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CNN Correspondent Gary Tuchman Departs After 35 Years

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After 35 years at CNN, national correspondent Gary Tuchman has announced he has departed the cable news network.

In a post on social media, Tuchman revealed his exit.

“I’ve loved my decades as a correspondent at CNN. But after 35 years, I’m moving on,” he wrote.

He added his appreciation for the thousands of colleagues he has worked with since joining the network in 1990.

“I want to say thank you to my CNN colleagues. From my first day in 1990 until today, I have always been proud of CNN and proud to represent CNN around the world,” Tuchman wrote. “Good journalism is now more important than ever. Working with such noble journalists has been the professional honor of my life.”

Tuchman worked as a national correspondent for the network and was also a staff correspondent on Anderson Cooper 360. He was a frequent contributor to New Year’s Eve coverage for CNN, noting that he covered the end-of-year celebration “at least 15” times during his tenure with the network.

In the announcement of his departure, Gary Tuchman did not use the term “retirement”, just simply noting that he was exiting CNN.

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NCAA Reaches Extension With Genius Sports Granting Exclusive Access To Sportsbooks

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The NCAA and Genius Sports Limited have announced a landmark extension of their partnership, solidifying Genius Sports as the exclusive provider of official NCAA data to licensed sportsbooks through 2032. The deal encompasses all post-season tournaments, including the highly anticipated March Madness.

Under the expanded agreement, Genius Sports will deliver fast, accurate and secure data to the regulated sports betting market. The partnership underscores a mutual commitment to innovation, transparency and the integrity of collegiate athletics.

“Since 2018, Genius Sports’ technology has transformed the college sports data ecosystem,” said Mark Locke, CEO of Genius Sports. “This extension is a powerful endorsement of our vision, delivering cutting-edge data solutions to support NCAA schools while connecting our sportsbook partners with the highest quality NCAA official content, alongside our exclusive NFL and Premier League rights. Most importantly, it’s a partnership grounded in innovation, integrity and a shared commitment to the future of collegiate athletics.”

In addition, the agreement introduces the Authorized Gaming Licensee (AGL) program, which grants sportsbooks exclusive access to official NCAA data feeds, along with NCAA marks and logos. Genius Sports will work directly with participating licensees to enhance integrity safeguards, limit risky betting types, ensure compliance and protect student-athletes through responsible gaming practices.

A key pillar of the partnership is the continued deployment of NCAA LiveStats, the NCAA’s official platform for real-time game statistics. This platform, used by thousands of NCAA institutions, supports more than 70,000 games annually across major college sports. Importantly, NCAA LiveStats will remain free for all member schools, providing a trusted and accessible resource for data collection and distribution.

Looking ahead, the collaboration will also introduce GeniusIQ, a next-generation AI and machine learning platform designed to revolutionize how college sports are analyzed and experienced. From advanced performance analytics for coaches to immersive, data-driven tools for fans, GeniusIQ aims to elevate both the strategic and entertainment aspects of collegiate athletics.

Through this strengthened partnership, the NCAA and Genius Sports reaffirm their dedication to enhancing the college sports experience while upholding the highest standards of integrity and data excellence.

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KCBS Reporter Doug Sovern to Retire

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After 35 years at KCBS, political reporter Doug Sovern has announced he will retire from the Audacy San Francisco all-news station at the end of the month.

“After 40 years on the radio in San Francisco, the last 35 on (KCBS), I’m retiring to write books, make music & raise my kids,” Sovern shared on social media. “My last show hosting #StateOfCA will be next Wednesday, April 30, 3:30pm. Thanks for a most extraordinary, exhilarating & unexpected career!”

Sovern has worked at the all-news station since 1990. The 64-year-old turned his focus to politics at the station in 2006. He has hosted the daily State of California interview segment and podcast since 2020.

In total, he’s spent 40 years in the Bay Area, previously working a K101 as a news anchor and reporter before joining 810 KGO.

According to the San Francisco Chronicle, Doug Sovern has won 250 journalism awards, including an award in his district as the Best Reporter in Radio by the Associated Press Television and Radio Association.

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Charissa Thompson Still Without a Contract With FOX Sports, Says She’s Not Leaving Network

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FOX Sports host Charissa Thompson is not leaving her position with FOX Sports. The 42-year-old media personality wanted to clear the air in the latest episode of her Calm Down podcast featuring co-host and FOX Sports reporter Erin Andrews.

During the episode, Thompson addressed some headlines that had come to her attention about her being fired from FOX Sports, drawing concern from her friends and family. Although the headlines and stories were untrue, she decided to address the issue publicly.

“No, I am not leaving FOX. I was never leaving FOX,” explained Thompson. “I don’t know where this took on a life, whereas I was hosting my family here at the ranch this past weekend, four of my family members asked, ‘Well the place looks nice, but how are you going to afford it now that you don’t have a job?’”

Thompson joined FOX Sports in 2013 and has since become a regular part of football coverage across multiple networks, hosting FOX NFL Kickoff and contributing interviews and features to its pregame shows. In addition, she also works on studio coverage for Thursday Night Football on Amazon’s Prime Video, a role she has held since the property launched during the 2022 season.

