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Radio Remembers KISS Guitarist and Rock Legend, Ace Frehley

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Original Kiss lead guitarist Ace Frehley passed away on Thursday at the age of 74. Injuries suffered from a fall at his home contributed to his passing. He reportedly suffered a brain bleed and was on life support before passing on.

Frehley’s family issued a statement following his passing. It said, “We are completely devastated and heartbroken. In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth. We cherish all of his finest memories, his laughter, and celebrate his strengths and kindness that he bestowed upon others. The magnitude of his passing is of epic proportions, and beyond comprehension. Reflecting on all of his incredible life achievements, Ace’s memory will continue to live on forever!”

Gene Simmons and Paul Stanley also issued a statement acknowledging the massive impact Ace Frehley had on Kiss’ success. “We are devastated by the passing of Ace Frehley,” said the band. “He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of Kiss’ legacy. Our thoughts are with Jeanette, Monique and all those who loved him, including our fans around the world. Rest in Peace, Ace.”

Frehley teamed up with Paul Stanley, Gene Simmons and Peter Criss in late 1972 and played a significant role in the band’s worldwide success. He left the band in 1982 before returning in 1996 for a reunion tour. He would later exit again in 2002.

A New York native, Frehley worked as a solo artist under his own name when not performing with Kiss, as well as with his band Frehley’s Comet. He wrote the single “New York Groove,” which remains a classic today among rock fans. He entered the Rock and Roll Hall of Fame as a member of Kiss in 2014. Stanley and Simmons claim Ace was invited to join Kiss for encores during the band’s final tour but he declined. Frehley however disputed those accounts.

Ace Frehley is survived by his wife Jeanette, daughter Monique, brother Charles, sister Nancy Salvner, and many nieces and nephews. Following the news, members of the radio and music industries flocked to social media to remember the legendary guitarist.

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93.7 BOB FM Morning Host Eric Worden, 790 WNIS/TalkRadio 850 WTAR PD Julianne Worden Exit

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Longtime 93.7 BOB FM morning host Eric Worden has exited the Norfolk station amid cost-cutting measures by parent company Sinclair Communications.

Worden had spent 35 years in morning drive in the market. His wife — Julianne, who served as the Program Director of 790 WNIS and Talkradio 850 WTAR for the company, in addition to working as the General Sales Manager — was also let go this week.

“I’ll tell you there are a lot of reasons why people in radio get let go. A lot of it is ratings generated,” Worden said in a video published to Facebook after his ouster. “We’ve done our job there thanks to people like you. Our numbers have been outstanding.”

“Combined, we have had 60 years of service to this radio station group,” Worden added in the video.

The job eliminations come after Bob Sinclair Sr., the owner of the company, died earlier this year. The company was founded by his father more than 60 years ago.

“Sometimes difficult decisions must be made by management, and yesterday we were forced to offer early retirement plans to several employees,” Sinclair Communications said in a statement released to WAVY-TV. “These decisions were purely financial and not based on performance. Again this was a budgetary decision, and we appreciate their years of dedication to our company and wish them well in the future.”

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NBC News Sees Best Digital Month Since November 2024 During September

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September marked a high point for NBC News, as it saw its best month in digital metrics since November of last year.

During the month, NBC News saw a 14% year-over-year increase in unique visitors, according to Comscore. The outlet saw 101 million unique visitors during the month, representing a 60% increase month-over-month.

It was the highest amount of unique visitors to NBCNews.com since November 2024, which included the presidential election and subsequent reactions and fallouts to President Donald Trump securing the presidency for a second time.

Only CNN featured more unique visitors during the month, finishing with 103 million to CNN.com. That represented a 35% month-over-month increase, but an 18% year-over-year decrease.

Fox News saw 96 million unique visitors to its website, a 20% month-over-month increase and 10% year-over-year jump.

Elsewhere, CBSNews.com featured 91 million unique visitors, an 18% decrease year-over-year, but a 21% month-over-month increase.

Meanwhile, ABCNews.com saw 56 million unique visitors during September. That is a 3% decrease compared to September 2024, and an uptick of 18% versus its metrics from August 2025.

