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Media Sales and the Double-Edged Sword of Schedule Flexibility

Hope everyone’s April is off to a great start! Let’s huddle up and talk about something really important in this week’s sales meeting. You’ve all heard the expression that working in media sales is “like running your own business.” That’s never more evident than when it comes to managing your own schedule. Like any business owner, you have the freedom—most of the time—to choose how you spend your hours. And that freedom can be both a blessing and a curse.

Let’s be honest: one of the most attractive aspects of a career in media sales—or any kind of sales—is the flexibility. We not only set our own schedules, but we also get to build our own books of business and operate without someone constantly monitoring our every move. On paper, it’s a dream scenario—for the right kind of person. You’re in control of your calendar, your output, and ultimately, your income. But that freedom, while empowering, brings its own set of challenges—most of which are internal.

Why Distraction Is the Silent Killer of Momentum in Media Sales

Distractions surround us in today’s always-on world. From the moment the day starts, there are dozens of things competing for our attention—emails, texts, client needs, social feeds, and the endless digital noise. These attention traps are incredibly easy to fall into without even realizing it. The same flexibility that lets us meet a client for coffee at 10 a.m. or finish a proposal from home at 3 p.m. can also become the very thing that derails our productivity.

What makes this especially tricky is that there’s often no immediate accountability. You don’t necessarily feel the cost of distraction in the moment. You may answer a few emails, scroll LinkedIn, tweak a pitch deck, and feel like you’ve been working—but by the end of the day, your to-do list has actually grown. Over time, this adds up. Without someone checking in on you regularly, it’s easy to lose track of your momentum.

And that’s the biggest casualty: momentum. This is a momentum business. Once you’re in a rhythm—making connections, booking meetings, closing deals, moving clients through the pipeline—it all starts to feel almost effortless. But momentum is fragile. And nothing kills it faster than constant distraction. Small breaks in focus add up, and before you know it, an afternoon—or even a full week—is gone.

The Power of Planning: Don’t Wing It, Work It

So, how do you create structure in a job that doesn’t necessarily provide it for you? The answer is: you manage it yourself. And it starts with how you plan your day.

The most successful media salespeople I know don’t wing it. They map out their schedules in advance—blocking time for prospecting, meetings, follow-ups, and administrative work.

Personally, I have to start every day with a list—or I’m lost. Years ago, a boss gave me one of the most valuable pieces of advice I’ve ever received: I wasn’t making my lists correctly. He told me to divide tasks into A’s, B’s, and C’s:

  • A’s are the things that absolutely must get done today.
  • B’s are important but can wait if more urgent things come up.
  • C’s are the tasks best saved for nights and weekends.

Another key habit that separates great reps from good ones is action over endless preparation. It’s easy to spend half the morning tweaking a proposal or over-researching a potential client. Sure, it feels productive—but often, that time comes at the expense of the high-impact activities that actually drive results, like picking up the phone and booking meetings. In our world, activity is what generates momentum. Beautiful decks and perfectly worded emails don’t matter if they’re not getting in front of decision-makers.

Create Space to Execute: Try the 90-Minute Focus Block

One strategy that works well for a lot of people is blocking out time each day for deep, focused work. Start with 90 minutes and build from there. No emails. Don’t schedule any meetings. No scrolling your phone. Just pure, uninterrupted execution. Focus fully on one task, and you might be surprised by how much you accomplish.

Also, consider changing up your environment. Don’t work from the same place every day. If you work from home, be extra mindful. I love my home office, but I also know that if our mini–Goldendoodle wants attention, I can easily lose 10 or 15 minutes and completely forget what I was doing.

One final tip: hold monthly and quarterly meetings with yourself. Yep—book time on your calendar to check in. If you have a written-out plan with actual trackable metrics (number of calls, meetings booked, dollars proposed, etc.), it becomes easy to measure your progress and self-evaluate.

On a quarterly basis, take a deeper look. What’s working? What’s not? Are you wasting time—and if so, on what? Identify the distractions, find solutions, and experiment with new strategies to see what moves the needle.

Flexibility isn’t an invitation to cut corners—it’s a responsibility. You’re not just managing clients. You’re managing yourself. And in a world full of distractions, that’s no small feat.

