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Was Joe Rogan Too Cool or Too Afraid to Try to Win the Golden Globes’ Best Podcast Award?

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Joe Rogan doesn’t lack confidence, and he made that clear again when he explained why he didn’t apply for the Golden Globe Best Podcast Award.

Rogan said he didn’t need to. In his mind, he already knows he has the best podcast. That belief has been consistent throughout his career, and frankly, it’s part of what helped build The Joe Rogan Experience into the biggest show in the medium.

Still, the explanation invites a deeper look. Did Rogan skip the application because he views the process as a sham, or because he was afraid of what might happen if he didn’t win? Those two motivations aren’t mutually exclusive. They can exist side by side, even for someone operating at Rogan’s level.

On one hand, Rogan pointed to the $500 application fee and the paperwork required. He didn’t like it, and he said so plainly. He’s right to question it. I’m on the record saying the process, as described publicly by Megyn Kelly, is a farce. It feels more like a pay-to-play exercise than a meaningful measure of excellence. If that’s the basis for Rogan’s objection, it’s hard to argue against him.

The podcast industry has spent years trying to distance itself from old media gatekeeping. Charging creators hundreds of dollars just to be considered doesn’t help that cause. It reinforces the idea that prestige is something you buy, not something you earn. From that perspective, Rogan’s refusal makes sense and even feels principled.

But confidence complicates the story. Rogan didn’t just say the process was flawed. He said he didn’t need the award because he already knows he’s the best. That’s where the logic gets shaky. If you’re truly convinced you’re going to win, why not apply and take the trophy anyway? Validation may be overrated, but it’s also human.

Everyone wants recognition, even when they pretend they don’t. Awards exist because acknowledgment still matters. It matters to audiences, peers, advertisers, and platforms. Rogan has already achieved more than most podcasters ever will, but that doesn’t mean external affirmation suddenly stops carrying weight.

There’s also the uncomfortable question of risk. If Rogan applied and didn’t win, he would be forced to confront an idea he’s never had to entertain publicly. Maybe he doesn’t have the best podcast in the eyes of that institution. For someone who speaks often about intellectual honesty, that could be an interesting moment.

Of course, it was always unlikely that Rogan was going to win. The Golden Globes were never going to crown an outsider over a Hollywood favorite. Amy Poehler was the eventual winner, and that outcome felt inevitable from the start. That reality fuels the self-fulfilling prophecy. You won’t win, so you don’t apply. You don’t apply, so you definitely won’t win.

That dynamic lets everyone stay comfortable. Rogan avoids the possibility of losing. The awards body avoids a disruptive winner. Nobody has to test their assumptions. The system stays intact.

Yet if Rogan is as confident in his show as he claims, and he has every reason to be, the smarter move would be to apply and see what happens. The fee is trivial to him. The paperwork is an annoyance, not a barrier. The upside is symbolic, but symbols still matter.

What does he really have to lose?

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NBC Sports Reportedly Close To Signing Clayton Kershaw, Joey Votto, Anthony Rizzo for MLB Coverage

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NBC Sports is reportedly wasting little time signaling its intent as it prepares for a high-profile return to Major League Baseball coverage, and the network appears ready to do so with star power that carries instant credibility both on and off the field.

According to a report by Front Office Sports, NBC is finalizing agreements that would bring Joey Votto, Clayton Kershaw, and Anthony Rizzo into its MLB coverage beginning this season.

MLB and NBCUniversal announced a three-year media rights agreement in November. The deal brings a revamped package of exclusive regular season and Postseason coverage to NBC, the newly launched NBCSN, and Peacock starting this season.

Votto, long regarded as one of the game’s most engaging personalities, emerged as the top target among multiple media companies. During his 17-year career with the Cincinnati Reds, the former National League MVP built a reputation as both an elite hitter and a thoughtful communicator, qualities that have only enhanced his appeal to television executives.

Kershaw, who recently retired after helping the Los Angeles Dodgers secure another World Series title, is reported to contribute in a more limited capacity. Even so, his resume and reputation command respect, and his presence would add gravitas to NBC’s studio coverage during marquee moments of the season and postseason.

