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Audacy Flips The New 96.5 to Country as US 96.5 in Philadelphia

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The New 96.5 is making another format change in Philadelphia. US 96.5 has debuted as the station’s new country brand, Barrett Media has confirmed.

What We Know: WTDY-FM will adopt the US 96.5 identity, joining Audacy’s country brands US 99 in Chicago and US 101 in Chattanooga. The Class B station operates with 9,600 watts of power and has shifted between Hot AC and CHR formats in recent years. In 2018, the station adopted the 96.5 TDY branding before returning to Hot AC as The New 96.5 in 2023. Now, the latest change will move the station into country music, putting it in direct competition with Beasley Media Group’s 92.5 XTU. The first song on US 96.5 as a country brand was “I Had Some Help” by Morgan Wallen and Post Malone.

What The Numbers Show: The New 96.5 posted a 2.0 share in the most recent 6+ ratings period. Meanwhile, 92.5 XTU delivered a 4.7 share, giving the established country station a significant lead heading into the format competition. XTU’s performance provides a benchmark for US 96.5 as it launches its new identity.

What’s At Stake: The move gives Audacy another opportunity to establish a stronger position in Philadelphia’s competitive radio market. However, US 96.5 will need to attract country listeners who already have an established option in 92.5 XTU. The station’s previous format changes also mean it must build a clear identity with listeners.

What It Means: Audacy is betting that country music can deliver a stronger position for WTDY-FM than its recent Hot AC and CHR iterations. The launch also creates a direct format rivalry with Beasley’s established country outlet. US 96.5’s early ratings performance will help determine whether the change can close the gap with XTU.

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Jon Rothstein Joining 247Sports in Expansion of Written Content for CBS Sports

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Jon Rothstein is taking his written college basketball coverage to 247Sports. The CBS Sports insider announced the expansion via social media.

What We Know: Rothstein has covered men’s college basketball for CBS Sports since 2010. In addition, he serves as a studio analyst and sideline reporter for the network. Now, the daily editorial content he produces for CBS Sports will appear on 247Sports. Notably, CBS acquired 247Sports in 2015, so the move keeps Rothstein in the family.

What They Said: Jon Rothstein (via X): “CBS Sports has forever been the best place for college basketball content and I’m thrilled to be expanding my role across the CBS Sports family. All of the editorial content that I’ve been churning out on a daily basis can now be found on 247Sports for some of the most dedicated and passionate fans in college sports. As always, you’ll catch me on-air across all of the CBS Sports platforms during our studio shows and on games as a sideline reporter as well as on INSIDE COLLEGE BASKETBALL NOW multiple times per week. This is ONLY October!”

What Remains Unclear: It is unclear how the change affects his FanDuel role with college basketball written content. Also, how the shift to 247Sports also reflects in his exact assignments for CBS Sports and basketball coverage remains unknown.

What It Means: Ultimately, the move gives 247Sports a marquee college basketball voice before tip-off. Meanwhile, Rothstein keeps his full on-air workload across CBS Sports platforms. As a result, CBS consolidates a top insider’s work under its own banner. Moreover, fans now have one clear destination for his daily analysis.

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Christiane Amanpour Leaving CNN Next Year

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Christiane Amanpour will leave CNN in June 2027 after decades with the network. Her departure comes as her PBS interview program prepares to end in December.

What We Know: Amanpour will sign off from CNN International in June 2027, concluding a tenure that spans two stints at the network. She first joined CNN in 1983 and remained there until 2010, when she departed for ABC News. However, she returned to CNN in 2012 and has hosted a nightly interview program on CNN International ever since.

Meanwhile, her PBS program, Amanpour & Company, will end in December. Her departure marks the end of a decades-long relationship with the network, where she established herself as one of its most recognizable international journalists.

What They Said: “After many months of thought and a few sleepless nights, I have decided to separate from CNN, my partner of 43 fantastic years!” -Christiane Amanpour

“Christiane has thought carefully about this decision, and she and I have been discussing it for some months. Like so many CNNers who will hear the news today, I’m very sorry to see her go, but I’ve come to accept that this is the right time for her, both personally and professionally.” -CNN Chairman/Editor-in-Chief Mark Thompson

What Remains Unclear: CNN hasn’t announced plans for Amanpour’s replacement or outlined how her departure will affect its nightly interview programming. Additionally, details about the future of her international reporting and other professional projects remain unclear following her exit from the network.

What It Means: Amanpour’s departure will close a significant chapter in CNN’s international news coverage. Her work has helped define the network’s reporting on global affairs for decades. Furthermore, the December conclusion of Amanpour & Company means viewers will lose another platform for her interviews with prominent newsmakers. CNN now faces questions about how it will maintain its international interview presence after her exit.

