Home Blog Page 937

Michael Saunders Named ‘KISS 104.1’ Atlanta Director of Branding And Programming

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Cox Media Group (CMG) has named Michael Saunders as the new Director of Branding & Programming for WALR-FM, “KISS 104.1,” Atlanta’s R&B station. Saunders is set to begin his new role on November 25.

Saunder’s career includes programming at KQBT-FM, Houston, WJLB-FM, Detroit, and WCFB-FM, Orlando from 2011 to 2016. Notably, he played a key role in the launch of WWPR in New York in 2002.

Additionally, Saunders founded the New York, Detroit, and Florida Music Conferences and was inducted into the National Black Radio Hall of Fame.

Saunders said, “I’m beyond excited to return to Cox Media Group. I can’t wait to work with Rob Babin, Chris Eagan, Nate Reed, Elroy Smith and the entire team at WALR, KISS 104.1 Atlanta.”

“We’re excited for Michael to join our award-winning KISS 104.1 team and look forward to the positive impact his leadership will have on culture, branding, and our community,” said Nate Reed, Director of Operations for CMG Atlanta’s music brands.

“We’re thrilled to welcome Michael back to the CMG family. I can’t wait to watch WALR evolve to new heights with his programming leadership,” said Chris Eagan, SVP of Programming for CMG.

Joe Scarborough on Meeting with Donald Trump: Pushback Shows ‘Massive Disconnect’ Between Social Media and Real Life

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

MSNBC hosts Joe Scarborough and Mika Brzezinski shared that they met with Donald Trump over the weekend. They received strong pushback from viewers and liberal media members. Scarborough is brushing that off.

During Morning Joe on Tuesday, Scarborough addressed the criticism the pair had received for meeting with the President-elect. He said the idea that resuming communications with Donald Trump is a bad thing shows how disconnected those on social media are from real life.

“Yesterday, I saw for the first time what a massive disconnect there was between social media and the real world,” said Scarborough. “Because we were flooded with phone calls from people all day, literally around the world, all very positive, very supportive, ‘I understand what you did.’

“But once in a while I would get a text or call from someone going, ‘Oh, man, I hope you’re doing okay.’ I would call them back … I’d go: ‘Are you on Twitter?’ And he goes, ‘I am.’ I’d go ‘Well, I’m not. So we’ve had a good day. Mika had a wonderful event and it’s fantastic.’ All of us will do the best we can do and we’re all working towards a better America.”

A near-immediate reaction from critics besieged Joe Scarborough and Mika Brzezinski for meeting with Donald Trump over the weekend. An onslaught of criticism from the political right also came to the MSNBC hosts, labeling them self-serving and opportunistic for changing their tunes on Trump after he was elected earlier this month.

Christina Wolford Joins ‘Hank FM 100.9’ Waverly, OH For PM Drive

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Christina Wolford, who recently departed from iHeartMedia after a 35-year tenure with the Chillicothe, OH, cluster as part of the company’s downsizing and restructuring, is set to return to the airwaves in South Central Ohio next week.

Wolford, previously the host of the PM drive on “94 Country” WKKJ, is set to debut her afternoon show, “The Drive Home,” on Total Media’s “Hank FM 100.9” WXIZ Waverly, OH, starting November 25.

WXIZ, which transitioned from a Country format to Classic Country in February, added local comedian Lori Graves to its morning lineup last September. (BMM 9/11)

Yahoo Sports’ Uncrowned, DAZN Partner For New Boxing Show

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

DAZN and the Yahoo Sports combat sports brand Uncrowned, have announced a partnership on a new show, ‘Ariel x Ade’. The show will feature combat sports journalist Ariel Helwani, who partnered with Yahoo Sports on Uncrowned, along with DAZN’s Ade Oladipo.

The first episode of the show will air later today and each following Tuesday at 5 p.m. ET. The show will stream live exclusively on DAZN and then will be available on all major podcast outlets and the Uncrowned platform.

The weekly show is produced by Uncrowned and a release from the companies said, “the show will deliver the latest news, interviews with top fighters, and a deep dive into past and upcoming matchups. Ariel and Ade will also debate the biggest topics in boxing.’

