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Why 2026 Must Be the Year Radio Fully Embraces On-Demand Listening

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It’s the time of year when radio stations are trying to wrap up 2025, find fill-in bodies, schedule out the rest of the year, and reset for a few days before it’s full steam ahead into 2026. And as we look ahead to 2026, much has been written on this site and elsewhere about digital strategies for radio brands, which is a long-overdue conversation that needs more attention. But if you need some data to back it up, I’ll bring it to you here.

Edison Research’s quarterly “Share of Ear” study, in its 11th year, surveyed 4,000 Americans annually to measure daily reach and time spent for all forms of audio. The good news is that AM/FM radio dominates ad-supported audio with a 64% share, followed by podcasts (20%). Radio remains undervalued, but it’s indisputable that listeners continue to shift toward time-shifted listening and podcasts.

As older demographics flock to podcasts, the median age of the podcast audience has aged sharply from 29 in 2017 to 39 in 2025. As noted in the study, in 2017, podcasts’ daily reach was greatest among 18–24s. Eight years later, podcasts’ daily reach has grown significantly, particularly among older demographics. The older the age group, the greater the growth in the podcast daily audience. Today, podcasts’ greatest reach centers on 25–44s, with significant growth among 45–64s.

That means the 35–64 crowd, the core of many News/Talk audiences, is also leaning in on more podcast listening. And while we aren’t going to lose them on the radio overnight, making sure they know you have available podcasts of your local shows is critical.

In fact, this may be the most important time in the history of podcasts to let your listeners know they can find you on any podcast platform. A few years ago, the podcast concept was still likely foreign to many news/talk radio listeners. The data shows it no longer is, so it’s time to move on your digital strategy.

As the Edison Research shows, in the 25–54 demographic, AM/FM radio share of ear is 60%, while podcast listening is 25%. For 35–64, it’s 68% on AM/FM radio and 19% on podcasts. That percentage is only going to grow.

And while AM/FM continues to dominate in-car listening at an 84% share of ear, it’s our job, just like with an active social media presence, to be top of mind for our audiences wherever they are. If we can drive them to our content in the home, in the gym, and at the office via time-shifted listening options, we’re keeping the brand of our shows and stations at the forefront for our audience, not just being the thing they listen to when they’re driving to and from work or running errands.

In a media environment that is more crowded than ever before, we have to compete everywhere and anywhere we can. You’ll be amazed at how many people don’t realize your radio show is available on a podcast. In our bubble, it may seem obvious, but to many, podcasts and radio shows are different things. They’re not. We are all competing in the same places. Use your huge radio audience to promote this now as much as possible.

So as we close out the year and look ahead, embracing digital strategies and promoting podcast availability are no longer optional — they’re essential for staying connected with audiences across all age groups. By meeting listeners where they are and offering flexible, on-demand content, radio brands can maintain their relevance and continue to thrive in a shifting media environment. Good luck in 2026.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Megyn Kelly Was Right to Walk Away from the Golden Globes Best Podcast Farce

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Megyn Kelly and the Golden Globes make for an unlikely pairing in any conversation about awards and merit.

Yet that’s exactly the crossroads where Kelly found herself this week when she announced that The Megyn Kelly Show was withdrawn from consideration in the Best Podcast category of the newly minted Golden Globe Awards.

Instead of pursuing the honor, her team pulled the show — not because she wasn’t worthy, but because she saw something in the process that didn’t resemble an honor at all.

According to Kelly, the podcast was initially included on the list of 25 eligible shows for the inaugural award. However, she insists the show was never truly in the running because she refused to play along with the “dog and pony show” of campaigning for the attention of Golden Globes voters.

The process, as she described it, sounded less like recognition and more like begging for approval from a room full of decision-makers whose primary interest was spectacle over substance.

Kelly’s take on awards culture isn’t new — she grew up in broadcast under the old Roger Ailes ethos that awards, whether Pulitzers or Hollywood accolades, were largely a vanity exercise. She explained that participating would force her into self-promotion that felt antithetical to everything her audience tunes in for. Instead of chasing a trophy, she walked away.

Here’s where the debate gets interesting. Awards are supposed to celebrate excellence, not act as popularity contests for those willing to make the rounds on the so-called circuit to win votes. Yet that seems closer to the truth in this case, especially given the entertainment industry’s long history of self-referential back-slapping. If securing a nomination means engaging in social events, press rounds, and foot-kissing rituals designed to curry favor with an elite few, it begs the question: is it still an award for achievement or merely an accolade for networking?

