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Adam Smith Named Chief Product and Technology Officer of The Walt Disney Company

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Adam Smith has been named the chief product and technology officer of Disney Entertainment and ESPN, the company announced on Thursday. Under his new role, Smith will be responsible for overseeing the global product and technology group spanning across the entertainment and sports media business ventures at the company. Responsibilities in the position will include driving technology strategy, development and execution, along with continuing innovation across the oeuvre of consumer digital touchpoints, advertising technology, emerging technologies and additional areas.

Within the auspices of the position, he will be leading a group of technology professionals, some of whom include engineers, product managers, data scientists, technical operations teams and designers. Smith will officially join the company in this capacity on Tuesday, Sept. 3, and he will report to Disney Entertainment co-chairmen Alan Bergman and Dana Walden, along with ESPN chairman Jimmy Pitaro.

“We could not be more thrilled to have Adam join the Disney team in this pivotal role,” the three Disney chairpeople said in a joint statement. “We’ve been aggressive in advancing our technological capabilities to better support our world-class media, streaming and advertising businesses, and Adam brings a bold, consumer-focused vision for the future and a proven ability to effectively lead global teams in implementing ambitious, scalable and flexible products and technology that will continue to elevate storytelling at the center of the Disney experience.”

Smith joins the company after working at Google and YouTube for more than 20 years where he held various executive positions across divisions and helped both companies achieve their growth trajectory. While he was at YouTube, he helped build its music and premium offerings to more than 100 million subscribers and also had a stint leading global content and product across kids, sports, news and education. During his time with Google, he led the development and strategy for several key products, including Google Fiber, Google News and Google Scholar. Before his time with these companies, which are under the Alphabet, Inc. conglomerate, he worked with Random House/Bertelsmann.

“Disney has built and nurtured an unparalleled portfolio of brands bringing joy and delight to fans of all ages, thanks to a culture of creativity that embraces innovation,” Smith said in a statement. “I believe Disney is uniquely positioned to thrive in the next evolution of media and has made significant progress in a very short time while keeping storytelling front and center. I look forward to working closely with Alan, Dana and Jimmy and their top-notch teams and am excited to bring my expertise in utilizing technology to build compelling consumer experiences that will drive engagement and discovery among fans, families and friends.”

Smith succeeds Aaron LaBerge in the role of chief product and technology officer at a time when the company is expanding its direct-to-consumer offerings. LaBerge joined PENN Entertainment as its chief technology officer in July, helping to drive its technology and serve as the key business leader within the interactive division. PENN Entertainment currently operates ESPN BET under a 10-year deal with the network reportedly worth $2 million.

Pending a court ruling, The Walt Disney Company will launch Venu Sports with FOX Corporation and Warner Bros. Discovery, a joint streaming venture in which it has reportedly invested $400 million. ESPN also plans to launch its Flagship direct-to-consumer streaming service in the fall of 2025 as its pay TV distribution stands at 66.5 million households, according to data from Nielsen Media Research.

Michele Tafoya: ‘I Am Sincerely Embarrassed for Mina Kimes’

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Former sports broadcaster Michele Tafoya took to her X account to give her thoughts on recent comments made by ESPN reporter Mina Kimes. In an episode of the Pablo Torre Finds Out podcast, Kimes talked about Minnesota Governor and Vice-Presidential candidate Tim Walz.

“There’s something, to me, really important about seeing someone like this modeling a different kind of masculinity,” Kimes said. “We’re kind of seeing it in the NFL with the Kelces, and Dan Campbell — this idea that ‘big, tough football guy’ isn’t separate from showing emotion and empathy.”

In a response to the interview OutKick posted an article wondering why former ESPN talent Sage Steele was suspended in 2021 for breaking a company rule against discussing politics which she did on an outside podcast. OutKick said they asked for comment from ESPN but did not receive anything back.