Top performers in media sales practice discipline, build structure, create a plan, and focus relentlessly on what actually matters.

At the end of the day, the reps who win are the ones who treat their time like their most valuable asset—because it is.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Major League Baseball Has Discussed Potential MLB.TV Licensing Deal: Report

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As Major League Baseball continues to speak with companies about potential partnerships following the mutual opt-out of the final three seasons of its media rights deal with ESPN, the league has reportedly held conversations about licensing the package of games to networks and/or digital platforms. The reported discussions come at a time when 27 out of the 30 MLB teams have introduced direct-to-consumer streaming functionalities as the league considers bundling local and national rights. Andrew Marchand of The Athletic was the first to report this development, which occurs after a year in which MLB.TV accrued 14.5 billion minutes watched, indicative of a 14% year-over-year proliferation.

MLB.TV is currently sold through Major League Baseball for $149.99 per season, and fans are able to access the service utilizing online platforms accessible on phones, computers and smart televisions among other devices. Users are able to select different audio and video feeds from around the league and also view statistics, highlights and recaps through the platform.

ESPN will continue to serve as the home of Sunday Night Baseball, the MLB Home Run Derby and games in the Wild Card Round of the postseason this year. As reported by Marchand, NBC, Google, YouTube and FOX are said to have demonstrated levels of interest in the package held by ESPN. Later in the year, ESPN is preparing to launch its direct-to-consumer platform and introduce technological advancements to its app. It remains unknown if the two sides will be able to reach an amended deal to continue partnering on live game broadcasts, although Marchand noted that a new deal would be expected to last for “no more than three seasons to line up with MLB’s other TV contracts.”

MLB.TV experienced an outage on Opening Day that affected baseball fans from around the country trying to watch their favorite teams take the field to begin the season. The league acknowledged the outage and offered a coupon to its subscribers offering a discount for purchases at the MLB Shop. The platform continues to provide out-of-market access to all 30 teams around the league and has introduced various new innovations since its launch in 2002.

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UFL Average Viewership Down 39% Compared To Last Year

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The United Football League continued its slow start in viewership following the kickoff week last week of the second season for the upstart spring football league. Last week, the UFL debuted with the league’s first game of the season drawing an average of 690,000 viewers, a significant decline from last year’s kickoff at 1.181 million average viewers and a season average of 816,000 average viewers per game.

According to Nielsen data, the UFL’s week two numbers were slightly up from last week’s March 28–30 premiere. However, they are still nearly 40% down from the numbers posted last year.

Meanwhile, while going head-to-head once again with the men’s and women’s Final Four, the Friday night broadcast on FOX Sports to kick off week two of the regular season noted a weekend-high of 659,000 average viewers in primetime.

Furthermore, the UFL finished the weekend with an average viewership of 602,250 viewers across all four games, which marked a 29% decline overall compared to the league’s average just a year ago, which was 844,250 average viewers per game. On a positive note, the league did see an 8% rise in viewership compared to the previous week overall. Still, overall, the league has seen a 39% drop-off compared to the average of 946,250 viewers per game through two weeks in 2024.

In addition, the league kicked off its second season of spring football with a looming players’ strike causing major concern for the health and stability of the UFL. The players’ union for the league filed a grievance with the National Labor Relations Board. Meanwhile, ongoing negotiations for a new CBA have come to a compromise. Player representatives had initially planned on delivering a letter of their grievances to Dwayne Johnson, the UFL’s co-owner, at the season opener. However, Johnson missed the game due to a plane malfunction.

As of now, there has been no update on any ongoing talks between the player’s union and the UFL regarding a new collective bargaining agreement.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Nick Khan, Paul ‘Triple H’ Levesque Discuss WWE Business, Netflix Deal in Wide-Ranging Q&A

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WWE is in the midst of its first season broadcasting its Raw property on Netflix under a 10-year agreement reportedly worth $5 billion. As the streaming company recently reported more than 300 million global subscribers, equating to an estimated reach of over 700 million people worldwide, WWE has presented the events on the platform weekly leading up to WrestleMania. The sports and entertainment promotion recently completed a three-and-a-half week tour in Europe led by chief content officer Paul “Triple H” Levesque where Raw and other events were held in front of packed stadiums with impassioned fans looking forward to the action.