Kelly’s critique taps into something many in media quietly feel but seldom articulate so bluntly. A distinction exists between earning recognition for quality work and hustling for praise from a crowd that may not even have listened to your show. The moment “look at me” becomes an unspoken requirement for legitimacy, the awards themselves lose their claim to honor.

Critics might argue that all awards require some degree of campaigning, that it’s part of the ecosystem. That may be true in Hollywood, where studios spend millions lobbying for statuettes. Still, that doesn’t make it right for a medium rooted in ideas, conversation, and substance — a medium that millions of listeners choose because it feels authentic. If podcasting becomes another space where winners are those with the best press strategy rather than the best content, we’ve lost something essential.

For many, Kelly’s withdrawal will look like sour grapes after a perceived snub. But what she’s really rejecting isn’t the Golden Globe itself; it’s the underlying assumption that podcasts must conform to Hollywood’s award-season playbook to be validated. Her stance pushes back against the idea that legitimacy is granted by institutions whose values don’t align with the ethos of independent, thoughtful media.

Awards should shine a spotlight on those deserving of it. They should uplift creators and their work. They shouldn’t transform into popularity contests where bending the knee to the culture that confers them is part of the entry fee. If that’s what the Golden Globes’ podcast prize devolves into, then Kelly walked away from something that never had real honor to begin with.

That’s not defeat. That’s clarity of purpose — and in an age of hollow accolades, it’s something worth defending.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Megyn Kelly: I Withdrew My Show From the Best Podcast Category of the Golden Globes

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The Megyn Kelly Show was one of the 25 podcasts nominated for the Best Podcast category at the Golden Globes. Kelly’s program wasn’t one of the finalists for the inaugural honor, however, and she’s now explaining why.

On her SiriusXM program, Kelly revealed that she withdrew the program from consideration for the honor.

“It was brought to my attention by someone connected with this whole system that if you want to actually be considered, you have to go talk to the Golden Globes people,” Kelly shared. “Like, some voters out there, who will determine whether you actually get the nomination. And then, of course, whether you win.

“So, you’d have to go out there and do a little dog and pony show, like, ‘Choose me! Choose me!’ The whole thing was so bizarre,” she said. “I had zero interest in their stupid awards.”

Kelly noted that she came up in the business a product of the Roger Ailes school of thinking that awards are farces and that conservatives can’t win the awards because the system was “run by leftists” or it signaled you were making inroads with the other side of the political aisle.

“We’ve never, literally never, submitted for an award in any context, and have no desire to get one,” Kelly continued. “So there was obviously zero chance I was going to be doing the dog and pony show or doing anything to get this Golden Globe. We had our producers withdraw our name from consideration … We refused. So it was no mystery to us that we would be not actually nominated, because we told them, ‘thanks, but no thanks.'”

The finalists for the award are:

  • Armchair Expert with Dax Shepard
  • Call Her Daddy
  • Good Hang with Amy Poehler
  • Smartless
  • The Mel Robbins Podcast
  • Up Next

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Craig Carton: ‘I’m Sensitive’ to Brandon Tierney and Sal Licata Leaving WFAN Show Because of My Return

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Craig Carton is back for his third stint at WFAN, leaving Brandon Tierney and Sal Licata without a timeslot on the station. He acknowledges his role in that.

In his first public comments since the news was officially confirmed, Carton said everyone else in the business has had a situation to opine on the situation except for him.

He did note, however, that he does feel for Brandon Tierney and Sal Licata, who will exit the daytime lineup.

“It was too good an opportunity for me to say no to,” Carton admitted. “I am very respectful and sensitive to the fact that there are other people in that building that are losing their jobs, some as a direct result of my return, some for other reasons altogether. And I appreciate how tough it is for them and their families, and I’m very sensitive to that. There’s nothing I can say about it, other than you’re very talented, and I truly hope that you land on your feet and get another amazing opportunity in your chosen profession.

“That being said, I’m thrilled for the opportunity. I can’t wait to get started,” he added.

The return of Carton moves the station’s current afternoon show — featuring Evan Roberts and Tiki Barber — to middays, where Brandon Tierney and Sal Licata currently host.

