, visited studios/offices for in-person stories, and tackled topics few could. Each time I hit the road to help clients though, the site got quiet. Soon, folks would ask ‘where’s your content?’. As expectations grew by 2017, I added Demetri Ravanos, Dave Greene, Tyler McComas, Brian Noe, Andy Masur, Matt Fishman, and Andy Drake to help. Brandon Contes, Jeff Caves, Jack Ferris, Chrissy Paradis and others would get involved later.
Where things really started to change was in March 2017. ESPN began to attract attention over an increase in political commentary. I knew it was a hot topic, so I conducted a survey, which to my surprise, received over 1300 responses. I shared the information along with my perspective and thought it’d be helpful to senior leadership.
Instead, I was blasted publicly and privately by many at the company. Others internally reached out to show support. Interest in the piece went nuts. Bob Iger was even asked about it on an earnings call. Months later, the issue reached its peak when Jemele Hill called out President Trump. I wrote a follow up, which produced even more reaction. I discovered that our voice and coverage mattered, and amplifying it was important.
There are plenty of others that produced impact and ruffled a few feathers. I’ll go deeper in detail this month when I reflect on the 10 biggest stories we’ve created during the past decade.
Barrett Sports Media Arrives(2019-2024)
Our first think-tank in 2018 in Chicago planted the seeds for a website name change. My friend, Mitch Rosen who runs 670 The Score and BetMGM Network offered space in his building to gather the format’s top programmers. I had no idea if I could deliver a compelling agenda, keep a conference on time, make it visually appealing or sway 40-50 people to join us, but as luck would have it, they did.
As interest continued to grow, I made the decision in 2019 to rename the URL from sportsradiopd.com to BarrettSportsMedia.com. With sports television coverage increasing, yours truly no longer programming a sports station, and the company name already known as BSM, the Sports Radio PD name felt disconnected. We built a sharper looking website, got more active on social media, and took another step forward.
That paved the way for making the BSM Summit a public event in 2019. We hosted it in Los Angeles at the Grammy Museum. I also started hosting more podcasts, consulting brands everywhere, was quoted often in mainstream publications, and got more involved creating custom content projects with Demetri Ravanos who was now working full-time. We started to accept advertising on the website too. Core Image Studio, Mark Rider Voiceovers, and Steve Stone Voiceovers were among our first clients. Today, we still work with Core Image Studio and Steve Stone, and are proud to do so.
All was trending upward until March 2020 when the pandemic hit. That provided a valuable business lesson. Three weeks after it started I had one client cancel and two others pause. I told Demetri Ravanos at the time, ‘this may be it’. We created the SportsCenter Greatest Anchor Tournament which gave folks something fun to get involved with on social media during an otherwise depressing time. Shortly thereafter, we created the ‘Managing the Crisis’ podcast, featuring leaders across the industry from radio, TV, advertising, etc.
Once again, luck was on my side. A conversation with an advertising executive friend of mine helped her gain business. In return, she placed advertising buys on three of my partners radio stations. This was during a time when stations were losing 40-60% of revenue each month. That unexpected situation was a huge help and reinforced my belief in being a business partner more than a consultant.
Knowing we had to convey a position of strength regardless of the climate, I added Jay Mariotti, Rob Guerrera, John Michaels, and Seth Everett. Individually nobody broke the bank but collectively, the costs coupled with less consulting work tested my convictions of whether or not it was a wise business move. A few months later, a key client came on board, and ESPN would sign on for a 3-month campaign to promote its new morning show. Those two business deals helped us finish the pandemic year up, something I never thought possible in March.
BSM would continue to grow between 2020-2024, increasing in traffic each year. The Summits became a hit, the Top 20’s really took off, and newsletters became a force in 2023. We added a few talented writers too. Ryan Glasspiegel joined as a contributor after his stints at The Big Lead and Outkick. He has since gone on to Front Office Sports after the NY Post and is crushing it. Brandon Contes wrapped up a 4-year run here, moving to Mediate and Awful Announcing. Derek Futterman would start his career with us too before leaving in July.
Meanwhile, business growth meant more demand on the content side. Garrett Searight and Alex Reynolds would join full-time in 2023 to help stabilize our editorial and social media teams alongside Demetri Ravanos. Soon we were cranking out content all-day and at night, producing annual gains each year. Demetri would reach a point where he wanted to pursue another challenge. That led to Dave Greene returning to become sports editor. Dave performed those duties until February 2025, which is when John Mamola came on board.