“Ade and I have been talking about doing this show for well over a year, so I’m so incredibly excited that we are finally here,” Helwani said in the release. “I consider him not only one of the best sports broadcasters in the world, but also a great friend, and that’s what will make this endeavor so special. The time is right for all of us to launch this show, and while I genuinely enjoy working with Ade, make no mistake about it: I will happily disagree with all his wacky boxing takes.”  

Oladipo added, “I can’t wait to get going with Ariel Helwani. I think he is one of, if not the biggest, combat sports journalists in the world. We have been speaking about doing this for well over 12 months and I think it’s perfect timing now. Boxing is in as good and as healthy a place as it has ever been with big fights happening all over the world nearly every month and I can’t wait to put Ariel in his place every Tuesday. It’s going to be fun and I look forward to getting started.”

Broadcast TV Sees October Uptick in Latest Nielsen Data From ‘The Gauge’

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Broadcast TV has continued to see its usage grow in recent months, according to the latest data from Nielsen and its The Gauge metrics.

During October, 24% of all television viewing happened on broadcast television. That figure represents a 7% uptick compared to the previous month, marking the third consecutive month of growth. It is the largest monthly share the sector has had since January. The fall growth of broadcast television falls in line with the return of college football and the NFL, which both command many broadcast windows on weekends. The fall also marks the return of network TV dramas on ABC, CBS, NBC, and FOX, among others.

Broadcast TV was also helped by the 2024 World Series, which featured teams from New York and Los Angeles — the two largest markets — on FOX. More than 15 million viewers tuned into Game 1 of the series.

Despite the more than 3% gains for broadcast TV in recent months, it still lags behind cable and streaming. 26.3% of all television viewing continues to happen with cable television, while streaming accounts for 40.5%.

On the streaming front, 10.6% of all viewing happens on YouTube. That tops Netflix (7.5%), Amazon Prime Video (3.5%), Disney+ (2.4%) and Hulu (2.4%).

The Netflix figure is a drop of 4% compared to the previous month but still captured the top five streaming original programs during the month with a total of 4.4 billion minutes spent with the platform, according to Nielsen and The Gauge.

The Roku Channel reached new highs during the month, as it grew 12% up to 1.8% of all streaming viewing for the month.

Fox Business Host Sean Duffy Tabbed to Serve in Donald Trump Administration

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Donald Trump has announced he is appointing Fox Business host and former Wisconsin representative Sean Duffy to a post in his new administration.

Duffy will serve as the Secretary of Transportation during Trump’s second term.

After spending more than eight years in the U.S. House of Representatives, Duffy has hosted The Bottom Line on Fox News since January 2023.

“Sean Duffy provided valuable insights and analysis in co-hosting the FOX Business Network program, The Bottom Line,” a network spokesperson said. “As Duffy departs FOX News Media effective today, we wish him the best of luck in his return to Washington. Moving forward, The Bottom Line will continue with Dagen McDowell joined by rotating co-hosts.”

On social media, Duffy — who is the husband of Fox News host Rachel Campos-Duffy, and father of Evita Duffy-Alfonso — shared his excitement of the news.

“Thank you, Mr. President. I’m eager to help you usher in a new golden age of transportation,” he wrote, followed by the MAGA hashtag.

Duffy becomes the latest appointment with Fox News ties to join the Trump Administration. FOX & Friends Weekend host Pete Hegseth departed the network to serve as Secretary of Defense, while former Fox News host Mike Huckabee has been selected as the U.S. Ambassador to Israel, and Fox News contributor Tulsi Gabbard will serve as Director of National Intelligence.

What Does The Rise Of Bluesky Mean For Sports Twitter?

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Twitter used to be fun. It used to be my go-to community for real-time reaction to news and sports. Now, it’s mostly useless unless you are looking for Christian Nationalist documentaries or crypto scams. I find myself scrolling through dozens of those just to get a single person I follow or whose name I recognize.

Following Elon Musk’s purchase of Twitter, plenty of developers and companies decided they could capitalize on the blowback. Mastodon and Discord were too complicated, Threads was largely useless, and things like Facebook and Tumblr were just old news.

Over the weekend though, something interesting happened. Bluesky is in the middle of its breakthrough moment, having added over 1 million new users since the election. On Saturday morning, I logged on and noticed several accounts posting screenshots showing that the app had become the most popular download in the social media section of The App Store. So what is happening and how should the sports media industry prepare? 