Meanwhile, although Thompson did not reveal the source of the headlines that captured her family’s attention, her contract with the network has expired with no news on an extension from either FOX Sports or Thompson herself. Following the Super Bowl this past February, Thompson noted her contract was up with FOX Sports, saying she loves the company and feels FOX is family to her.

Nevertheless, Thompson insisted she’s not going anywhere.

“FOX is my longest relationship,” said Thompson. “I have worked there since I was what, 22 years old starting in the HR department. So yes, I love FOX, I will hopefully end my career there in a long, long time. But anyways, it’s not ending anytime soon. That’s a fake headline.”

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MSG Networks Nears Deal With JPMorgan To Avoid Bankruptcy: Report

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Could the MSG Networks and YES Network be headed for a potential merger? According to a report late Thursday night in the New York Post, the two networks could, in fact, be potentially moving to that conclusion as MSG Networks attempts to avoid bankruptcy.

Last month, Sphere Entertainment, who owns MSG Networks, reported financial results for the last three months that resulted in total revenue of $308.3 million, down 5.9% from the previous year. Furthermore, revenue attributable to MSG Networks, the regional sports network that televises games for the New York Knicks, New York Rangers, New York Islanders, New Jersey Devils, and Buffalo Sabres, finished at $139.3 million, which was down 5% on the year.

Additionally, according to the New York Post, MSG Networks is nearing a deal with JPMorgan where the lender will agree to reduce the Network’s debt by about $600 million, according to sources close to the talks.

The tradeoff for Knicks owner James Dolan, who owns Sphere Entertainment, is that he would reduce the rights fees MSG Networks would pay the Knicks and Rangers. As a result, this would increase the network’s ability to make its interest payments. MSG Networks and YES Network — which airs the Yankees and Brooklyn Nets — now partner on the Gotham Sports App, with access to both networks costing $41.99 a month.

Moreover, according to a report by Sportico last month, Sphere Entertainment and its lenders have reached various forbearance agreements in recent months due to MSG Networks being unable to refinance its debt. The $829 million debt outstanding was due last October, but the deadline has been extended multiple times, most recently to March 26 of this year. Earlier in February, the company made a $25 million principal repayment that reduced the debt outstanding to $804 million.

Initially, MSG Networks had a deadline at midnight on Monday to avoid bankruptcy, but it received an extension to yesterday as the network was attempting any last-minute deal that could strike.

According to public filings, MSG Networks is losing money partly because it paid $187 million in 2025 to broadcast Knicks and Rangers games as part of a 20-year agreement that ends in 2035.

Following the JPMorgan restructure, Dolan hopes to sell MSG Networks to potential bidders, according to sources at the New York Post. MSG Networks has been in default since October but has not been put in bankruptcy.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The NFL Draft Provides a Reminder Why FOX Sports Is the King of Network Sports Radio

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Night one of the spectacle that is the NFL Draft is in the books. I caught some of it on TV but spent quite a bit of time in the car, so I listened to the radio coverage. Thanks to SiriusXM, I was able to flip between ESPN Radio and FOX Sports Radio.

Now, ESPN of course carries the draft on television, so they put a lot of manpower behind it. And as most of you know, ESPN and ABC offer two separate presentations—one from more of a pro perspective, the other leaning into the college angle.

On the radio side, even ESPN’s own press release treated its coverage as a bit of an afterthought, noting only that Chris Carlin would be joined by Max Starks, Mike Tannenbaum, Ian Fitzsimmons, and Jordan Reid. They had the advantage of being on-site, and the ambient noise of the draft added a layer of authenticity. Still, with all the firepower ESPN has, I was surprised they didn’t invest more into their radio product.

FOX Sports Radio, meanwhile, was in a studio with a crew led by Jenny Taft, featuring Jay Glazer, LaVar Arrington, and Joe Douglas. At first, I wondered if long-form Jay Glazer was something I was ready for. Turns out, he was great to listen to. You could tell when he was digging into his phone, and suddenly real-time scoops would start trickling out. It was compelling radio.

The ESPN Radio coverage wasn’t bad by any means—Chris Carlin did a solid job as point guard—but it just wasn’t what you would have expected from ESPN Radio in its heyday. And the key words there are “would have.”

Not long ago, ESPN Radio was the undisputed leader in national sports talk. It was the brand. From Mike & Mike to Dan Le Batard to Colin Cowherd, the network was stacked with stars and had must-hear programming. FOX Sports Radio, by contrast, was the scrappy underdog—lacking consistency and star power.

Fast forward to 2025, and the roles have completely reversed. FOX Sports Radio isn’t just the better product—it’s in a different league. The personalities are sharper, the programming is more consistent and compelling. ESPN Radio now feels more like a placeholder than a flagship.

It’s not that hard to break down. It all comes down to talent. And FOX Sports Radio simply has more of the talent that listeners like and trust. Facts are facts.

ESPN has cycled through a number of morning shows since Mike & Mike ended in 2017. Nothing has come close to replicating that success. Unsportsmanlike with Evan, Canty & Michelle is a good show, but compared to what ESPN had in that slot for 17 years, it’s apples to oranges.

