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What Are the 2026 New Year’s Resolutions For News/Talk Radio PD’s?

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It’s New Year’s Resolution time. Plenty of people commit to making dramatic changes to their lifestyles as the calendar flips to 2026.

But are there New Year’s Resolutions professionally? We sat down with news/talk radio program directors to discuss what they’re committing to focusing on or changing in 2026.

550 KFYI Program Director Aaron Trimmer said he wants a renewed focus on the listener in 2026.

“I think our focus is to always be reflective of what the listener really wants to talk about and wants to hear,” Trimmer said. “Sometimes we can fall in the trap of thinking it’s always politics. And that’s not always the case.

He continued by noting that while conservative politics is what the station does well, it doesn’t solely define the brand.

“We are a conservative-leaning, traditional right-wing talk station,” Trimmer said. “But sometimes that doesn’t mean politics. That means cultural issues and lifestyle impact. I think part of the reason we’ve been successful is because everything we do, we try to make that the focus. I think as the culture changes and social media has changed, so have people’s attention spans. We’re always in a — fight’s the wrong word — but we’re always striving to get to the point faster, to make our delivery more in line with how people are truly consuming media in 2026 and beyond.”

WLS-AM 890 Program Director Stephanie Tichenor had a quick response when asked what she’s focusing on in 2026.

“Ratings and revenue, obviously,” she said with a laugh. She then went into a deeper, more philosophical response.

“I want our team to feel good about what they do every day,” she said. “I think it is so hard. Seasonal depression for everyone. January sucks. We’re all broke, and it’s cold. So what are we doing to serve the listeners? How can we make this a better experience for our listeners?”

She continued by noting that she wants a renewed focus on allowing her employees to feel like “I’m coming into work and I’m not going to be stifled. I can go into a meeting, raise my hand, and no one’s going to laugh at me.'”

For herself, she said focusing on the positives instead of thinking negatively will be an emphasis in 2026.

“The ability to forgive is important,” she said. “When someone messes up, when someone is late to a break, when someone’s late to work, just assume the good intentions of people. I think if you just kind of reset your mind, instead of saying, ‘oh, this person, this host, is always late to a break’, or ‘this person is running late to work all the time.’ Instead of assuming it’s for horrible reasons, maybe they have something going on. Give people a little grace, be nicer, be kinder.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Cumulus Media Scores Landmark Victory Over Nielsen

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In a significant legal blow to Nielsen, a federal judge has sided with Cumulus Media. Barrett Media has learned that a preliminary injunction has been granted in Cumulus’s favor, halting the ratings giant’s controversial “Network Policy.”

The ruling, issued December 30, 2025, by Judge Jeannette A. Vargas of the U.S. District Court for the Southern District of New York, effectively prevents Nielsen from enforcing what Cumulus alleged was an anticompetitive “tying policy” designed to maintain a monopoly over radio ratings data.

The Ruling: A Victory for Cumulus

Judge Vargas found that Cumulus successfully demonstrated a “strong likelihood of succeeding on the merits” of its antitrust claims. The court’s order immediately restrains Nielsen and its agents from enforcing the Network Policy during the pendency of the litigation.

Crucially, the injunction also bars Nielsen from “charging a commercially unreasonable rate for its Nationwide Report as a complete, standalone product”. To provide a baseline for the market, Judge Vargas noted that a rate equal to or lower than the highest annual 2026 rate Nielsen charges any other broadcaster for Nationwide data is “presumptively reasonable”.

To secure the injunction, Cumulus was ordered to post a $100,000 bond.

The core of the dispute centers on Nielsen’s September 2024 Network Policy. Cumulus, which owns Westwood One, alleged that Nielsen was using its dominance in national ratings to force broadcasters to purchase local market data they might otherwise source from competitors like Eastlan.

