Earlier this week, Tucker Carlson released an interview with Nick Fuentes, the highly controversial political commentator.
On Thursday, Heritage Foundation President Kevin Roberts released a statement backing Carlson, which drew plenty of reactions from conservative news media members.
Roberts noted that there had been speculation that the foundation would be “distancing” itself from Tucker Carlson in the aftermath of his interview with Fuentes. Fuentes is a self-identified Christian nationalist. The 27-year-old has more than 1 million followers on social media, and his views have been viewed as antisemitic, homophobic, racist, and Islamophobic. Nick Fuentes is perhaps most known as the largest critic of Charlie Kirk and his Turning Point USA organization.
In the video statement, Robinson shared that it is firmly against “cancel culture.”
“The Heritage Foundation didn’t become the intellectual backbone of the conservative movement by canceling our own people or policing the consciences of Christians,” he shared. “And we won’t start doing that now.”
Roberts added that Tucker Carlson “is, and always will be, a close friend of the Heritage Foundation.”
Those comments drew strong reactions, from both sides of the coin, from conservative radio, podcast, and TV hosts.
I don’t need @Heritage to condemn #TuckerCarlson, but nor do I need them to attack conservatives lamenting the caricature that he has become. It is a time to choose. Tucker, not his critics, are the threat to #MAGA progress. My choice is to ignore him and his amen chorus. https://t.co/ZS6TBo98AW
This is a hostage video. I love @KevinRobertsTX and cannot imagine why he made it. Tucker should be ASHAMED of platforming a truly evil figure like Nick Fuentes. ASHAMED. And he should be told that by anyone who cares about him. #Repentancehttps://t.co/sDhLSmh3og
This whole video is based on the assumption that "the interests of American citizens" doesn't include Blacks and Jews who oppose the normalization of racism and the inclusion of Nick Fuentes in the conservative movement. Nauseating, repulsive stuff from @KevinRobertsTX. https://t.co/WVNgVFYSnN
The problem is we all saw Tucker grill @tedcruz. We know he is capable of asking tough questions. He chose to bring on a antisemite denier of the Holocaust, having previously brought on a Hitler apologist, and asked softball questions. There’s a problem. https://t.co/DEAZFpgJm2
My team has reached out to @KevinRobertsTX and invited him to join me on air tomorrow.
I’ve hosted things for Heritage before and still have the Salvatori Prize certificate they sent during the height of the tea party. This discussion is needed and I want to hear from them. https://t.co/oGlKJyANnJ
I’m saddened by this division. We can call out bad ideas, bad guests, bad question lines without becoming what we used to despise. More on radio and the podcast tomorrow. https://t.co/nMMECkTGCm
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850 KOA in Denver is moving Ross Kaminsky from middays to morning drive as part of a lineup shuffle at the iHeartMedia news/talk station.
Kaminsky will move to the 6-9 AM daypart alongside existing co-host Jeana Gondek for Ross Kaminsky on the News with Jeana Gondek.
He will step into the daypart with Gondek, who was previously paired with Marty Lenz. Lenz exited the station after seven years amid widespread iHeartMedia layoffs earlier this month. Gondek will continue to host an all-news focused show from 5-6 AM, while the station will now employ a talk show format with Kaminsky driving the conversation.
Previously, Kaminsky was heard from 9 AM to Noon.
In a post on social media, Kaminsky shared that he’s excited for the endeavor.
“This will be the first time in decades (or maybe ever, I really don’t know) that KOA has a talk show in morning drive,” Kaminsky shared.
So excited to be moving to 6 AM to 9 AM on @KOAColorado starting Monday 11/10. This will be the first time in decades (or maybe ever, I really don't know) that KOA has a talk show in "morning drive."
We'll keep bringing you plenty of news but now we're do it in a show that also…
Replacing him in middays will be Michael Brown. Brown moves to 850 KOA after previously hosting at sister-station 630 KHOW.
“KOA has long been a trusted voice for Colorado news and talk, and I’m excited to continue that tradition diving deeper into the issues that impact our listeners — with a mix of insight, experience, and a little humor,” said Brown.
“KOA’s new lineup brings together some of the most trusted and engaging voices in Colorado radio. Ross and Jeana make an incredible morning team, and Michael’s move strengthens KOA’s position as the go-to destination for news, talk, and sports,” added iHeartMedia Rockies Region Senior Vice President of Programming JoJo Turnbeaugh.
The changes to the iHeartMedia news/talk station’s lineup will take place on Monday, November 10th.
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Halloween is a time for sports media members to kick back, have a little fun, and dress up in a costume during the workday. And the industry did just that on Friday.