Tafoya, who spent more than a decade with NBC, wrote on her X account in response to the OutKick story, “I am sincerely embarrassed for Mina Kimes. And how pathetic that her kind of “masculinity” means more than the candidate’s record, which is abysmal. Sincerely, A Minnesotan.”

Steve Waters To Join 97.3 The Eagle, Norfolk, Virginia Beach

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Steve Waters is joining Max Media of Hampton Roads Country WGH-FM(97.3 The Eagle)/Norfolk-Virginia Beach. Waters will join 30-year market and station veteran Karen West for the “Eagle Mornings with Steve & Karen.”

For the past 13 years, Waters was the morning host on Alpha Media’s Country WFLS/Fredericksburg, VA.

Waters said, “My wife and I are thrilled to be moving to the beach and joining the team at 97.3 The Eagle. Living where we vacation and being part of a heritage station with such a rich history is simply incredible.”

Keith Barton, Vice President and Market Manager for Max Media Hampton Roads, said, “We are thrilled to welcome Steve to the Max Media family as our new morning show co-host. We can’t wait for our listeners to start their day with Steve and Karen on The Eagle.”

Congratulate him here.

NPR, CBS News Radio, ABC News Radio Big Winners in 2024 Edward R. Murrow Awards

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The 2024 Edward R. Murrow Awards announced winners of the prestigious honors Thursday, and NPR, CBS News Radio, and ABC News Radio each saw several victories.

NPR won awards for Excellence in Diversity, Equity, and Inclusion, while also taking home the honors for Excellence in Sound, Featuring Reporting, Hard News, Investigative Reporting, News Series, Podcast, and Sports Reporting in the Network Radio category.

CBS News Radio earned top honors for Overall Excellence. The network also scored a win in the Breaking News Coverage category for its handling of the October 7th terrorist attacks in Gaza.

ABC News Radio scored wins in the Continuing Coverage, Excellence in Writing, and News Documentary categories.

In the large market radio sector, 1010 WINS, KFI AM-640, KYW, and 95.5 WSB each earned wins.

1010 WINS won the honor for Breaking News. KFI took home the Excellence in Diversity, Equity and Inclusion award. KYW saw the title for Hard News. 95.5 WSB took home the honor for top Newscast.

Finally, in the small market radio category, 1040 WHO was the only commercial station to earn an Edward R. Murrow Award, taking home the honor for best Newscast.

Winners of the awards will be honored at the Edward R. Murrow Awards Gala on Monday, October 14th at Gotham Hall in New York City.

‘Inside the NBA’ Should Be an NBA Halftime and Postgame Show, Anything Else Could Ruin Its Legacy

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Count me among those that will be absolutely crushed if ‘Inside the NBA’ goes away. I have written in this space before about my fandom for Charles Barkley. That’s my guy. My favorite number is 34, my personal email address starts with DaveGreene34 and my youngest daughter is No. 34 on all of her sports teams. I had two posters on my wall as an early teen, Heather Thomas and Charles Barkley.

I love him, I love what he says, I love the show, I love the comradery, I love the laughter. It’s everything. It is, without question, the best halftime or postgame show we have ever had the honor of watching as sports fans. I think you have to go way back to some early football shows to really find anything comparable.

With all of that said, I truly hope they are not really thinking of doing anything with it besides making it a halftime and postgame show for the NBA. Rumors of a variety show, covering other sports and/or Barkley staying to work on other TNT or Warner Bros. Discovery content, doesn’t work for me. In fact, I will go as far as suggesting it could be a disaster and ruin part of the legacy of the great show.

I held back a bit while everyone was throwing out scenarios prior to everything becoming (somewhat) final as far as the media rights for the league and whether or not TNT would be part of the mix. Now that it is not, and the show has one year left, let me say this, which is simply my opinion – the show can replace any one cast member and be completely fine as long as it is not Barkley.

I truly believe I am saying that as a television viewer and not just a Barkley fan. Ernie Johnson is great and is a close second to Barkley, but I do think the show can continue without him. I, and many others, would hate it, but if the other three are there, the show is still great.