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NBA Adds New Features, AI For Tap To Watch Tool On NBA App

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The NBA is widening its Tap to Watch program for the 2026-27 season. Additionally, the league unveiled new app features built around live data, AI and creators.

What We Know: First, Tap to Watch links will now appear on every TikTok post mentioning #NBA. They will also show up on content from hundreds of creators with access to game highlights. Beyond social, the links also route fans to national, local, international and League Pass telecasts. Meanwhile, a new NBA Gametime experience on X pairs where-to-watch info with live scores and highlights.

What They Said: NBA Head of Direct to Consumer Products, Technology & Operations Chris Benyarko: “The breadth of our digital ecosystem allows us to connect with NBA fans in more ways than ever before. This season, we’re bringing together new experiences, deeper basketball insights and fresh perspectives from creators, while making it easier for fans to discover, follow and watch live games across the platforms they use every day. Together, these enhancements are designed to bring fans closer to the game and create a richer, more engaging experience throughout the season.”

What Remains Unclear: While nothing here will address the switching from streaming service to another for NBA regular season games, it does provide additional entry points for fans. It’s also unclear if the NBA will expand into anything with Meta or Instagram.

What It Means: Ultimately, the NBA wants to shorten the path from a highlight to a live broadcast. To that end, Game Pulse blends live court visuals, highlights and advanced stats in one app experience. Similarly, AskNBA lets fans query official NBA data through an AI assistant. For broadcast partners, the bet is that easier discovery drives more tune-in.

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The Bret Mega Show Launches in Morning Drive on Star 94

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The Bret Mega Show is launching on Star 94 in Atlanta as Bret Mega and Anna “AB” Bohlman relocate to Georgia. The move shifts the morning show from St. Louis as Audacy sells Y98 to Hoffmann Media Group.

What We Know: Mega and Bohlman will host The Bret Mega Show on Star 94, bringing the program to Atlanta’s morning radio market. The show previously aired on Y98 in St. Louis, where Audacy is selling the station to Hoffmann Media Group. Meanwhile, the program also airs on 99.7 The Point in Kansas City and 105.3 The Buzz in Wichita, where it runs from 2-6 PM. Previously, the show announced that Kevin Berghoff and Hannah Gibbs would remain in St. Louis following the relocation. However, promotional materials announcing the Atlanta launch don’t mention either co-host.

What They Said: “Bret and AB bring an authentic, high-energy connection to the airwaves every morning that listeners will instantly resonate with. I couldn’t be prouder of how The Bret Mega Show continues to evolve by bringing their big laughs and real talk to Atlanta mornings. This marks an exciting new chapter for Star 94.” -Star 94 Brand Manager JR Ammons

What Remains Unclear: Star 94’s promotional materials haven’t clarified whether Berghoff and Gibbs will continue contributing to the show from St. Louis. The station also hasn’t detailed whether the program’s format or lineup will change beyond Mega and Bohlman’s move to Atlanta.

What It Means: The move gives Star 94 a new morning show while allowing The Bret Mega Show to continue its presence in multiple markets. However, the lack of clarity surrounding Berghoff and Gibbs leaves questions about the program’s future lineup as it enters a new market.

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Ebro, Laura and Peter Rosenberg Address HOT 97’s Problems

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Ebro Darden and Peter Rosenberg believe HOT 97’s problems run deeper than its morning show. On Monday’s Ebro Laura Rosenberg Show, the former HOT 97 hosts responded to recent comments from Mero and Kaz. In doing so, they blamed station leadership.

What We Know: The trio spent nearly 40 minutes on HOT 97 and its parent company, MediaCo. First, they played a clip of Kaz saying his show beat The Breakfast Club with far fewer resources. Then they turned to management. Rosenberg noted that HOT 97 never replaced its program director, who left for Los Angeles. Additionally, Ebro said the station no longer pays for music research. He also said he heard the company owes former imaging producer Dom Nero nearly a year of pay. Meanwhile, Rosenberg revealed that he and Ebro just finished arbitration over money they say the company owed them when they left. The trio were let go by the station in December 2025. Ebro also criticized working conditions at sister station WBLS.