Between elaborate Halloween costumes, theme costumes for entire shows, random ensembles, and downright scary-how-similar costumes, many in the industry took the opportunity to celebrate Halloween before the doldrums of winter hit by showcasing their outfits on social media.
Halloween brings out the kid in all of us, no matter the trick or treat! The Barrett Media staff has assembled those who dared to share their costume via social media.
Have a happy and safe Halloween everyone!
Phil Jackson, Dennis Rodman (marrying himself), Michael Jordan – triangle offense 🎃 pic.twitter.com/aiHiGfJU7b
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NBC Sports is doubling down on its commitment to horse racing, extending its exclusive U.S. media rights to Royal Ascot through 2028 as part of a new multi-year agreement with Ascot Racecourse in Berkshire, England. The deal ensures American audiences will continue to experience one of the sport’s most prestigious global events across NBC’s linear and digital platforms.
NBC Sports has televised the Royal Meeting since 2017, and the renewed partnership guarantees continued live coverage of all five days of racing each June. More than 20 hours of coverage will air across NBC and Peacock, with streaming available throughout the week and NBC simulcasting Saturday’s finale.
Beginning in 2026, the network plans to expand its presentation to spotlight Royal Ascot races designated as part of the Breeders’ Cup Challenge Series. Those races serve as “Win and You’re In” qualifiers for the Breeders’ Cup World Championships, offering a direct connection between two of the sport’s marquee events.
“We are excited to continue our partnership with Royal Ascot to showcase their incredible racing and pageantry each June, while connecting the event to the Breeders’ Cup World Championships,” said Gary Quinn, Vice President of Partnerships and General Manager of Owned Properties for NBC Sports. “The Breeders’ Cup is the focus of the sport as the season concludes each fall.”
Ascot Racecourse CEO Felicity Bernard praised the partnership’s success and its growing international reach. “Showcasing Royal Ascot around the world is so important for our brand, so we are thrilled to extend our successful partnership with NBC Sports,” Bernard said. “The team does an amazing job of bringing the stories to life and sharing the magic of the week with American viewers.”
The Breeders’ Cup also welcomed the expanded collaboration.
“Royal Ascot is one of the sport’s most storied stages, and we’re proud to expand our collaboration with such a globally revered event and our partners at NBC Sports,” said Drew Fleming, President and CEO of Breeders’ Cup Limited. “At its core, the Breeders’ Cup is about bringing the world together through a shared passion for Thoroughbred racing.”
Royal Ascot remains one of the world’s most prominent racing events, attracting elite horses from across the globe to compete for more than $13 million in prize money. The five-day meet features 35 races, including eight at the sport’s highest Group One level.
NBC Sports’ Royal Ascot coverage complements its growing horse racing portfolio, which also includes exclusive broadcast rights for the Kentucky Derby, Preakness Stakes, Breeders’ Cup World Championships, and Pegasus World Cup Invitational Series.
NBC Sports and Royal @Ascot, one of the world's most prestigious horse racing meets, partner on multi-year media rights extension
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Late Thursday evening, a report surfaced that Gayle King was set to exit CBS News as part of the company’s shuffles after widespread layoffs. But the network is now denying that report.
King has led the CBS Mornings show for more than a decade. She originally joined CBS News in 2011 before moving to the network’s morning show in January 2012.
Her exit has been tied to the news division’s reshuffling, as new owner Paramount Skydance and new Editor-in-Chief Bari Weiss attempt to reshape that arm of the company.
The reports shared that CBS News had decided to move away from Gayle King and reshape the morning show that has continually lagged behind ABC’s Good Morning America and NBC’s Today.
However, in a statement, the network has denied that it has made any decisions about her or the show’s future.
“There have been no discussions with Gayle about her contract that runs through May 2026,” a statement from the network read. “She’s a truly valued part of CBS and we look forward to engaging with her about the future.”
The reporting that King would exit comes after the network laid off Dana Jacobson and Michelle Miller, the hosts of the weekend morning show for CBS News. It also ended the streaming companion show for CBS Mornings as part of cost-cutting measures from Paramount Skydance in hopes of slashing $2 billion from the operating budget.
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Netflix is reportedly weighing a major acquisition that could reshape the streaming landscape. According Reuters and multiple sources familiar with the matter, the company has retained a financial advisor and gained access to financial information as it explores a potential bid for Warner Bros Discovery’s studio and streaming businesses.
According to the report, the streaming giant has tapped investment bank Moelis & Co — the same firm that advised Skydance Media in its successful pursuit of Paramount Global — to help assess the opportunity, two sources told Reuters. In addition, Netflix has been granted access to Warner Bros Discovery’s data room, providing the detailed financial information typically shared with prospective buyers.
Neither Warner Bros Discovery nor Moelis commented on the report by Reuters. Netflix also did not immediately respond to a request for comment.