Gabby Hinslif of The Guardian theorized that this is not the beginning of the end of Twitter for everyone. That site will still have a place for those that want their jokes about Mike Tyson’s ass with a heaping side of paid posts for alt-right newsletters and t-shirts that will never show up.

Hinslif’s theory is that the Pangea era of social media is over. Rather than the rise of one platform being signs of another’s demise, we are simply fracturing. In time, it will be hard for any one platform, particularly the microblogging sites like Twitter and Bluesky, to be thought of as everyone’s go-to digital townsquare. 

What does that mean for those of us in the content business? It depends on the approach you want to take. Do you want to focus on your most dedicated audience or do you want the best chance to be seen by everyone?

Elon Musk bought Twitter with a single goal – make it worse. In service of that mission, he boosted the reach of his own Tweets, rewarded clickbait without bothering to moderate, and turned the blue checkmark from a sign that you were reading content and stories from a reliable, first-person source into a pay-for-play scheme that meant most people would never see any commentary or dialogue of value on the site again.

In short, he was wildly successful and threw in a little election meddling and anti-semitism just for goofs. If that’s enough to make you wash your hands of Twitter, I do not blame you. 

I would note that in the content world, eyeballs are important. We all use social media to steer audiences to what we have created. Algorithms are constantly in flux and Mark Zuckerberg was quick to follow Musk down the path of pay-for-play verification and reach, so we can debate just how effective the practice is though.

What we can say definitively is that Twitter is not very popular when compared to Facebook, Instagram, TikTok and YouTube. The competition Twitter directly inspired (ie Bluesky) is even less popular. That means there is no “one size fits all” strategy to follow. 

Are you promoting with just links? It seems like that was already ineffective, even at the peak of Twitter’s popularity. Are you using videos? If so, do Twitter or Bluesky even make sense? The reach is much greater on TikTok and Instagram.

Maybe the most effective thing you can do as a content creator is to forget about Twitter or any of its alternatives. Stay on the platforms you want to and interact with whoever you think is worth your time. Just don’t count on any of it to be particularly meaningful, especially not in the way Twitter used to be.

These microblogging sites are all about building and curating a community. That’s true for everyone from the guy with three followers all the way up to the Adam Schefters and Dave Portnoys of the world. Logging on only to promote isn’t going to motivate an audience.

Rifting has begun. At best, social media Pangea is on its last legs. It’s time to make a hard choice. Does your content play best with like-minded people? Would the best use of what little time you have be to stick to them or do you want to be transcontinental in this new world? If so, you need to know who you are talking to and what is going to give you the best chance to cut through with them. Links just don’t cut it anymore.

The Game-Changer for Local Newsrooms is Artificial Intelligence

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

In an industry where shrinking staffs meet growing demands, artificial intelligence (AI) has emerged as an unlikely ally for local newsrooms. While some view AI with skepticism, imagining it as a threat to traditional journalism, the reality couldn’t be further from the truth. Rather than replacing people, artificial intelligence is a tool designed to amplify the work of journalists, streamline workflows, and empower creativity — all while increasing revenue and audience engagement. Let’s look at how this technology can bring a breath of fresh air into newsrooms struggling to remain relevant and profitable. 

Imagine being able to create more content than ever before and distribute it seamlessly across television, websites, and social media — all without overwhelming your team. With AI’s help, that vision is a reality. Newsrooms are already leveraging AI to generate extra stories, recaps, and summaries of local events. Even the most mundane, time-consuming tasks can be automated, lifting the burden off staff and allowing them to focus on what truly matters: crafting impactful stories that engage, inform, and grow audiences.

AI tools today are remarkably adaptable and capable of producing content that aligns with a newsroom’s standards for accuracy, fairness, and quality. Whether the tone needs to be serious or lighthearted, AI can be trained to match the style and voice of your station. For instance, here’s a playful AI-generated excerpt based on a Costco earnings report using our technology:

“Let’s face it: Costco isn’t just a store; it’s a lifestyle. It’s where you go to buy a 30-pack of toilet paper a rotisserie chicken, and somehow end up with a kayak. It’s like the Hotel California of retail — you can check out any time you like, but you can never leave.”