Replace Shaq? Well, the show was a big success before Shaq and it would be fine without him, as well. Again, prefer to have Shaq, he fits in well, his laugh is unreal, and he gets it. He is hard for me to hear sometimes when he speaks, but when he and Charles are going at it there is nothing better on television.

Kenny Smith? Terrific on the show. Could he be replaced? Absolutely. If it was Ernie, Charles and Shaq and they brought in someone to sit in Kenny’s chair, it might not be the same show, but it would go on and still be one of the best sports shows out there.

But it is first and foremost an NBA basketball show. You get some info, you get league news, you get breakdowns, you get hilarity. You get the perfect mix of all of it, but it starts and ends with the basketball, you know, the sport that Charles, Kenny and Shaq all played.

If you can wade through all Barkley has said about the whole situation and some recent comments made by Smith, you do realize that this is a family. And I don’t mean just the four people who are on the air. Barkley has done 82 interviews, only 64 of which came after he said he wasn’t going to do any more interviews, and in every one of them he has mentioned the behind-the-scenes team at ‘Inside the NBA’ and all of the people who could be looking for work if it were to go away.

I admire the heck out of these guys to think about those people.

I still don’t want them to keep it around just to keep it around. Under no circumstances do I want to see this show get turned into some sort of circus that nobody watches, and it gets cancelled. Nor do I want to see them have Charles or Charles and Shaq start appearing on hockey and baseball broadcasts. I mean, ok, tell me Sir Charles and Shaq are going to call the French Open, maybe I will tune in for a good laugh, but let’s be real. ‘Inside the NBA’ is a basketball halftime and postgame show. That’s the formula that works.

Not that this is a fair apples to apples comparison, but my man Charles just tried something outside of the box and away from his bread and butter. Remember ‘King Charles’ on CNN? No, you don’t because nobody watched it. I don’t even like watching Charles and Kenny working the NCAA Tournament and I know many others who feel the same way.

What we like is watching them do what they do now. That is what we want.

Either figure out a way to keep it together, or let’s all enjoy one more season of the best show of its kind, celebrate its success and then retire it.

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The Best Thing I’ve Heard/Watched Recently

I have really enjoyed all of the retrospectives from 98.5 The Sports Hub this week for the celebration of their 15th anniversary. Not only have they been well done, but also easily accessible on their social media. Here is just one example of the types of things they have been posting:

It’s worth the time to scroll through the station’s X account to see the various posts by clicking here.

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In Case You Missed It

Earlier this week, Demetri Ravanos talked with Paul Finebaum, and it started to get me really excited about college football season being so close you can taste it. The additions of Texas and Oklahoma to the SEC and the rest of conference realignment is a big story going into the season, as well as the new format for the College Football Playoff.

Finebaum told Demetri, “It may be the most eagerly anticipated season I can remember in college football history.” Insert Bart Scott ‘Can’t Wait!’ clip…

You can read the full feature by clicking here.

News Talk Radio Hosts Can Learn Something from Sports Talk Host Paul Finebaum

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As someone who used to work in the world of Sports Talk, it’s an exciting time of the year. The college football and NFL seasons are right around the corner. And now is the time of year, when radio hosts, TV commentators, social media opinion makers, YouTubers and others are vying for your attention heading into the best time of the sports calendar.

And for News Talk radio hosts, there’s one person in particular you can learn from this time of year: ESPN talking head Paul Finebaum.

If you’re a college football fan, I don’t need to say anything more. You have an opinion on Paul Finebaum. It might be positive. It might be negative. But you have an opinion. That’s what matters.

If you’re not as familiar with Paul Finebaum, he is one of the most prominent voices in college football. His legendary regional radio show in the Southeast led to him becoming a fixture with ESPN in recent years. Whatever he says in the weeks leading up to the college football season becomes news. In many ways, he helps set the agenda for the upcoming season with his commentary.

