Former ESPN anchor/host Trey Wingo is urging ESPN to tread carefully with its coverage of The Masters, warning that overcomplicating the presentation could come at a cost. During a recent discussion, Wingo took issue with elements of the network’s expanded approach.
He argued that certain additions feel unnecessary for an event that has long thrived on simplicity and tradition.
“It’s The Masters. It doesn’t need hype,” Wingo said, criticizing what he described as excessive features surrounding coverage like the Par 3 Contest.
He also questioned the strategy of trying to broaden the audience for a product that already dominates television golf. According to Wingo, the tournament’s built-in appeal should guide programming decisions rather than efforts to chase incremental viewers.
“Your audience is there. The idea of appealing to a wider audience. You can’t cut off your base to find somebody else” he said. “Know who you’re talking to, and know who you’re sending this out for. Know who’s going to be watching it. When you turn on the people that matter the most about the thing that you’re putting out there, you have lost the proposition.”
That point underscores a larger concern. Wingo believes leaning too far into experimentation risks alienating loyal fans who expect a certain tone from Masters coverage. While ESPN and other networks often look to innovate, he suggested that approach can backfire when it clashes with audience expectations.
At the same time, Wingo made clear his criticism is not rooted in negativity toward ESPN. In fact, he expressed strong support for the network’s golf team and its long-term relationship with Augusta National.
“I want ESPN to be incredibly successful. I want them to continue to have The Masters for as long as they want it,” Wingo said. “When it’s left to their own devices, and the people that do golf, they’re great. It’s all the other crap, for lack of a better term, that’s being shoved down golf viewers throats. That is [what’s] turning people away”
More notably, Wingo warned that pushing too far could have broader implications. The Masters remains one of the most tightly controlled properties in sports, and its organizers have historically prioritized consistency.
Wingo went on to reference the value of the rights agreement. He added that feedback does not go unnoticed. Augusta National, he said, is likely aware of how coverage decisions are being received by fans and media observers alike.
“Why are you trying to gain, tangentially, some fringe viewers. While at the same time you are taking your core viewers and pissing them off,” said Wingo. “It’s not just users on Twitter. It’s not just the Hollywood Reporter. You can be in danger of losing the thing that you hold most dear, the rights to this tournament.”
The comments arrive at a time when networks continue to search for ways to maximize major rights deals. Expanded shoulder programming and digital content have become common across sports. Yet The Masters remains a unique case, built on tradition and careful presentation.
“Let the Masters speak for itself. It doesn’t need all this hyperbolic nonsense. It’s the freaking Masters,” said Wingo. “That’s why, for years, ESPN did everything they could to get the rights, because they knew it was the most important tournament in golf to have on your network. Don’t piss these guys off, especially in a situation where more layoffs are coming at ESPN.”
His message is simple. Respect the audience, respect the tournament and avoid doing too much with a product that already works.
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PHLY is expanding its original programming lineup with a new daily show designed to spotlight a landmark year for the city. The company announced the launch of Love Philly, a weekday program hosted by longtime local personality Anthony Gargano.
The show debuts Monday, April 13 and will stream from 11 a.m. to noon across PHLY’s digital platforms.
The program will focus on the convergence of major global events scheduled to take place in Philadelphia throughout 2026. That calendar includes the FIFA World Cup, the PGA Championship, and Major League Baseball’s All-Star Game.
The city will also play a central role in the 250th anniversary celebration of the United States.
PHLY executives view the show as a timely addition to their growing content portfolio. They aim to create a daily destination for fans seeking both coverage and context around a historic stretch for the region.
Love Philly will lean heavily into local storytelling. In addition, the show plans to highlight the intersection of sports, culture, and community across the city. Gargano said the program will reflect the energy that defines Philadelphia. He added that the rare alignment of major events provides a unique opportunity to showcase the city on a global stage.
“With the World Cup, All-Star Game, PGA Championship and America’s 250th anniversary converging, Philadelphia is stepping onto the world stage—and reminding everyone who we are,” said Gargano via a statement. “It’s a celebration of the grit, passion, and pride that defines this city and its fans.”