Nick Khan, the president of WWE and director at TKO Group Holdings, remembers traveling abroad and previously having trouble loading the programming in his hotel room when it was not live on Netflix. In the current iteration, users have a streamlined approach where they can quickly access the programming and view the proceedings. During a recent appearance at the NAB Show in Las Vegas, Levesque acknowledged the global appeal of WWE and innovations in media platforms, pointing to the partnership with Netflix.

“This is the first time ever that it’s been simplified in a way that, globally, the world over, there’s one place, you know where it is, you know when it’s on and you can just go click on it and get there,” Levesque explained, “whereas before, it was multiple partners all over the place depending on where you were, depending on when it was on and what time and everything else under the sun.”

Khan averred that WWE receives ratings and viewership data from Netflix in real time and that the company had not done televised events ahead of WrestleMania from international locales such as Bologna, London and Barcelona. Reflecting on the enterprise, he recognized how there were significant turnouts from the fanbase and widespread triumphs by the brand.

“You can’t just pipe out American content globally and expect that it’s going to resonate,” Khan said. “You have to be boots on the ground, and that’s what Paul, the creative team, our superstars and everyone else across that was. By the way, it’s not easy, but it had to be done. It was a massive success for us in terms of live gate merchandise, and perhaps, most importantly, viewership. So it’s already working, and look for more of that from us moving forward.”

Levesque talked about how streaming can facilitate developments in other areas of the business, scaling the operation further while maintaining the ability to localize shows and connect to the setting. Through his experiences as a wrestler and content executive, he has witnessed the global resonance of WWE and believes that streaming can amplify the endeavor to cultivate more stars and have them appeal to the audience. Part of that mission is effectuated through a digital media strategy that meets younger demographics who are active on social media platforms such as X and YouTube, subsequently enticing their interest in the product.

“When you’re putting them in clip form on these things, you’re not giving away what we do,” Levesque said. “They’re like trailers, and while people will consume a lot of our content in that manner, we’re actually driving them back to the longer form content as well that they’re already very familiar with, so when you see that clip that’s of a moment that you think, ‘Man, I have to go back and watch that whole thing,’ so it’s a wonderful back and forth, and you can go there and relive those moments at any point in time.”

WWE has demonstrated perdurable qualities to sustain with its audience, and Levesque believes that it is an evergreen product. Khan acknowledged that whereas people do not generally go into the Super Bowl watching a previous iteration of the game from seven years ago, the opposite is the case with WrestleMania.

WWE utilizes a team of writers from a variety of different disciplines who cater to different parts of the product and are able to create a show that ultimately appeals to the audience by placing performers and characters in situations to optimize overall success. In the end though, the company is aiming to program for its audience around the world, especially through the deal with Netflix.

“What do people like?,” Khan said. “People like dramas, people like conflicts. They like to see conflicts being resolved one way or the other. As Paul mentioned, in our business, you get to knock each other out in a 20×20 ring. People like that too, so for us, we want to appeal to everybody.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Northwest Newsradio Adds Denise Whitaker, Aaron Wright, and Chris Nguyen to Daily Lineup

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Northwest Newsradio in Seattle has announced the addition of three veteran TV news anchors — Denise Whitaker, Aaron Wright, and Chris Nguyen — to its daily programming lineup.

Former KIRO-TV anchor Aaron Wright has joined the Lotus Seattle all-news station. He’ll join Marina Rockinger in the weekday afternoon daypart, hosting from 3-6 PM.

Meanwhile, Longtime Seattle TV news anchor Denise Whitaker is expected to officially join the station in June. She’s currently in the midst of concluding a 20-year run at KOMO-TV. When she begins her tenure with Northwest Newsradio, she’ll be paired with current morning host and Director of News and Programming Brian Calvert as host of Northwest Morning News from 5-9 AM on weekday mornings.

Until Whitaker joins the station, Chris Nguyen, who is also familiar to Seattle news consumers, will co-host Northwest Morning News beginning on Monday, April 14th.

“We are incredibly excited to welcome Denise, Aaron, and Chris to the Northwest Newsradio family,” said
Lotus Seattle General Manager Andre’ Riley. “Their extensive experience and deep roots in the Seattle
television news landscape and community will undoubtedly elevate our commitment to providing the
highest quality news and information to our listeners across western Washington.”