And you don’t have to take my word for it. Just Google, “Paul Finebaum”.

I just did it and I got four different stories from credible news outlets like Sports Illustrated, ESPN and On3, with headlines such as, “Texas Football ‘Is Capable of Winning It All’ Says Paul Finebaum” and “Paul Finebaum: Alabama isn’t ‘good enough’ to win a national championship in Year 1 under Kalen DeBoer”.

With just a couple of weeks to go until college football kicks off, you can scroll through Google and find dozens of headlines of different comments from Finebaum. 

So how are you, as a News Talk host, channeling your inner Paul Finebaum?

And what I mean by that is driving the news cycle in your market leading up to a big story or moment or reacting to that big story or moment. How are you turning yourself into the place to be when something happens in your community?

Now, for those looking to say, “Yeah, but ESPN…”

There’s no doubt that Finebaum having the Worldwide Leader’s muscle behind him helps get his message out there on linear TV and also on social media. Here is a prime example from one of his comments on First Take getting plenty of attention.

And while you don’t have ESPN lifting your brand, you can use social media to make a sizable impact in your market and then look to bring those listeners to your show either through the radio, your stream or your podcast.

Social media creativity is a crucial way to stand out. And it doesn’t happen overnight, but it will help people find you beyond the radio itself.

Using radio to cross promote your station or show’s social media, which drives your already existing audience to your social media, and then in turn makes them more likely to engage in your posts (sharing, liking, commenting), which helps drive the organic reach of your social media pages, is the first step to finding that niche as the place to be for the big moments happening in your city.

Then, there’s the content. The insight your audience can’t get elsewhere, the information they won’t get from TV, newspaper or social media, and the guests providing information that is exclusive to your show.

And when you have those moments, you need to do everything in your power, not just through traditional promos, liners and other imaging elements on the station, but also bragging about it where your people are also spending time, mostly on Facebook and X. Plus, use your local media contacts to cover your show if you have newsworthy items coming from your show. Make them cover you. 

Channeling your inner Paul Finebaum is not just about having “hot takes”. I’m not asking you to be Skip Bayless. Finebaum’s comments are strongly opinionated, but usually based with some facts and reason, and then he drives the agenda and conversation around the sport by getting those content pieces out into the media.

You can and should be thinking about how to achieve that in your own market. It’s easier said than done in a fractured media environment, but it will be a game changer for your show and brand for the future. And with election season coming in your cities and states, there’s no better time than now. 

Indie88 and Ian March, Northern Attitude: Part 2

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Picking up where we left off last week… Toronto still isn’t the capital of Canada, so please stop Googling it regardless of how wrong you think I am. But there is some really great Alternative radio being done in that market, and it’s also the home of some great poutine places. Coincidence? For reals, don’t sleep on the poutine, I’m being completely serious on how great it is.

Toronto is also the home base of CIND-FM (Indie88) under the purview of PD Ian March, who was gracious enough to talk about some of his secret sauce and offer some thoughts on the Alternative format. In last week’s edition of this column, March discussed how he distinguishes Indie88’s sound to make it sound distinctive, especially in the face of competition from crosstown format mainstay CFNY (102.1 The Edge).

One example of that is the emergence of what March describes as “Alt-country, or ‘cooler country.’” When he went to a Chris Stapleton show in Toronto, he saw a fair amount of Indie88 listeners there, and one of Stapleton’s tracks went into rotation on the station. March cautions that it does take some thought to make material like that fit in sonically and be palatable, even to listeners who don’t like country. “Pick your battles with that stuff,” he advises. “Everyone who’s experimented with genres knows you don’t fully know how it will sound until you put it on air.”

Personally, one of the reasons why I love listening to Indie88 is that March and his MD, Michael Religa, take special care to find great new local and national music and bands since Toronto and Canada, in general, have a lot to offer. There seems to be a longtime stigma against Canadian stations because the CRTC (Canadian Radio-television and Telecommunications Commission, which is their version of the FCC) mandates that Canadian music radio stations play at least 35% Canadian content every week, which led to decades of jokes and stereotypes about Canadian Alt stations being frontloaded with a ton of Alanis Morissette and Barenaked Ladies.