FOX Sports Radio kicks off its day with 2 Pros and a Cup of Joe featuring LaVar Arrington, Brady Quinn, and Jonas Knox. It’s fairly underrated. Naturally, it shines during football season, but I’ve been surprised at how funny and natural the chemistry is—it just works.

Now, I try to stay up to date, but if you asked me what comes on ESPN Radio after Unsportsmanlike, I honestly couldn’t tell you. A quick Google search says it’s Clinton & Friends with Clinton Yates—whoever that is. I know Mike Greenberg used to be in that slot, but like many others, I always found it hard to listen to him on the radio without Mike Golic.

FOX Sports Radio, meanwhile, hands the mid-morning slot to Dan Patrick—technically an independently produced show, but one that is a master class in sports radio. Dan is funny and conversational; and he doesn’t chase hot takes. It’s smart discussion, top-tier guests, and a vibe that’s unmistakably his own.

Next up: Joe & Q on ESPN Radio vs. The Herd with Colin Cowherd on FOX Sports Radio. If I stopped 100 random sports fans and asked them who “Joe and Q” are, I’d set the over/under on correct answers at two. For the record, it’s Joe Fortenbaugh and Qiant “Q” Myers. Once again, FOX owns this timeslot.

I could go on with the rest of the schedule—it’s more of the same. I don’t think ESPN has tried a full-time Division I basketball coach as an on-air host yet, but otherwise, FOX has the edge across the board.

When I asked a few industry friends if they agreed, several responded with some version of: “Do you think ESPN has given up on radio?” I don’t think that’s the case, but it’s clear that radio isn’t a priority for them anymore. FOX Sports Radio feels like a network fighting to win—and win big. ESPN feels like it’s just holding on until someone decides what to do next.

In a world where sports fans crave personality, opinion, and connection, FOX Sports Radio is delivering. The programming is consistent. The tone is modern. The execution is tight. The network has momentum.

Several years ago, ESPN Radio had the stars, the stations, and the swagger. But now? FOX Sports Radio is leading the conversation.

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The Best/Worst Thing I’ve Heard/Watched/Read Recently

Playoff hockey. There really is nothing like it and the first round is usually the best to watch. I know there is some controversy with some broadcasters not traveling and that is so bush league, but the intensity of everything come playoff time is unlike any other sport as far as how much it rises from the regular season.

Watch a Darren Pang or an Eddie Olczyk analyze a game or see the passion that comes from studio guys like Anson Carter and Paul Bissonnette. You can feel it through the screen. These guys know what that first round feels like and I feel like they always do a good job of getting that across to the viewers.

If you are not a hockey person but have wanted to give it a try – do it during the first round of the NHL playoffs and I bet you get hooked (although hooking is a 2-minute minor penalty in hockey).

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In Case You Missed It

If you are only reading the sports material here on Barrett Media, you are missing out on some other great content that absolutely crosses over into sports. Earlier this week, Garrett Searight had a column called Why Dave Ramsey and The Ramsey Network Should Be Who Content Creators Copy and it was a terrific read.

I have written in this space before about Jim Rome and what he has done, pushing his content to people instead of waiting on them to come to him. Dave Ramsey is doing the same.

Garrett wrote, “Everywhere I turn, I see Dave Ramsey. TikTok, YouTube, in my podcast feed, on social media platforms like Facebook, X, or Instagram. No matter where I’m at, I see his content. That’s a valuable aspect to have, not just because it proves algorithms work, but because you should want your content to be as diverse as possible. Independent content creators need to be everywhere their audience is. Is that exhausting? Absolutely. But, like many other endeavors, it isn’t always the most talented or the most skilled people that find success. It’s those who persevere. Who outlasts the competition. The ones who never give up.”

It’s not simple folks but is it a simple formula if you are paying attention.

Read Garrett’s full column by clicking here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Senator Ted Cruz Explains Why He Believes in AM Radio and How He Learned to Love Podcasting

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Earlier this week, Premiere Networks revealed that it would be utilizing the popular Verdict with Ted Cruz podcast as content for a one-hour weekend radio show. It isn’t lost on Cruz that his show becomes a radio show as he’s co-sponsoring the AM Radio for Every Vehicle Act with Sen. Ed Markey (D-MA).

The show debuted as a radio program last weekend, with more than 100 stations already carrying the weekend offering.

According to the latest rankings from Triton Digital, Verdict with Ted Cruz is the 31st-ranked show in the Top Podcasts By Weekly Average Downloads category.

Sen. Ted Cruz (R-TX) hosts the show alongside iHeartMedia Memphis-based Ben Ferguson. The program debuted in 2020 before moving to Premiere Networks in 2022. Ferguson joined as host when it shifted to the network after the program was previously helmed by Michael Knowles of The Daily Wire.

Barrett Media sat down with Ted Cruz to ask about a variety of subjects — including his support of the AM Radio for Every Vehicle Act, what he enjoys about hosting a podcast, if he’s surprised that it hasn’t become a more popular item with his colleagues, and how he feels about the future of AM Radio as a whole.