“This kind of talent doesn’t walk through the door every day,” added Northwest Newsradio Director of News
and Programming Brian Calvert. “We have been improving our product significantly over the last few
months, and bringing talent like this aboard further fulfils our commitment to the community to be our
absolute best. Besides being at the top of their game, these three are genuinely nice people and
awesome team players.”

The additions of Wright, Whitaker, and Nguyen, beings the third phase of a complete reimagination of the all-news brand. Other changes included a completely new music suite, a new station voiceover artist, and the expansion of local radio and television journalists.

“I’m so proud of this station, and every member of our team,” concluded Calvert.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

NAB Lays Out Congressional Policy with New Website Launch

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The National Association of Broadcasters (NAB) has laid out its broadcasting policy priorities to members as part of the launch of a new website for its advocacy efforts.

The new website aims to showcase the six key policy priorities the organization has in hopes of advancing the wants and needs of broadcasters.

Initiatives include:

  • Modernize Antiquated Broadcast Ownership Rules and Let Stations Compete
  • Keep AM Radio in Cars to Ensure Public Safety
  • Supporting NEXTGEN TV to Protect Our Critical Infrastructure
  • Prevent Harmful Changes to Existing Advertising Tax Deductibility
  • Stand Up for Local Radio: Oppose a New Performance Tax
  • Protect Broadcasters’ Investment in Local Content

By introducing the new website and policy agenda at the NAB Show in Las Vegas this week, NAB President and CEO Curtis LeGeyt hopes the outreach will reinforce the advocacy efforts aimed at lawmakers.

“Broadcasters play a vital role in their communities, from reporting on dangerous weather events to covering local sports and news, and it is truly an honor to advocate on behalf of local stations in Washington,” said LeGeyt. “In the 119th Congress we are fighting for policies that allow local stations to continue this vital work, from calling on the FCC to modernize ownership regulations to keeping AM radio in cars to keep Americans safe.”

The launch of the new website comes on the heels of a reinvigorated push by the NAB to urge the Federal Communications Commission (FCC) to re-examine the broadcast ownership regulations. LeGeyt has continually called the current regulations “outdated” and has pushed for a “modernization” of the policies to allow broadcast companies to better compete with big tech and digital entities.

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Chuck Nowlin Is Moving To Mornings At 100.7 WZLX Boston

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Chuck Nowlin, long-time afternoon host at Classic Rock 100.7 WZLX Boston, is moving to morning drive starting Monday. (4/14)

“The Chuck Nowlin Morning Show” will feature Nowlin alongside Danielle Murr and station Program Director Chris Tyler.

Nowlin, a Massachusetts native, has been hosting afternoons for over three decades.

“After years of working the fryolator during the afternoon rush, I’m psyched to take the paper trainee hat off to manage the morning shift and start the day with Boston,” said Nowlin.

Murr has been on Boston radio for a decade, including time with rocker WAAF and Sports WEEI.

“My passport needs a break, so I’ve decided to get back to my rock and roll roots,” said Murr. “I’m thrilled to return to the morning airwaves in Boston and bring a dose of sanity to start the day—while undoubtedly driving Chuck and Tyler crazy. I’m excited to add my brand of wit and wisdom to the immensely talented team at WZLX and iHeart Boston.”

Tyler added, “I’ve been lucky enough to manage some amazing talent over the years, and Chuck is at the top of that list. He is beloved by the loyal WZLX audience.  So, it only makes sense that he hosts the new morning show. What doesn’t make sense is me getting up at an ungodly hour every day to be a co-host.  He promised me a box of expensive cigars, which I still haven’t received.  Oh well, let’s go Boston!” 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Shay Shay Media, Atlanta Hawks Agree to Strategic Partnership

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Shay Shay Media is adding Hawks AF (And Friends), a video series from the Atlanta Hawks hosted by D.C. Young Fly, to its media network as part of a strategic partnership with the team. The digital media company founded by ESPN analyst and Pro Football Hall of Fame member Shannon Sharpe will augment the distribution of the program, which features athletes, entertainers and musical artists in the Atlanta area since being unveiled last November.