On Thursday, Tierney shared that his and Licata’s final show together would be on Friday. Tierney would then host the 10 AM-2 PM timeslot by himself during the week of December 15th, before exiting WFAN entirely.

Sal Licata, meanwhile, has not publicly shared his next moves. Noticeably, WFAN has yet to announce plans for its overnight show. Licata has previously worked in that daypart for the station before his elevation in the lineup.

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Mike Francesa: I Asked Bill Simmons to Replace Chris ‘Mad Dog’ Russo Following His WFAN Exit

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Recently, Max Kellerman revealed that he was in line to replace Chris “Mad Dog” Russo alongside Mike Francesa on WFAN. Francesa says that isn’t true.

“Yeah, that was the plan. I was supposed to go over and work with Mike,” Kellerman said in a recent podcast episode with Bill Simmons.

However, Mike Francesa has refuted that claim, saying Simmons was actually his first choice to partner with following Russo’s high-profile exit.

“It’s completely untrue. There’s not a word of truth to that,” Francesa said of Kellerman’s statements. “I can tell you a little dark secret that (Mark) Chernoff knew: I was never hiring anybody. That’s the fact.”

Despite his insistence that he wouldn’t partner with anyone other Mad Dog, Mike Francesa did go on to say he had one person at the top of his list.

“The first person I ever talked to — believe it or not — was Bill Simmons,” Francesa revealed. “I called Bill. I said ‘Bill, I got an idea.’ And he said, ‘I have no interest. It’s not what I want to do with my life. It’s not what I want to do. I appreciate it, but I don’t even want to discuss it.’

“So we never even discussed it. He was the first person I talked to,” continued Francesa. “He might not even remember that, but I do. Because I made the phone call. He said ‘I’m not interested, that’s not me,’ and it never went anywhere else.”

Francesa revealed that he met with Stephen A. Smith, as well as between five to seven other candidates before deciding to host the program by himself.

He shared that no one ever got a second interview, whether it was a lunch or brief meeting, adding that the reason he soured on Kellerman was that after he got dinner with the then-ESPN Radio host, “by the time I got home, it was already out that we had met. And that finished him. We never talked again.”

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Brandon Tierney Confirms WFAN Exit, Final Show with Sal Licata on Friday

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Changes to the lineup at WFAN are moving Brandon Tierney and Sal Licata out of their midday timeslot. That duo’s final program will now be on Friday.

With the return of Craig Carton to the New York sports talk station, WFAN is moving Evan Roberts and Tiki Barber to the 10 AM-2 PM timeslot currently occupied by BT & Sal.

The revamped WFAN schedule includes:
5–6 AM: The Warm-Up Show with Al Dukes & Jerry Recco
6-10 AM: Boomer & Gio
10 AM-2 PM: Evan & Tiki with Shaun Morash
2-7 PM: The Carton Show with Craig Carton & Chris McMonigle
7 PM– 12 AM: After Hours with Tommy Lugauer

Brandon Tierney and Sal Licata took to the airwaves on Thursday to reveal that their final show together is now scheduled for tomorrow.

“Tomorrow will be the final BT and Sal show on the Fan,” Tierney wrote in a post on social media. “I will host the following week solo and then it’s officially a wrap.”

Noticeably, WFAN has yet to announce plans for its overnight show. Licata has previously worked in that daypart for the station before his elevation in the lineup.

Most recently, Chris McMonigle and Keith McPherson have worked in the late evening and overnight hours. However, with McMonigle’s elevation to afternoon drive alongside Carton, and the exit of McPherson, the station has yet to announce plans for the daypart. Licata, meanwhile, has not made any announcements on his future.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

AM 1420 The Answer Replaces Bob Frantz with Jake Underwood

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After the exit of Bob Frantz from AM 1420 The Answer, the Cleveland news/talk station has filled the timeslot with a new local show featuring Jake Underwood.

Underwood takes over the 9 AM to Noon timeslot previously occupied by Frantz. Bob Frantz had spent the past 11 years working at the station, after previously working as the evening host at crosstown 1100 WTAM.

Coincidentally, Underwood joins the Salem Media station after also previously working at 1100 WTAM. He worked at the iHeartMedia news/talk brand from 2019 to 2023 as a producer, while also working as a part-time news anchor.

Jake Underwood began his tenure earlier this week. As he began his debut show, he shared his expectations for himself and the audience.