*Editor’s Note: Answers have been edited for clarity and length.

Garrett Searight: Before we dive into your podcast and becoming a radio show, I wanted to ask you about the AM Radio for Every Vehicle Act. Obviously, it matters to you. I wonder why it matters so much to you. 

Ted Cruz: Well, AM radio is tremendously important on multiple fronts. Number one for AM radio, the barriers to entry are much, much lower than FM radio. That means you have a much wider diversity of owners. You have a significant number of African-American owned stations, Hispanic-owned stations, and women-owned stations. It allows for a wide array of free speech across the spectrum, which is tremendously valuable for America.

Number two, AM radio is critically important in a time of natural disaster and crisis. Whether you’re dealing with hurricanes, tornadoes, or wildfires, frequently, other modes of communication go down during a disaster. AM radio has proven, consistently, to be the most resilient form of communication to get people out of harm’s way and give them the emergency information they need.

Number three, AM radio is critically important for rural America. There are significant parts of Texas where AM radio is the key source of information for farmers and ranchers who are relying on weather reports, crop reports, sports, and news.

And number four, AM radio has been a vital avenue for free speech, and especially for conservative talk radio. In my view, that’s a significant reason why we saw eight car makers simultaneously announce that they were gonna remove AM radio from their new cars and trucks. I didn’t get it. It was driven by an effort to stifle speech, and I think that that effort — it is coming from the same spirits as big tech’s efforts to censor and silence speech.

I have long, in the Senate, led the fight against efforts to censor and silence free speech. So, with this bill, I joined with Ed Markey for the AM Radio for Every Vehicle Act. Ed Markey may well be the most liberal senator in the U.S. Senate, and I’m the most conservative senator in the Senate. It was striking the day after we introduced the bill, Ford Motor Company publicly announced they were reversing course and would include AM radio in their new cars and trucks. I think they looked at any coalition that stretches from Ed Markey to me and recognized that there was a vast and diverse political array against them. So they did the right thing.

I’m now the chairman of the Senate Committee on Commerce, Science, and Transportation, which has jurisdiction over 40% of the U.S, economy — including radio and communications — so we had marked up the bill in committee. We have passed it out of committee with an overwhelming bipartisan vote, and I believe we’re going to pass it into law. I fully expect that we will take it up on the floor of the Senate, and it will pass with an overwhelming bipartisan vote, and we will move it to the House and get it signed into law. 

GS: You mentioned Senator Markey. You are diametrically opposed on most issues, but you can come together on this one. Much of the criticism of Congress is that members don’t work together, both sides don’t work together. What can people read into the fact that two senators like you and Senator Markey can come together on an issue like this and work towards legislation that is widely supported by both parties? 

TC: Well, I think it shows the breadth of support for AM radio and that should be encouraging. And in part, there is that support because AM radio has a wide diversity of views. That’s good. That’s what we should expect it in a pluralistic democracy where people have views across the spectrum. I will say Ed and I have worked together on a number of issues. We’ve got over 60 co-sponsors for the bill, both Republicans and Democrats.

As chairman of the Commerce Committee, the commerce committee is an incredibly productive committee. We pass a lot of legislation in the law. We work together in a bipartisan matter frequently. In my time in the Senate and I have authored and passed 102 different pieces of legislation into law. And I fully expect the AM Radio for Every Vehicle Act to be yet another law that gets passed, signed, and made part of the United States code.

GS: What’s the overarching message that you would like to send to the radio industry about the bill and the future of AM radio from your perspective? 

TC: Free speech matters, incredibly. It is the foundational liberty within our bill of rights and I am professionally devoted to defending free speech. That means I’m passionately devoted to defending AM radio because AM radio is a critical avenue for free speech in America. And as long as I represent Texas in the Senate, as long as I am chairman of the Senate commerce committee, I am going to use those roles to fight to defend the incredibly important medium of AM radio. 

GS: Switching to your podcast and now radio show, it’s on more than 100 stations after just one week. What is it about the podcast that you find enjoyable? 

TC: It’s a great opportunity to communicate directly with the American people. And not go through a middleman, not go through a mediator, and connect directly with Texans and with Americans, and explain what is happening in Washington. The podcast and now the brand new radio show does something you can’t get anywhere else. It takes you behind the scenes. It takes you behind the scenes in the United States Senate, it takes you behind the scenes of the White House, it takes you behind the scenes of the U.S. Supreme Court, and explains what’s happening and why it matters.

On the podcast, we regularly break news. We drive news nationwide. It is an incredibly powerful tool to cover information that doesn’t get covered anywhere else. You can’t find this information anywhere else, which is why the podcast has proven so durably popular. We’ve got millions of downloads every month — over roughly a million unique listeners. And our very first week on syndicated radio, we had over 100 radio stations nationwide choose to carry the podcast. I have every expectation that those numbers will only continue to grow. There’s no other avenue providing this sort of inside look at the happenings in Washington, which is why so many people listen and listen regularly. 

GS: Does it surprise you that maybe more of your colleagues haven’t taken up the ability to have direct communication straight from the horse’s mouth, so to speak, with a podcast? 