Cumulus argued this constituted an illegal “tying” arrangement in violation of Section 2 of the Sherman Antitrust Act. Without the court’s intervention, Cumulus claimed it faced “irreparable harm,” including potential financial ruin and damage to its reputation if it lost access to the Nationwide data essential for its advertising clients.

Judge Vargas agreed, stating in the order: “the Court finds that Cumulus has satisfied its burden of demonstrating that a preliminary injunction is necessary to prevent irreparable harm… and that the public interest weighs in favor of a preliminary injunction”.

Nielsen’s Defense: “A Run-of-the-Mill Pricing Dispute”

Throughout the proceedings, Nielsen’s legal team, led by Gibson, Dunn & Crutcher LLP, pushed back hard, characterizing the lawsuit as a tactical move by a sophisticated company to lower its bills.

“At bottom, Cumulus and Nielsen are in a run-of-the-mill pricing dispute,” Nielsen argued in its proposed findings. They contended that Cumulus—a company with “$700 million in revenue and $90 million cash on hand”—was simply trying to use the court to “impose on Nielsen a partial contract reflecting Cumulus’ preferred pricing”.

Nielsen’s expert, economist Jonathan Orszag, testified that the policy was actually intended to combat “free-riding” by customers who used national data derived from local markets without paying for those local services. Nielsen also claimed that Cumulus’s claims of financial disaster were “a mystery” and a “moving target,” pointing out that Cumulus had not disclosed any such “existential threat” to its investors.

Nielsen further argued that the requested relief was “unprecedented” and would turn the court into a “central planning price-setter”.

What Happens Next?

While the preliminary injunction is a major hurdle for Nielsen, the battle is far from over. The order remains in effect only until the final disposition of the case.

The court has also moved to address the confidentiality of the proceedings. In a separate Opinion and Order, Judge Vargas noted that because the full opinion contains “competitively sensitive information,” it has been filed under seal. The parties have until January 7, 2026, to meet and confer on proposed redactions before a public version is released.

For the radio industry, the ruling signals a potential shift in the power dynamics of audience measurement. By forcing Nielsen to offer Nationwide data at a “reasonable” standalone rate, the court may be opening the door for broader competition in the local ratings market.

As Nielsen stated in its filings, “The antitrust laws ‘were enacted for the protection of competition, not competitors’”. For now, Judge Vargas has decided that protecting competition requires keeping Nielsen’s policies in check.

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Gene Deckerhoff To Retire From Tampa Bay Buccaneers Radio Play-By-Play

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Gene Deckerhoff, the legendary radio play-by-play announcer for the Tampa Bay Buccaneers, announced that he will retire at the conclusion of the 2025 NFL season, ending one of the most distinguished broadcasting careers in NFL history.

Deckerhoff has served as the voice of the Buccaneers since 1989. He’s has been a part of more than 750 preseason, regular season, and playoff games. His signature call, “Touchdown, Tampa Bay!” has echoed through stadiums and living rooms over 1,100 times. His tenure ranks as the third-longest play-by-play stint with a single NFL franchise, trailing only Merrill Reese of the Philadelphia Eagles and Brad Sham of the Dallas Cowboys.

“For 37 seasons, Gene Deckerhoff’s voice has set the scene for the most iconic moments in our franchise’s history,” Buccaneers owner and co-chairman Bryan Glazer said in a statement. “His passion, authenticity, and unmistakable voice created memories that have been cherished by generations of fans. We congratulate Gene on a remarkable career and wish him a fulfilling retirement.”

Deckerhoff’s calls have become woven into Buccaneers lore. He was on the mic for Derrick Brooks’ game-clinching play in Super Bowl XXXVII, shouting, “There it is! The dagger is in! We’re going to win the Super Bowl!” He captured Rondé Barber’s legendary interception return in the 2002 NFC Championship Game with the call, “Gone! Coast to coast, Rondé Barber!” and earlier in that game, cheered Joe Jurevicius’ 71-yard touchdown with a simple, emphatic, “You go, Joe!”

