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Barrett Media Introduces ‘The 4Cast’

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The debut edition of The 4Cast is now LIVE on YouTube. The show can also be accessed in its entirety on Facebook and X. Clips from the show will start hitting all Barrett Media social platforms later this afternoon.

The new digital show is designed to tackle four weekly industry topics in twenty five minutes or less. Four hosts are involved in each episode with Sports Editor John Mamola and News Editor Garrett Searight regularly featured. For the debut episode, Barrett Media founder and CEO Jason Barrett joins the mix along with Barrett Media Music Writer Mike Gunz.

Among the topics covered on the first episode are Bari Weiss’ vision for CBS News, if CBS Should move on from Tony Romo, the out of control situation with ticket prices to attend concerts and sporting events, and reaction to Barrett Media’s Top 20 Sports Digital Shows of 2025.

Next week’s show will involve Barrett Media Music Writer Keith Cunningham. John Mamola will be in San Francisco covering the latest happenings on media row, and will be leading the charge to involve a fourth contributor from inside the industry. Those interested can reach him by email at John@BarrettMedia.com. Guests are welcome from sports media, news media, and the music radio industry.

To stay updated on future episodes, subscribe to Barrett Media’s YouTube page. The program will add an audio version later but we are starting first with a focus on the video product. If you get a chance to watch, please share your feedback. We’re always interested in ways to make things better.

Still to Come

Additional video projects are planned this year for the brand. The Jason Barrett Podcast returns on March 2, 2026. Barrett Media members will also be providing commentaries on timely news courtesy of a new video feature called Quick Takes. Those will start after this year’s Super Bowl.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

ESPN Announces ‘The Handoff’ Event Kicking Off Super Bowl Ramp Up For The Network

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ESPN will officially close the book on the 2025–26 NFL season and immediately pivot toward its next era of Super Bowl coverage with The Handoff, a one-time, 24-hour, multi-platform programming initiative debuting Sunday, February 8, following Super Bowl LX.

The event is designed as a symbolic and logistical transition from Super Bowl LX in Santa Clara to Super Bowl LXI, which will be played February 14, 2027, and marks the first Super Bowl carried by ESPN.

Powered by the network’s top personalities and amplified across ESPN, ABC and Disney platforms, The Handoff will feature live studio shows, exclusive reveals and original storytelling from multiple Southern California locations.

The initiative begins Sunday night following the conclusion of NFL PrimeTime at Levi’s Stadium. In a ceremonial moment linking ESPN’s past to its future, longtime NFL voice Chris Berman will “hand off” coverage to Scott Van Pelt, who will anchor the opening moments of the event from SoFi Stadium and Hollywood Park, the site of Super Bowl LXI.

Van Pelt will then host his signature late-night edition of SportsCenter, delivering extended highlights and reaction from Super Bowl LX between the Patriots and Seahawks, while also teasing ESPN’s roadmap to its upcoming Super Bowl debut.

Later that night, Super Bowl Live, hosted by Laura Rutledge, will air from SoFi Stadium, continuing the network’s comprehensive recap of the championship game and examining emerging NFL storylines heading into the offseason.

Programming continues Monday, February 9, with ESPN studio shows broadcasting from Disneyland Park and other locations across Southern California. With a live set in Town Square at the foot of Main Street, U.S.A., First Take with Stephen A. Smith, multiple editions of SportsCenter, NFL Live and a second episode of Super Bowl Live will originate from inside the park.

ESPN will also honor a player from the Super Bowl LX championship team during the day’s coverage.

The Handoff extends beyond ESPN’s core platforms through coordinated ABC and Disney integrations. Good Morning America will originate portions of its Monday broadcast from Levi’s Stadium, while a player interview from the Super Bowl LX championship team is scheduled to air Tuesday.

World News Tonight with David Muir will also feature content tied to the initiative during its Monday broadcast, further reinforcing the network-wide approach.