He is expected to lead discussions, conduct interviews, and offer commentary rooted in his long-standing connection to the market. Gargano has built a reputation as one of the city’s most recognizable voices, particularly for his passionate and conversational style.
Meanwhile, PHLY leadership believes his presence will help the show stand out in a crowded digital space.
“2026 is going to be a defining moment for Philadelphia,” said Todd Berman, PHLY general manager. “We want to build something that captures the pride and nonstop energy happening across the city.”
The program will stream live each weekday and remain available on demand. Beyond major events, Love Philly will spotlight neighborhoods, personalities, and stories that shape the city’s identity. Producers plan to balance headline coverage with features that capture the everyday spirit of Philadelphia.
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Russ Parr is back on Majic 102.3 in Washington, D.C., this time in afternoon drive.
Beginning on Monday, April 27th, Russ Parr will host from 3-7 PM on the Urban One AC station. His show will replace the nationally syndicated D.L. Hughley Show.
It marks a return to Majic 102.3 for Parr. Previously, he hosted mornings on the station as part of his syndicated Russ Parr Morning Show. However, it ceased operations in 2023.
“It’s an honor to have another opportunity to serve the people of the DMV by coming back to Majic,” Parr said. “I’m looking forward to re-engaging my 37 listeners.”
The remainder of the station’s lineup remains intact, with Rickey Smiley hosting mornings and Vic Jagger in middays.
“Russ’s voice, vision and connection to the community are unmatched,” Urban One D.C. Operations Manager Arthur “A-Plus” Willis said. “We’re excited for our listeners to experience that energy every afternoon on Majic 102.3.”
“We are bringing Russ Parr back home where he belongs… to Majic 102.3! Afternoon drive in the DMV will never be the same again,” added Urban One Audio Division Co-President Eddie Harrell Jr. “His unique ability to connect with our audience is second to none and we look forward to his return!”
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iHeartMedia has added a new voice to its Las Vegas lineup, naming Sammi Tempesta afternoon host and assistant program director at Neon 93.1, effective immediately.
In her new role, Tempesta will host weekdays from 3-7 p.m. and assist with programming strategy. She will report to MoJoe Roberts, senior vice president of iHeartMedia Las Vegas.
“I couldn’t be more excited to join Neon 93.1 and be part of something so fresh, fun and uniquely Vegas. This station has an incredible energy, and I’m beyond grateful for the opportunity to connect with listeners every afternoon. I can’t wait to bring the vibes, the music and a little extra brightness to the city,” says Tempesta.
Roberts said Tempesta’s style aligns with the station’s brand and audience. He pointed to her energy and creativity as key assets for a format built around variety and personality.
Tempesta arrives from KVGS in Las Vegas, where she served as afternoon host and music director. She began her radio career there in 2020 as a part-time board operator. A graduate of University of Nevada Las Vegas, she has quickly risen through the ranks in the local market.
With Tempesta now in afternoons, Neon 93.1 continues to lean into its “Playing Anything, Everything for Vegas” identity while adding a fresh, locally developed voice to its lineup.
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Mark Levin and Megyn Kelly have been locked in an ongoing feud that has seen each share lewd remarks about the other. That could be changing, though.
The issue between the two stems from Kelly’s support of Tucker Carlson, who Levin has clashed with over his stances on Israel and Iran, and her speaking glowingly of Nick Fuentes.
Levin and Kelly have lobbed shots at one another on social media, with the issue coming to a head last month.
During The Megyn Kelly Show on Thursday, the SiriusXM host told guest Ana Kasparian that she believed Levin legitimately wanted to hurt her.
“I actually believe that Mark Levin would like to have me killed,” she said. “I do believe it. And I think he’d be thrilled to see me taken out. Like, actually. That’s so (expletive) crazy to me, Ana. There’s no one — no one politically — who I would ever wish that upon, ever, there’s no one whose death I would celebrate, there’s no one whom I would intentionally endanger with really crazy ass rhetoric.
“He knows what he says about Tucker, about me, about many others is actually endangering,” continued Kelly. “To over and over call somebody a neo-Nazi, to suggest that they want Jews killed because they say things like, ‘young people no longer support Israel’? It’s so irresponsible. It’s lunacy.”
