Home Blog Page 297

Jay Guyther Shares How Worldwide Audio Measurement Is Evolving Faster Than Ever

0

Last month, this column covered a presentation at November’s asi conference in Copenhagen about Swiss broadcasters demanding a less expensive measurement system. It included how the local supplier, Mediapulse, is developing a new version that will cost clients around half as much as they currently pay. I couldn’t attend the conference, but know others that did, so I had a conversation with one.

A few people have been around the audio measurement world for a while, yours truly included. When I use the word “world”, it typically means the United States, or perhaps the US and Canada. A smaller group has the background to discuss what’s happening in the true definition of the word “world” meaning measurement in other countries as well as the US. Jay Guyther is a member of that group.

Jay spent many years at Arbitron traveling the world spreading the gospel of PPM. Later he worked as a consultant. He’s still connected with many radio measurement people in other countries and attended this year’s asi conference. I spoke with him to get his impressions of what was presented and what is happening in radio and audio measurement outside the United States.

Jay took good notes at the conference. One overarching impression of the presentations was that companies were publicizing actual results from tests. In previous years, it was “here’s what we’re planning to do”. 2025 was the year of “let us show you some results of our implementation”.

Some other headlines that stood out:

  • Things are moving far more quickly outside the US in terms of an integrated audio service.
  • There is great interest in embracing new technologies. Some have moved past the limitations of the cell phone, such as problems with the iPhone and privacy issues. The phone is more affordable than a purpose-built device.
  • There is interest in big data, like what Xperi and their DTS AutoStage product are doing in the US.

Two countries he mentioned specifically were The Netherlands and Australia. In The Netherlands, the Joint Industry Committee (JIC) is using the Ipsos MediaCell technology (essentially a phone app) to produce minute-by-minute data on a weekly basis for both radio and TV. Jay said TV has had this for some time in the country. However, this is a new level of granularity for radio. MediaCell was initially a matching technology, but now uses “fingerprinting”, essentially encoding, as well.

The system also tries to identify listening location by looking at Wi-Fi networks. It can identify home Wi-Fi and make a reasonable guess at whether you’re at work by looking at how often you log into a different network, claiming an 85% accuracy level.

Jay told me that Australia’s system has been updated, too. GfK, which is now part of NIQ, the spinoff of Nielsen’s non-audience measurement business, has a system in place that uses an anonymized ID code capable of tracking individual behaviors across platforms. It’s used on the GfK watch that I discussed last month in my column about what’s happening in Switzerland. Data is merged with a large number of diaries, both paper and online, to create estimates. This system is also being used now or in the near future in New Zealand, Malaysia, Ireland, and South Africa.

What you have is essentially a single source audio measure, which caused a renaming of the service from Radio 360 to Audio 360. One report gives a subscriber a view of the full audio landscape, something that requires multiple sources here.

A major market difference between the US and many other countries is the presence of a JIC. I mentioned to Jay that JICs have more trouble with advancing new methods and technologies because of the need to get up-front buy-in from JIC members. He said, “One of the knocks against JICs is that it depresses or stifles innovation because it has to be supported. I used to believe that. I don’t so much anymore. The whole Arbitron Methods Research group usually didn’t move ahead with something unless there was a balance of a cost savings in there.”

Click this video to see the asi presentations online. While audience measurement isn’t the most riveting material for conference presentations (I’ve done my share and endorse that view from first-hand experience), there seems to be a lot happening beyond our borders. Perhaps some of these ideas will make their way to the United States soon. Our current system could use both some competition and improvement.

Let’s meet again next week.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Band Custody in Rock: What Three Days Grace Got Right—and Others Still Can’t

0

Who gets custody of the band when the original singer departs and the band carries on? Is it the singer, whose voice is behind the emotion and connection of every song in the catalog? Or is it the rest of the guys, who recruited a new singer and played an equal part in crafting the sound but aren’t the face of the band? 