Such a humorous take is just one example of AI’s versatility. It can be serious, light, or anything in between, depending on the story’s needs and your audience’s expectations. After working for media outlets like Scripps, NBC, Fox, Yahoo, and now an AI tech firm, I’m convinced that AI will usher in a golden age of content creation in journalism, defying the narrative of decline that has haunted our industry for years.  The technology works. Our AI creates hundreds of articles for our clients to post daily on their websites.

How to Bring Artificial Intelligence to Your Team Today

The key to a successful artificial intelligence user interface (UI) is simplicity. The ideal AI UI should allow anyone on your staff to use it with minimal training. Design the UI with designated content pipelines and appropriate prompts operating in the background.  When negotiating deals with AI firms, remember that the prompts are crucial to success. Prompts control everything within an AI pipeline: accuracy, source validation, copyright protection, style, and automated content output. Prompts should be clear and straightforward instructions that create the guardrails on AI.

Various firms offer AI products that integrate with your existing newsroom infrastructure. Ask their software engineers and prompt engineers to tailor the prompts in your pipelines to your market and station and ownership standards. Your staff does not need to know how to code or prompt, but they must use the AI portal or UI, so you need to keep it simple.

Lightening the Load on Journalists

Today’s news teams face intense workloads with fewer resources than ever. With more stations replacing syndicated content with local programming, producers, reporters, and digital teams are increasingly asked to do more with less. AI can help fill the gaps, taking on repetitive and administrative tasks so journalists can focus on creative, high-impact stories that attract audiences.

Here’s a typical day in a newsroom: Reporters spend hours interviewing sources, gathering documents, researching, and writing scripts for newscasts that often start at 4 p.m. and run through the evening. Many stations now produce 3 p.m. newscasts, while others air news until 8 p.m. with only a two-hour gap until their “late” news programs. After the last live shot, there’s still a web article to draft and video clips to post on social media. Exhausted and overextended, many journalists find themselves doing triple duty in the name of keeping up. AI can relieve much of this burden, giving journalists their time back for more meaningful work – or an eight-hour shift instead of 10 or 12.

Here’s how AI can make a tangible difference in your newsroom right now. Reporters can input interviews, notes, press releases, documents, and other materials into the AI platform, which then accesses the station’s media library and licensed sources like AP and Reuters. Within minutes, AI synthesizes all the material, producing scripts for TV, long-form articles for the website, and short clips ready for social media — all consistent with journalistic principals and standards and tailored for your audience. One team member can review the AI-generated output before it’s posted or used in a newscast.

This newfound efficiency frees up producers to dedicate more time to crafting their rundowns, writers to verify breaking news and develop enterprise content, and the digital team to chase trending topics. Reporters, unchained from their desks, can continue gathering news in the field. Meanwhile, your newsroom’s content multiplies, reaching audiences across various platforms without sacrificing quality, relevance, or timeliness.

AI is an enhancer, not a replacer. It allows news teams to push past routine constraints, reach new audiences, and reinvigorate the passion that brought them to journalism in the first place. Media owners and newsroom leaders should recognize the opportunities AI presents as a powerful resource in a rapidly changing industry. In embracing AI, we empower our journalists to do more of what they love — telling stories that matter.

Adam Shapiro is the Managing Editor for Project Pluto, Inc. where he leads a team of reporters and prompt engineers using AI technology daily to deliver accurate original content on a fully automated LLM-powered news platform startup. Prior to entering the AI arena, Adam spent 11 years with Fox Business as an Anchor and Producer. He has also served as an Anchor and Reporter for NBC New York, a Writing Director for Yahoo Finance, and Assistant News Director for WGRZ in Buffalo. 

A Listening Road Trip In Search Of Local Radio

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

“TV gives everyone an image, but radio gives birth to a million images in a million brains”Peggy Noonan.

Lauded Speechwriter Ms. Noonan knows a fair amount about the imagination of the spoken word – as outlined in this weekend’s CBS Sunday Morning piece.

The Election Week layoff tsunami from iHeart has receded as the Cumulus bloodletting continues. The time is ripe to resume the search for a million images from true LOCAL radio across the heartland.

Read the first half of our October journey – HERE.