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Remote News Service Adds 6 New Affiliates in New York, Virginia, Wisconsin

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Remote News Service is growing. The company founded by Lesley Lotto has added six new affiliates in recent weeks.

In Wisconsin, Civic Media’s 540 WAUK has added Remote News Service, with Lotto serving as the State News Anchor for the news/talk outlet that recently boosted its signal with an FM simulcast and increased its content focus in Milwaukee.

“Lesley and Remote News have helped us expand our state coverage and enhance our on-air sound by integrating our needs into their operation,” said Civic Media Regional President for Southern Wisconsin Chris Moreau. “A great new resource and asset to WAUK and Civic Media’s growing news presence.”

Also in Wisconsin, the news service has been added at Midwest Communications’ WHBL-AM/FM in Sheboygan.

Meanwhile, WGRX-FM and WGRQ-FM in Fredericksburg, Virginia have added Remote News Service.

“When our radio stations needed to improve our local news presence, Remote News Service was the perfect solution,” Director of Programming Bill Michaels said. “The news is right on target — it’s local, timely, and comes at a great price. And they’re very easy to work with.”

The service is also being added at Connoisseur Media Palm Springs stations KNWZ-AM, KPSI-FM and KDGL-FM. It is also being added at WDNB-FM, WSUL-FM, WVOS-FM and WVOS-AM in Monticello, New York with Bold Gold Media.

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Apple Announces Five-Year Exclusive Media Rights Deal With F1 in the United States

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Apple is racing into live sports in a big way. The tech giant announced Friday a five-year partnership with Formula 1 that will make Apple TV the exclusive home of all F1 races in the United States beginning in 2026.

The agreement marks one of Apple’s most ambitious sports media moves yet, positioning the company as a major player in global motorsports coverage. It also extends Apple’s growing relationship with Formula 1, which began with F1 The Movie — the blockbuster Apple Original Films project that became the highest-grossing sports movie of all time.

Eddy Cue, Apple’s senior vice president of Services, called the partnership a milestone moment for both brands. “We’re thrilled to expand our relationship with Formula 1 and offer Apple TV subscribers in the U.S. front-row access to one of the most exciting and fastest-growing sports on the planet,” Cue said. “2026 marks a transformative new era for Formula 1, from new teams to new regulations and cars with the best drivers in the world, and we look forward to delivering premium and innovative fan-first coverage in a way that only Apple can.”

Under the new deal, subscribers will have access to every practice, qualifying, Sprint session, and Grand Prix. Select races and all practice sessions will stream for free in the Apple TV app, part of Apple’s strategy to attract new fans while rewarding loyal subscribers.

In addition, Apple plans to integrate Formula 1 content across several of its services. Apple News, Maps, Music, and Fitness+ will feature F1 tie-ins throughout the season. Meanwhile, the company’s Apple Sports app will deliver live updates, leaderboards, and standings for every race weekend, complete with real-time notifications and home screen widgets.

F1 TV Premium, Formula 1’s direct-to-consumer offering, will also be available in the U.S. exclusively through Apple TV. Current F1 TV subscribers will continue to receive the service at no additional cost.

Formula 1 President and CEO Stefano Domenicali said the partnership strengthens the sport’s momentum in the United States, where interest has surged in recent years.

“We have a shared vision to bring this amazing sport to our fans in the U.S. and entice new fans through live broadcasts, engaging content, and a year-round approach to keep them hooked,” Domenicali said. “We’re looking forward to the next five years together.”

The partnership follows a record year for Formula 1 in America. According to the 2025 Global F1 Fan Survey, the U.S. fanbase has grown to more than 52 million, with nearly half of new fans aged 18 to 24 and over half identifying as female — a demographic expansion that Apple’s platform is well positioned to reach.

Apple’s relationship with Formula 1 will also continue through F1 The Movie, which makes its global streaming debut on Apple TV on Dec. 12, 2025. Starring Brad Pitt and produced by Jerry Bruckheimer and Lewis Hamilton, the film has grossed more than $629 million worldwide since its theatrical release.