Speaking of John Mamola, he’ll have a piece this week that looks at things on the editorial side. I’m curious to hear how they view the brand, business, and key responsibilities.
Say Hello to Barrett News Media(2020-2024)
During the pandemic and two-months before the 2020 election, I made the decision to enter the news/talk media space. Barrett News Media was born with a staff comprised of Rick Schultz, Ryan Hedrick, Eduardo Razo, Jordan Bondurant, Doug Pucci, Angel James, Kathryn Maddux, Kyle Thomas, Chrissy Paradis, and Pete Mundo. Jim Cryns and Jesse Karangu would join months later. Perry Simon, Andy Bloom, Dr. Ed Cohen, Peter Thiele, Krystina Alarcon Carroll, Dave Williams, Brian Shactman, Jim Avila, Lauren Ashburn, Bill Zito and others would get involved down the line.
Though we didn’t have strong collective format experience or relationships when we launched, serving daily content was needed for the news/talk format. Our prioritization of daily news started to gain traction, and as the connections grew, so too did the interest. The first few times I heard Mark Simone, Mike Gallagher, Bill Cunningham, Sid Rosenberg and other notable talent mention our work on their shows, I knew we were on the right track.
During our first two years, a few of our stories struck a nerve. Because relationships weren’t formed and trust wasn’t established, some questioned if we were singling them out. We even had a situation where I had to part ways with a writer who did something professionally indefensible with an accomplished host.
After making staffing adjustments and meeting with groups, things started to settle down. By 2023 we were creating our first news summit in Nashville, moving it to Washington D.C. in 2024, and now in 2025, we’re days away from hosting it in New York City. We now partner with Newsmax, Ramsey Show, Mike Gallagher, Erick Erickson, Premiere Networks, Radio America, JJ Surma Voiceovers, Red Apple Media, Salem Radio Network, and Jim Cutler on the news side through our newsletters, website, and conferences. Those relationships exist because we’ve put the time in to build relationships and highlight them the right way.
Let me address one thing that some have raised a few times which is inaccurate. We cover news/talk media not politics. I don’t care if folks lean right or left or prefer Fox, CNN, MSNBC (MS Now), Newsmax or something else. If they work in broadcasting, have a story to tell, or a connection to a media angle, we’ll consider writing about it.
Since moving into this space, we’ve had folks at right leaning networks speculate that we lean left. Others at left-leaning networks have suggested the opposite. The news/talk radio format in general is heavily right leaning. That’s beyond our control. Garrett Searight and I try to treat everyone with respect regardless of their political beliefs. If you think there’s an agenda here because of the coverage, you’re entitled to your opinion. I’m just here to tell you, it’s incorrect. Everything we do runs thru the filter of ‘does it matter to a news media industry professional?’.
Barrett Media is Born With Music Coverage (2024-Present)
Covering music radio began entering my head around 2020 after we went into news, but I didn’t expect to take the plunge until 2026-2027. Once All Access shut down and a year passed without others making original content a greater focus, I decided ‘the heck with waiting, we’re going in now’. I wrote at length about it last July when we rebranded. Though we’ve only scratched the surface, I’m glad to be in the space. I believe it has great potential.
We launched with Jeff Lynn, Charese Fruge, Ron Harrell, Robby Bridges, Keith Berman, Jacquie Cadorette, Amy Snider and DC Hendrix representing our writing team. As is the case with building a brand, some things worked, some didn’t, and eventually, tweaks had to be made. Keith Cunningham, Mike Stern, Ken Johnson, and Jim Ryan joined in April 2025, and so far, so good.
The biggest challenge covering music radio is two fold. First, it takes time to build trust, consistency, relationships, and enthusiasm in a foreign space, especially when folks only think of reading industry websites for job listings and hired/fired stories. It took us 2 years covering news media before we established trust and interest. With music radio, we have stronger columnists at launch time than we did with news, however, day-to-day news is more of a challenge. Can we create stuff and post it? Yes, but whether or not it matters to enough people is a different issue.
We did come out of the gate strong with the introduction of 20 Brands in 20 Days. We brought that back in 2025 too, and I see it as an annual staple moving forward. I’ve also enjoyed publishing a few pieces turned in by Shitty Radio Jock. Something tells me the next piece from Shitty is likely to produce some interest.
Without question though, our biggest music radio hit was introducing format professionals to the Top 20 series. Highlighting 9 formats in 9 days was one of the toughest things I’ve ever done. I was pleasantly surprised by the willingness to participate across the industry by format programmers and executives. It has opened the door to building relationships, which is excellent.