It’s a tough question and can boil quite a bit of bad blood. Unless, you figure it out and conquer the rock world like “Three Days Grace” did. They made room for both beloved singers and took a highly successful radio band to another level. 

I haven’t seen two lead singers together since the “Sam and Dave” 2002 romp with both Van Halen singers (Sammy Hagar and David Lee Roth). That didn’t count though because they weren’t singing together and reportedly couldn’t stand each other. 

But the highly successful late 2024 return of Three Days Grace’s original vocalist Adam Gontier was not only unique, but authentic. Adam came back to the band, but did not replace the band’s current singer Matt Walst. Both singers were responsible for the bands twenty #1 songs on the rock radio charts, concert success and loyal fan following.  

Adam rejoined 3DG in 2024 after an eleven year absence. With two vocalists in place, they enjoyed their most successful year to date, headlining shows, festivals and releasing the smash album “Alienation”. More importantly, a spirit of brotherhood and family was created. Not just for the band, but for the fans too. Connection and Community in rock and roll is what it’s all about.

I saw 3DG twice on this tour with duel vocalists. To call it an “event” would be an understatement. 

But why is this not the case for more bands in rock music, when clearly it works? 

I recently spoke with two “Original Vocalists” and crafters of the active rock sound of the late 90’s and 2000’s on my Carr Stereo Podcast about “band custody”. One is a bit closer to a “merger” and the other is far apart. 

First up is Jared Weeks, the original voice of Saving Abel. He’s the man behind the band’s biggest hits “Drowning” (Face Down), “Addicted” and “The Sex Is Good” (all top 5 charting rock tracks).

Jared fronted Saving Abel from the beginning with stints in and out of the band (2004–2013, 2021–2025). He’s recently taken to social media to create a motivating and positive platform. I wasn’t really that surprised when he teamed up with Saving Abel forever vocalist Scotty Austin (who fronted Saving Abel from 2013 to 2021) for a mending of the fences and teaming up for 2026 shows billed as the “One Time At Band Camp Bash” with select dates. When I spoke with Jared in late 2025 he told me this about mending fences:

Jared Weeks of Saving Abel on Mending Fences

JW: “I looked at all the things that I was guilty of, ashamed of, afraid of, and I sat down with those things. Time after time, I healed with them. I slowly started seeing my life and that hole being filled with peace. I started loving myself more, which in return, started setting up more boundaries. In return, it helped me decide who to surround myself with.

So, making a full circle back to the point, you can’t change the people around you, but you can change the people around you, you know? So that’s kind of how I took it. It is such a great mantra for people to empower themselves. You empowered yourself. I think in life these days, that’s all we have.” 


That was great advice by Jared. As we head into the unknown of 2026, Jared and Scotty are posting together on social media, and the fans love it! 

The situation for 90’s-2000’s rock radio hit makers SALIVA has been quite different though.

I spoke with original vocalist and Saliva founder Josey Scott a few weeks ago. He started the Grammy nominated band in 1996. Josey has suffered through the loss of his son in 2021. He also lost his friend and Saliva’s co-founder Wayne Swinny in 2023 due to a brain hemorrhage. 

Saliva had massive radio success with the songs “Click Click Boom”, “Your Disease”, “Rest In Pieces”, “Ladies and Gentleman”, and “Always”. Josey will be celebrating the 25th anniversary of Saliva’s highly successful album “Every Six Seconds” by hitting the road to perform the album. However, the “new” Saliva is pissed. The two camps have been in a war of words.  


Josey Scott, Saliva Founder

TC: You guys were supposed to reunite but the waters got muddied. 

JS: To have those waters muddied by somebody who wasn’t even in the picture in the beginning, who was a child — this guy was a child when we were releasing ‘Click Click Boom’. This guy was a kid. He was still trying to kiss a girl and go on a date. He was 15, 16 years old. So to have those waters muddied by that person, it’s just heartbreaking.