Further details on Apple’s F1 production plans and coverage innovations are expected to be announced in the coming months.

The reports of the agreement from various outlets value the partnership around $140M in average annual value, a 56% increase from the roughly $90M it receives from ESPN. ESPN held the F1 rights in the United States since 2018 and will run until the end of this year,.

In a statement, ESPN said, “We’re incredibly proud of what we and Formula 1 accomplished together in the United States and look forward to a strong finish in this final season. We wish F1 well in the future.”

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Tom Crean Joins Studio Team for Minnesota Timberwolves Broadcasts

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FanDuel Sports Network is adding a familiar basketball voice to its Minnesota Timberwolves coverage, announcing that longtime college basketball coach and analyst Tom Crean will serve as a pre- and postgame analyst for the upcoming NBA season.

Crean will share the role with Rebekkah Brunson, the five-time WNBA champion and current Minnesota Lynx assistant coach. Together, the pair will bring a mix of high-level coaching experience and player insight to FanDuel’s Timberwolves broadcasts.

“We’re thrilled to welcome Tom Crean to the Timberwolves broadcast team,” said Larry Holm, FanDuel Sports Network’s Vice President of Production overseeing live NBA coverage. “His coaching pedigree, passion for the game, and experience behind the mic will add a fresh perspective to our coverage and offer engaging analysis for Timberwolves fans.”

A respected figure in the college basketball world, Crean spent more than two decades on the sidelines with head coaching stops at Marquette, Indiana, and Georgia. He developed several future NBA standouts over that span, including current Timberwolves All-Star Anthony Edwards, whom he coached during Edwards’ lone season at Georgia. That connection, FanDuel executives say, should give fans a unique perspective on the young star’s evolution and leadership.

In addition to his coaching career, Crean has become a recognizable face in broadcasting circles. He has worked as a college basketball analyst for ESPN and NBC Sports, earning a reputation for combining deep strategic knowledge with an energetic, conversational delivery. His ability to break down complex schemes and player development stories made him a popular voice among viewers.

FanDuel Sports Network, which will televise and stream 65 Timberwolves games during the 2025–26 season, continues to bolster its on-air roster as it expands its regional sports footprint. The network’s regular season coverage begins Wednesday, October 22, when Minnesota opens against the Portland Trail Blazers at the Moda Center.

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Longtime NPR Host and ‘Founding Mother’ Susan Stamberg Dies

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Susan Stamberg, who spent decades working at NPR and was known as one of the “Founding Mothers” of the network, has died at the age of 87.

She spent more than 50 years working for the organization, announcing her retirement earlier this year before her final day on September 1st.

Susan Stamberg originally joined NPR in 1971. She later became the first woman to anchor a national nightly news program, as she hosted All Things Considered for more than a decade before shifting her attention to Weekend Edition Sunday.

During her long tenure with the outlet, Stamberg has been routinely recognized for her work. She is a member of the Broadcast Hall of Fame as well as the Radio Hall of Fame. She also has a star on the Hollywood Walk of Fame.

“A true humanitarian, she believed in the power of great journalism,” Stamberg’s son Josh said in a statement. “Her life’s work was connection, through ideas and culture.”

“Few figures have informed the sensibility of NPR more than Stamberg,” NPR’s David Folkenflik said of his former co-worker. “Colleagues considered her a mentor, a matchmaker, a founding mother — always tough, and always true to herself.”

In her most recent role with the outlet, Stamberg served as a special correspondent for NPR, mainly covering arts and humanities. She is survived by her son, and granddaughters Lena and Vivian.

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ESPN NBA Analyst Bob Myers Leaving the Network for New Sports Management Role

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Former Golden State Warriors general manager Bob Myers is leaving ESPN to take on a major new challenge as president of sports for Harris Blitzer Sports & Entertainment (HBSE), giving the championship architect the chance to work across multiple leagues and global franchises. Myers will step into a full-time role overseeing strategic growth and operational alignment across HBSE’s diverse portfolio, which includes the NBA’s Philadelphia 76ers, the NHL’s New Jersey Devils, Premier League club Crystal Palace F.C., and an investment stake in NASCAR’s Joe Gibbs Racing.