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Personally, what I really enjoyed most about the first year of covering music was seeing how engaged and supportive folks were at CRS and Morning Show Bootcamp. It felt like those events truly mattered to those attending them. Some in sports and news feel that way too about our events but there are many who don’t ever attend and don’t know what they’re missing out on.
The move to become Barrett Media wasn’t just about music though. We brought everything under one roof, reformatted our newsletters, added John Mamola as sports editor when Dave Greene left, and continue to explore ways to grow. We’re in the early innings of the rebrand and performing at a similar pace to 2025. The goal is to be higher and with a few tweaks I’m confident we’ll get there. In the coming weeks, John Mamola, Garrett Searight and I will share how folks in multiple formats view the brand. Keep an eye out for it.
Future of the Brand
I expect the next ten years to be more challenging than the past ten. When we arrived, the space was light. Now, it’s heavy. Between the rise of streaming/podcasting, the decline of traditional media, the explosion of artificial intelligence, and the frequent changes to social media algorithms, I see a lot of turbulence for us and others between 2025-2035. Fortunately, our business model isn’t built on traffic, we’re carrying no debt, and we’re solid at looking around the corner and changing our direction when it makes sense to pivot.
As I look ahead, I’m confident that we’ll be more active in video form. Writing is still our foundation, but visual promotion matters. We are now active on 9 platforms, and plan to increase video content. If you’re following along, you’ve likely seen our Barrett Media Minute, clips of different media people, and videos promoting our newsletters, member directory, and jobs listings. More long-form content is on the horizon.
Our Sports and News/Talk radio coverage remains our greatest strength. The lack of local ratings battles due to groups cancelling Nielsen, and reduced competition and/or high profile names on the national stage have made it less appealing to readers, but overall, there’s still a lot worth highlighting. If/When Dan Patrick, Colin Cowherd, Jim Rome, Chris Russo and others sign off during the next decade, I wonder who emerges as the format’s next top voices.
Where we have work to do covering sports/news is in the television/digital space. Adding more quality people to write who know the business and have relationships inside of it is important. We’re in good shape with most sports networks but I’d like to make inroads with one or two others. News television is more complicated, but I remain interested in building productive relationships.
Music radio coverage on the other hand is a work in progress. I entered the space knowing it’d take time. News took 2-3 years before we got it right. We’ve had a number of wins and prioritized building relationships and attending key events. I plan to do more of that in 2025-2026. I’m also working on establishing ourselves with record labels and artists too.
But there has to be more original content to interest professionals beyond a morning column and/or feature. I’m more interested exploring the why behind key issues than monitoring individual social media posts to create stories about where someone got hired. Jeff Lynn did a nice job for us and recently exited after a 14 month run, and I’m using it as an opportunity to take a fresh look at where we are, where we want to go, and what’s needed. Should we have more focus on artists? Labels? More on-air or programming features? Let me know at Jason@BarrettMedia.com.
There may be a shift in how we present music content in the future in our newsletters. We began sending out The Nooner on Friday’s and the response so far has been excellent. We will likely add a Tuesday delivery at some point. That could change the presentation of content in the morning and evening edition newsletters. We’re reviewing data and will make an informed decision in the future. Once I know for sure, I’ll update you.
With the BNM Summit and Barrett Bash upon us, conferences are another
Lastly, I’ve put a lot of attention over the past decade on the content arm of our business. But now it’s time to add some sales support. Stephanie Eads and I handle everything, and could use a sharp, savvy, experienced sales professional. Between the website, newsletters, social media, video, conferences, and custom content, we have a ton to monetize. Passion for the brand and B2B knowledge is a must. Interested parties can reach out to Stephanie for more details at Stephanie@BarrettMedia.com.
Closing Statement
You can have a great idea and believe strongly in it but sometimes you have the wrong strategy, people, or just bad timing. Many on the outside looking in see us a strong brand. The traffic, consulting, and advertising partnerships support that we are. Our conferences and Top 20’s are viewed favorably. We gain access to key people for stories regardless of who’s writing for us.
But to run a business successfully requires significant investment and being nimble. I’ll provide opportunity and resources, but I do expect folks who write here to have passion and knowledge of the ins and outs of the industry, be open to feedback, meet deadlines, promote their content, and create material that appeals to a broad professional audience. If growth stalls or declines, I’m going to examine why and make adjustments. If it’s due to poor internal decision making, I address it and reset expectations. This is fun and rewarding but it is still work. If anyone doesn’t want to be here, I don’t want them to stay because it’s not going to be good for us or them.