TC: But you will be going out and performing Saliva tunes and your new solo stuff. That’s exciting.

JS: Terrie, songwriting has never been a choice for me. It’s just the radio in my brain that comes on and the ideas come out. If I don’t have a pen and a piece of paper, or nowadays my phone to record these ideas, they will go away.

I think Edgar Allan Poe said one time, the greatest poetry he ever wrote, he forgot because he didn’t have a writing implement. So I’ve learned to sort of respect that conduit or that antenna that’s up towards the universe when those ideas come in. I quickly at least jot down a sketch of what I’m hearing in my head, and I’ll sing it into my phone just like I did “Click, Click, Boom” back in the day with my big red brick phone I had at the time.

I’m excited to celebrate the catalog and play new songs live. We’re just going to tour, tour, tour. I love it. We’re going to celebrate the anniversary of Every Six Seconds by playing every song on the album and along with some new stuff for the fans.


So who gets actual band custody? Clearly, every band is different. 

Hats off to Three Days Grace for showing us the gold star standard on how to do it. I’m hoping for the opportunity to see Jared and Scotty together banging out Saving Abel tunes soon. I’d love to see Josey perform “Every Six Seconds” top to bottom in the new year as well. 

Take me back boys…take me back!

My Interviews with both Jared Weeks and Josey Scott are on my YouTube Channel and all podcasting platforms at TerrieCarr.com.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Cam Newton: SEC Football Is Still the Top Conference Because of Viewership

0

ESPN analyst Cam Newton argued Friday that the Southeastern Conference remains the dominant force in college football—not on the field, necessarily, but in the eyes of fans and television viewers. Speaking on First Take, Newton credited the SEC’s consistent television ratings and national appeal for its continued prominence.

“The SEC is not and has not went anywhere,” Newton said. “Why? Because every team in the SEC does more numbers than every team in the Big Ten, and every team in the ACC.”

Newton’s comments come amid ongoing debates over parity in college football. The expansion of Name, Image, and Likeness (NIL) opportunities has allowed programs across conferences to compete more directly for top talent. The comments also follow the conference only having one team remaining from the conference alive in the college football playoff. Plus an overall bowl record for the conference at 4-8 while the Big Ten, Big 12, and ACC hold winning records in bowl games this winter.

While the SEC may no longer hold an unchallenged grip on recruiting and on-field dominance, Newton emphasized that the conference still reigns supreme in fan engagement and television viewership.

“At the end of the day, everybody knows that if you want to go and get put on [television] you still go to the SEC,” Newton said. He contrasted the conference’s draw with programs from the Big Ten and ACC. He referenced teams such as LSU, Alabama, and Georgia as fan favorites.

“However great [Indiana University] Coach Cignetti is, you still know I’m not about to go watch Indiana football. I prefer to go watch LSU, Ole Miss, the great Auburn, Alabama, UGA, Tennessee, Arkansas, Mississippi State. Way before I watch a Penn State, Michigan State, Iowa State, man, come on.”

Newton also addressed the impact of NIL on the SEC’s dominance. He noted that while paying players has leveled the playing field somewhat, the conference’s influence over viewership remains strong.

“Is the dominance over? Yes? Why? Is because the ability to pay players now, but they still don’t do the numbers that the SEC does,” Newton said. “The mantra of the SEC might not remind you—it’s just different. You and I both know that.”

Viewership data for the College Football Playoff quarterfinal round is not yet available, but Nielsen data released showed Alabama was the most-watched team this season, averaging around 8.5 million viewers. That was followed by Texas (7.5 million), Georgia (7.5 million). All three teams are in the SEC.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Newsmax Formally Asks FCC to Block Nexstar Media Group Merger with TEGNA

0

After publicly sharing its opposition, Newsmax has officially asked the FCC to block the merger between Nexstar Media Group and TEGNA.