The announcer also popularized the phrase “Fire the Cannons!” following Buccaneers scoring plays and delivered memorable calls for milestone moments. These included Micheal Spurlock’s franchise-first kickoff return touchdown in 2007 with “Run, Micheal, run!”

“Calling Buccaneers games has been one of the greatest honors of my professional career,” Deckerhoff said. “I’ve had the fortune to form meaningful relationships with players, coaches, staff, and fans. My wife, Ann, and I are grateful to the Glazer family and to my longtime radio partners, especially Dave Moore, who has been by my side for 19 years. I will miss doing what I love, but now is the right time to step away.”

Widely regarded as one of the nation’s premier play-by-play broadcasters, Deckerhoff’s career spans more than six decades. He also served as the voice of the Florida State Seminoles from 1979–2021. He has won 17 Florida Sportscaster of the Year awards. This included the National Football Foundation’s Chris Schenkel Award in 2013.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

2025 Kennedy Center Honors Viewership Drops 26% To Record Low

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The 2025 Kennedy Center Honors, hosted by former President Donald Trump, drew a record-low audience, according to Nielsen’s latest data. The broadcast averaged 3.01 million viewers, marking a 26 percent decline from last year’s 4.1 million, Nielsen reported. The figures reflect the company’s new Big Data + Panel measurement system, which combines traditional panel data with information from smart TVs and set-top boxes.

Trump hosted the December 7 ceremony, honoring Sylvester Stallone, Kiss, Gloria Gaynor, Michael Crawford and George Strait. Ahead of the broadcast, the President confidently predicted record ratings, both during a pre-taping event and on social media.

Preliminary ratings initially suggested 2.65 million viewers, though insiders expected final numbers to be higher. The ceremony aired December 23 on CBS and Paramount+ amid heightened attention over Trump’s plans to rename the Kennedy Center to “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.”

The decision prompted backlash from the Kennedy family and led musician Chuck Redd to cancel a Christmas Eve performance, citing the renaming as his reason.

Amid the ratings drop, the future of the Honors broadcast is uncertain. CBS’ deal to air the show has expired, and the Kennedy Center is expected to bring TV and streaming rights to market. While the low viewership might typically dampen interest, Trump’s involvement could make the show a viable asset for media companies seeking partnership opportunities.

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Westwood One Debuts ‘Nightly With Jade & Tyler’ on January 5

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Cumulus Media’s Westwood One announced the launch of a new national nighttime CHR music program, Nightly with Jade & Tyler, set to debut Monday, January 5, 2026. The show will air Monday through Friday from 7 p.m. to midnight, delivering five hours of Top 40 hits, entertainment, and audience interaction.

The program pairs music personalities Jade Jones and Tyler Frye in a lively format designed to engage listeners both on-air and across social media. According to Westwood One, the show blends non-stop hit music with “real talk” and trending social content, offering a connection that goes beyond the broadcast.

Jade Jones, who joins Westwood One from Q99.7 in Atlanta, brings a focus on music, entertainment, and culture, with a particular commitment to representation and individuality. She empowers audiences, especially women and minority communities, while keeping listeners both inspired and entertained.

“I’ve got butterflies! I’m excited to bring my voice, heart, and perspective to a national audience,” Jones said. “I want our listeners to feel like they genuinely know us, like friends they check in with every night. Nightly with Jade & Tyler is a safe space for relatable chaos, exciting life moments, real conversations, and growth. We want people calling in, joining the conversation, and feeling seen, heard, and like they belong.”

Tyler Frye, a Chicago native and lifelong Bears fan, has built a career across major markets. His stops include Tampa, Denver, Raleigh, Houston, and Kansas City. He joins Westwood One from 107.3 The Vibe in Kansas City. Frye is known for his deep knowledge of current music, relatable personality, and enthusiasm for connecting with listeners.

