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Dave Portnoy: Tony Romo “Will Never” Get His Top Analyst Role Back Following OWI Arrest

John Mamola
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Dave Portnoy: Tony Romo “Will Never” Get His Top Analyst Role Back Following OWI Arrest

Dave Portnoy has made up his mind. The Barstool Sports founder says Tony Romo’s run atop CBS Sports is finished.

What We Know: CBS Sports placed Tony Romo on leave “until further notice” following his July 23 arrest. J.J. Watt will fill in alongside Jim Nantz and Tracy Wolfson meanwhile. Deputies said Romo failed field sobriety tests and had an open container in his vehicle. He now faces a September court date as his CBS future hangs in question. Portnoy said on Monday’s episode of Wake Up Barstool that he doesn’t envision Romo getting his old job back.

What They Said: (All quotes via Wake Up Barstool)

Dave Portnoy believes that CBS Sports wants to get rid of Tony Romo: “They want to get rid of [Tony] Romo. This decision was made within 0.2 seconds of this incident happening. They were clearly looking for an out, and Romo let him through the door. This is a no brainer. If they thought Romo was doing a good job and they want to keep him, Romo would keep his job.”

Dave Portnoy says others have survived what Tony Romo did being arrested on suspicion of OWI: “Guys have survived way, way, way less than this, and kept their jobs and moved without a beat. They wanted to replace them, and he gave them a reason. Guys have survived way more than this, and with no issue. They wanted to get rid of him, no doubt.”

Dave Portnoy believes Tony Romo won’t have a top role calling NFL games: “He’ll never get his job back. He may be at CBS because maybe I don’t know what the legality of it is. But he will never get that number one chair back. Never.”

What Remains Unclear: CBS hasn’t confirmed whether Romo returns this season. It’s also unclear if Watt’s role is temporary or permanent.

What It Means: Portnoy’s comments reflect growing skepticism about Romo’s standing at CBS. Even before the arrest, critics questioned his energy and performance in the booth. Now, many wonder if Watt becomes the network’s new face. Either way, Romo’s next move could reshape the CBS booth for years.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Ben & Skin Move to Mornings at Lonestar 92.5

David Hill
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Ben & Skin Move to Mornings at Lonestar 92.5

“The Ben & Skin Show” transitions to iHeartMedia mornings August 10. Ben Rogers and Jeff ‘Skin’ Wade leave 97.1 The Eagle afternoons for Lonestar 92.5.

What We Know
The duo anchored KEGL since February 2020. Their Dallas career spans two-plus decades across Live 105.3, ESPN 103.3, 105.3 The Fan, and other stations. Newscaster Kevin ‘KT’ Turner and producer Krystina Ray join them at Lonestar. Additionally, they’ll replace morning talent lost to October departures and June iHeartMedia layoffs.

What They Said
Rogers called it an honor to join the legendary station. “Skin and I grew up here, built our careers here and raised our families here,” Rogers emphasized. Wade expressed confidence about the fit: “This is the exact right fit for us and what we love to do. The transition will feel seamless for longtime Lone Star listeners.” Program Director Vince Richards added enthusiasm: “Their energy, authenticity and ability to entertain make them the perfect way to start the day.”

What Remains Unclear
KEGL’s afternoon lineup replacement remains unannounced. Furthermore, iHeartMedia hasn’t detailed whether structural changes affect other Dallas properties. Additionally, scheduling decisions for the station’s midday block are pending. Finally, no announcements address the company’s broader Dallas talent strategy following recent cuts.

What It Means
Ben & Skin fill a critical morning vacancy at the station. The move strengthens iHeartMedia’s established morning presence across Dallas radio. Therefore, established chemistry and market tenure inject proven talent into the slot. Ultimately, the pairing attempts to stabilize Lonestar’s mornings with recognized, trusted personalities.

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Simon Conway Exits Mornings on WFLA Orlando

Garrett Searight
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Simon Conway Exits Mornings on WFLA Orlando

Simon Conway has exited mornings at WFLA Orlando. WFLA Orlando replaced him with syndicated programming after Friday’s final local broadcast.