After Kelly’s comments, Mark Levin took to social media to share that he doesn’t feel that strongly about her.
“Megyn, can we at least agree that I absolutely do not want, and would never want, any harm to come to you,” Levin said. “And I have never said otherwise and would never say otherwise.”
He concluded his message with an olive branch.
“I suggest we turn down the heat,” he said.
Megyn, can we at least agree that I absolutely do not want, and would never want, any harm to come to you. And I have never said otherwise and would never say otherwise. I suggest we turn down the heat. https://t.co/h5YBgrziem
Megyn Kelly has not responded publicly to Levin’s statement.
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Bob Black is signing off from his longtime afternoon post at ESPN Richmond, but not from the microphone entirely.
The veteran broadcaster announced on-air and via social media that he will step away from hosting The Sports Huddle, with his final show set for Thursday, May 7.
Black emphasized he will continue in his prominent role with University of Richmond athletics as the voice of the Spiders.
“I’ve decided to hang up the mic as host of the Sports Huddle,” Black shared, while noting the weekday 4–6 p.m. slot will remain live and local under a new format.
Black has hosted the program for 15 years across multiple stations, time slots, and formats. During that run, he became a steady and trusted presence for Richmond sports fans. He credited his co-hosts, producers, and especially listeners for shaping the show’s success.
The departure marks the end of an era for ESPN Richmond, where Black’s voice helped define afternoon sports talk. However, his connection to the market remains strong through his ongoing play-by-play duties.
Black’s broadcasting resume stretches decades. He has called Richmond athletics since the 1983-84 basketball season, including every NCAA Tournament appearance in program history. His career also includes work at the 1980 Winter Olympics and early milestones at Syracuse University.
For listeners, the message is clear. Black may be stepping back from daily radio, but he isn’t going far.
ICYMI: Personal News (1/3) – I announced today on @espnrichmond that I’ve decided to hang up the mic as host of the Sports Huddle. My last show & the last Sports Huddle will be Thursday May 7. I am NOT giving up my day job with @SpiderAthletics & Voice of the Spiders!
(2/3) And I’ve been assured the 4-6p time slot will remain live & local – just with a different title & sound. I’ve been honored & humbled to host the Sports Huddle for 15 years on various radio stations, in a variety of time slots & with a talented team of co-hosts & producers.
(3/3) Most rewarding has been the interaction with, and getting to know, our loyal listeners – THANK YOU! Let’s enjoy the next month of shows together. Remember, you have not heard the last of me, you’ll just hear less of me. See ya on the radio! pic.twitter.com/CKyGphapjj
After more than three decades on Sacramento radio, Pat Still is preparing to sign off. The longtime morning host at Bonneville International’s 105.1 KNCI announced he will retire April 17, closing a 34-year run that made him one of the market’s most recognizable voices.
“It’s been a long, wonderful ride here at KNCI,” Still said during an on-air announcement alongside co-hosts Cody Robinson and Joe Maumee.
In his announcement, Still compared his tenure to an athlete spending an entire career with one team. He joined the station in 1992 with longtime partner Tom Mailey. The duo quickly became a dominant force in Sacramento mornings.
Their partnership lasted more than three decades before Mailey stepped away last year.
In 2024, Still and Mailey received one of the format’s highest honors. Both were inducted into the Country Radio Hall of Fame, recognizing their impact on country radio.
The show evolved in recent years. Robinson joined in 2017, helping the program connect with a new generation of listeners. Earlier this year, Maumee came aboard following Mailey’s exit, as the show transitioned to its current lineup.
Bonneville Sacramento Group Director of Programming Chad Rufer praised Still’s legacy and influence.
“To have had the opportunity to work with a Country radio icon like Pat Still was a career milestone for me,” said Rufer. He called working alongside Still a career highlight and credited him with shaping the station’s identity. Rufer added that Still’s presence will be missed both inside the building and across the market.
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Cumulus Media has reported its financial results for the full year of 2025 and its fourth quarter, and the company saw an overall revenue decline during the year.
During the fourth quarter, the company reported net revenue of $188 million. That’s down 14% from the conclusion of 2024. For the year, Cumulus saw $742 million in net revenue, marking a decrease of 10.3%.