Rizzo, meanwhile, has been the most vocal about pursuing a broadcasting career following his playing days. The former New York Yankees standout earned praise for his accessibility and poise while navigating one of the most demanding media markets in professional sports.

Earlier this month, NBC released its broadcast schedule, which runs from March 26 through the end of the regular season. Blending primetime broadcasts, special holiday events, and exclusive Peacock streaming.

The network’s slate includes 27 primetime games, featuring Sunday Night Baseball and marquee holiday matchups on NBC and Peacock, plus 34 afternoon broadcasts. Highlighting the afternoons are 18 MLB Sunday Leadoff games on Peacock, most starting at noon locally. A dedicated whip-around show follows the Leadoff contests to check live action across the league.

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What Bad Bunny and the Super Bowl Halftime Show Teaches Rock Radio About Cume Building

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The Super Bowl is the world’s biggest live experiment of cume vs. core, wrapped around two teams playing football.

Remember when Bad Bunny was announced as the halftime headliner? You’d think the world was going to end for some rock fans and NFL diehards.

I wanted the NFL to book Metallica for the halftime show. That’s the rock and NFL P1 in me. Just like the RockTernative P1 that wants to hear Track 3 on Side D on LP 2 from Metallica’s 1986 live Japanese import.

I’ve studied the NFL for years. Their infrastructure is second to none, and the league is arguably the most lethal marketing and promotion force the world has ever seen.

From the outside looking in, of course it made sense to have Metallica headline the halftime show. They’re local, big with NFL fans, and the biggest rock brand on earth. They sold out that same stadium twice last summer, and the energy would be undeniable.

But if you’re the NFL — where’s the win in that?

This is likely what the NFL was thinking when deciding who to invite for the halftime show: 127 million watched last year. How do we get 150 million this year?

Metallica isn’t bringing new cume to the Super Bowl. Just like RockTernative won’t grow audience by playing another Linkin Park song for people who already bought the album.

The NFL didn’t forget who their core was. They chose Bad Bunny because their core will be there no matter what. They could resurrect Bob Hope, and the diehards would still tune in.

That’s because the core is really the game itself. Everything else — the halftime show, commercials, celebrities in attendance, and all the surrounding hype — is the cume game. Like yard signs for an open house. Bad Bunny brings people in. The game sells the house.

Real-life perspective: one of my daughters, who doesn’t watch or know a thing about football, said to me the other day, “I can’t wait to watch Bad Bunny at the Super Bowl.” That’s what new cume sounds like when it walks into your living room.

But for most brands, growing cume isn’t simple, and it can be a risky tightrope walk. If not done right — tilt too far toward “new cume” — and the core ends up feeling alienated and wants to burn down the building.

We’ve seen legacy brands like Cracker Barrel and Bud Light run toward audience expansion, only to slam it in reverse to stabilize the fallout. You’ve seen RockTernatives make similar mistakes.

Alternative suddenly playing Nickelback. Rock spinning Elton John. Classic Rock experimenting with ’00s — all in the name of trying to bring in new cume. Those strategies only work in small doses, and only when they don’t totally disrupt the loyalists.

And they usually fail without some good old-fashioned marketing.

But Bad Bunny at the Super Bowl is marketing on several levels. It’s also good for business and a savvy cultural move.

  • His performance will be short, and it will bring new viewers without damaging the core, which means healthy ratings and huge spot and sponsorship rates — good business.
  • Culturally, he’s the hottest artist on the planet. The NFL wants to further grow in other countries. Bad Bunny will draw new attention and demand from parts of the world far, far from Santa Clara, CA.

That’s why it was a brilliant decision.

The takeaways for radio are simple:

  • Mr. Bunny is like a crossover track used at the right time. Stations won’t grow cume by overplaying non-core crossovers. A few strategic records might open a few doors, but putting them in your starting lineup can turn your core into refugees.
  • Marketing will grow cume faster than music ever will.
  • The late addition of Green Day to the opening ceremonies is a smart and NFL-predictable local tie-in — just like making sure to play a super core after Creed.
  • The best move is hiring talent that can expand brand reach without damaging the base that really pays the bills.

History shows the most successful RockTernative brands have had talent, shows, promotions, or events that transcend the station’s core music appeal — bringing in external cume without PDs having to force Hot AC or Classic Hits records down the line every 30 minutes.