“I’ve heard American programmers just assume everything we play is because we’re legally required to. It gives the material we do play an air of not being legitimate, which is not true,” March says firmly. Again, personally, I can corroborate: Indie88 has a slew of great-sounding tracks from Canadian artists that fit right in alongside known American quantities – including a number of currents, and I’m at a loss why American stations haven’t been liberally importing them.

I asked March for a couple of recommendations of Canadian artists who should get their due in the U.S. The first he named was a band I’d been following for a few months – thanks largely because I initially heard them on Indie88 – but also because they’re making headway in America: The Beaches. “We consider them an Indie88 success story,” March says, revealing that his station was the first to play them thanks to MD Michael Religa’s early belief in and enthusiasm for them. “Michael helped them pick singles,” he says. “They have a diverse audience, and their material is resonating.”

The second artist he mentioned was a Rock-leaning band I’ve liked for a few years called The Glorious Sons. “They make really great straight-ahead rock, and they’re great live performers,” March proclaims. “I don’t think they got their due in Canada because we don’t really have Active Rock stations, and our Rock stations don’t play many currents, but they’d fit right in on American Active Rock stations.” Their 2017 track “Everything Is Alright” is one of my favorite songs, and I’m not alone in that respect – the song made it to the top of the Canadian Alternative radio chart and was included in Indie88’s year-end countdown of 2017 songs.

I had to ask March about the station’s recent sale, which actually closed the week I spoke to him. He’s extremely positive about the future, describing the change in ownership as “transformative.” The company that now owns Indie88 is named Local Radio Lab, which March calls indicative of their fresh take on radio. “It’s not a phone company or a bank; local radio is what they do,” he says. “The owner, Christopher Grossman, is a fan of the station, and that’s why he bought it. In the last 10 years, we’ve tried a lot of things, and it’s going to be fun to now double-down on the things that work with a fresh set of ears and fresh resources.”

Widening his perspective to the Alternative format in general, March feels like things used to be a lot more creative, but the creativity has stopped over the past several years. “The format we have and the options we keep going back to… they weren’t handed down from God,” he says. “If you feel like you need to flip a station or launch a new station, it’s one of a small handful of preset formats. Why don’t we create new things anymore?”

Regarding the new trend of Classic Alternative stations, March is watching Corus’ CFGQ (107.3 The Edge)/Calgary. “That market didn’t have an Alternative station in the ‘90s, so some of what it’s doing is new to the market. It’s not a throwback to itself,” he says, referencing the rebirths of KITS (Live 105)/San Francisco and 99X in Atlanta. “That Calgary one will be interesting.”

Stream Indie88 live and see recently played tracks listed at indie88.com.

Sample playlist segment from Monday, August 12:

Cage The Elephant – “Ready to Let Go”

Billie Eilish – “Lunch”

The Wallflowers – “One Headlight”

JJ Wilde – “Hands”

Arkells – “Whistleblower”

Smashing Pumpkins – “Sighommi”

The Black Keys – “Beautiful People (Stay High)”

Third Eye Blind – “Semi-Charmed Life”

The Beaches – “Edge of the Earth”

The Smiths – “How Soon Is Now”

Grimes – “Flesh Without Blood”

The Killers – “Bright Lights”

Hollerado – “Born Yesterday”

The White Stripes – “The Hardest Button to Button”

Chappell Roan – “Good Luck, Babe!”

The Rural Alberta Advantage – “Bad Luck Again”

Foo Fighters – “The Glass”

Metric – “Breathing Underwater”

Glass Animals – “Creatures in Heaven”

Media Research: Can They ALL Be Right?