TC: Frankly, it doesn’t. Listen, we’ve seen numerous politicians try to do podcasts. And most of them don’t succeed. For one thing, if you’re a stiff and rigid politician who just reads from talking points, it’s going to be boring as hell. The podcast is going to be boring, and the radio show would be even more boring. Sadly, most politicians are very scripted. They read from the words in front of them. They can’t talk off the cuff, and so when politicians try and do this, it doesn’t work.

Secondly, far too many politicians — both Republicans and Democrats — act like they got a stick inserted somewhere it doesn’t belong. To communicate, whether on radio or podcast, you gotta be interesting. You gotta be fun. You gotta make people laugh. It’s gotta be entertaining. People have gotta want to listen and say ‘You know what? I learned something. I know something now that I didn’t before.’ My co-host, Ben Ferguson, and I, we are good friends. We laugh. We have fun. And we also try to give people information they can’t get anywhere else. That’s something that there have not been people of elected office who’ve been able to replicate that. 

GS: What have you learned about yourself and the podcast industry/genre as a whole since you started the show more than five years ago? 

TC: I have to admit I love the format because it is long form and you can engage in real substance. I do lots of interviews on TV shows or radio shows. And if you’re doing, let’s say you’re doing a six-minute hit or an eight-minute hit, that can be fine and you can talk about something. But six or eight minutes it’s necessarily truncated. What you can say in six or eight minutes on a topic — particularly a topic that is complicated — whereas in a podcast or an hour long radio show, you could do a deep dive into a topic and really explain ‘Ok, here are the issues on one side, here are the issues on the other side. Here’s what’s really going on. Here’s what CNN doesn’t tell you, here’s what The Washington Post doesn’t tell you.’

I still do the shorter interviews on other outlets, but I’ve grown to really value the opportunity to explain issues that are important and to give them attention. I mean, when we do a podcast — repeatedly, during the Biden administration, multiple times during the White House press conference, Karine Jean-Pierre would be asked about ‘On the podcast today, Ted Cruz said the following. How do you respond to it?’

And at the White House press briefing, the press secretary would respond. So, of course, the next podcast, I would respond to her and we would have a dialogue back-and-forth that you could have very few other ways. So it is a powerful way to drive news, to break news, and to a communicate real substance in a way that is fun and interesting.

GS: How have you learned to manage your time so you’re being the best you can be at being both a Senator and then also producing a high-quality podcast? 

TC: Look, it’s hard. It takes a lot of time. Everyone in the radio business who puts together a show knows the time it takes both to do the show, but also the preparation. That is a significant investment of time. I’m doing the podcast three days a week and, frequently, I will do the podcast at the end of the day, sometimes recording it 10 PM, 11 PM, or midnight to come out at 5 AM the next morning. I do that after a full day of committee hearings, marking up legislation, debates on the Senate floor, questioning witnesses and hearings and meetings at the White House.

But what the podcast and the radio show does that you don’t get anywhere else is when I sit down with cabinet members, when I sit down with my colleagues in the Senate, when I sit down with President Trump, when I sit down with foreign leaders, I bring the listeners of the show into those meetings. When Israeli Prime Minister Benjamin Netanyahu came to D.C., he and I did a one-on-one meeting for two hours. After that, I recorded a podcast walking everyone through the details of the meeting.

Last month, I did an hour-long one-on-one interview with Elon Musk in the White House, where it was a fascinating interview. He’s a good friend. He is someone I know well, and he’s got an extraordinary mind. It was a great opportunity to ask him questions that we’re just interesting and fun about DOGE and the White House, but also about SpaceX and Tesla. And asking things like ‘How many hours do you sleep?’ Now, I’m curious: how many hours do you think Elon Musk sleeps? 

GS: Probably four or five. Not a lot, I would imagine. 

TC: That’s what I would guess, too. He says he sleeps six hours a night, which I have to admit, I was comforted by. I sleep about six hours a night. I’m like ‘Ok, good. I sort of thought you were super-human.’ I also observed during the podcast, Elon is 188 days younger than I am, and I’m like ‘Wow. I feel like I have accomplished very little in life, Elon. You’re going to Mars and the richest man on planet Earth, and currently I’ve lived 188 days more than you have.’ But that chance to bring people inside and let them know what’s going on behind the curtain, that’s a lot of fun, and I think it’s important to do. 

GS: Well, Senator, I’m told you need to get going. I’m sure you’re busy, so I appreciate you giving me some of your time and some of your insight. Congratulations on the success of the podcast and congratulations on the success of the radio show beginning. 

TC: I am thrilled to be in radio. I think radio has been massively important for the country, whether the extraordinary Rush Limbaugh, “The Great One” Mark Levin, or my dear friend Sean Hannity or Glenn Beck, or so many just incredibly important communicators have been on radio. I’m really humbled to have a chance to join that tradition.

And I will tell you, the inspiration for the podcast was Ronald Reagan’s radio show that he did. And using radio as a chance to communicate directly with the American people. That’s why I launched the podcast. Because I thought when then-Governor Reagan did so, he communicated, he moved people’s hearts and minds in a way that was powerful. And I think there’s a profound need for that today, just as there was in the 1970s. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Country Radio Needs To Check Its Ego At The Door

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OK, Country radio, it’s time to check your ego at the door. It’s time for you to stop thinking that you are the be-all and end-all influencer, and because of that, everything the station does is about YOU!