What They Said: “The head coach left and they didn’t replace the head coach. They don’t know how to sell it or have the talent to sell it. They don’t have the people to sell it. The new ownership at HOT 97 doesn’t appreciate what radio is.” – Peter Rosenberg

“The problem here is the station’s owned by a venture capitalist. If people find out that you have Black heritage legacy individuals in this type of conditions, y’all gonna have some hell to pay, bro.” – Ebro

I saw so many people that were like, ‘I never got paid. I did work for them. Some people were actually giving out numbers. Some people were, like, months. That’s embarrassing. And these are young folks.” – Laura Stylez

    What Remains Unclear: MediaCo hasn’t publicly responded to the hosts’ claims. Moreover, no one has confirmed the reports of unpaid contributors, including Nero. It’s also unclear whether HOT 97 plans to hire a new program director or make changes to its morning show following Mero and Kaz’s remarks.

    What It Means: For MediaCo, the negative attention continues to put a black cloud over an iconic brand. When current and former employees say HOT 97 hasn’t paid them and talk of ongoing layoffs, it paints a picture of an unstable work environment. In turn, that makes it harder to sell advertising and recruit great talent. As Ebro and Rosenberg argued, a strong brand won’t fix a thin operation. HOT 97’s immediate focus must be on quieting the noise and reminding people why it is one of the crown jewels of New York radio.

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    Carter Alan Retiring From Middays at 100.7 WZLX

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    Carter Alan will retire from 100.7 WZLX later this year after 47 years in Boston radio. The longtime midday host will air his final show on Friday, December 18th.

    What We Know: Alan began his career at WBCN, where he spent 19 years as a DJ and music director. During that time, he helped launch the Rock ‘n’ Roll Rumble, one of the country’s longest-running battle of the bands competitions. He also helped introduce U2 to American radio in 1980 by playing “I Will Follow.” In 1998, Alan joined 100.7 WZLX as assistant program director and midday host. Over the past 28 years, he’s interviewed some of rock music’s biggest artists while becoming a familiar voice for Boston listeners. Following his retirement, Alan will make occasional on-air appearances.

    Meanwhile, WZLX will celebrate his career with a special retrospective featuring audio and photographs from its archives. Chris Tyler, the station’s program director and co-host of The Chuck Nowlin Morning Show, will take over the midday shift.

    What They Said: “After 47 remarkable years in Boston radio at WZLX and WBCN, it’s time for my boot heels to be wanderin’! What an endless parade of friends, characters, stars and hopefuls; I’ve met and interviewed seemingly everyone. Time to move over, rover! Retirement means no schedule and staying up as long as I want – I’m ready for that!” -Carter Alan

    “Working with Carter for the past decade has been one of the highlights of my career. He’s a legendary talent, and an even better human being. It’s been a true honor. Rock on Carter!” -Chris Tyler

    What Remains Unclear: Alan hasn’t announced whether he plans to pursue additional projects beyond his occasional on-air appearances. WZLX also hasn’t detailed when it will air the retrospective celebrating his career.

    What It Means: Alan’s departure marks the end of a 47-year run in Boston radio, spanning two influential rock stations. His work at WBCN and WZLX helped connect generations of listeners with rock music and its biggest artists. Tyler’s move into middays will bring a familiar station voice to the time slot as WZLX prepares for a new chapter.

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    107.9 The Mix Adds Toni DeKeyser and Ryan Swiger to Morning Drive

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    107.9 The Mix is launching a new morning show featuring Toni DeKeyser and Ryan Swiger. The Indianapolis station will air The Morning Mix with Toni & Ryan weekdays from 6-10 a.m.

    What We Know: DeKeyser previously served as a producer and co-host of the Smiley Morning Show on 99.5 ZPL while hosting middays on 107.9 The Mix. Now, she’ll move to mornings on The Mix while taking over middays on sister station 99.5 ZPL. Meanwhile, Producer Will will assume the 10 a.m.-3 p.m. slot on 107.9 The Mix. Swiger, who co-hosts the new morning show, will continue hosting afternoons on 99.5 ZPL under his on-air name, Crash. The new program will feature local conversation, parenting stories, lifestyle topics, entertainment news, community events, music, and listener giveaways.

    What They Said: “I couldn’t be more excited about this new morning show! We’re hoping to bring a fresh, upbeat energy to mornings — lots of positivity, fun, and, hopefully, a reason to smile before you’ve even had your first cup of coffee.” -Toni DeKesyer

    “Toni brings experience and a winning record to the show that can’t be matched. I’m super excited to see what the future brings for The Mix Morning Show!” -Ryan Swiger

    “We are incredibly excited to bring the Indianapolis area a live, local morning show that truly reflects the lives of the listeners we serve every day. Toni and Ryan bring an authentic connection to our community, not only as talented entertainers but as parents navigating many of the same experiences as our audience. From raising teenagers to surviving sleepless nights with twins, they understand the joys, challenges, and humor of family life. We believe their chemistry, relatability, and passion for our great community will make mornings on The Mix 107.9 FM a destination for listeners seeking connection, entertainment and a great start to their day.” -Cumulus Media Regional Vice President Darlene Park

    What Remains Unclear: Cumulus Media hasn’t disclosed additional details about whether the station will make further programming changes.