This strategic partnership results in the show joining other original content as part of the platform, including Club Shay Shay, Nightcap, Club 520 and The Bubba Dub Show. The company garnered more than 10 billion YouTube impressions last year and possesses over 10 million followers across its digital media community.

“As a Georgia native, I’ve seen firsthand how Atlanta has grown into a hub for sports, music and entertainment,” Sharpe said. “Credit to the Hawks for capturing that cultural dialogue with Hawks AF. We look forward to working with D.C. Young Fly and the Atlanta Hawks organization to bring their phenomenal content to an even wider audience.”

Throughout the season, Hawks AF has featured a variety of celebrities on its airwaves, including seven-time NBA All-Star forward Joe Johnson, rap star J.I.D. and actress and entertainer Crystal Renee Haslett. Future episodes will continue featuring prominent local figures such as Naismith Memorial Basketball Hall of Fame member Dominique Wilkins, award-winning film producer Will Packer and current Hawks starters Dyson Daniels and Onyeka Okongwu. The show was originally created by the Hawks marketing and creative teams with all episodes shot and produced by Hawks Studios.

“Shay Shay Media is the perfect partner to amplify Hawks AF,” Melissa Proctor, chief marketing officer for the Atlanta Hawks and State Farm Arena, said in a statement. “Club Shay Shay and Shannon Sharpe have authentically blended the worlds of sports, entertainment, and music with real storytelling. With D.C. as our host, we are doing something similar in Hawks AF but with a ‘True to Atlanta’ vibe.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Scott Van Pelt Predicts Another Loss At The Sports Emmy Awards

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Scott Van Pelt has been the host of the midnight edition of ESPN’s SportsCenter since September of 2015. After nearly a decade in the role, he has yet to win a Sports Emmy Award from the National Academy of Television Arts and Sciences. Although he has been nominated eight times for the honor, Van Pelt has yet to secure a victory for his layers of work for the network.

Recently, Van Pelt appeared as a guest on The Dan Patrick Show ahead of his weekend work covering The Masters for the network. During the conversation, he said that, albeit thankful for once again being nominated, he doesn’t expect to win this time around.

“It’s a long evening. There’s no food, the bitterness builds, and then they say Ernie Johnson or Mike Tirico,” explained Van Pelt. “There have been years where Ernie is not nominated and then Mike wins. Then there’s years when Mike’s not nominated and then Ernie wins, and this year, Dan, they’re both nominated. So we’re going to just do the math and just put that nine in the right hand column, pal.”

Meanwhile, speaking from his location in Augusta, Van Pelt noted that the nominations are announced every year while he’s at the famed golf course. Over time, this has become a fun, running joke with his colleagues during Masters week. While he is disappointed to have never won an award, he remains grateful for the consistent recognition.

“Of course, you want to hear your name but you make the cut, you make the cut,” noted Van Pelt. “There’s a hell of a lot of people to do what we do. So you do have to give yourself a little grace and say, that’s pretty cool. Nice to see your name and then you go to New York and then you lose.”

Nevertheless, while the tone was mostly playful during the interview with Dan Patrick, Van Pelt admitted there was one instance where not winning truly stung.

“Years ago, the COVID year, I believe you had me as a lock because the work we did,” explained Van Pelt. “That was the one year I got real bitter. We created content out of nothing. No one else was doing television, and we still didn’t win. That was the one year I think I got bitter. I was like, well, the hell with it.”

Looking ahead, the Sports Emmy Awards ceremony will take place at Jazz at Lincoln Center’s Frederick P. Rose Hall in New York City on Tuesday, May 20. The event will honor excellence across an array of 47 different categories.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘Country With Carsen’ Is Way More Than Just A Show Name

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Jessica “Carsen” Humphreville is one busy person. She is the Director of Operations and Programming for Silverfish Media. She is a cast member on the nationally syndicated “Big D & Bubba Show” and hosts Silverfish’s syndicated midday offering, “Country with Carsen.”

In addition, she oversees Silverfish Media’s portfolio, which includes “Y’all Access” and “Honky Tonkin With Big D & Bubba.” She also handles music programming for all the shows and a bit of affiliate relations.

“That encompasses most of my day. But also working with record label management and PR about scheduling interviews and just what’s going on in the industry. Making sure that I’m part of the circuit to get those interviews and to keep us all dialed in and top of mind with people to get more of that content,” said Carsen.