I see it all the time on social media: Country stations at concerts sharing posts that showcase the station’s talent backstage, making stage announcements, and so on.

I certainly don’t begrudge anyone who lives by the brag strategy of social media. Just look at my Facebook page. However, this should be on your personal page and not the message being put forth for the station.

A station I pay attention to has done an amazing job with heritage events for a local charity. The events are well-branded on the air and have become FOMO events for the station.

Throughout the year, they hold various events, primarily concerts, to raise money, culminating in an annual sit-down dinner, a silent auction, and other fundraising opportunities throughout the evening.

After a recent fundraising concert, the show was mentioned, and photos showed the morning co-host backstage posing with the show’s headliner.

If you look at that post, you will see no mention of the charity, how much was raised, or even pictures of the crowd having fun. Nope, just the morning host and the performer.

So, what was this show about? It would come off as just an ego stroke for the morning hosts already bloated ego.

Once, when I was still programming, my station was at a large outdoor concert. There was a sold-out crowd, and we set up an area to meet and greet listeners.

Approximately an hour before the show, I discovered all my staff in the backstage hospitality area enjoying free cocktails and having a good time. I was pissed.

Interns and street team members greeted the listeners at our booth. They were well-trained and did a good job, but they were NOT the people the listeners stopped by to see.

Needless to say, I was quite unpopular when I kicked them all out of the backstage area and sent them to the booth, so much so that one of the staff members gave me the cold shoulder for most of the following week.

Country radio has an amazing relationship with its listeners. We need to turn the spotlight on them. I know it’s hard to give it up, but how much more interesting would your social media be if you showcased your listeners at the event?

And if your ego can’t stand to give up the attention, take pictures with the listeners and post them. Be inclusive and be courageous enough to let them have the spotlight.

Paisley Dunn-Banks is a young talent that I have been closely watching because she is what I hope for the future of Country radio.

Her station was recently involved with the 2nd annual Mac & Cheese Fest in Frankfort, KY. I knew from talking to her that she would be heavily involved in the event, so I anticipated her social media posts to see how she handled them.

She didn’t disappoint. She posted around 20 pictures, but not one had her in it. She spotlighted the vendors and the people who came to the event. Even at a young age, Banks understands that she will do better showcasing her listeners than posing with the giant box of Mac & Cheese.

People like to be recognized. But it takes a different mindset. While you may think that you look like a big deal walking around backstage with your silk pass and waving at your listeners on the other side of the fencing, you will score way more points if you are out there with them.

Use your powers for good. Every event has a vibe, from a concert to the Saturday car dealer remote. Your job is communicating that vibe to make people want to be there next time. It is to communicate that people had a good time and were happy to be there.

You can’t do that with endless selfies of yourself. People will quickly get tired of that, and your social media becomes predictable wallpaper.

Next time your station is out, leave the ego in the van. With WrestleMania still fresh in my mind, there is a saying in professional wrestling about getting over or being over. While that sounds like a bad thing, it is the opposite. It means you are popular and well-liked by the audience.

If your listeners responded to and came to your event, you are already OVER. Put the listener over, even if it is just for one night.

You will do nothing but increase your popularity, make yourself human, and create a stronger bond with your audience.

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How Tom Pelissero Packs the NFL Draft With National Headlines

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The first thing Tom Pelissero did ahead of the NFL Draft in Green Bay was to book all of his dinner reservations for the trip, ensuring that he would have a seat at some of the best restaurants in the area. Having resided in the region for three years and covering games at Lambeau Field, he has witnessed the currents of change ripple through the area. The land around the stadium has established itself as a distinctive hub that draws Green Bay Packers fans and visitors throughout the year, and there are also plaques on virtually every corner documenting seminal moments in league history.

As the first chapter for this rookie NFL class is being written, Pelissero is remaining vigilant for unexpected occurrences and bringing fans the latest news and information. Whether people are staying in the surrounding areas or within the town of just over 100,000 people itself, the center of professional football is concentrated in the area with attendees waiting to see what will transpire. Pelissero is covering the NFL Draft for the 22nd time in his professional career, and he is taking part in several shows across the NFL Network lineup within this inimitable setting.

“I think that just the amount of history in that stadium and in that city and the unique nature of it is such a great story,” Pelissero said. “There’s literally just one-story little war era-style houses lining it, and then across the street is this, effectively at this point with all the renovations, multi-billion dollar complex and entertainment district. There’s nowhere else like that on Earth.”

Pelissero is one of a projected 250,000 people expected to attend the NFL Draft over the next three days, the first of which concluded on Thursday night amid a capacity crowd. Heading into the event, he knew that he would be unable to chase everything taking place and focused his efforts on what he believed will resonate. Rather than watching tape, Pelissero calls coaches and scouts around the league who can elucidate what is being displayed and provide their thoughts on players and personnel.