“The Company’s recently announced financial restructuring marks an important step toward meaningfully reducing the debt burden that has constrained the business,” said President and CEO Mary Berner. “Looking ahead, we remain focused on building on the core strengths of the Company to maximize value.”
The company’s broadcast radio revenue — which includes both spot and network revenue — finished the year at $475 million. That is a decrease of 15.9% compared to 2024. Digital revenue was just slightly less during 2025 than the prior year, dropping 1.9% to $151 million.
Cumulus’ Adjusted EBITDA ended 2025 at $52 million, down from $82 million. It ended 2025 with a net loss of $200.7 million, down from the $283 million it lost in 2024.
The release of its financial results comes after Cumulus filed for pre-packaged Chapter 11 bankruptcy last month. With the filing, it hopes to eliminate $600 million in debt.
As the company attempts to emerge from the filing, it has struck a deal with CEO Mary Berner to remain in that role once the process is complete.
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Ty Bailey has exited her role as assistant program director and afternoon host at iHeartMedia Country stations 98.7 WMZQ in Washington and 93.1 WPOC in Baltimore, concluding a nine-year run with the company.
In addition to her primary duties, Bailey maintained a heavy on-air schedule across multiple markets. She handled middays at Country 92.5 in Hartford while also contributing to BIG 100 in Washington.
This marked Bailey’s second stint in Washington, DC. She returned to WMZQ in November 2017 after spending five years at 98 Rock in Tampa. During that time, she joined as assistant program director and later earned a promotion to program director.
Earlier in her career, Bailey held on-air and programming roles across several notable stations. She spent time hosting middays at DC101 in Washington. She also served as assistant program director and music director at WCHH in Baltimore.
Her programming experience extends to New York, where she led operations for WKRL in Syracuse and WKLL in Utica.
Bailey has not publicly commented on her departure.
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Conventional wisdom in nearly every form of media today is to start with something that will hook the consumer. Something attention-getting or even shocking. The goal is locking in an audience that is distracted with countless choices of what to consume. It’s especially germane to radio stations in PPM-rated markets, where listeners punching away to another station can be costly.
That has led to a change in how interviews are generally presented. The subject’s backstory often relegated to later in the piece, so the author can begin with that juicy hook. But occasionally, there is a story. Like how Chaz and AJ, the morning hosts on two Connoisseur Media rock stations, WPLR/New Haven and WWSK/Long Island, got together.
That is worth telling right out of the gate.
Their 29-year partnership began in an unusual way. Chaz was hired to replace AJ, who was hosting mornings at a station on Long Island. Chaz had just moved from the West Coast for the opportunity, which led to an opportunity to check out the man he was about to replace.
“I’m sitting in this house I just rented listening to him do his last show, knowing that he doesn’t realize it’s his last show,” said Chaz. “I’m thinking, he sounds like a nice guy.”
Soon after, the two met at a bar where Chaz hosted a station event and AJ worked as the club DJ. The meeting hit, and they became friends off the air.
Then two things happened. The station rehired AJ to do nights, and Chaz was promoted to program director serving as AJ’s boss.
“I’m listening to him do the night show and I don’t hear anything special. However, when we had staff meetings, he had everybody laughing,” Chaz says. “I thought he’s the wise ass in the back of the bus. Not the driver. I needed a wise ass because my morning show would get too serious.”
The two paired up, and the chemistry was immediate. “The show is just informally funny,” AJ says. “Then there are things that happen in the community we get behind. There are also moments from our own lives that are just ridiculous that folks can relate to.”
AJ admitted that between the two, Chaz is the more organized one of the duo. Which allows for AJ to be the “scatterbrain of the show.” That dynamic has fueled the show for 29 years, which included a move from Long Island in 2003 to join WPLR and Connoisseur Media.
They’ve been with the company ever since. Their longevity with the company they quickly credit to the consistent leadership of company CEO Jeff Warshaw, regional VP Kirstin Okesson, and VP of programming Keith Dakin.
But creating a compelling show every morning takes more than great chemistry. As the driver at the front of the bus, that responsibility falls to Chaz. When I asked about his approach to building the show, he shared a unique vision for preparing each day.