The daylong event will span the entire West Coast programming slate, beginning with Get Up from ESPN’s Los Angeles studios and concluding with Jimmy Kimmel Live! from Hollywood.

ESPN executives view The Handoff as both a celebration and a strategic reset, offering a clear bridge from one NFL season to the next while previewing the scale and ambition of the company’s upcoming Super Bowl coverage.

The initiative also serves as as a prelude to ESPN and Disney’s full Super Bowl initiative to leverage their full portfolio of platforms when the network officially joins the Super Bowl rotation in 2027.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

iHeartMedia Teams Jemele Hill, Cari Champion for ‘Flagrant and Funny’ Podcast

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iHeartMedia continues to expand its investment in women’s sports storytelling with the launch of a new podcast anchored by two of the most recognizable voices in sports media. Through its iHeartMedia Women’s Sports platform, the company announced Flagrant and Funny, a new original podcast hosted by longtime friends and broadcast veterans Cari Champion and Jemele Hill.

The series is the latest addition to iHeartMedia’s Women’s Sports, the first audio platform dedicated exclusively to women’s athletics and culture. By pairing Champion and Hill, iHeartMedia is betting on chemistry, credibility, and conversations beyond box scores and highlights

Flagrant and Funny is designed to sit at the intersection of sports, culture, and commentary. It offers candid discussions that blend sharp analysis with humor. Champion and Hill address trending stories across women’s sports. They weigh in on controversial moments. The hosts also share personal observations that feel more like a living-room conversation than a studio monologue.

While the tone is playful, iHeartMedia stated the substance remains rooted in experience earned through decades inside major media institutions.

Champion enters the project with a resume that spans hosting, reporting, and advocacy. After rising through the ranks at ESPN, she carved out a distinctive voice through projects like The Cari Champion Show on Amazon. She has also made high-profile appearances on CNN, including the network’s recent New Year’s Eve coverage. Beyond the microphone, Champion has emphasized mentorship and representation. Through her Brown Girls Dream foundation, she supports women of color pursuing careers in media.

Hill brings a similarly expansive background, shaped by years of reporting and commentary at ESPN. She served as a SportsCenter anchor, national columnist, and co-host of His & Hers. An Emmy Award winner and co-founder of Lodge Freeway Media, Hill has also built a strong presence in podcasting and publishing. Her 2022 memoir, UPHILL, added another layer to a career defined by candid storytelling and cultural insight.

In 2018, the National Association of Black Journalists named her Journalist of the Year, recognizing her influence both within and beyond sports.

According to iHeartMedia, the podcast aims to welcome listeners who may not identify as traditional sports fans. It targets audiences who still value informed and entertaining conversation. That approach aligns with the broader mission of iHeart Women’s Sports. The platform seeks to grow audiences by rethinking how women’s sports stories are told and who tells them.

Flagrant and Funny debuts Wednesday, January 28, and will be available on the iHeartRadio app and all major podcast platforms. New episodes will be released three times per week, airing Mondays, Wednesdays, and Fridays.

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Washington Nationals Name Dan Kolko New Television Play-By-Play Announcer

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The Washington Nationals are preparing for a significant broadcast transition, as the organization has selected longtime MASN on-air personality Dan Kolko as its next television play-by-play announcer, replacing the recently retired Bob Carpenter in the booth.

According to a report by The Washington Times, the Nationals have yet to formally confirm their broadcast team for the upcoming season. However, Kolko’s promotion signals a shift toward continuity and internal development as the franchise reshapes its media presence during a period of operational change.

Kolko has been a familiar face to Nationals fans for more than a decade, having joined MASN coverage in 2012 and spending years as the club’s primary dugout reporter, while also contributing pregame, postgame, and in-game analysis across platforms.

As Carpenter gradually scaled back his workload during the 2025 season, Kolko received opportunities to call select television games, which offered viewers an extended audition and gave the organization a chance to evaluate his comfort with the rhythm and responsibility of play-by-play duties.