Landing her spot with Big D & Bubba was so natural it was easy.

“They were looking to start a syndicated midday show hosted by a female and also looking to add someone to “Big D & Bubba.” I was recommended by their engineer, who heard me on a station in Cookeville (TN) where I was voice-tracking Classic Rock nights. We got on the phone and talked for maybe 15 minutes.”

“That was my interview with “Big D & Bubba,” and two days later, I had a contract. I’d never met them, but I knew what these guys were. I never thought that those stupid radio fairy tales that everybody tells, like oh, I used to sweep floors. Insert me between the pages because I became one of those with these guys. Sight unseen they just heard what I did, and they liked it and eight and a half years later. Here we are.”

The “Big D & Bubba show is done live. No retakes. No voice tracking. Something not often done.

“That’s the kind of radio that we do that we came up in. That we grew up in, I think it’s more of a comfort for us. There are times when it’s like, y’all, we got to go. We’re hitting the clock. That’s the pressure we all came up with, and I think there is comfort in that for us.”

This carries over to “Country with Carsen,” where being available for audience interaction is important.

“We’ve trained audiences to want to call in in mornings and afternoon shows. We’ve trained them in night shows for sure. So, trying to explain like, hey, I’m here. No, I swear. I’m here. I promise you I’m here, and what I found is that much better phone calls come in.”

“But man, people, social media, right? We’ve become such a texting and social media connecting kind of society. People love that they can DM me on insta, and I’ll reply right back. Or send me a message on Facebook, and that’s where it’s just a different form of communication, but it’s still having that one-to-one live touch.”

With all that Carsen has on her plate, I had to ask what her favorite thing is.

“Being on with Big D & Bubba. Someone would look at that and say, okay, what else is she going to say? I’m not a giggle box. The guys will tell you I am not here to keep the guys in line. You will never see a picture of me shaking my finger at them. I genuinely think that they are funny, witty, and clever, and then sometimes we get dumb, and it runs the gamut of just fun.”

“I looked at D (Derek Haskins) two hours ago, and we were doing a bit outside for socials. He said, you know, I thought maybe I’d be doing something else in my life at this age. And I go, why, who wants to really work for a living? Because we come here and have fun together every day. I’m not going to lie. I also really do like meeting famous people. Who doesn’t? I get to come in and work with those guys.”

Country artist Tracy Lawrence recently stepped away from the Honky Tonkin Show, and it was taken over by Big D & Bubba. So, how has the transition been?

“I’ll be real with you. It took me six months to talk to Tracy Lawrence when I walked through these doors because I am such a 90s country girl. You listen to the Country station in town, or you know, in my case, growing up, the state, and Tracy Lawrence was one of my core five. I remember my brother winning a Tracy Lawrence cassette off that Country station. And then they’re like, yeah, we do a show with Tracy Lawrence.”

“I think it’s been such a seamless transition because they revere the music. They know the music. They also have a history, and I think the show sounds so good. I love the interviews they’re getting. It’s different, but it’s still the music you love.”

So, what is the state of Country music?

“I think that it is stronger than ever. When you go back again, you’re a ’90s Country guy. Country music was just this explosion in the 90s, and it became part of pop culture and international culture when Garth Brooks was doing stuff in Ireland.”

“It’s like we have such a kaleidoscope of textures and sounds and artists and people from Post Malone coming to Chapell Roan. Then you have your Jackson Dean, who’s like, whoa, is that guy a mountain man, and Morgan Wallen. It’s just more and more and more buoyancy for this format to be as strong as it is.:”

There may be something to learn from Country music’s popularity.

“There’s a lesson in other formats there, specifically the fan service that our artists cater to, and honestly, how radio caters to our listeners and to the fans of this music. That is very hard for other genres to compete with. We do such a good job of including fans and making it a one-to-one personal experience. Whether it is your favorite morning show or that concert where somebody gets pulled on stage because Keith Urban saying I want you to come up on here and finish the third verse of this song.”

To wrap up, is there anything you want to add that I haven’t mentioned?

“I’m going to end with the Bob Barker thing. Help control the pet population. Have your pet spayed or neutered.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.