For many journalists, 9/11 remains more than an important story from their careers. Instead, their memories reflect a moment when television provided Americans with their primary window into an unfolding national tragedy.
"I started using it on my show and I started showing people how it worked too, so we turned it into a consumer product and a consumer app. Now we've got a thousand people plus all over the world using it every day."
"I have a jargon jar that I keep on a little table next to the desk, and I tell everybody there's going to be no jargon — no 'earnings beat expectations' or this or that about the economy."
News/talk has produced Marconi winners and finalists for years. Hosts who've been recognized before -- or who've built shows around exactly the kind of local connection and audience loyalty the Marconis are meant to honor -- don't typically forget to apply.
A cashier at Target can vent about corporate policy without consequence because nobody's confusing his opinion for store policy. Carr doesn't get that luxury.
"Some of it is personal, some of it involves radio, some of it involves sports broadcasting, which I did, and some of it involves acting, which I did."
The Daily didn't become a juggernaut overnight, and The Wall Street Journal's next big audio bet likely won't either. Still, the ingredients are there, and the ambition is obvious.
For many journalists, 9/11 remains more than an important story from their careers. Instead, their memories reflect a moment when television provided Americans with their primary window into an unfolding national tragedy.