“There’s different, whether its GMs or coaches or other scouts, different people, agents that I talk and have different conversations with based upon what areas I can actually trust the information they’re giving me because there is a lot of, if not outright lying, there’s a lot of selective volunteering of information at this time,” Pelissero said. “So what I don’t like to do, and it’s not to judge anyone who does this, but I don’t like to be out there every two weeks essentially guessing, ‘Hey, I now am hearing that team’s doing this.’”

Every NFL Draft Presents a Surprise

Leading up to the NFL Draft, Pelissero has made appearances on Good Morning Football and served as a guest host of the Rich Eisen Show, which is distributed by Westwood One under a partnership with Audacy. During these endeavors, he has spoken about the market and surmised that there would be a fantastic setup for the event. Pelissero remembers attending different iterations of the NFL Draft and is now witnessing the sons of former athletes he used to cover being welcomed to the league. Being immersed within the mass of media members on hand to document the action, he is staying ready to tackle the unexpected and unforeseen occurrences with aplomb.

“I don’t have all the answers,” Pelissero said. “This is a very crowded environment just because the NFL is a $20-plus billion a year industry, it gets the highest ratings, it’s almost every highest-rated TV show. Everything the NFL does – and it’s really become 365 days a year – is a huge deal, and so you’re constantly trying to create your own space.”

When Pelissero is reporting to the audience, he concentrates on genuine facts and information rather than trying to compile pieces together to formulate a narrative. Before the event commences, he writes a column spanning roughly 10,000 words that centers on the quarterback class and the new athletes who could be taking snaps at the position for the upcoming season. Working to provide value and insights amid the maelstrom of other media entities reporting on the NFL Draft, Pelissero is able to showcase his personality while demonstrating objectivity and upholding ethical standards in the occupation.

“There’s many people at other outlets, people that we compete with, that I think I may not do things exactly the same way as them,” Pelissero said. “I might not necessarily always agree with certain things that are done, but I respect people who work hard, generally operate with integrity and are their true selves on a daily basis.”

The Game to Be First Overall

With an understanding that part of being an insider is maintaining relationships, he is cognizant of his approach and recognizes that he will not always be the first person to share information. As a result, Pelissero tries not to get overly consumed by the wins and losses and instead aims to feel fulfilled in what he is doing. Even so, he does bring a competitive verve to the daily grind and moments replete with transactions.

“You want to compete on the big stories and break the scoops, and yeah, that three seconds, three minutes, whatever,” Pelissero said. “If you’re ahead, it’s a big deal, and you want to win and you get a rush from that. When you lose, which everybody loses sometimes, [it] feels terrible, but you also know there’s always another scoop, and you just got to keep going.”

Pelissero underscores how his role is not about conveying his opinions in a subjective manner, but rather is centered on trying to uncover what is taking place and the different angles surrounding such layers. At the same time, he realizes that other people have jobs to do as well and works to stay grounded in his reporting. Throughout his nine years with NFL Media, Pelissero has been responsible for several newsbreaks and is widely reputed as a trusted source for information among fans.

“I guess at my core, what I’m never going to do is take the shortcut to that, and whether it’s burn people or have the most salacious, over-the-top takedown of someone, that’s just not me,” Pelissero explained, “and I think that’s also why I’ve been in the business as long as I have and I have as good of relationships around the league as I have is people know that they can trust me.”

The Challenges of Working for NFL Media

Being employed by the league-owned media entity does present some limitations, such as the inability to leak draft picks ahead of time or break news announcements, but Pelissero has never felt he cannot do his job. In fact, there are advantages to working in the position, such as collaborating with experienced professionals with an avidity for the craft. Pelissero shares a locker with Manti Te’o, and he views NFL Network akin to working for “a really cool news outlet” with a strong setup in Inglewood.

“Contrary to popular opinion, we don’t get handed scoops by the league office,” Pelissero said. “If anything, we probably lose scoops because we can’t break certain things. We don’t have some magical access to the transaction wire or get things early. That’s just not how it works.”

In addition to his reporting responsibilities, Pelissero also appears on The Insiders where he provides intel and hosts the program. Due to the dynamic nature of football news, he is used to seeing the rundown change with little to no notice and has proven his ability to adapt to these situations.

For example, Pelissero found out that DK Metcalf was being traded to the Pittsburgh Steelers during a commercial break this past March, and the show proceeded to discuss the topic for the ensuing six minutes. Coordinating producer Jeff Collette then asked the group if it wanted to do another hour, a proposition with which it concurred.

“When you get in those breaking news situations, that’s where I feel like I and the show are at our best because this is what we do,” Pelissero said. “It’s not great when you see your phone ring and you’re getting the call that will give you more information, and you’re like, ‘I got to do this bump right now, and I’m going to have to call that person back,’ but that’s the nature of this. There’s no way to juggle everything 24 hours a day, but that also doesn’t stop me from trying.”

While there have been plenty of mock drafts and reports about the NFL Draft, people do not know how the event is going to unfold until the selections are turned in. With six more rounds in the next two days, Pelissero and his colleagues will remain vigilant as they cover the next generation of the league and anticipate kickoff in the 2025 season. Once the venture concludes, he will reflect on the week and then continue covering the league as its offseason concludes and training camps launch over the summer.