The 2026 season represents a historic reset for Nationals television coverage, marking the first year since the franchise relocated to Washington in 2005 that Carpenter will not serve as the voice of the club. Equally notable, the season ushers in a new distribution model following the conclusion of the Nationals’ long-standing relationship with MASN, which had carried the team’s games since its arrival in the District.

Earlier this month, the Nationals announced that all local broadcasts would move to Nationals.TV, a new platform produced in partnership with Major League Baseball, aligning the organization with the league’s expanding direct-to-consumer strategy. Under the new arrangement, every regular-season game will stream digitally through MLB’s platform, while also airing on cable and satellite television throughout the Washington market, although specific channel placements and provider details remain unannounced.

The team confirmed that subscription options for Nationals.TV will become available through MLB’s website and app beginning in February, offering fans a standalone alternative as traditional regional sports networks continue to contract.

Washington becomes the seventh MLB club to transition local rights to league control, a number that has risen rapidly as financial pressures mount across the RSN landscape, including the recent collapse of multiple deals involving the FanDuel Sports Network.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Bill O’Reilly After Recent Health Scare: ‘I’ll Be Here As Long As I Can’

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Bill O’Reilly recently took time away from his show to deal with an unspecified medical issue pertaining to internal bleeding. He shared upon his return that he’s going to continue working as long as he can.

During an episode of his No Spin News, Bill O’Reilly addressed the situation, and shared why he made the announcement in the first place.

“I had to say it because I don’t have a substitute anchor,” said O’Reilly. “I’m the product. If I disappear for a week, you’ve got to know why. I wasn’t looking for sympathy. I’m going out on my shield. I’ll be here as long as I can be here. I’m not whining. This is life.”

O’Reilly concluded by stating that he’s only going continue calling out those he disagrees with and those he believes are lying to the public.

“We’re here, and we’re going to carry on as long as we can. I’m not going to sugarcoat anything,” he said. “I’ll tell you the truth about it. In fact, I’m going to up it. I’ve had it. These dishonest press people and these politicians who are hurting you — I’m naming them. I’m calling them out. That’s what we’re going to do here. So I’m going to get a little rougher.”

O’Reilly has been hosting and producing his No Spin News show since his 2017 high-profile exit from Fox News. Additionally, he is regularly seen on NewsNation’s primetime show Cuomo alongside Chris Cuomo and Stephen A. Smith.

He also recently ended his nightly radio show on 77 WABC in New York. That station inserted Joe Concha into the 9-10 PM ET timeslot previously occupied by O’Reilly.

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FOX Sports Averages 46.1 Million Viewers for NFC Championship Game

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FOX Sports delivered another massive audience on Sunday as the NFC Championship Game between the Seattle Seahawks and Los Angeles Rams drew 46.087 million viewers, according to Nielsen Media Research, reinforcing the network’s ability to turn marquee NFL windows into dominant television events.

The NFC West rivalry rematch determined the conference’s Super Bowl representative and posted a 4% year-over-year increase. The NFC Championship Game on FOX averaged 44.153 million viewers. The growth is notable as maintaining annual gains has become increasingly difficult for live sports telecasts.

FOX Sports reported that the game reached its peak audience between 9:30 and 9:45 p.m. ET, when viewership climbed to 49.69 million viewers.

While regular-season NFL audiences have experienced fluctuations in recent years, postseason games featuring rivalries continue to attract broad, cross-demographic appeal. FOX benefited as the Seahawks and Rams brought familiarity, regional intensity, and national relevance into the matchup.

Earlier in the day, CBS Sports presentation of the AFC title game between the Patriots and Broncos was the postseason’s most-watched game on any network. It averaged 48.618 million viewers. The total represented a 10% increase over last year’s comparable early championship window for the network.

From an industry perspective, the viewership stands out because it arrived without the benefit of novelty. Conference championship games are established television properties, leaving little room for growth unless the matchup, timing, or broader NFL momentum aligns perfectly.