According to a report by Adam Schefter, Myers will continue to advise Washington Commanders managing partner Josh Harris, who also co-owns HBSE, after helping establish the framework of the NFL team’s current leadership group. That effort included the hires of general manager Adam Peters and head coach Dan Quinn earlier this year.

Despite the addition, HBSE said there will be no changes to the existing reporting structures for its individual properties. The presidents of basketball and hockey operations for the 76ers and Devils will continue to report directly to ownership.

Myers will remain based in California but will travel regularly to the organization’s properties and events on the East Coast and abroad.

“Our goal has been to hire, grow, and retain the best and brightest executives in the world, and we are a stronger, more dynamic organization with the addition of Bob Myers,” Harris and Blitzer said in a joint statement. “His experience as an architect of championship teams will complement our leadership structure and allow HBSE to maximize opportunities across our portfolio.”

For Myers, the move represents the kind of multifaceted, global opportunity he had been seeking since leaving the Warriors in 2023.

He spent the first 14 years of his career as a player agent before joining Golden State’s front office in 2011. Over 12 years, Myers helped build a dynasty, winning NBA titles in 2015, 2017, 2018, and 2022 while twice earning NBA Executive of the Year honors. After stepping away from the Warriors, Myers joined ESPN as a basketball analyst, appearing on the network’s pre- and post-game coverage throughout the 2023–24 season.

“I’ve always admired how Josh and David have built such an impressive global sports portfolio,” Myers said to ESPN. “This role offers the opportunity to collaborate with talented leaders across the world’s biggest sports leagues and to create competitive advantages for our athletes and teams. That’s exactly the type of challenge I was looking for.”

Myers also thanked ESPN executives Bob Iger and Jimmy Pitaro, along with his colleagues at the network, for what he called “an incredible experience” during his time there.

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Sitting at the Intersection of Loyalty and Curiosity With Rover

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Shane “Rover” French started his radio career when he got hired for a hybrid position as a part-time air talent and webmaster for Alternative KXTE/Las Vegas better known as X-treme Radio. Today, a hybrid position that splits time between online and on-air isn’t uncommon. It was in 1996 though when station websites were still a new thing, and most people were still on dial-up for their home internet.

Since then, his career has included stops in Knoxville, Denver, and Seattle before landing in Cleveland 23 years ago. He has delivered giant ratings on the air ever since. Talking to him about the sustained success, his observations primarily focus on a few key elements: loyalty, curiosity, and technology.

Loyalty

It all starts with Cleveland. While the show is syndicated, the home base is incredibly important because of the makeup of the area. “It’s a working class city that is incredibly proud,” Rover says. “And, almost to a fault, if you show loyalty to this city the people here will be loyal to you.” That helps give him a clear goal every morning. “We just want to serve them something great on their way to work every day.”

In return, the show has built up an extremely loyal and active fanbase. While that is, for the most part, a great thing, it can be challenging having people that are so engaged. “Even the people who hate me are very vocal.”

The theme of loyalty also extends to his team. Several have been together for most of the 23 year run. The group includes co-hosts Duji and Jeffrey, Video Director Anthony Snitzer, Sound FX maven Charlie and Phone Screener Krystle. They have a purposely diverse set of views which gives him the latitude to take on all sorts of topics.

“You need those different points of view because even if you aren’t talking about politics a lot of things get filtered through that lens of us versus them or conservative versus liberal,” he explained.

On the topic of loyalty, he credits one other group that has contributed to the show’s success: the iHeartRadio team. He admits to having some initial trepidation about joining the company but is grateful he did. He’s found everyone to be incredibly supportive. “The partnership we have has provided me and the team the luxury of weathering recessions, pandemics, and everything else that’s gone on. That’s something I’m very appreciative of.”