The company formally filed a petition with the FCC on New Year’s Eve, arguing that the proposed merger “violates the law and creates an unprecedented concentration of power in the hands of one broadcaster.”

Newsmax’s focus on its opposition is that the current ownership limits make a single entity owning enough stations to reach more than 39% of the U.S. TV households illegal. Should the proposed merger with TEGNA go through, Nexstar Media Group would reach nearly 80% of all households.

“This merger would create an unprecedented and dangerous consolidation within the broadcast TV industry, giving them immense control over local news and political news coverage,” Newsmax CEO Chris Ruddy — who signed the filing with the FCC for the network — said in a statement.

“This merger is no better than others the FCC has already blocked,” the filing from Newsmax concludes. “The Commission should reject the proposed transaction because it violates the law, will harm competition, and will damage the public interest.”

Newsmax CEO Chris Ruddy has not been shy about his opposition to the merger. In August, Ruddy shared that he was against the proposed merger, further arguing that the FCC “lacks authority and a compelling reason to change” the ownership caps put in place in 2004. Ruddy’s comments and opposition to the move have been labeled as “misleading” by the National Association of Broadcasters.

His sentiments appear to be shared by President Donald Trump, who in November said he “would not be happy” if the ownership cap were to be removed.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CBS News Radio Ends World News Roundup Late Edition, Weekend Roundup

0

After nearly 60 years, CBS News Radio has ended the World News Roundup Late Edition broadcast and has also ended the Weekend Roundup version of the newscast.

On Friday, December 19th, during the World News Roundup Late Edition at 7 PM ET, anchor Jennifer Kuiper said, “This is the final broadcast of the World News Roundup Late Edition … But CBS will continue our mission of bringing you the latest breaking news,” before airing lockouts from Bill Whitney, Dave Barrett, Jim Chenevey, Pam Coulter, Peter King, and her own for the final time.

The broadcast was launched in 1966 as a 15-minute newscast before later being shortened and rebranded to its current iteration in 1999.

CBS News Radio has continued providing evening newscasts, which are shorter in length than their predecessor and do not utilize the World News Roundup branding.

On Saturday, December 20th, CBS News Weekend Roundup host Allison Keyes revealed that the episode was the final edition of the program.

“This is the final CBS News Weekend Roundup,” she said to begin the episode. “We want to thank you for listening and for your support of this award-winning show over the years. We appreciate it.”

The changes at CBS News Radio come after the company moved its distribution and advertising sales operations from Skyview Networks to Audacy and its Infinity Networks in October 2025.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Gary Danielson Emotional Farewell From CBS Sports Cut Off

0

Veteran analyst Gary Danielson ended his 36-year run in college football broadcasting with CBS in an emotional Sun Bowl broadcast Wednesday, leaving viewers and colleagues reflecting on his lasting impact on the sport.

As the game wound down, Danielson appeared to search for the right words to close out his final broadcast. “How are we going to get off the air?” he asked rhetorically, moments before CBS cut to a commercial. A countdown appeared in the corner of the screen by the on-site producer, signaling the abrupt conclusion to a career highlighted by decades of insight, humor, and storytelling.

Danielson, a former Purdue standout and NFL quarterback with the Detroit Lions and Cleveland Browns, took the interruption in stride. He smiled and pointed to his producer, joking, “This guy right here,” acknowledging the realities of live television. While hard breaks are standard, the sudden cutoff contrasted with the heartfelt tribute unfolding moments earlier.

Prior to the broadcast’s conclusion, Danielson joined play-by-play announcer Brad Nessler and sideline reporter Jenny Dell to reflect on the career-defining moments he’s shared with CBS. Nessler praised Danielson’s work ethic and the camaraderie he brought to the broadcast booth. “It’s been a privilege working alongside someone unmatched at what they do,” Nessler said. “CBS is going to miss you. Our crew is going to miss you, and college football is going to miss you, buddy.”