Sunday’s audience suggests that the league’s postseason remains resilient, even as other entertainment categories struggle to hold viewers’ attention. Super Bowl LX will be broadcast on NBC Sports on Sunday February 8.

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CBS Evening News Sees 16% Ratings Increase During 3rd Week of Tony Dokoupil Era

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The week of January 19th saw a large week-over-week increase for CBS Evening News with Tony Dokoupil.

During the week, the broadcast averaged 4.9 million total viewers. That figure represents a 16% increase compared to the previous week, when it averaged 4.2 million. Much of the growth was propelled by a strong audience on Monday, January 19th, when 6.4 million viewers tuned into CBS Evening News.

The CBS News broadcast saw similar growth in the key Adults 25-54 demographic during the week. It rose 15.5%, averaging 675,000 viewers from that sector during the week.

Despite the large week-over-week uptick, CBS Evening News still finished a distant third behind NBC Nightly News with Tom Llamas and World News Tonight with David Muir.

For the week of January 19th, the Muir-led broadcast averaged 9 million total viewers. That figure was lifted by an audience of 11 million viewers on Monday evening, the single largest performance since April 29th, 2020. The 9 million viewer tally represented a 10% increase compared to the prior week. The ABC News broadcast also featured 1.1 million viewers from the key demographic.

NBC Nightly News, meanwhile, saw the most modest growth during the week, seeing its average audience rise 2.5% to 6.9 million viewers during the week. It finished the week with 1 million viewers from the Adults 25-54 demographic.

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CBS Sports AFC Championship Game Broadcast Averages 48.6 Million Viewers

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CBS Sports closed the NFL season with historic momentum, delivering record-breaking viewership that reinforced the network’s position as a dominant force in professional football coverage.

From the regular season through the postseason, CBS not only set internal benchmarks but also produced the two most-watched NFL games across all networks this year, culminating in a massive audience for the AFC Championship Game.

The AFC title game between the Patriots and Broncos was the postseason’s most-watched game on any network. It averaged 48.618 million viewers. The total represented a 10% increase over last year’s comparable early championship window. The growth underscores sustained audience interest despite increasingly fragmented viewing habits.

Interest peaked as the game reached its conclusion, when nearly 58 million viewers tuned in.

That performance joined another CBS showcase atop the season’s viewership rankings. The Thanksgiving Day matchup between the Kansas City Chiefs and Dallas Cowboys averaged 57.231 million viewers, making it the most-watched NFL game of the entire season.

Together, the Thanksgiving contest and the AFC Championship accounted for the two largest audiences for any NFL broadcast this year, regardless of network or window.

Those standout games reflected a broader trend of success for the NFL ON CBS brand. Across the regular season and postseason, CBS Sports averaged 23.094 million viewers per game. It marked the most-watched NFL season in the network’s history. The milestone reflects strong game inventory and consistent audience engagement. Viewership remained steady from early-season matchups through the league’s biggest games.

CBS’ national NFL windows proved especially powerful. The network aired 14 national games, including 10 Sunday national broadcasts, its annual Thanksgiving game and three postseason contests. Collectively, those games averaged 31.374 million viewers, the best average ever recorded for CBS in national NFL windows.

Streaming also played a significant role in the network’s success. Paramount+ delivered its most-streamed NFL season ever. The performance expanded CBS’ reach beyond traditional television. It also captured audiences seeking flexibility in how and where they watch live sports.

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Mike Greenberg: Earned My “Masters” in Broadcasting at 670 The Score With Terry Boers, Dan McNeil

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Mike Greenberg’s broadcasting career has taken him from Chicago radio studios to the center chair of ESPN’s Get Up, but some of the most formative lessons of his professional life were learned long before the national spotlight.

During a recent appearance on Chicago sports radio station 104.3 The Score, Greenberg reflected on the influence of legendary host Terry Boers, who passed away on Friday, and the lasting impact Boers had on his development. Greenberg joined The Score during its early years, arriving as a young broadcaster surrounded by established voices who already commanded enormous respect in the Chicago market.