During that westbound I-70 pilgrimage for a grandkid visit, we traveled from our Indiana home to Columbia, Missouri.

The nearly six-hour trip exposed us to some 100 different radio stations along our journey.   

As a casual experiment and a bit of low-key research, we built impromptu Subaru radio-scanned playlists by sampling stations across each region.

In radio, there’s an adage that every quarter-hour —15 minutes — should tell your brand’s story through elements like imaging, talent, and contests. 

Since the average listening session measured by PPM data is around 12 minutes — essentially a quarter-hour — we decided it was only fair to give each station we tuned into a single 15-minute listen.

Leaving St. Louis County and plowing the birthplace of the interstate system—St. Charles County—we’re entering what residents of The Gateway City know as The Westplex.

Westplex

This area covers towns like Warrenton, O’Fallon, Dardenne Prairie, Cottleville, Washington, St. Peters, and dozens more.

The Beasts of The Westplex belong to Kaspar Media of Missouri. The recently deceased Steve Kaspar ran great LOCAL brands including Country 99.9 KFAV, Rock 100.7 The Viper and Classic Country AM 730 KWRE. The Kaspers have been in radio since the 1950s. Yet, these brands could not provide local connections approaching sunset.

The KSLQ call letters are nearly 40 years old and are now in the hands of Brad Hildebrand, licensed to Washington, Missouri, at 104.5 FM. Brad—along with his brother Lance—built a St. Louis traffic empire in the 1980s, which—when sold—made them a handsome sum. Given his local pedigree, the lack of LOCAL programming here was also surprising. The same is true with his sister, Westplex 107.1.

The surprise of the Westplex scan came at 1220 AM—Americana KLPW (with a translator at 92.7). Licensed to Washington, Missouri, they are robust with audio about local high school and college sports. Their website also touts long-time St. Louis radio vets Diane Jones in mornings, along with KSHE Legends Katy Kruise and Radio Rich Dalton. Bravo!

Columbia

About 90 minutes west of The Westplex, we come within earshot of Columbia, a robust college town and home to the University of Missouri. As for radio, it’s truly a dual city as radio out of the Missouri State Capital of Jefferson City also penetrates the metro.

Our scan first encounters a collar county station in Mexico – Country 96 KWWR.  As two of my kids graduated from Mizzou, I’ve encountered the frequency a dozen times. Nearly two decades ago, this brand was a vibrant LOCAL outlet.  During the syndicated Original Country Gold with Rowdy Yates program, a brief mention of a shoe drive in Vandalia reflected any local flavor.

In the spirit of fairness, most local brands, including our clients, run syndication at night. 

This low-budget experiment, ‘Kentucky-Windage’ research, will resume at first light.

Columbia – Day 2

This market has been robust and competitive for years. Columbia is the sort of market where talented air, programming, and salespeople come – and never leave.

The Cumulus brand 102.3 BXR is a prime example. Somewhat of an outlier for this company, it’s an Adult Alternative with an interesting Music Matrix (Muse – Peter Bjorn – Cage The Elephant) and highly LOCAL. 

Their morning and afternoon talent collectively have five decades of time-in-grade, and they are at every huge Columbia event, including their own Barktoberfest—a Yappy Hour with cocktails and canines. In a company that prides itself on iPhone-generated playlists, 102.3 BXR certainly bucks its system.

Contemporary Christian Spirit FM has been our partner on and off for two decades.  Jim McDermott’s Camdenton-based religious format is a legend in the Christian Radio world.  Spirit FM has nearly a dozen frequencies covering 3/4 of Missouri. We pulled in their Class C out of Huntsville, Missouri.  We were white-knuckling it for their local staff when The University of Northwestern added Spirit FM to their national stable of frequencies in July of 2023.  Happy to hear that their tenured LOCAL personalities are thriving under new stewardship

The Gold Standard in Columbia radio – or and market – is Zimmer Communications.   Founded in the middle of the last century, Zimmer has morphed as times change. Their industry trophies could fill a warehouse. An association with any Zimmer cluster and you’re ahead of the industry curve.  This listening session was no exception. 

On their Y107 brand, the married and energetic duo of Cosmo and Kat greet the sunrise with solid benchmarks like ‘Did You Know…’ – with plenty of live audience interaction.  You would never know Kat is in St. Louis while Cosmo is on Columbia’s Route 63.