A business that understands its audiences interests and serves them what they value consistently, has a strong chance to thrive. I try to use that approach with our marketing partners, consulting clients, and anyone who makes time to attend one of our conferences. If they’re happy, we’re happy, and the results are positive, the relationship is likely to continue. We’re not trying to reinvent anything or suggest we’ve unlocked the secrets to permanent success. We’re just trying to play a small role in making the industry better. It’s worked ok from 2015 to now. Maybe if we play our cards right we can do this again in 2035.
Thanks for your continued support. It truly makes a difference in everything we do!
Kyle Brandt is nothing less than authentic. A football fan who wears his passion for the sport on his sleeve every day in any manner possible. Born on the north side of Chicago, he lives for a return to the glory days of the “Monsters of the Midway,” but embraces the majesty of the NFL portrait painted every season.
For the last ten years, Brandt has been a leading voice on the NFL Network’s flagship morning show Good Morning Football. A pigskin priority for those who share the same passion as Brandt. Serving up a feast of information, analysis, and fun every morning throughout the year.
“I can’t believe I’m saying this. I’m entering my tenth season of Good Morning Football on the NFL Network,” said Brandt. “I’m very proud to say that it hasn’t changed much in the sense that we haven’t given into, ‘Let’s all scream at each other. Let’s have constant debates and say nuclear off-the-wall things just to see the reaction online.’”
Brandt will be entering this season on Good Morning Football alongside co-hosts Jamie Erdahl, Manti Te’o, and Sherree Burruss, with a rotation of former players mixed into the group throughout the season. The tone of the program has always remained the same: football should be fun. Cutting through the debates and noise of sports media with an understanding that, at its core, football is just a game.
“The show was always conceived as four people sitting at a table who like football. That’s what it still is,” noted Brandt. “I see a lot of shows that talk about football that look like they’re not having any fun at all. In fact, they look miserable and pissed off. They look angry. Especially in the morning, you can’t have people waking up to that.”
Always Be True to the Audience
The Cowboys are in the middle of their own special little dynasty. Thoughts on Micah. pic.twitter.com/Ndn9f1LTO9
Brandt leans on his honesty and authentic nature that he has always possessed. From starring in an MTV reality series to his background as a producer for The Jim Rome Show, he has never shied away from being his true self when presenting content to an audience. Brandt has always aimed to be a host that is the same on air as he is in person.
“The one thing that has always served me well is authenticity,” said Brandt. “I can tell that if I watch that person on television and I talk to them in the parking lot, they will talk the same way. It’s my favorite kind of people.”
Leaning into his authentic nature, Brandt was one of the first people at NFL Network to comment publicly about ESPN’s acquisition of it. Following the league exchanging a 10% stake of equity into ESPN for the rights to acquire the network, Brandt proclaimed his excitement but also recognized the unknown. He takes pride in the fact that Good Morning Football hasn’t changed much since its inception but understands the uneasiness of the newfound partnership.
“I don’t have any ability to say things that I don’t believe in. I know there’s gold in them hills, and there are people who make a living screaming stuff. God bless them. They have nice swimming pools,” said Brandt. “I don’t have any ability to do that, and I don’t have a pool. So I got to go with the horse I rode in on.”
A Guiding Voice for NFL Classics
In Brandt’s time working through the ranks of sports media, his relationships with Jamie Horowitz and Peyton Manning led the Omaha Productions group to approach him with a unique concept: an opportunity to reexamine classic NFL games through the lens of the players who lived it and die-hard fans who can’t forget it. The product, entitled NFL Classics: After Further Review, was born with Brandt leaping at the chance.
“This just came to me. I hear actors say all the time about if they work long enough, they get offers instead of auditioning. I was like holy s**t, you guys want me to be in this? This sounds cool,” said Brandt.
Introducing NFL Classics: After Further Review — the biggest games in NFL history, rewatched with the people who lived them.
Six classic games. The stories you didn’t hear on game day. The players and fans who can’t forget them.
The six-part series, featured on VICE Sports in partnership with Omaha Productions and the NFL, showcases real game footage alongside picture-in-picture commentary by Brandt and his guests per episode. A selection of games ranges from the 1995 NFC Championship game featuring the Dallas Cowboys’ fourth-quarter comeback over the Green Bay Packers to Super Bowl XXI with Phil Simms and Chris “Mad Dog” Russo joining Brandt in reliving the New York Giants’ victory over the Denver Broncos.