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Media advertisers and sellers are bombarded with media research and data from various sources. Remarkably, most research presented to clients usually indicates they are your best investment. Sellers and buyers should use caution before acting on a campaign based on research. While this information can be invaluable for designing campaigns, we should keep an open mind towards conclusions drawn. The next time you are presented with “we are #1” research, here are some things to evaluate and how to possibly utilize the research presented.

Consider the Source

First, figure out where the research is coming from. Different sources have different methodologies and, of course, potential biases. For instance, research from a radio station highlights the strengths of radio advertising. At the same time, a digital agency might emphasize SEO and online ads as the key to making more money. Knowing who conducted the research and their potential motivations can help you interpret the data more accurately. There are plenty of neutral sources available even to media companies.

Evaluate Methodology

We all should look for studies that clearly outline their methods, including sample size, data collection, and analysis procedures. Research that uses large, representative samples and transparent, replicable methods is generally more trustworthy. Remember, it takes about a 1,500 to 2,000 sample size to represent the total US population. Look closely at studies with vague or poorly explained methodologies.

Cross-Reference

For example, no single study can provide a complete view of media consumption. Cross-referencing data from multiple sources can help get a more balanced perspective. If different studies from reputable sources show similar trends, the findings are more likely to be reliable. And, if there are huge discrepancies, it’s worth figuring out why.

Context, Context, Context

Context is vital when interpreting research. Consider the broader media environment and how it might impact the findings. For example, a surge in digital ad engagement during a major online event, like Prime Day, might not indicate long-term trends. Diary rating results of radio stations can be impacted if a station does massive advertising, cash giveaways, or continuous Christmas music during the holidays. Know the difference between temporary spikes and actual shifts in consumer behavior.

Look for Peer-Reviewed Research

Peer-reviewed research is typically more reliable as it has undergone scrutiny by experts in the field. While not all media research will be peer-reviewed, studies published in reputable journals or by established research organizations are generally more credible. Prioritize these sources when making decisions based on research data. I like Pew Research, the Journal of Advertising Research, and Nielsen.

Look Under the Hood

Critically analyze the data, looking beyond the headlines to understand the nuances. For example, a study might show high engagement rates for a particular ad format, but it’s essential to consider factors like audience demographics and the nature of the content. This often can show up in digital media, where those aged 12-35 behave much differently than those 55-74 years old.

Seek an Expert Opinion

When in doubt, consult with experts. And ask for their advice, especially if they don’t have a dog in the fight. Building a network of trusted experts can be a valuable asset in navigating the media research landscape. Email Dr. Ed Cohen. He is a great resource.

Stay Updated

Subscribe to industry publications. For example, the Home Furnishings Association could care less about whether or not a retailer gets results from organic or paid digital advertising- they want results.  

Research is a powerful tool for sellers and advertisers. Intelligent decisions can be made by understanding the source, evaluating methodology, cross-referencing data, considering context, prioritizing peer-reviewed research, critically analyzing data, seeking expert opinions, and staying updated.

KROQ’s Nicole Alvarez & The State of Alternative Radio

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“This is the kind of question that I love to start conversations around,” says KROQ’s Midday Host Nicole Alverez. “I think the state of Alternative is always strong. I think Alternative has a different kind of backbone and a different purpose. Is it the prom queen at the moment? No, but there will never be a world without Alternative music. I truly believe that this genre captures the depth and complexities of the human experience better than any other. I am so excited about the great artists emerging from it every single day.”

Alvarez has been with “The World Famous KROQ” for the last 21 years. “I started in Jacksonville, FL, at a station called Planet Radio 93.3 after suffering the first break-up of my life,” she explains. “I was devastated, and I figured that the only way to survive that ordeal was to get into radio and go to as many concerts as possible. It worked, and to this day, that guy says I am the one that got away. I had a brief stint on a station I grew up listening to in Miami called Zeta 94.9 before getting the call to audition for KROQ. I’ve been there ever since, so that went well.”