What We Know: Simon Conway’s run hosting Good Morning Orlando ended Friday after the station cancelled the local morning program. Conway originally joined WFLA Orlando in 2023 after hosting afternoons at sister station 1040 WHO in Des Moines. He hosted mornings for the Orlando news/talk outlet remotely from Iowa. Beginning Monday, Your Morning Show with Michael DelGiorno replaced the local program. The move leaves WFLA Orlando with a lineup that is almost entirely built around Premiere Networks programming. Glenn Beck follows DelGiorno, while The Clay Travis & Buck Sexton Show airs from noon until 3 PM. Dana Loesch remains the lone non-Premiere Networks host from 3-6 PM before Our American Stories, The Jesse Kelly Show, and Coast to Coast AM. Additionally, Conway made his comments in a post on social media.

What They Said: “For those of you who have not heard, yesterday marked the end of an era. Another radio studio gone dark with the end of local daily programming. No more Good Morning Orlando on WFLA Orlando … I never thought I’d be the last host.” -Simon Conway

What Remains Unclear: iHeartMedia hasn’t publicly explained why it ended Good Morning Orlando. Likewise, the company hasn’t detailed whether the decision reflects broader programming strategy or cost considerations. It’s also unclear whether Conway will continue exclusively with his afternoon role on 1040 WHO or pursue additional opportunities.

What It Means: The change further shifts WFLA Orlando toward a fully syndicated approach. As a result, local programming now occupies a much smaller role in the station’s weekday schedule. The move also reflects an industry trend in which operators increasingly rely on nationally distributed talent instead of locally produced news/talk programming.

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KRMG Swaps FM Frequencies With Mix in Tulsa

Garrett Searight
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KRMG Swaps FM Frequencies With Mix in Tulsa

KRMG is moving to a stronger FM signal. The Tulsa news/talk brand will soon broadcast on 96.5 FM.

What We Know: The move shifts KRMG from 102.3 FM to 96.5 FM as part of a frequency swap with the cluster’s Mix Hot AC station. The change gives KRMG access to a 100,000-watt, Class C signal after operating on a 50,000-watt, Class C2 facility. KRMG’s move to 96.5 FM doubles its licensed power from 50,000 watts to 100,000 watts while upgrading from a Class C2 signal to a Class C facility. Company leaders said the realignment strengthens coverage for both stations while positioning each brand for future growth. Meanwhile, Mix will move to 102.3 FM as the stations exchange dial positions. The stronger signal should expand KRMG’s overall FM coverage and improve reception throughout more of the Tulsa market.

What They Said: “We are always looking for ways to better serve our listeners and our community. This frequency realignment allows us to strengthen our signal presence and ensure that both Mix and KRMG are positioned for continued growth and long-term success. It’s an exciting step forward for our company and for the audiences we serve.” -Owner Dr. Robert Zoellner

“This move is about maximizing opportunity for both our listeners and our advertising partners. By enhancing coverage and accessibility, we’re making it easier than ever for audiences to connect with the content they rely on every day. We’re incredibly excited about what this means for the future of both brands.” -General Manager Steve Hunter

What Remains Unclear: The future of the 740 KRMG-AM simulcast hasn’t been announced. It’s also unknown whether the AM station will continue simulcasting the FM programming, adopt a new format, or serve another role following the frequency change.

What It Means: The frequency change gives KRMG a more powerful FM platform at a time when news/talk operators continue emphasizing FM distribution. As a result, the station should benefit from broader reach and stronger in-market reception. Future decisions regarding 740 AM will determine whether the company maintains a dual-platform strategy or pursues a different direction.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Tiff Potter Joins Q102 Cincinnati After Kiss 107.1 Exit

David Hill
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Tiff Potter Joins Q102 Cincinnati After Kiss 107.1 Exit

Tiff Potter is returning to Cincinnati radio. She joins Hubbard’s Hot AC “Q102” WKRQ to host middays from 11am to 3pm and the 8pm “Trending 12” hour.

What We Know Potter previously anchored mornings at iHeartMedia’s “Kiss 107.1” WKFS until her October exit. She originally joined WKFS in May 2019 as APD/MD before eventually moving to the morning show in April 2021. Before Cincinnati, Potter spent six years at “Kiss 108” WXKS-FM Boston, where she worked multiple roles including Music Coordinator and on-air talent. Now, she fills the slot vacated by Mollie Watson’s June departure.

What they said Potter revealed her vision for the role with refreshing honesty. “This next chapter is still very much under construction, and I don’t know exactly what this show will become yet—but that’s part of the fun,” she explained. Her goal centers on creating authentic connection: “My plan is to make audio that feels like company everywhere. I want to blend Cincinnati flavor with behind-the-scenes moments and real life ADHD authenticity.”