The selection process of the games was a joint effort between Brandt, Omaha Productions, and the NFL. Brandt said the NFL accommodated whatever assets were needed to produce the program. While planning for the show, Brandt intentionally decided not to watch the games ahead of taping. Ensuring an authentic reaction to the replay.
“The reaction on the show is authentic. The funny thing is a lot of the players who played in the games don’t remember the plays either,” explained Brandt. “To have a show that has unfettered access to NFL Films’ vault is rare. They protect that stuff, and they should because it’s so valuable… It’s striking that we don’t have the same highlights you’ve seen a thousand times.”
Reliving Being a Fan
Of the six episodes in the series on VICE Sports, only one stands out as the lone non-postseason contest. The 2006 Monday Night Football classic between the Arizona Cardinals and the Chicago Bears, Brandt’s personal favorite team. A game that he attended while living in California but left a lasting impression on him.
“I was there for not necessarily the best comeback, but certainly the weirdest,” explained Brandt. “That’s why I picked that game [for the series]. That’s the last NFL game I ever attended as a true fan. It’s the craziest game in the history of Monday Night Football. Yet it’s still best known for the postgame because of the coach [Dennis Green]. That game’s nuts.”
On This Date: 13 years ago today, Dennis Green declared the Bears "are who we thought they were." pic.twitter.com/c1LUefUCZJ
The look of After Further Review may look familiar for some football fans. The style of broadcast resembles the highly popular Manningcast broadcasts seen on ESPN2 during the NFL season: a game in progress with live commentary providing insight, analysis, stories, and fun. A concept that has found success in recent years, and something Brandt would be open to with the NFL Network’s new partners at ESPN.
“I’m open to anything. We’re in the new frontier here. The advantage that our show [After Further Review] has over the Manningcast is our games are never terrible. We’re undefeated,” noted Brandt. “I like the market of taking the Manningcast and putting it into not only just old or classic games, but games that are always going to be good.”
NFL Classics: After Further Review debuts tomorrow at 9:00 p.m. on VICE TV featuring Kyle Brandt guiding the conversation alongside Hall of Famers Michael Irvin and Emmitt Smith. The series promises an entertaining and informative look behind the scenes, reliving some of the most historic moments in NFL history with an authentic presentation of a shared love for football.
Something which Kyle Brandt wouldn’t have any other way.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
Saturday was the end of an era. Lee Corso shared his goodbye with the eyes of college football upon him. The final showing for Corso was the highest-viewed College GameDay ever. A fitting salute to a man who elevated the sport through his love of entertainment and passion for the game.
Not to mention a perfect 6-0 on his picks during his final sendoff. No one else thought Florida State would upset the 14.5-point favorite Alabama on Saturday afternoon.
Now that the hype and celebration of college football’s return is over, the real quest begins for College GameDay. How do you replace the crescendo that Corso’s final headgear selection provided? How do you create a new standard for appointment viewing when the audience tunes in the most? Do you replicate what was, or redefine it with what is?
I recalled asking Desmond Howard about how you replace the ramp-up to the kickoff like the Corso headgear selection did for nearly 40 years. At that time they had yet to have any production meetings to discuss not just what will replace it, but whether it should be replaced.
It’s a signature moment on Saturdays that became tradition. It kept audiences tuned in for generations. Corso’s grand finale was so important that even rival networks carried it live on air. College football is about celebration and pageantry. No one embodied that better than Corso, who served as College GameDay’s grand marshal every weekend.
Ideas On How To Replace The Moment
Watching College GameDay and the characters on the program, there’s little to be desired from an entertainment standpoint outside of Pat McAfee’s role. I couldn’t imagine Nick Saban doing a dance and a whistle. Or Kirk Herbstreit leaning into taking the mantle and the headgear selection from Corso’s throne.
One possibility: evolve McAfee’s signature kicking segment. What if the result of the student’s kick didn’t just mean tuition money, but also determined McAfee’s pick in the game? That twist would add suspense, drama, and a monster crowd reaction right before kickoff. Imagine the storyline if the hometown student misses. Forcing McAfee to pick the road team and unintentionally jinx the game’s outcome.
Another option would be for the celebrity guest picker to continue the tradition Corso built. While the selection itself would often be obvious—since College GameDay brings on celebrities who don’t necessarily root for the road team in the game—it would still make for fun and viral moments with some stars of pop culture.
Imagine if Blake Shelton represented the Sooners on Saturday as they take on Michigan, placing the Oklahoma Conestoga wagon on his head and running through the crowd to start college football Saturday. That would be a sight to capture on air and for digital.