    What It Means: The move gives 107.9 The Mix a dedicated local morning show built around two familiar Indianapolis radio personalities. Additionally, DeKeyser’s transition creates a new daytime lineup across Cumulus Media’s two stations, while allowing Swiger to maintain his afternoon presence on 99.5 ZPL.

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    ESPN’s Frozen Frenzy Posts Big Viewership Gains in Year Four

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    NHL Frozen Frenzy on ESPN delivered big NHL viewership gains this season. The Avalanche-Stars game in particular was up 67% from last year from a comparable matchup.

    What We Know: The Avalanche-Stars game drew 603K viewers in the primetime window. Meanwhile, Bruins-Sharks averaged 492K viewers in the late window, up 87% from the 2025 Los Angeles-San Jose game. Additionally, the Frozen Frenzy Whiparound show on ESPN2 averaged 105K viewers, a 54% year-over-year gain. The event put all 32 teams in action with staggered start times, and it’s now in its fourth year. Nielsen Big Data + Panel supplied the figures. 

    What the Data Says: (via ESPN PR)

    Broadcast 
    Window
    2026 Matchup2026 Viewers2025 Matchup2025 Viewers*YoY GrowthViewer 
    Increase*
    PrimetimeColorado v Dallas603,000Washington 
    vs. Dallas
    361,000+67%+242,000
    Late WindowBoston v
    San Jose
    492,000Los Angeles 
    vs. San Jose
    263,000+87%+229,000
    ESPN2 
    Whiparound
    Frozen Frenzy105,000Frozen Frenzy68,000+54%+37,000

    What Remains Unclear: The matchups differ from last year’s, so team popularity may account for part of the lift. The data doesn’t show how much each factor contributed.

    What It Means: For the NHL, these gains could mean greater visibility, stronger sponsorship demand, and increased future media value. For ESPN, they reinforce the business case for investing in hockey and experimenting with new broadcast formats. Additionally, Stronger national audiences suggest the NHL may have opportunities to reach casual sports fans who traditionally prioritize the NFL, NBA, or MLB.

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    Katie Zacharia, Aubrey Huff and the Art of Failing Fast

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    Five days. That’s how long Katie Zacharia lasted as White House press secretary. Two U.S. officials told CBS News on Friday that the White House was moving her out of the role. Others including President Trump tried to soften the blow and suggest it wasn’t a fair spot for her to be in. Remarkably, all of it unfolded one week to the day after President Trump announced her as Karoline Leavitt’s replacement.

    Zacharia’s debut briefing lasted roughly 15 minutes. Admittedly, it wasn’t her finest hour, and media outlets worldwide had a field day with it. However, the bigger issue was her calling herself a lawyer despite failing the California bar exam. By Thursday night, she was explaining herself to Sean Hannity. Then, by Friday, it was lights out.

    Some will blame it on Trump’s unstable nature. Others will suggest it’s the result of being crushed by an unfair press. I prefer to focus on the issue not the politics and examine how it relates to our business. Either way, whether popular or not, a decision maker recognized a mistake and addressed it before it got worse. That isn’t easy to do when the whole world’s watching. It’s a lesson every broadcasting executive should study though. In fact, it’s one that I’ve experienced myself as a former programmer.

    My Aubrey Huff Moment

    In 2013, I hired Aubrey Huff to join the morning show at 95.7 The Game in San Francisco. On paper, it made sense. Giants fans loved him. He was part of a championship team. He was funny, unfiltered, and had stories to tell, all of the qualities you look for in a morning host. Our initial conversations were great. I could see him doing well if he chose to invest himself in the medium. The morning show’s ratings at that time weren’t where they needed to be, and many in the building saw Huff’s arrival as a move that could elevate the radio station.

    But I had doubts. Mornings are a grind. They require waking up before dawn, watching games, constantly consuming content, and investing yourself daily in talking about many different topics. I wasn’t convinced Aubrey wanted that life. He didn’t need the job, and had enjoyed a successful and financially rewarding career. Given where the brand was at that time, I felt the wiser move was to pair Tony Bruno and Ric Bucher in mornings. Ownership and sales were more excited about Huff though. They were willing to overlook the concerns because they saw what it could be IF it worked out.