“We look at each hour of the show like an album,” explains Chaz. “Does it have a slow song, a fast song? Where are the hits?”
Sequencing that perfect “album” each hour requires balancing a lot of elements. One of the most important is getting listeners involved. Chaz and AJ describe their audience, known as The Tribe, as the true strength of the show. The listening audience is something they depend on for a number of reasons.
First and foremost, it gives them a chance to make a listener into a star. Secondly, it plays to AJ’s strong suit—reacting.
“I don’t know where he [AJ] comes up with this stuff, but he’s freaking fast,” says Chaz.
In planning the show, Chaz says he makes sure to consider how long the show goes without phone interaction. He likens it to a story he once heard about the comedienne Lucille Ball.
“When she would read a script, the slapstick stuff would be highlighted in yellow. If she didn’t see a lot of yellow, she had a problem with the script knowing it wouldn’t be great,” said Chaz.
The same concept applies to their program, but with phone calls.
Another element woven into the Chaz & AJ album is a willingness to take on serious topics. While some shows avoid anything that isn’t light in tone, Chaz and AJ aren’t afraid to dive in providing depth for their audience.
“If you’re going to marry someone or spend a lot of time with a person, do you want them to only be a jokester or to always be serious?” Chaz asks. “Do you want a range of emotions? That’s what we try to deliver. A show with a wide variety of different feelings.”
In recent years they have decided to draw the line at politics. Chaz says the goal is to entertain and inform with a level of emotion and empathy for the community they broadcast to. Instead, they prefer to focus on what people share rather than what divides them.
“When you’re at a party, are we all arguing about politics? No. We’re having a good time and talking about things we can come together on,” says Chaz. “We all come together on food, what’s fun, and what just happened down the road.”
Another track on their daily album is guests and interviews, something many shows prefer to avoid.
“Somewhere in the hour, we like to have another voice,” explains Chaz. “Generally, we like the person to be intelligent. Someone who’s an expert who brings something extra to whatever we’re talking about.”
For anyone who isn’t confident doing interviews, Chaz has two suggestions.
First, only prepare five questions. That forces him to identify the most essential questions and serves as a filter. He says that if five questions do not come up, that guest doesn’t make the cut to join the show. His second suggestion is to listen closely to the answers. That’s what leads to follow-up questions and a more interesting discussion.
Their guests also include a regular cast of local comedians. Every day, it’s like to see someone coming in studio to be part of the show. Chaz acknowledges that working with comics can sometimes be challenging, which led to the program establishing ground rules for joining the program.
“The first thirty to sixty seconds of the break has to be just me and AJ. So people who are new to the show can keep track of who is who,” explains Chaz. “Once I’ve set up the break, unless you have a really great story, be sure to speak in sentences not paragraphs.”
Chaz and AJ feel the comedians bring unique perspectives that wouldn’t otherwise be part of the discussion. They feel comedians contribute content that resonates with people in different life situations. These could range anywhere from dating, going to bars, or raising young kids.
“They have a different life than we do,” Chaz says. “It’s good to have them bring that voice to the show.”
Another key piece woven into the album is the show’s constant effort to serve the community. Unlike many other shows, their community efforts take place year-round.
“When you get a license to broadcast to a community, that’s job one,” says Chaz. “As I’m doing show prep, if I see something that pings my heart, I think, ‘this is also going to ping other people’s hearts.’ That leads to us figuring out how to help. Let’s bring them on so they can tell their story, or we can help them raise money.”
A recent example includes a woman who was scammed on a dating app and had her life savings drained. Another was a man who runs a shelter for homeless veterans, helping them rebuild their lives. Chaz says they try not to go too long without doing something for the community.
“I feel like when you come to this show, you expect different things to happen. That’s one of them,” Chaz said.
Chaz understands that what he’s describing requires significant focus and preparation. While that mindset is partly his nature, he says it traces back nearly 30 years to when the pair first worked together.
“There was like thirty seconds left in a song and I asked AJ, ‘what do you want to talk about?’ In that moment I said to myself, ‘that is embarrassing and I’m never doing that again,” joked Chaz.
For his part, AJ agrees wholeheartedly, adding, “Let’s wing it is a bad answer.”
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