The NFL is doing it right. Bad Bunny will be growing cume for the league on Super Bowl Sunday.

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Pablo Torre Laments the Latest Layoffs by the Washington Post

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The American media landscape continues to evolve in increasingly unsettled ways. Few recent developments illustrate that reality more clearly than the ongoing changes at The Washington Post. Anticipated layoffs and structural shifts inside the newsroom have sparked renewed concern across the industry, including by The Athletic’s Pablo Torre.

On a recent episode of Pablo Torre Finds Out, longtime journalist and media analyst Pablo Torre addressed the reported elimination of the Post’s standalone sports department and what it represents for journalism at large. Torre framed the issue not simply as a business decision, but as a meaningful loss of institutional accountability within sports media and beyond.

“What you’re losing is another place where people can get accountability,” said Torre. “Where people can get reporting that is ostensibly uncompromised by the incentives that are otherwise crawling over sports media. And that’s the same of it.”

According to Torre, eliminating a major sports desk at the Post removes a vital layer of independent oversight. He said traditional newspaper sports departments historically operated with fewer conflicts of interest. That independence allowed reporters to scrutinize leagues, owners, and power brokers. He added modern digital platforms face greater commercial pressures that can influence coverage.

In his view, losing that space narrows the avenues through which fans and readers can access reporting that challenges entrenched interests.

“What I mourn is the loss of another newsroom that had infrastructure and collective experience and expertise. That no longer is being funded,” said Torre. “What can we mourn here as a matter of how f***ed it is. There are these administrations now with the CEOs included for whom, they’re not standing up for the thing that their institution that they’re trying to save was most distinguished by. Which is to say the quality and the necessity of the journalism.”

As newsroom staffs are reduced, so too is the ability to produce deeply sourced reporting that serves the public interest. That dynamic, Torre argued, has been compounded by leadership decisions that increasingly prioritize appeasing powerful political and corporate figures. He suggested that media companies are now more willing to make editorial compromises in pursuit of stability, access or favorable treatment, even if it undermines the very values that once distinguished their journalism.

“It’s bad. When you lose these players. You have people who are running the companies making compromises to favor administrations that are looking for more favorable coverage. Which brings in Bari Weiss as a character, which brings in the Ellisons… There are no checks on those transactions anymore,” said Torre.

The Washington Post’s situation reflects a broader reckoning for legacy outlets balancing financial sustainability and editorial independence. Executives continue searching for long-term survival models. Critics argue repeated cuts risk hollowing out a product readers once trusted.

For sports journalism in particular, the loss of a major newsroom presence signals a shift toward aggregation, opinion and personality-driven content at the expense of investigative depth. According to Puck, the paper is planning to cut up to 300 employees, focusing on sections like sports that haven’t seen enough demand.

The paper still plans to send a small team of reporters to cover the Olympic Games, according to the New York Times. However, there is still panic over the possibility that the paper’s sports desk could be eliminated.

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Joe Rogan: I Didn’t Win Golden Globes Best Podcast Award Because ‘I Didn’t Submit’ Nomination Process

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Amy Poehler took home the Best Podcast Award at the Golden Globes earlier this year. Many questioned why The Joe Rogan Experience didn’t take home the award. We now know why.

On a recent episode of The Joe Rogan Experience, the popular podcaster shared that he never even went through the nomination process to win the award.

“So here’s the thing: A lot of people say, ‘Why wasn’t Joe Rogan nominated for the Golden Globes? Why did Amy Poehler win?’ I didn’t submit,” Rogan said. “So they asked me to submit to be nominated for the Golden Globes. You had to pay $500. And the $500 is like for paperwork or whatever. I said no.”

Rogan continued by noting that winning a Golden Globe wouldn’t have been any more validation than what he already receives from his audience.

“I already won. You can’t tell me I didn’t win. I’ve been number one for six years in a row,” said Rogan. “All of a sudden, you’re going to have a contest in front of all these people wearing tuxedos. And you’re going to say now I’m not number one? (Expletive) off. I don’t care that I’m number one. But I am, in fact, number one.”

Rogan’s comments echo those of Megyn Kelly, who also previously announced that she did not go through the nomination process. Kelly argued that she found the process to be farcical, and did not wish to participate in the “dog and pony show” of the process.