Curiosity

Another part of what has made the show in Cleveland so successful are the stops Rover made at other stations along the way. By the time he got to Cleveland Rover had worked in multiple cities and various dayparts. He was a self-proclaimed radio rat, listening to a lot of other morning shows. But this time his approach was different. “It’s the first time I really found my own voice and had the comfort level not to regurgitate what I’d heard other people doing,” Rover says. “I decided to talk about things that I’m interested in. Whether it works or not it would be something I believe in.”

In many ways that distinct voice is driven by his curiosity about the world. “News and current events genuinely interest me so it’s not a chore to keep up to date,” says. “Whether we talk about it on the show or not I’ve read about it.” And that appetite feeds into preparing for the show.

Every day when he or the cast see things in the news, online or in their personal lives that might make good content they drop ideas into an online system that Rover curates. He then carefully slots topics into the show, something he admits he can get obsessive about. “We will consider what we talked about at a certain time, say 7:15, and be sure to slot something different there the next day,” he explains. “Not just a different topic but not even the same tone. If it was something weightier at that time we’ll be sure to do something ridiculous there the next day.”

What content makes the show has changed a lot over the years. Early on, he says, everything on the show would have been labeled as “shock jock” material. And while some things never change, “fart jokes still make me laugh,” other things have. “The show has evolved because I have matured a little bit. But I do think the audience has also matured some as we’ve grown up together.”

For example, in the early days having the staff do crazy stunts — including a weekly feature called Dare Dieter where co-host Dieter would literally take dares from the audience — was a major part of the show. But now, with Rover’s “maturity” and Dieter recently leaving the show there are still stunts, just not as often. “A little bit of that goes a long way,” he says. “We can sprinkle that in and get a lot of mileage without having to be trying to literally light people on fire every day to stand out.”

In turn he’s more apt to take on weightier topics alongside some juvenile fun. There is a secret to their approach though, the center of the show is always Rover and the crew. “I always tell the team to make it about us because the audience has invested twenty years in us and what’s happening in our lives.” He adds that it’s important to remember they are talking about things going on in the news. However, they are not a news show. “We have spirited debates. I hope they are entertaining but it’s important to ask how that relates to me,” Rover says. “That’s what makes the connection to the audience. You have to be relatable as people.”

Technology

Another thing that sets Rover’s Morning Glory apart from other shows is the way they have embraced technology, often creating things in house that make the show unique. It started early on with the show’s website that had chat rooms and forums to help listeners engage. “That was more than 20 years ago before social media when not every audience had that access,” notes Rover.

Now a lot of that functionality is rolled up in the show’s mobile app, but Rover hasn’t stopped innovating. He’s preparing to roll out an update to their in-house text platform so that when people send in comments, he can press a button that sends back a note saying he’d like to talk with the person on the air.

“The audience is a very integral part of what we do every day,” he explains. But ever since Covid he’s found that the volume of actual calls has dropped off with people preferring to text. Not wanting to lose that element of the listener’s voice from the show, he developed this addition to the text platform hoping to bring callers back.

The new system will also enable people to create a profile by adding a name, and even a picture to their number so when they send a text Rover and the team can refer to them directly instead of generically. That information also feeds directly to the video producer handling RMG TV, the live streamed video simulcast of the morning show that launched in 2012.

So, when the show is talking about the comment, that person’s name and picture along with what they said can be pushed to the video feed and appear on screen for people watching. “I think that extra touch will help engagement and make people more likely to be repeat participants because they are being recognized on air and on the video feed.”

I asked if having a video simulcast of the show negatively impacts the show’s Nielsen ratings. Rover says with thirteen years of data he can unequivocally say no. It’s exactly the opposite. The video helps keep listeners engaged. “We see higher tune-in to the radio earlier in the morning. It really spikes from 6:30 to 7:30.” Then, he says, the RMG-TV metrics start to pick up around 8am as people get to work or whatever they are doing. “It’s actually complimentary.”

He says a lot of listeners can only tune in for a short period of time in the morning, but analytics show many fans turn on the video replay in the afternoon or evening to catch up on the rest of the show. “The lesson is to do what you can to keep those people in your orbit. Whether it’s the radio show, the app, the iHeartMedia podcast, or RMG-TV, that constant exposure is going to be good for your ratings.”