“Guys like Terry Boers, Mike North, Dan Jiggetts, Tom Schaer and Dan McNeil. Those guys were like gods to me,” explained Greenberg during the station’s celebration of life broadcast in Boers’ memory. “They were the sun, and we orbited around them. Everything that I know about broadcasting, I started learning there.”

From his perspective at the time, the station’s lineup felt untouchable, filled with personalities he viewed less as colleagues and more as institutions. While Greenberg consumed every show on the station, his education became especially concentrated during his time working on the afternoon program hosted by Dan McNeil and Boers. The experience served as a practical graduate program in broadcasting, offering daily lessons that extended far beyond basic mechanics.

“I got my masters in broadcasting at The Score. Primarily working on the Heavy Fuel Crew show,” said Greenberg. “Dan McNeil was as good at the fundamentals of radio as anyone I’ve ever heard. I learned how to do what I’ve done on the radio for my whole career from Dan and because of the overwhelming magnitude of Terry Boers personality.”

According to Greenberg, Boers’ influence went well beyond on-air performance. What stood out most was Boers’ rare ability to blend intelligence and humor in a way that felt effortless. Greenberg described him as the funniest person he had ever known, noting that the humor wasn’t rooted in shock or silliness, but rather in sharp thinking and quick insight.

“I realized that his [Boers] wit was based primarily in his extraordinary intelligence. Some humor is kind of dumb humor, but his humor was incredibly smart,” noted Greenberg.

Equally important was Boers’ demeanor in the workplace. Despite his stature, Greenberg recalled him as approachable, good-natured, and easy to work with, traits that made learning from him feel natural rather than intimidating. Boers’ professionalism, combined with his personality, created an environment where young broadcasters could grow simply by being around him.

“I learned as much from working for, working with, and being around Terry Boers. Honestly, as I have from anyone in my entire career,” said Greenberg.

Looking back, Greenberg said the time spent working with Boers remains among the most valuable of his career. The lessons were not delivered formally, but absorbed through observation, collaboration, and shared moments both on and off the air. Decades later, those experiences continue to shape Greenberg’s approach to broadcasting, serving as a reminder of the profound influence a single mentor can have.

As tributes to Boers continue across Chicago and beyond, Greenberg’s reflections underscore why his legacy extends far beyond ratings or headlines.

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Netflix ‘Skyscraper Live’ Reaches 6.2 Million Views

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Netflix’s move into appointment-based live programming received a meaningful test with Skyscraper Live, and early data suggests the risk paid off. An unexpected weather delay forced a one-day postponement. Despite that setback, the live special generated 6.2 million views across Saturday and Sunday. The performance ranked it among Netflix’s most-watched offerings of the week.

According to Netflix’s internal rankings for the week of January 19, Skyscraper Live finished as the platform’s third most-watched television program. The placement stands out amid heavy competition from scripted series, returning franchises, and global releases vying for viewer attention

The performance highlights Netflix’s ability to mobilize its audience around a live event, even when scheduling adjustments are required.

Only two titles finished ahead of the live special during the week. His & Hers retained the top spot for a third consecutive week, adding 17.2 million views, while Agatha Christie’s Seven Dials secured second place with 8.7 million views.

Still, Skyscraper Live outpaced several established titles, including scripted dramas and long-running franchises, reinforcing its standing as a strong draw in Netflix’s lineup.

The live event also held off competition from Finding Her Edge, a figure skating teen drama that finished fourth with 5.5 million views. Stranger Things Season 5 rounded out the Top 5 with 3.7 million views, marking its ninth straight week on Netflix’s Top 10 English-language chart.

From a programming perspective, the result offers further validation of Netflix’s expanding live-event strategy. While the company has experimented with live comedy, reality finales, and sports-adjacent programming, Skyscraper Live demonstrated that large-scale, real-time events can still cut through in a streaming environment dominated by binge viewing and time-shifted consumption.

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