“This is the ultimate dream of mine; I am forever grateful and blessed for this amazing opportunity,” Frye said. “I can’t wait to co-host with Jade, who is already a mega superstar. This is going to be fun. I want to thank Donna Baker, Leslie Whittle, Doug Hamand, Susan Stephens and Brian Philips for this giant opportunity.”

Collin Jones, President of Westwood One, said the show adds a “fresh, dynamic edge” to weeknights. “Jade and Tyler bring an unmistakable spark to weeknights. Their mix of music, personality, and real-time social connection gives stations a fresh, dynamic edge audiences feel immediately. If it’s trending, they’re on it. If it’s hot, they’re playing it. We’re thrilled to kick off the new year with a show that brings this level of energy and fun to listeners nationwide.”

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Sports Owns 96 of the Top 100 Most-Watched Television Programs in 2025

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Sports will account for 96 of the 100 most-watched television programs in 2025, tying the record set in 2023 and marking a significant increase from 87 in 2024, an Olympic and election year. Football, both college and NFL, drives much of this dominance, with 92 games expected to make the top 100 list.

The NFL alone is projected to contribute 84 telecasts, a strong showing though slightly below its 2023 record of 93.

College football also made notable gains thanks to the expanded College Football Playoff (CFP). Data shows that eight CFP games will rank among the year’s top 100, setting a new record for the sport. This total includes the New Year’s Eve Miami-Ohio State CFP quarterfinal, which is almost certain to reach the top-tier threshold.

Major League Baseball achieved a milestone as well, placing two World Series games among the top 100. Games 6 and 7 of the Dodgers-Blue Jays Fall Classic mark the first time since 2019 that MLB has earned multiple slots on the list.

College basketball maintained a presence with one game, the NCAA Men’s Championship, returning after the women’s title match appeared in 2024. The women’s game had drawn attention due to the performance of Iowa star Caitlin Clark, highlighting the ongoing rise of women’s college sports in the national consciousness.

Other non-football sports also saw notable entries. The Kentucky Derby returned to the top 100 for the first time since 2022, reversing a recent trend in which the event narrowly missed the ranking.

Among the four non-sports programs, two were political broadcasts. One was former President Donald Trump’s address to a joint session of Congress, and the other was his inauguration. Both telecasts aired across a dozen English-language networks, reflecting broad national interest. The remaining two non-sports entries were the annual Macy’s Thanksgiving Day Parade and the Academy Awards.

The projected list reflects the 2025 calendar year, not the Nielsen measurement year, which concluded this past Sunday. Events such as the Week 17 Falcons-Rams Monday Night Football game and the first CFP quarterfinal are included. The English-language list follows standard Nielsen measurement and excludes programs with unaccredited ratings, such as Netflix boxing events, as well as pre-game shows and programs under 30 minutes in length.

Overall, 2025 underscores the continuing dominance of football in American television, while other sports maintain a smaller but steady footprint.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Warner Bros. Discovery Reportedly Will Reject Paramount Takeover Bid Next Week

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Warner Bros. Discovery Inc. is expected to once again reject a takeover bid from Paramount Skydance Corp., even after the rival media company amended the terms of its proposal, according to a report by Bloomberg.

According to several reports, the Warner Bros. Discovery board has not reached a final decision but is scheduled to meet next week to review the offer. The amended proposal is not expected to sway directors, who continue to view the bid as financially inferior to an agreement the company already reached with Netflix.

Paramount Skydance went public earlier this month with a $30-per-share all-cash offer for Warner Bros. Discovery, a move that came just days after Warner Bros. agreed to sell its studio and streaming assets to Netflix. Since then, Paramount has revised its proposal twice, most recently adding assurances around financing in an effort to strengthen its position.

Those assurances include a personal guarantee from billionaire Larry Ellison, who pledged $40.4 billion in equity financing and related commitments to support the deal. Ellison, along with his son David, controls Paramount Skydance after taking over the company in August.