What Remains Unclear Q102 hasn’t yet detailed the specific format direction. Additionally, how Potter will differentiate her show from previous talent is unclear. Furthermore, her creative contributions to Q102’s programming strategy will unfold over time.

What It Means This hire demonstrates Q102’s commitment to experienced, versatile talent. Consequently, the station gains someone with proven format expertise and market knowledge. Meanwhile, Potter’s emphasis on authenticity could reshape midday radio expectations. Ultimately, this move signals Q102’s confidence in her vision for connecting listeners.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Radio Hall of Fame Announces Nine Legends For Induction This October

John Mamola
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Radio Hall of Fame Announces Nine Legends For Induction This October

The Radio Hall of Fame has selected nine deceased broadcasters for induction. All nine join as part of the 2026 “Legends” class, with the ceremony set for October.

What We Know: The Hall’s 2026 Nominating Committee chose all nine honorees. They include WXRT’s Lin Brehmer, Vee-Jay Records co-founder Vivian Carter, and Boston host Dale Dorman. Executive Gary Krantz, TV personality Wink Martindale, and format pioneer B. Mitchel Reed also made the class. Philadelphia’s Pierre Robert, Latin radio icon Polito Vega, and Midwest Communications founder Duke Wright round out the group.

What They Said: Radio Hall of Fame Co-Chair Kraig Kitchen: “The Radio Hall of Fame is proud to honor this year’s Legends inductees, whose extraordinary careers have helped define the history and enduring impact of radio. From iconic on-air personalities to visionary executives, each has left an indelible mark on our industry and earned their rightful place in the Radio Hall of Fame.”

What Remains Unclear: Exact details how each of the nine inductees will be celebrated remains unclear.

What It Means: This class spans nearly every radio format, from Top 40 to Salsa to progressive rock. Consequently, it underscores radio’s reach across cities, decades, and communities. For listeners, it’s a moment to celebrate voices that shaped daily habits for generations. For the industry, it reaffirms radio’s cultural relevance heading into its next era.

FULL BIOS ON EACH LEGEND OF THE 2026 RADIO HALL OF FAME CLASS, CLICK HERE

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Jason McCourty Added To Monday Night Countdown Following Ryan Clark Departure

John Mamola
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Jason McCourty Added To Monday Night Countdown Following Ryan Clark Departure

Jason McCourty just leveled up. ESPN has promoted him to analyst on Monday Night Countdown, filling the chair Ryan Clark left after ESPN’s latest layoffs.

What We Know: McCourty joins Monday Night Countdown as an analyst starting this September. He’s spent the past two years across ESPN’s top studio shows, including NFL Live, Get Up, First Take and SportsCenter. Before television, McCourty played 13 NFL seasons at cornerback for the Titans, Browns, Patriots and Dolphins after starring at Rutgers. He won Super Bowl LIII with New England before retiring in 2021 and moving into broadcasting.

What They Said: Jason McCourty (via X): “Humbled and honored to join an elite squad! The most important thing to me is everyone watches Devin McCourty on Sunday then watch on Monday to see the better twin.”

What Remains Unclear: ESPN hasn’t whether McCourty will scale back appearances on NFL Live, Get Up or First Take. Additionally, no word yet on who might fill any resulting gaps in ESPN’s daily NFL rotation.

What It Means: McCourty’s elevation is the right choice for ESPN. The network chose to promote from within rather than chase an outside replacement for Clark or shift anyone over from NFL Network with no familiarity with the ESPN audience. That move signals confidence in McCourty’s growth since 2024 and reinforces the network’s deep bench. It also sets up a natural sibling storyline, since twin brother Devin McCourty holds his own broadcasting role. McCourty signed a new multi-year extension in June.

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AI Recording Rules: IFPI Sets New Chart Guidelines

David Hill
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AI Recording Rules: IFPI Sets New Chart Guidelines

IFPI rolled out sweeping new rules for AI-generated music in charts worldwide. Three core criteria now determine what qualifies for inclusion.

What We Know The international recording industry body announced global principles governing generative AI recordings in official music charts. These rules will roll out across IFPI’s chart programs in Latin America, the Middle East, Africa, and Southeast Asia first. Additionally, IFPI is working with 20+ official chart programs globally to adopt these standards. The framework distinguishes between properly licensed AI tools and unauthorized systems trained on artists’ work without permission.