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CNN Launching Original Series Hosted by Kara Swisher

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CNN has announced a new project with Kara Swisher, premiering later this spring as part of the CNN Original Series suite.

Kara Swisher Wants to Live Forever will investigate the rise of anti-aging products and services and will attempt to separate the science from the myths when it comes to how to live longer.

“For too long, the longevity space has been captive of the rich tech bros, jacked dude influencers, nonsense sellers of useless supplements, and some lady who sells candles that are named after her private parts (sorry, Gwyneth, but you started it!),” said Swisher.

“Well, after enduring endless conversations over the years about how to live forever, I want in, except I am going to show the way for the rest of us, and it will be grounded in science and facts about the best and most affordable ways to stay healthy, happy and smart,” Swisher continued. “Also, I took ketamine, so you don’t have to.”

CNN described Kara Swisher as “both reporter and test subject” as she investigates “the unconventional emerging technologies shaping how long and how well we may live.” 

“This series is driven by Kara’s relentless curiosity, razor-sharp analysis, and singular access,” said Amy Entelis, executive vice president of talent, CNN Originals and creative development for CNN Worldwide. “With clear-eyed, thought-provoking storytelling, Kara takes viewers behind the curtain to examine the science, money and influence shaping the race to live longer.”

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CBS News Plots First ‘Things That Matter’ Town Hall With Wes Moore

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Late last year, CBS News announced plans for a series of town hall events in 2026 with a diverse group of subjects. It has now planned the first event in the series.

On Sunday, February 15th at 8 PM ET, the network will feature the first edition of the Things That Matter town hall series with Gov. Wes Moore (D-MD). The broadcast will directly follow that evening’s episode of 60 Minutes.

In addition to being available on CBS and Paramount+, the special broadcast will also be presented later on CBSNews.com and on the CBS News 24/7 streaming platform.

Norah O’Donnell will lead the discussion for CBS News.

The town hall will be recorded in front of a studio audience in Maryland. The network says the audience will be made up of “local residents across the political spectrum sharing their questions with Gov. Moore on topics spanning cost of living, public safety, education, and more.”

Furthermore, CBS News added that it will soon be announcing dates for similar projects including Vice President JD Vance and OpenAI CEO Sam Altman.

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Elle Duncan: Plan Was in Place if Alex Honnold Fell to His Death on Netflix’ Skyscraper Live

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Elle Duncan offered a candid look behind one of the most emotionally taxing live broadcasts of her career, revealing the extraordinary preparation and personal stakes surrounding Netflix’s Skyscraper Live, which featured famed climber Alex Honnold ascending Taipei 101 without ropes.

During an appearance on The Dan Le Batard Show, Duncan described the event as unlike anything she had previously experienced on air, largely because the consequences were not theoretical.

“It’s not like anything I’ve ever done, ever,” said Duncan. “It was the first time that I was obviously covering something where there were real implications of death, like true ones.”

While live television often carries reputational risk, this assignment involved something far more sobering. She explained that moments before the broadcast, a producer described contingency plans if Honnold fell to his death on Netflix.

“It was the first time that someone five minutes poor broadcast, handed me a card that was like, ‘if this person falls off the building, here’s what you’re going to say, and then we’re going to get off air,'” she explained.

The gravity of that preparation stayed with Duncan throughout the climb. Unlike most sports coverage, there was no margin for error, no replay to soften the outcome. Every movement carried irreversible consequences, and Duncan said the reality of that danger fundamentally changed how she approached her role as host. The assignment required composure under circumstances where emotion could not be fully compartmentalized.

That challenge was heightened by the personal relationship Duncan had built with Honnold before the cameras ever rolled.

“I had built a rapport with Alex. I went out to his home. hung out with him and his wife. I played on the kitchen floor with his little daughters. I had built an affection for him,” explained Duncan. “We all knew he was in firm control of this. But anything can happen.”

The physical environment only amplified the tension. Broadcasting live from Taiwan introduced variables completely outside anyone’s control. Duncan cited concerns ranging from weather conditions which delayed the broadcast one day to the possibility of earthquakes. All of which contributed to an elevated sense of anxiety that never subsided.