Despite those revisions, Warner Bros. Discovery’s board remains unconvinced. One of the primary sticking points is that Paramount has not increased the overall value of its offer. Directors are said to be waiting for improved financial terms. There are also structural concerns.

According to the reporting, board members are uneasy about how much control the Ellisons would exert over Warner Bros. Discovery’s debt management under a Paramount-led transaction.

In addition, Paramount has not committed to covering the breakup fee Warner Bros. Discovery would owe Netflix if it were to abandon that deal.

Warner Bros. Discovery has already made clear in regulatory filings that it views the Netflix transaction as the superior option. The company cited Netflix’s financial strength, clearer execution path and reduced risk profile as key advantages. Netflix, which has a market capitalization exceeding $400 billion, is widely viewed as the most valuable and stable company in the entertainment industry.

By contrast, Warner Bros. Discovery has expressed concern that Paramount Skydance would be highly leveraged following an acquisition and would likely pursue deeper cost cuts, including additional job reductions. Those concerns have weighed heavily in the board’s evaluation process.

Absent a higher bid or stronger guarantees, Warner Bros. Discovery’s board is expected to reaffirm its preference for Netflix and formally reject Paramount Skydance’s proposal when it meets next week.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

FOX Sports South Florida Adds Local Program Featuring Josh Cohen, Ken LaVicka Beginning January 5

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Hubbard Radio is expanding its weekday lineup in South Florida with the addition of a new locally focused sports show. FOX Sports South Florida 640AM will debut JC & Ken, a one-hour weekday program featuring Josh Cohen and Ken LaVicka. The show will air from 5–6 p.m. beginning Monday, January 5. The goal is targeting afternoon drive listeners across Palm Beach County and surrounding areas.

The move reunites two personalities familiar to South Florida sports fans. This is especially true for listeners who spent years with ESPN 106.3 and its predecessor stations. Cohen led the popular HomeTeam program from 1999 through the end of 2024. During that time, he became one of the most recognizable sports radio voices in the region.

Following his departure, Cohen transitioned to digital platforms, launching the YouTube-based show Questionable Call with Josh Cohen.

LaVicka also brings deep local ties and on-air experience. He worked at WUUB from 2007 to 2024 as both a host and reporter. LaVicka currently serves as the play-by-play voice for Florida Atlantic University football and men’s basketball. In addition, LaVicka handles play-by-play duties for Inter Miami CF soccer and hosts the Sports & Golf Boardroom program on WMEN.

According to Cohen, the new FOX Sports South Florida show is designed to recapture a familiar sound for listeners during their evening commute.

“I hear from tons of people who say they miss having something fun, fast, and familiar to just listen to on their drive home,” Cohen said in a statement. “JC & Ken will take care of that five days a week, with no need to catch up on anything.”

FOX Sports South Florida leadership emphasized the importance of local voices and community connection as the primary motivation behind the launch.

“Josh and Ken have been well-known figures in the South Florida sports scene for many years,” said Hubbard Radio Market President Elizabeth Hanna. “We are thrilled to bring this LOCAL radio show to the market. Offering sports fans in our area a place for connection and conversation.”

FOX Sports South Florida Brand and Content Director David Adams echoed that sentiment, highlighting the chemistry and versatility the duo brings to the lineup.

“Josh & Ken are two of the best known and most respected voices in our community,” Adams said. “I couldn’t be more excited to add them to the Fox Sports South Florida lineup. JC & Ken is an entertaining, engaging, and often off-the-rails daily dive into the biggest news and best stories of the day. With occasional surprise guests from the worlds of sports, entertainment, and media.”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Richard Deitsch Stepping Down From The Athletic

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Longtime sports media insider Richard Deitsch has been among the most commanding voices in the industry for the past two decades. As 2025 comes to a close, that run has reached another turning point. Deitsch announced Tuesday night that he is stepping away from The Athletic, marking the end of a seven-year tenure with the digital subscription outlet.