What They Said IFPI CEO Victoria Oakley emphasized the organization’s commitment to safeguarding human creativity. “Official music charts do more than just track sales; they celebrate human artistry and endeavor. When properly licensed and authorized, AI provides exciting opportunities to enhance the creative toolkit. These principles provide a pathway for that innovation, while ensuring we don’t include tracks generated by systems that are ripping off artists and their music,” Oakley stated. Her remarks underscored that technology and human artistry must grow together responsibly.

What Remains Unclear Enforcement mechanisms for these principles across thousands of independent chart compilers remain vague. Furthermore, determining what constitutes “substantially human-made” presents subjective challenges in practice. Also, the music industry hasn’t fully addressed how AI-assisted versus AI-generated labels will influence consumer behavior on streaming platforms. Finally, we need clarity on how regional differences in copyright law will affect implementation globally.

What It Means The music industry finally took decisive action against unauthorized AI training datasets. Consequently, creators get clearer protections when their work appears in official charts. Moreover, consumers now have transparency into how much AI shaped their favorite songs. Ultimately, this framework signals the industry’s determination to harness AI innovation while preserving the value of human artistry.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Lollapalooza 2026 Chicago Flooding Forces Major Schedule Delays

David Hill
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Lollapalooza 2026 Chicago Flooding Forces Major Schedule Delays

Heavy rains swamped Lollapalooza’s Chicago festival grounds this weekend. Sunday’s sunshine couldn’t erase Saturday’s damage.

What We Know organizers delayed doors until 2 PM Saturday due to heavy overnight rainfall. By early afternoon, South Grant Park remained flooded. Crews pumped water continuously as organizers pushed reopening to 3 PM. Meanwhile, most performances scheduled between noon and 3 PM faced cancellation. Festival officials eventually advised attendees to wear waterproof shoes, as muddy conditions persisted throughout the day.

What’s at Stake includes attendee satisfaction and artist visibility. Shortened sets mean less stage time for performers to connect with crowds. Fans paid for a full festival experience despite weather delays. However, organizers did respond by managing logistics and keeping the festival moving. The real question centers on how festivals communicate during crises and maintain attendee confidence when Mother Nature disrupts plans.

What Remains Unclear centers on preventive measures going forward. Did organizers anticipate weather forecasts properly? Will the festival implement improved drainage systems? How will ticketing policies adjust for weather delays?

What It Means signals a broader industry conversation about climate resilience. Major festivals must invest in infrastructure that handles extreme weather. Meanwhile, Sunday proved redemptive—The Chainsmokers, Tate McRae, and The XX headlined a day that started on schedule at 11 AM. Additional artists including Adéla, Jade, Aespa, and Stella Lefty performed under clear skies. Yet one day of sunshine can’t overshadow Saturday’s chaos. Festival organizers face tough questions about preparedness, planning, and protecting attendee investments.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Tee Gentry Retires After 30 Years Beasley Media

David Hill
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Tee Gentry Retires After 30 Years Beasley Media

Tee Gentry has retired from full-time duties after 30 years with Beasley Media Group. The Augusta radio veteran’s final day was July 31st.

What We Know Gentry served as Operations Manager for the Beasley Augusta cluster. Additionally, he was Program Director and on-air talent for Kicks 99 (WKXC-FM). During his tenure, he shaped programming and developed talent across multiple markets. Meanwhile, Chris O’Kelley now serves as interim Program Director while Cody takes afternoon drive duties.

What they said AJ Lurie, Vice President and Market Manager of Beasley Augusta, praised Gentry’s impact extensively. According to Lurie, “Tee Gentry’s commitment to Beasley Media Group, our stations and the communities he has served over the past 30 years has been nothing short of exceptional.” Lurie added that Gentry’s leadership and passion for country radio shaped station success. Furthermore, his dedication to mentoring talent left lasting impact on listeners and staff alike.

What Remains Unclear The company hasn’t announced a permanent Program Director replacement yet. Details about the timeline remain unknown at this point. Additionally, specifics on Gentry’s consulting scope aren’t fully defined. Questions linger about the long-term station direction going forward.

What It Means This move highlights radio’s generational transition underway. Importantly, Beasley’s decision to retain Gentry as consultant shows respect for institutional knowledge. Furthermore, it signals the company values continuity during critical leadership shifts. Ultimately, the industry continues losing veteran talent to retirement waves.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

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