With Stanford Steve being situated in the Bear’s old cave on the program. Could Stanford Steve become the facilitator of the crescendo? With Corso’s role now gone in the selection process, could GameDay elevate Steve’s role to one more of entertainer than handicapper?
Another option could be with ESPN partnering with Bussin’ With The Boys for the football season. Could there be a play here with College GameDay? Will it be seen as a copycat counter to what Big Noon Kickoff is doing with Barstool Sports and Dave Portnoy? Sure—but who else on the stage outside of McAfee has the persona that connects with the live, in-person College GameDay crowd?
You could utilize both Will Compton and Taylor Lewan every Saturday and deepen the connection in the partnership just created by the worldwide leader and the Bussin’ brand.
It’s Important To Find A Solution
I’m not naïve enough to believe that the brains at College GameDay don’t already have an answer as to how to replace the appointment viewing Corso provided for so many years. The answer on Saturday will be revealing. We’ll see how much thought was put into the action.
No matter what direction they choose, some fans will love it and others will hate it. It won’t be perfect from the start and will likely evolve over time. But what Corso provided wasn’t just flair—it was a vital piece of the show’s success. His finale wasn’t filler; it was the heartbeat of college football Saturday.
Now, the challenge is clear. Beginning this weekend in Norman, Oklahoma, College GameDay must reimagine its grand sendoff. Because while football will always be the vehicle, entertainment will always be the fuel sweetheart.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
Welcome back. Hope you had a great holiday weekend. I can’t believe I’m saying this but, with Labor Day over and the kids back in school everywhere, it’s time to focus on finishing the year strong. I’m not sure how that’s even possible but it’s real so it seems like a great time to share some secret free advice to help you get there. So just for you, here are five easy-to-execute ideas your radio station can use between now and the holidays.
Celebrate The Bands We Barely Knew
Thursday September 25th is National One-Hit Wonder Day. It should be a great excuse to highlight a lot of great tracks on your station. Start early in the week with a social post about the greatest one-hit wonders of the Classic Rock-era. Let people post their suggestions and chime in for their favorites. Then feature these songs all through the day. All you need is a little production and a smile while you play the usual suspects plus a few that don’t normally make rotation. My vote is for “My Sharona” to make an appearance.
Light a Candle for Eddie
Hard to believe October 6th will mark five years since we lost Eddie Van Halen. This one is hard to talk about but not hard to program. The easy way is playing songs at the top of every hour or more. But consider going further. Play an entire Van Halen album at some point and edit together all of Eddie’s best solos into a one-of-a-kind mix. Don’t forget to change the colors on your website to match his guitar. Post the same pattern on your socials.
The Boss Goes to the Movies
This one is a little tougher to deal with. On October 24th, the Bruce Springsteen biopic Springsteen: Deliver Me from Nowhere hits the theaters. Once of the biggest stars in the Classic Rock world, Springsteen’s outspoken political stance has, without a doubt, had a big effect on his status. Depending on what part of the country you are in, this is either a great chance to do something around a major artist or a small, background promotion. Either way, keep in mind two things: Springsteen still sells out arenas in markets all over the country and these biopics do tend to breathe new life into older acts. Plan accordingly.
Celebrate the Heroes
Very few groups profile as positively with Classic Rock fans as veterans and first responders. Don’t miss the opportunity to lean in by preparing a good promotional effort around First Responders Day on Tuesday October 28th. I realize it’s close to Halloween but nothing will localize your stations more than finding a great way to honor the people in your community who run toward dangerous situations instead of away from them. Send pizza, do shout outs, find a way to say Thank You.
Bang the Drum All Day
One more easy to celebrate holiday that fits our format perfectly is National Drummer Day, which crashes onto your calendar on Saturday, November 15th. That makes it a great excuse to go off script over the weekend and feature songs with great drum solos. A little later in the day, when listening levels are lower, maybe even break out “Moby Dick” or “YYZ” which is something we never do but your listeners love. Not matter what, the production absolutely needs to feature the iconic moment from “In the Air Tonight.”
Photo Credit: Imagn courtesy of Scott Ash/Milwaukee Journal Sentinel/USA TODAY NETWORK
I realize that none of these are the most ground-breaking ideas. They do however check a few important boxes. They fit the Classic Rock format, are easy to execute with minimal effort, and don’t cost anything. Plus, they are free. Put them on your calendar now and write some lines for your voice talent before the fall really ramps up. You’ll have easy opportunities to make your station sound more vibrant than just another day of playing the music log.