In a detailed social media post, Deitsch reflected on his time at the company, noting that sports media coverage was still relatively rare when he arrived in March 2018. At the time, The Athletic’s focus centered largely on building local markets and team-specific coverage. Since then, he said, the outlet has expanded into near-daily reporting on sports media and business — content he described as “immensely popular” and something he was proud to help grow.

“My last day with The Athletic is December 31,” Deitsch wrote. “In an era of media consolidation and endless job losses, I have been beyond lucky to have had such a long run between two national outlets that readers care about.”

Before joining The Athletic, Deitsch spent decades at Sports Illustrated, where his reporting spanned the Olympics, women’s basketball and major international events. Over time, however, he became best known for chronicling the sports media industry itself, helping bring greater visibility to a beat that has drawn increased audience interest amid rapid change.

Alongside his peers, Deitsch played a key role in pushing sports media reporting into the mainstream. Deitsch’s move to Toronto during his time at The Athletic further broadened his reach. In addition to his writing, he became involved in sports talk radio in Canada, offering a cross-border perspective on North American media trends.

In his post, Deitsch also emphasized his appreciation for colleagues at The Athletic, calling the opportunity to work alongside them “incredible” and wishing the staff continued success. He confirmed that his long-running sports media podcast will continue, noting that it has always existed independently of the publication.

Looking ahead, Deitsch said he plans to share details about his next steps once 2026 officially begins. He teased “a pair of amazing opportunities” — one in the United States and one in Canada — at organizations he has long admired.

The Athletic is expected to continue its sports media coverage moving forward, with Andrew Marchand remaining a central figure on that beat.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

iHeartMedia Strikes Partnership With U.S. Figure Skating Ahead of 2026 Winter Olympics

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U.S. Figure Skating announced a new partnership with iHeartMedia, the nation’s leading audio media company, positioning the organization for a major media push ahead of the 2026 Winter Games. The collaboration designates iHeart as an official partner of U.S. Figure Skating, delivering original audio content, athlete-driven stories, and promotional campaigns across iHeart’s expansive platforms.

The media company reaches more than 250 million listeners monthly through its broadcast radio stations, podcasts, digital outlets, live events, and other channels.

As part of the partnership, iHeartMedia will activate onsite at the ICE House in Milan, Italy, from February 6–22, 2026. The space will serve as a content studio and broadcast hub for iHeartRadio talent and creators. It will also feature a dedicated podcast studio and broadcast area, exclusive athlete interviews in collaboration with U.S. Figure Skating, and original Olympic-themed storytelling.

The content will be distributed across iHeart’s platforms. The aim is to engage fans with behind-the-scenes access and insights into the athletes’ journeys.

“We are thrilled to be partnering with iHeartMedia in an exciting time for U.S. Figure Skating as we look ahead to the U.S. Championships and the Winter Games,” said Annie White, Chief Commercial Officer of U.S. Figure Skating. “As a company that shares our commitment to meaningful audience connection. iHeartMedia will help us amplify excitement around our athletes, our events, and our national programs—including Learn to Skate USA® and SkateFest—across the country.”

In addition to Olympic coverage, iHeart will support U.S. Figure Skating through a multi-channel promotional campaign leading into the 2026 U.S. Figure Skating Championships in St. Louis. The partnership will also reinforce the organization’s broader Olympic-year initiative, Leave Your Mark, which highlights athlete development and community engagement.

“We’re proud to partner with U.S. Figure Skating at such a pivotal moment for the sport,” said Michael Biondo, President of Business Development and Strategic Partnerships at iHeartMedia. “From original audio storytelling to on-site activation at the ICE House in Milan. This partnership allows us to spotlight the dedication, artistry, and athleticism of these incredible athletes while bringing fans closer to the moments that define the journey to the Winter Games.”

iHeartRadio is also the exclusive audio partner for NBCUniversal’s coverage of the Milano Cortina Winter Games. Providing original Olympic-themed podcasts and additional audio content.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.