“There was just a lot of anxiety. I think for me, when I went back and watched it, I was like, Oh man, I started out at a 10, and then I just stayed at a 10, like the entire the entire time,” Duncan said.

Skyscraper Live, which aired on Netflix, ultimately concluded without incident, as Honnold completed his climb of Taipei 101 safely. According to Netflix’s internalrankings for the week of January 19, Skyscraper Live finished as the platform’s third most-watched television program. The placement stands out amid heavy competition from scripted series, returning franchises, and global releases vying for viewer attention.

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105.1 The Fan Partners With Portland Timbers as New Radio Flagship

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105.1 The Fan has added another significant local property to its lineup, securing a new flagship radio partnership with the Portland Timbers that further strengthens Audacy’s footprint in the Pacific Northwest sports market.

Under the agreement, Timbers matches will air across the FAN Sports Network throughout the season. Broadcasts will be available on 105.1 FM and 1080 AM. Many matches will be simulcast on both stations. Select games will air exclusively on one signal, creating appointment listening across the network.

Local fans will also be able to stream matches through the Audacy app within the Portland area, extending access beyond traditional radio.

The partnership begins just ahead of the Timbers’ 2026 season opener on February 21 against the Columbus Crew, positioning The Fan as the club’s primary audio home as the new campaign gets underway.

“We’re extremely excited to partner with the Portland Timbers. As we continue delivering the best local sports content and growing the FAN Sports Network,” said Ryan Cooley, Senior Vice President and Market Manager, Audacy Portland. “Together, we’re committed to delivering high-quality coverage and meaningful access for fans. So The Fan becoming the radio home of the Portland Timbers was a natural fit. We look forward to working closely with the club to enhance the matchday and season-long experience.”

From the club’s perspective, the move marks an important shift in reach and visibility. Portland Timbers CEO Heather Davis said establishing a flagship FM radio presence creates new opportunities to connect with fans across the region.

“This new partnership brings fresh energy and excitement to how fans will follow the club on match days and throughout the week,” said Davis. 

Beyond live match broadcasts, 105.1 The Fan is launching a new weekly show dedicated exclusively to the club. Timbers FAN will debut February 10 and air Tuesdays from 7 to 8 p.m. PT. The program will feature Apple TV MLS lead play-by-play announcer Jake Zivin alongside

The Fan midday host Patrick Harris. The show will feature interviews with players and coaches. It will also include coverage of both the first team and the Timbers T2 squad.

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Amy Jacobson Returns to AM 560 The Answer Alongside Jeanne Ives for New Midday Show

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Amy Jacobson is back at AM 560 The Answer in Chicago, partnering with Jeanne Ives for a new midday show.

The Real Story, which Ives has hosted on Sunday evenings from 7-9 PM in a solo capacity, will now be added to the weekday lineup at the Salem Media Group Chicago news/talk station. It will air in the 11 AM to Noon window, beginning on Monday, February 2nd.

Previously, Amy Jacobson worked as the morning co-host alongside Dan Proft on The Morning Answer for the station. However, she exited last year as part of budget cuts.

“I am thrilled to be returning home to AM 560 The Answer,” said Amy Jacobson. “Jeanne and I will be part of the strongest conservative line-up in Chicago radio! As many of you know, life takes some unexpected turns, but when you love what you do, the signal always finds its way back.”

“I am thankful and excited to be a part of the Salem family,” added Jeanne Ives. “Information is power and Amy and I want to bring the Real Story on policy along with informed commentary from years of experience knowing the players and politicians to our listeners. We want listeners to be informed, so they can hold the politicians accountable.”

Ives is no stranger to AM 560 The Answer listeners. She has hosted the program since 2023.

“This outstanding team adds two powerful, local conservative voices to our AM 560 lineup,” said Regional Vice President and General Manager John Gallagher. “Bringing Amy Jacobson back to the station fills a huge void for our audience. She has been relentless in her quest for the truth, and she gets answers that our listeners need to hear. Jeanne Ives is one of the most politically connected people in the state of Illinois. She brings a wealth of knowledge regarding so many issues that affect everyone within our listening area. I am looking forward to the in-depth conversation and new perspective this team will offer.”

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