Danielson has been a central figure in CBS’ college football coverage since 2006, earning six Emmy nominations along the way. While primarily known for his work in the SEC, he has also contributed to Big Ten broadcasts in recent years, solidifying his reputation as one of the sport’s most trusted voices.

During his farewell segment, a slideshow highlighted Danielson’s decades-long tenure, featuring images of memorable game-day moments, colleagues, and behind-the-scenes snapshots.

“Everybody asks, ‘What do you want to be remembered as?’” Danielson said. “That’s fine, but for me, it’s about what I want to remember. These are the moments that stick.”

Fans, colleagues, and former players alike have shared their admiration for Danielson’s contributions to the game, citing his blend of technical knowledge and approachable storytelling. Though his on-air sign-off ended unexpectedly, the legacy he leaves behind resonates far beyond a single broadcast.

As CBS transitions to its next chapter of college football coverage, Charles Davis was named as Danielson’s successor last year.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CNN’s Abby Phillip Clashes With Erick Erickson Over Scott Jennings Commentary

0

Erick Erickson has never been shy in his criticism of CNN. But Abby Phillip is fighting back against comments made by the nationally syndicated radio host.

On social media, Erickson stated that CNN needed to air a disclaimer before it utilizes regular contributor Scott Jennings, stating that whatever he said in his last appearance was correct and that Abby Phillip and her primetime panel were incorrect.

“CNN needs to start each Scott Jennings appearance with a fact check where Scott said something previously, Abby and the panel insisted it was not so, and we start the next show with the video showing Scott was right the whole time,” Erickson wrote.

Phillip didn’t respond kindly to the comments from Erickson.

She fired back by arguing that Erick Erickson had taken the comments and video clip he shared out of context.

“Give me a break Eric (sic),” Phillip said. “He was not referring to the fraud investigations in that clip. He was talking about Trump and Vance denigrating the Somali community. There plenty (sic) to criticize Walz for but he did not say that investigating fraud was akin to white supremacy.”

It isn’t the first time Abby Phillip and Erick Erickson have clashed over his criticism of her program.

In 2024, Erickson revealed he had been asked to appear on the program, but scheduling conflicts had kept him from appearing. However, he said at that time that he was happy he had never appeared because the show was “an embarrassment” and that CNN should be “embarrassed to air it.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Catherine Herridge: CBS News Blocked Live Elon Musk Interview Over Editorial Concerns

0

Former CBS News correspondent Catherine Herridge has shared that the network torpedoed a potential interview with Elon Musk over concerns about what he might say.

During a recent episode of her podcast, Herridge revealed that at the height of the reporting surrounding how the Biden Administration pressured social media companies — especially Twitter — to suppress certain stories, she had lined up an interview with Elon Musk, who had recently purchased the company.

“I had conversations with some of the reporters connected to the Twitter Files, and I was in my head thinking that there might be an opportunity to tell that story on CBS News,” said Herridge. “We had a number of topics under discussion — they didn’t go as far as we had hoped — but at the end of the day, this opportunity to interview Elon Musk was developing.

“So I went to the CBS executives, and I said, ‘This is the opportunity that we have.’ He’s saying, ‘I want to do it live, and on my platform.’ He’s one of the most influential human beings on the planet,” continued Herridge. “And the reaction from the executives was, ‘Well, we can’t do it live.’ I was like, What do you mean we can’t do it live? ‘Well, we don’t know what he’s going to say.’ Isn’t that the point of journalism? You don’t know what the person’s going to say.”

She continued by saying that she didn’t understand the hesitation by the network.

“Everything just got shut down. It’s one of the biggest interviews you could ever have,” she said.

Catherine Herridge added that she never returned to Musk to discuss the stipulations put in place by CBS News.