“I love what I do,” says Alvarez. “Additionally, I am working with several mentors to learn all the aspects of the music business, and I am writing something special. My main passion is music, and I spend a lot of time traveling to shows and festivals and learning all that I can while still remaining a huge fan.”

“I wanted to get into radio when I was about 10. It was my hometown rock station. I would listen to it and hear all the cool interviews with musicians and hear about all the shows that all the hosts would go to, and because I could not imagine a life where that was not what I was supposed to be doing, it was not a matter of ‘If,’ it was just ‘when.’”

“The most exciting thing I’ve experienced in my career IS my career,” says Alvarez. “It would be completely unfair to pinpoint one moment out of so many because they have all meant something to me. I would say that the day my boss hired me at KROQ was one I will never forget. Being given a Metallica interview pretty early on, standing in front of thousands of people and introing bands I love, interviewing my heroes, being able to take my friends along for the ride, having people say they have grown up listening to me, having a community, going on tour with a band I love, knowing that I have helped make some dreams come true, all of it. My entire career is the highlight. I am blessed, and my highlight is that I know gratitude on the ground floor. Interviewing my hero, Eddie Vedder is something I have not yet wrapped my head around. That might be top of the list.”

“I would say that my biggest challenge over the years has always been me. I am never satisfied with the way things are, so I’m always rocking a boat. I rock all the boats. I wouldn’t say I have overcome that, but I’ve certainly learned how to manage my whims better.”

So how goes the Alternative battle in LA? “Oh, the battle. My first instinct is to ask, ‘What battle?’. All of us love music, and we help push it out to the masses. I think we are all winning when the music gets to the people, and the people are all accounted for.”

LA is such a unique market, especially when it comes to strategizing a winning formula for both LA and Orange Counties, which are two completely different worlds. It’s a tough putt for talent and programmers, but Alvarez doesn’t obsess over it. “Aaaaaah, that strategy is something I leave to my boss,” she says. “I don’t ever want to think about anything except being myself and making sure that the audience is entertained and well-informed. I just want to be a conduit for the human experience. The way I go about it is that I make sure I know what is going on in both areas, and my job then becomes to authentically blend those worlds in a way that pays off for the listener.”

Is there enough new music out there to keep the format vibrant? “Hell, Yes!” says Alvarez. “I don’t think the problem is a lack of talent; I believe that too many people stay complacent in what they’re listening to, and anything unfamiliar is outside of their comfort zone, so they stay with what they know, hence the lack of more rapid growth in the genre. New artists really have to fight for it. I wish people were more explorative with music these days instead of letting the algorithms do a lot of the work.”

What role do you and KROQ play in the community? “I play the smallest role,” insists Alvarez. “KROQ is really such a huge part of history. Those four little letters mean so much to people. There are so many untouchable moments and so many memories attached to this brand. So many artists first and legendary relationships. I am really honored to be woven into the story, but KROQ is the big player. It means Los Angeles to so many, and even more so, it means home.”

What’s Alvarez into these days? “I listen to so much music. I honestly can’t think of a better way to spend or enrich time. Currently, I am very devoted to IDLES, Fontaines DC, and another UK band that I’m obsessed with, which is called Soft Play. I also very much dig The Lambrini Girls.”

“As far as preparing for my show? I consume music, I make sure I’m up on all my music news, and I live my life in a way that inspires my job.”

“My favorite musical collab most recently has been Zack Bryan with The Lumineers, and Jaime XX just released a collab with The Avalanches called ‘All You Children’ that blows my mind. ( https://www.youtube.com/watch?v=vhAEk-j-FGo) (https://www.youtube.com/watch?v=dILtgyQEXRA)

“I want Jaime XX to collab with Trent Reznor,” adds Alvarez. “I think they are both elite sound architects in their fields and have some DNA that I think is similar and they could both offer each other another layer of gravitas and playfulness. I pray every single day for that collab.”