    My gut told me it wouldn’t work, but I hoped to be wrong. Initially, Aubrey started off great. The partnership with Ric Bucher and Chris Townsend produced fun on the air, which carried over to the post-show meetings. As a result, I was cautiously optimistic. But by the third week, the pressure started to build. Soon, I’d receive multiple calls in the middle of the night letting me know that Aubrey couldn’t work the next morning. Doing a four hour show when you’re thin on depth beyond the sport you played is tough. Imagine stepping into a batter’s box to face a 95 MPH fastball if you’ve never swung a bat or faced live pitching. Simply put, it’s hard.

    Luckily, Ric and Chris had enough history together that the show didn’t suffer each time Huff called out. But when we couldn’t extend his temporary 30-day stay to 60 days, Aubrey told me he had to return to San Diego. I scrambled to get him into a local studio to keep the show going and had equipment sent to his home to do the show remotely. A week or two later, I flew down to meet with him. During breakfast, we discussed the situation, and he shared that relocating to San Francisco to do a daily morning show wasn’t going to work. He had the best of intentions but discovered that this wasn’t the job or life he wanted to pursue.

    Naturally, I knew it would put a black eye on the brand and myself since we had just announced a new show a month earlier. But if it wasn’t going to work, we had to focus on what would be best moving forward for the brand, Ric, Chris, and Aubrey. Aubrey’s agent Matt Kramer and I connected, handled the paperwork, and everyone moved on. Sometimes, people enter relationships excited and hopeful, but things don’t jive. When that happens, you have to make a quick decision and move on or risk prolonging the pain.

    By rolling the dice, we knew we’d likely need to explore a new direction in mornings. Ric Bucher left to join Bleacher Report, and Chris Townsend returned to evenings. Fortunately, the door opened for Joe Fortenbaugh, Lorenzo Neal and Chad Doing, and the morning show got better. Later, it grew again after my exit once my guy Dan Dibley returned to full time morning show duty.

    Still, the worse move would have been hanging on out of fear of the backlash. Listeners would’ve heard a show that wasn’t committed. Likewise, advertisers would’ve become hesitant to invest. Talent would’ve begun questioning the station’s direction. Aubrey would’ve hated doing a job he didn’t love while everyone constantly scrutinized him. Meanwhile, his partners would’ve become more frustrated. And eventually, the entire staff would’ve lost faith in leadership.

    The Right Ending

    That’s what makes the Zacharia situation instructive. The White House could have defended the hire, blamed the press and waited it out. Instead, it cut ties within a week. Honestly, whether the White House fired her, reassigned her or she chose to leave doesn’t matter. Instead, it’s about recognizing a situation is wrong and moving on for all involved.

    Make no mistake, this is the best outcome for Zacharia. She stepped into one of the toughest jobs in the world with little preparation. Every briefing moving forward would have become a referendum on her résumé. Furthermore, critics would have picked apart every comment she made with relentless scrutiny. Now she can explore other professional situations without people constantly putting her reputation under a microscope.

    This is best for President Trump, too. Remember, the midterms are less than three weeks away. He needs a press secretary driving his message, not becoming the message.

    It’s also best for the media covering the White House. Ultimately, reporters need a credible spokesperson who can answer questions. Granted, a week of stories about bar exams makes for good television. However, it doesn’t address or advance more important issues.

    Ironically, the biggest winner might be the next press secretary. Whoever steps in next will look steady by comparison.

    Rip the Band-Aid Off

    I’ve watched this same situation happen in radio countless times. The host that replaces a failed hire often earns more patience. The program director who steps in to clean up a mess gets credit for accepting the challenge. A show that launches after a flop benefits from lower expectations and a hungry audience. Sometimes the best thing a mistake does is clear the runway for the right answer.

    Decision makers can’t be afraid to operate fearlessly. You can’t build anything great if you’re terrified of being wrong. Take swings. Hire people who others overlook. Launch the show nobody else would try. But fearless doesn’t mean stubborn. If you make decisions, you are going to swing and miss. I have many times. Everyone reading this has, or will. A bad decision isn’t the end of the line if you make more good decisions than bad.

    When you screw up, own it. Rip the band-aid off. Acknowledge the mistake, make the change and move forward. Excuses don’t fix ratings. Forcing a bad fit doesn’t rebuild trust with an audience, advertiser, your staff or your bosses. People usually forgive a quick correction. What they don’t forgive is watching you pretend for months that something broken is fine.

    Egg on your face washes off. But a brand damaged by your ego takes much longer to recover. The White House is learning that it’s better to acknowledge a blemish and move on rather than seek credit for being right for something that landed poorly.

    Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.