“I felt so ashamed, frankly, that I never went back to Elon Musk and said, Listen, they want to do it, but they’ve set all these conditions on it. I couldn’t do that. This is someone whose DNA is free speech, and how do you tell someone who’s committed to free speech that your network can only do it taped and only if they edit it, and it can only be on their platform? I couldn’t go back to him with that.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Audacy Names ‘Big Mack’ as New Morning Show Host at 94.7 the Block

0

Audacy’s Rhythmic Throwbacks station 94.7 The Block has tapped Big Mack to lead its morning show, the company announced. A New Jersey native, Mack brings a blend of radio experience and national entertainment exposure to the role. He is widely recognized for his appearances on nine seasons of MTV’s comedy series Wild ‘N Out and for his work as a stand-up comedian.

Mack’s radio career spans multiple major markets and roles. From 2014 to 2022, he spent eight years with Hip Hop outlet 99 Jamz in Miami, serving as assistant program director and music director while co-hosting both night and morning shows.

His earlier experience includes stops at iHeartMedia’s Power 105.1 in New York, as well as a stint as morning show producer at Hot 96.9 in Boston. Most recently, he contributed as a writer and producer for Premiere Networks’ nationally syndicated The Breakfast Club, also based at WWPR-FM.

In an Instagram post, Big Mack says he’s excited for the new opportunity with 94.7 The Block.

“This ain’t just a job… this is a TESTIMONY. A testament to God’s timing, God’s favor, and God showing out once again,” posted Mack. “When I was praying for open doors, He said: “Say less, I got you.” Dreams really do come true. And if mine can, yours absolutely can too. Am I excited? YES.”

Mack’s start date at WXBK will be Monday January 5.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Sean McDonough Named 2025 NSMA Sportscaster of the Year

0

Veteran ESPN play-by-play announcer Sean McDonough has been named the 2025 National Sportscaster of the Year by the National Sports Media Association, earning the honor for the first time in his distinguished career.

The award was revealed to McDonough in a surprise announcement delivered by ESPN college football analyst and longtime broadcast partner Greg McElroy. A video of the moment was shared publicly, capturing McDonough’s trademark mix of humility and humor.

“I’ve joked I’ve been the Susan Lucci of that award,” McDonough said, referencing the actress who famously endured years of nominations before finally winning a Daytime Emmy. The comparison resonates with many in the industry, as McDonough has long been regarded as one of the most respected voices in sports broadcasting.

Now 63, McDonough has built a career defined by versatility, preparation, and credibility across multiple sports and platforms. His tenure at ESPN began in 1989, with a brief departure in the late 1990s to work exclusively for CBS. Over the decades, he has called some of the most prominent events in American sports. This includes the World Series, NCAA men’s basketball Final Four, Olympic Games, Monday Night Football, and all four major golf championships.

McDonough also spent 15 seasons as the lead voice for Saturday afternoon college football games on ABC, a role that helped cement his standing as one of the sport’s premier narrators. Today, he remains a centerpiece of ESPN’s college football coverage while also serving as the network’s lead NHL play-by-play announcer.

During the announcement, McElroy praised McDonough’s leadership and influence, both on the air and behind the scenes.

“We’re super fired up about this,” McElroy said. “I don’t think it could be more well-deserved. He is our leader, our patriarch. He is Sean McDonough, and officially the 2025 NSMA Sportscaster of the Year.”

McDonough’s path to national prominence began unusually early. At just 19 years old, he became the voice of the Syracuse Chiefs while still a student at Syracuse University. That early opportunity opened the door to a high-profile role as the television play-by-play announcer for the Boston Red Sox. McDonough held the position he held from 1988 to 2004. During that span, he earned four New England Sports Emmy Awards for Outstanding Play-by-Play.

In 2019, McDonough returned to the Red Sox as part of the team’s radio broadcast crew. Adding another chapter to his long-standing connection with the franchise.

His contributions have been widely recognized beyond this latest honor. In 2021, McDonough was inducted into the Massachusetts Broadcasters Hall of Fame, a testament to a career marked by consistency, adaptability, and trust from audiences and peers alike.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.