“It’s not going to be forever,” Pelissero said, “but I know as far as I can see right now, I’m going to be wanting to break stories, I’m going to be wanting to host a fun, informational TV show that people enjoy, and I’m going to keep embracing the next time that they come to me and say, ‘Hey, do you want to do this thing I’ve never heard of on this platform I’ve never heard of?,’ and remind myself, ‘The answer is always ‘Yes,’’ because I have no clue what the next big thing is going to be, so keep evolving, keep rolling with all the punches and go from there.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

(Photo Courtesy: NFL)

Uptown Angela Is Living Her New Orleans Radio Dream

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Angela Watson Charles (Uptown Angela) is living the dream in her hometown of New Orleans, where she is the Executive Vice President of Programming for iHeartRadio. She oversees 54 markets for the company and 295 stations across the country, specializing in Custom R&B and Gospel.

In addition to that, she is the Program Director for legendary stations 98.5 WYLD (R&B), Q 93 WQUE (Hip Hop & R&B), WYLD-AM, and WRNO-HD2 in New Orleans.

Fresh off the Super Bowl, Mardi Gras and French Quarter Fest, Angela and her team are navigating the New Orleans Jazz and Heritage Festival, which kicked off this week and extends through May 4th. This is in the middle of Crawfish season and whatever else the Crescent City throws their way to celebrate in the near future. Needless to say, it NEVER ends when you represent such a large part of the culture for a city like New Orleans.

“Being the home of the big heritage stations in the city, iHeart NOLA is the go-to for getting the word out in the community,” says Angela. “This ranges from kids/family resources and givebacks to keeping our listeners safe during hurricanes and citywide flooding. We’ve also got a well-oiled machine for Mardi Gras & the festivals…our talent divides and conquers! So, you’ll see us EVERYWHERE!”

“It’s the culture that separates New Orleans from other cities,” says Angela. “New Orleans is BURSTING with culture! Including and especially with its music. Bounce is a huge part of this, and the city has several artists who have been on the circuit for decades. Bounce picked up traction internationally a while back and more recently gained national acclaim with artists like Drake & Chris Brown using popular bounce samples in their tracks.”

It’s crazy, but outside of her busy radio schedule, Angela also hosts events on the side and enjoys flipping houses in the city. Her Instagram account tells the story of someone completely entrenched in the NOLA community and thoroughly enjoying life.  

Her story is an interesting and rare one about her journey in the radio industry, which uniquely never took her away from her hometown or first radio company. She started at iHeart (Clear Channel) as a Promotions intern in 1990, joined the Programming team six months later on air as “Uptown Angela,” then picked up Music Director duties, then APD, PD, Ops Manager, SVP Programming, and in 2020 became Executive VP of Programming for the company.

Her path was pretty straightforward. “I actually researched Oprah’s path and saw that she started in radio,” she says. “I called the top stations to inquire about internships (WYLD-FM & WQUE-FM). The PD of Q93 invited me the next day to interview, and he hired me on the spot!”

Since then, she has enjoyed many successes and amazing experiences, but the best is pretty simple for her. “The awards for Best Stations have been greatly appreciated,” she says. “But coaching up-and-coming ‘rock star talent’ is what I am most proud of. Seeing young, hungry talent come in, work hard, and then move into full-time roles within the company is what makes me feel accomplished!” 

With so many responsibilities, Angela’s primary concern is making sure none of the balls are dropped. “I make daily lists,” she says. “Before I close my eyes each night, I double and triple-check my next day’s priorities. To find balance, I work out and have ‘ME TIME!’ I also tell Google to play ocean sounds, the piano, or Chill Jams (on our iHeartRadio app of course), and just relax on the sofa most weekends!”

One of the most challenging experiences for Angela over the years, besides Hurricane Katrina in 2005, was this year’s New Year’s Day attack on Bourbon Street, where at least 14 people were killed after a man drove his truck into a crowd of people celebrating the holiday.

“Waking up on 1/1 and learning about the attack on Bourbon was unimaginable!” She says. “Especially with my husband being an NOPD officer, who was tasked with searching for bombs throughout the French Quarter later that morning. The officers were not allowed to have phones, so I was on pins and needles for several hours during the sweep.”

“But New Orleanians are resilient, and we had to go on. I immediately went on air and teamed up with our national breaking news team to update the NOLA community,” explains Angela. “With the Super Bowl and Mardi Gras coming, our citizens were shaken up by this tragedy. Sugar Bowl travelers left the city, and ticket prices dropped tremendously.”

“Many local leaders decided to join forces to support the football teams by attending the game. This was a beautiful moment of resilience as many locals compared this to the first game played in the Super Dome post-Hurricane Katrina. It’s who we are in New Orleans- we will not live in fear but will come together even during our darkest hours.”

“Thankfully, life in New Orleans is now back to normal. Jazz Fest kicks off this weekend, and we are so excited to enjoy the music and amazing NOLA cuisine!”

Follow Uptown Angela on Instagram: @UptownAngela

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.