Zimmer’s talker 93.9 The Eagle boasts a five-person ensemble morning show, and with the election a month away, the studio was buzzing. On the flip side, the Cumulus News Talk is nearly 100% syndicated. All Zimmer brands scream LOCAL. Have a listen.

Lessons learned – verified – from this non-scientific research experiment:

  • LOCAL radio is vibrant and thriving in smaller markets where owners invest in LOCAL talent
  • The spiral demise of true LOCAL radio is a death by a thousand cuts
  • Researching each station proves that those with a robust and growing social/digital footprint are winning the LOCAL battle.

Who will remain after the non-stop people bruising to create those ‘a million images’?

Time has the answer.

On the way back to my Indiana home on Sunday morning, the only LIVE product was Audacy’s KMOX.

Eliminating live, local weekend talent was one of the original – ‘thousand cuts.’

ESPN Saved ‘Inside the NBA’ and Now Needs to Get Out of Its Way

0

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Dear ESPN,

Long time viewer, first time writing a column that is a letter to you.

First off, I wanted to tell you how big of a fan I am. I always have been. I will never forget when my parents got us our first cable box in the early 80’s and I fell in love with you immediately. You see, I was the kid who would record St. Louis Cardinals games and other sporting events on my Fisher Price tape recorder and then go into my bed and listen to them when my parents said I had to turn off the TV. I used to do it with some of your shows as well.

I have always watched your products religiously, and even used to leave the workout shows on the TV just waiting for when something would come on I actually wanted to watch. So, thank you for always being there for us diehard sports fans and giving us some incredible content.

Today’s product is quite a bit different than back in those days and at the risk of sounding like an old person, I liked a lot of the stuff you used to do more than what you do now, but by golly, you are always there, and I always know what I can get when I tune in. Consistency is always key and is an area where your network has shined.

I have also been a longtime fan of Inside the NBA and when I say a longtime fan, I mean from Day One. I am one of those that can actually remember the year Ernie Johnson was doing sideline reports while others were in the studio. Later on, as if I didn’t love the show enough already, they added my guy Charles Barkley in 2000 and that hooked me for life.

So, on behalf of all of those that have enjoyed the show, THANK YOU!

For those that may not be aware, ESPN/ABC owner Disney has worked out a deal to continue the show, which will be licensed to them by Warner Bros. Discovery. Reports indicated from the get-go that the show would remain the same, however, we now understand Shaq’s deal expires at the end of this current season.

My main intention in writing this letter to you is to implore you to do exactly as those initial reports indicated – keep the show exactly as it is. I assume WBD/TNT should have no problem re-upping Shaq, but let’s get that done quickly so us fans of the show are assured it will continue in its current form, all of it.

Then, don’t touch it. Don’t try to add to it, don’t try to take away from it, just let it run. And while he is great doing his thing on his own shows, please do not let Stephen A. Smith near this show.

I realize the reports say it is still TNT’s show, they produce it, they are in control of content. But I’ve seen this play out before and while I am really digging the media companies working together like this, I don’t trust it. Mainly because ESPN is such a beast, do we really think they will sit idly by if they have ideas? Or could they end up strong-arming the league if they feel TNT isn’t being the partner they want them to be.

I realize I am jumping the gun here and maybe getting worried about something that will never be a concern, but didn’t we just see some of this play out? Didn’t Adam Silver say WBD was the kind of partner that would point to one line in a huge contract and play that game? Let’s just make sure our attorneys work this out all correctly, with all I’s dotted and all T’s crossed, for now and the future.

The last thing any of us want is an Inside the NBA light or an ESPN version of Inside the NBA. The show is just fine the way it is, thank you very much. And don’t get the idea to now overexpose these guys. Once in a while, ok, but if we see Charles, Shaq and Kenny start to pop up all over the place, the show will suffer.

ESPN doesn’t lose at a lot of things, but NBA programming around the games is an area where ESPN has gotten it handed to them by TNT. It isn’t even fair really to compare what the two do. To put it into terms sports fans will understand, Inside the NBA is Michael Jordan, and the stuff ESPN puts out is more along the lines of Steve Kerr. Dependable, solid, not great.

Inside the NBA is great. Let’s keep it that way.