So, how does Alvarez feel about the Aerosmith Announcement and Steven Tyler’s vocal injuries? “It’s heartbreaking because, after such a long ride and such a legendary career, you would hope that an artist gets to say a proper goodbye and really soak in what it’s all meant, along with the adoration and gratitude from fans all over the world. That abrupt finality would leave me feeling so incomplete.”

What would she say to young Talent who aspire to work for “The World Famous KROQ?” “I would tell them about my experiences, and I would try to help in any way I could.”

Follow Nicole Alvarez on Instagram

Behind The Voices: Jim Cutler

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Jim Cutler is a seasoned voice actor with credits too numerous to mention. His website says, “In any hour, I will voice a national News network, a kids’ network, then sports followed by a big entertainment show for a national cable channel. I do a lot of styles that you hear every day but do not know it is me. But I sound familiar.

Jim is today’s featured voice actor.

Jeff Lynn: You became interested in the business in a way I don’t often hear about.

Jim Cutler: My shortwave radio introduced me to radio stations from around the world, and I started DXing distant AM stations. That’s when the bug bit me hard. Radio. These days, I own a larger shortwave radio.

JL: What is a typical workday like? Is there such a thing as a typical workday?

JC: Hardcore. Nine in the morning till 11 at night, every single minute. Including Alaska and Hawaii. We don’t eat at the table. It’s eat while you can. I’m very grateful. We came from nothing. We didn’t hurt anyone. No one handed it to us. We just work really hard, thank God. We love what we do.

JL: So, you are very well known as a premiere sports voice among all the many things you do. Did you set out with that in mind, or did it happen organically?

JC: I did the imaging at WEEI in Boston in its heyday. Then, Mark Mason put me on the ‘Fabulous Sports Babe’ show on ESPN Radio, then ESPN TV, then meeting Bruce Gilbert and Rick Scott and sports grew organically from there. There’s HBO sports, to being on the intro for NBC Sunday Night Football each week because of the great Fred Guidelli. After that, it was just station telling station. Dawn [Jim’s wife] and I are both hardcore Red Sox fans. And Tom Brady is wicked pissah great.

JL: Who are your early influences?

JC: Gene Shephard. And all the announcers I’d hear around the country by DXing the AM band at night. I still do it, and it makes me love radio even more.

JL: When I started in radio, voice actors shipped me sessions via FedEx. What other notable changes have you seen?

JC: Yes LOL! I had a very hard time getting station chief engineers to allow us to ditch FedEx and send them MP3s when dial-up modems were finally here. Dawn and I were the first people in Boston to get ISDN lines, and finding the right person at the phone company was a brutal process.

We first automated things by putting our audio files into an ENCO computer tied to a Zephyr. We’d mail our stations a radio-shack touch-tone pad. Stations would connect their Zephyr to ours, then play touch tones down the line to make the ENCO computer cycle through audio files until they found theirs! 

Our ENCO computer would find their file and play it down the Zephyr for them—instant delivery. No one understood FTP back then, but they’d gladly dial into us.

I was one of the first to own the great Orban 7000 digital workstation. We had no furniture in those early days—just a fax machine and an Orban 7000 workstation. Soon, we distributed it via DGS, which was essentially FTP. We’ve all come a long way.

JL: Biggest blooper?

JC: Too many to mention. If I get a name wrong, I hear about it on X. Every time I get a new impossible name to read, or there’s an NFL or NBA draft, all those new names go into a giant database. Different pronunciations of clients, hosts, anchors, regional towns and streets, etc. I have over 10,000 items in my “pronouncers” list.

JL: Tell me three things that people may not know about you.

JC: I’m certified in a completely dead language, Morse Code. I can do 30 words per minute. 

I’m a hardcore astronomer with six telescopes.

Third, my wife Dawn does a full 50% of everything I do, working equally every minute of every day.

Hear Jim’s demo here.

For Networks and Shows, Atlas Talent New York represents Jim.

Radio and TV station bookings and auditions are direct at 516-676-0800. Connect directly here.

Dawn Cutler is a voice actor with numerous credits and can be reached directly here.