“I’m not a national guy. I’m from here,” said Underwood. “Let me get that out of the way … I love this area. I have lived in Medina County my entire life. Brunswick, I went to Cloverleaf. People don’t claim Cloverleaf. I do, because I love it here.

“I’m from here, and I have a passion for this area, and I have a passion for the truth,” Underwood continued. “So when I see people out there just saying things for the sake of saying things so they could get likes, clicks, and retweets, I call it out. I’ve always done that, and I will continue to do that. And by all means, call me out if I’m wrong on something, call me out.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

FOX Sports Las Vegas Moving From 98.9 FM to 94.7 FM

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Lotus Broadcasting is making a change in Las Vegas, moving its FOX Sports Las Vegas FM simulcast from 98.9 FM to 94.7 FM.

The move makes sense for the sports talk station, as the 98.9 FM signal is licensed to Hendersonville, located southeast of the city proper. That signal fails to cover the entire city and surrounding suburbs with its 99 watts of power.

The 94.7 FM signal, meanwhile, features 250 watts of power, providing slightly better coverage to the overall metro area.

FOX Sports Las Vegas will continue utilizing the 1340 AM signal as its main distribution channel.

With the change, the Vegas Golden Knights broadcasts will move along with FOX Sports Las Vegas to the new signal. Dan D’Uva and Gary Lawless will remain as the broadcast crew, while Ryan Wallis will continue to serve as the studio host for the broadcasts.

The station will also remain home of the VGK Insider Show with Wallis and Daren Millard, heard from 4-6 PM in afternoon drive.

The country format previously heard on 94.7 FM — branded as Hank FM — will switch places to the 98.9 FM signal.

FOX Sports Las Vegas will officially transition to the 94.7 FM signal beginning on Thursday, December 18th.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CNN Denies White House Advisor Stephen Miller Banned From Network

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U.S. Homeland Security Advisor Stephen Miller is a controversial figure. He alleges he’s been banned from appearing on CNN, but the network is refuting those claims.

While appearing on the Fox News primetime show hosted by Sean Hannity on Wednesday evening, Hannity alluded to the fact that Miller had been banned from the network.

After being called “ratings gold” by the Fox News host, Miller shared that it was a “completely true” story.

“Over the last few days, our brilliant White House communications shop has reached out to CNN, which, of course, is running one fake news hit piece after another,” Miller began. “And they said, ‘Stephen Miller would like to come on your network to rebut any of these lies.’ And they asked, ‘What show?’ They said, ‘Stephen Miller will do any show from dawn to dusk.’

“They said, ‘What topic?’ The White House said, ‘Stephen is available to discuss any topic with any host at any time. As far as you’re concerned, Stephen has no scheduling conflicts at all. He will make himself available from the first hour of air to the last hour of air on any subject.’ And CNN’s response was, ‘We will not take him, period, for any show on any topic,'” Miller alleged.

Following that exchange, however, the network has denied that it has restricted Miller from appearing on its network.

“Members of the administration, including Stephen Miller, are welcome to come on our air,” a statement from a network spokesperson reads. “As a news organization, we make editorial decisions about the stories we cover and when, and that depends on the news priorities of the day. We look forward to having Stephen on again in the future as the news warrants.”

Miller has not appeared on CNN since sparring with CNN News Central anchor Boris Sanchez in early October.

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93.3 WMMR to Offer Stream for Pierre Robert Tribute Concert

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93.3 WMMR has announced that its upcoming tribute concert to Pierre Robert will be available to stream for at-home viewers.

The event will take place Wednesday, December 17, at The Fillmore in Philadelphia, and due to a partnership with concert streaming platform Veeps, the show will be made available for $9.99 per viewer.

“Thank you to all of our partners who helped make this happen,” 93.3 WMMR Program Director Chuck Damico said.

Brent Smith and Zach Myers of Shinedown, Lzzy Hale and Joe Hottinger of Halestorm, and Ed Roland of Collective Soul are among the national artists scheduled to appear.

Philadelphia staples The Hooters will also perform. Alongside David Uosikkinen’s In The Pocket, featuring members of The A’s, Beru Revue, and Tommy Conwell. The station billed the show as both a concert and a party, reflecting Robert’s belief that music should unite people across backgrounds and generations.

Portions of the concert’s proceeds will benefit MANNA, the Metropolitan Neighborhood Nutrition Alliance. A Philadelphia nonprofit that uses medically tailored meals and nutrition counseling to support people with serious illnesses.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.