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Why Clients Who Think Radio Advertising is Dead Are Dead Wrong

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I wrote this article with the hope that as a professional in radio, you will use what I’m about to say with your own naysayer clients. You know the ones who present you with all the reasons they don’t buy “traditional radio.”

The truth is many marketing managers love to bury radio. Every time a new platform comes along, the eulogies start pouring in. “Nobody listens anymore. Everyone’s on TikTok. Radio advertising is outdated.” Yeah whatever – cute story – but completely inaccurate and downright false. Radio has supposedly been “dying” for decades, yet here we are approaching 2026 and it still reaches more people every week than streaming, podcasts, or connected/cable TV.

So, if clients are still brushing off radio as irrelevant, let’s be blunt – the problem isn’t radio. The problem is them! And if you sell radio – please don’t sell it down the river.

Here is some fodder to keep you firmly on board. Before I seemingly go off on digital marketing, I need to be very clear. I’m a fan of digital. I completely believe in the power it has. I mean we sell digital advertising! It’s not perfect though. I just don’t believe its value and strength should come at the expense of the inherent power of radio.

Radio has true, inarguable reach making real impressions every moment, while digital is known to micro-target and in reality, a portion of ads never even reach a human. Bots, ad blockers, and algorithms eat some campaigns alive. Meanwhile, radio is still connecting with anywhere from 83-89% of U.S. adults every week, depending on which study you’re reading. It would be difficult to chalk that up to “niche” when that’s just “dominance”. Radio doesn’t need to be “programmatic” to deliver – it delivers organically and it just works.

The local businesses you call on depend on a real-world, local community and radio is the singular, no-BS way to connect. No filters, no endless targeting menus, no algorithmic impressions. An ad on a local radio station lands in the ears of the people who live, work, and spend money in your area. That’s called efficiency. I doubt anyone would say those ears may not be human!

Radio listeners don’t “scroll past” or “skip” the ads. We all know what happens to most online ads. Heck, most of us skip, mute, swipe, or ignore them. Radio doesn’t give listeners that easy out. It’s in the car, in the kitchen, in the office. The message plays – period! It gets heard – period! And the most creative audio campaigns stick in people’s heads for weeks – TWO PERIODS!! (Ok, those are exclamation points, but you get the idea.)

Radio hosts already have what digital influencers can only hope to create. Today’s digital influencers build what have become known as “parasocial relationships” with their fans. Google defines that as, “a one-sided, emotional connection an individual forms with a media personality (like a celebrity, public figure, or fictional character) who remains unaware of their existence.” Hey! Guess what? Radio hosts, jocks, and personalities perfected that long before there was such a thing as social media.

Plain and simply put, people trust the voices they hear every day on their commute and if clients invested in endorsements with a host telling listeners why their brand is “legit”, that’s influence with staying power, not just a passing hashtag.

Radio has and always will be inexpensive, fast, and nimble. Want to tweak the offer? Change the copy? Drop in a new promo tomorrow? Radio lets you do it. Go ahead and try that with a video campaign that eats your budget in production costs before they ever go live.

Finally, I really get tired of hearing, “Radio doesn’t deliver the same type of data that digital does.” That is 100% correct! Radio delivers the most important kind of data that every business owner banks on to track revenue and growth. Their Cash Register!

In the end, the smartest of marketers don’t ask, “radio or digital?” They use both. Radio creates familiarity. There is no tool better for branding and creating awareness. Digital delivers the follow-up and empowers you with terrific transactional momentum. You hear a spot on your way to work, then see the same brand in your Instagram feed later. That’s how repetition builds recognition, and that recognition leads to sales. Radio & Digital are the perfect one-two punch.

Radio isn’t outdated. Lazy thinking is. If clients are ignoring a medium that still dominates reach, owns local markets, and delivers affordable impact, they’re not “innovative” – they’re leaving money on the table. Radio is scrappy, affordable, and shockingly effective.

So go ahead and let them keep chasing shiny new platforms if they want. The marketers who understand radio’s power? They’ll still be here cashing the checks while the others are waiting for their “viral” campaign to actually, go viral.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.