Should a deal move forward, the acquisition would dramatically expand Netflix’s reach in film and television. Warner Bros Discovery controls a treasure trove of intellectual property, from the Harry Potter and DC Comics franchises to a prolific TV studio responsible for producing Netflix originals such as You, Maid, and Running Point.
Bringing those operations in-house would give Netflix ownership of both the content and production pipelines behind some of its most successful programming.
The deal would also potentially include HBO and the Max streaming platform, adding a slate of acclaimed dramas and expanding Netflix’s premium content library. However, it appears unlikely that the company would pursue Warner Bros Discovery’s traditional cable networks — including CNN, TNT, Food Network, and Animal Planet — given Netflix’s long-standing aversion to legacy television holdings.
“We’ve been very clear in the past that we have no interest in owning legacy media networks,” Netflix co-CEO Ted Sarandos said during the company’s third-quarter investor video last week. “There is no change there.”
The timing of Netflix’s interest comes as Warner Bros Discovery weighs significant strategic changes. The company confirmed last week that its board is evaluating multiple unsolicited offers, including one from Paramount and Skydance, while also considering whether to proceed with a previously announced plan to split its studio and television divisions.
Meanwhile, Comcast President Mike Cavanagh told investors Thursday that his company continues to assess “complementary” media assets, suggesting a broader wave of consolidation could be coming to the entertainment industry. Cavanagh also pushed back against skepticism about regulatory hurdles, saying “more things are viable than maybe some of the public commentary that’s out there.”
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In another high-stakes standoff between media giants, Disney has pulled its entire slate of channels — including ESPN, ABC, FX, and National Geographic — from YouTube TV after the companies failed to reach a new distribution deal before the deadline.
The dispute, which centers on carriage fees and contract terms, leaves millions of YouTube TV subscribers without access to some of the most-watched sports and entertainment programming. It also underscores the growing tension between traditional content owners and digital distributors as streaming economics continue to reshape the media landscape.
“Despite our best efforts, we have not been able to reach a fair deal, and starting today, Disney programming will not be available on YouTube TV,” the company said in a social media statement.
In a blog post last week, YouTube TV accused Disney of proposing “costly economic terms that would raise prices on YouTube TV customers and give our customers fewer choices.” The service, owned by Google, said it had been negotiating for months to keep Disney’s networks available but was unwilling to accept what it described as “unfair” increases.
Disney, meanwhile, fired back in statements to The Wall Street Journal and Reuters. Saying Google “is using its market dominance to eliminate competition and undercut the industry-standard terms we’ve successfully negotiated with every other distributor.” The company did not immediately respond to further media requests for comment on Thursday.
Among the networks now dark on YouTube TV are ABC, ESPN, FX, Freeform, Disney Channel, National Geographic, and the ACC and SEC Networks. Spanish-language feeds including ESPN Deportes, Baby TV Español, and Nat Geo Mundo were also removed.
To offset the blackout, YouTube TV said it will offer subscribers a $20 credit if Disney channels remain unavailable “for an extended period of time.” Though it did not specify how long that period might last.
This marks the third time in two months YouTube TV has found itself at an impasse with a major media company. The service narrowly avoided blackouts in separate disputes with both Fox and NBCUniversal earlier this year. With each case ultimately ending in a last-minute deal.
Members, when we renew our contracts with network partners, we advocate for fair pricing to offer you the best TV experience. Our contract with Disney has reached its renewal date, and we'll not agree to terms that disadvantage our members while benefiting Disney’s TV products.
Despite our best efforts, we have not been able to reach a fair deal, and starting today, Disney programming will not be available on YouTube TV. This means you will no longer be able to watch channels like ABC and ESPN or access recordings from these networks in your Library.
We know how disruptive it is to lose channels you enjoy, and we’re committed to continuing to work with Disney to reach an agreement. If their content is unavailable for an extended period of time, we'll offer our members a $20 credit. For updates, visit https://t.co/fn10CU7gfP.
If you're a YouTube TV customer, you may lose access to ESPN's networks, including CFB, NFL and NBA games on ESPN and ABC. Go to https://t.co/7Rt52TtDUR now so you don't miss out. pic.twitter.com/pedTniPUUE
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Connoisseur Media is doubling down on its commitment to live, local radio in suburban Chicago, reuniting several beloved personalities across its “Star” branded stations. Beginning Monday, November 3, 2025, listeners from Crystal Lake to Joliet will hear familiar voices return to their morning routines — and the company hopes the revamped lineup will deepen its community ties.
At Star 105.5 in Crystal Lake, longtime fans will once again Wake Up with Joe and Tina. Joe Cicero is returning to the show that helped define his career, rejoining co-host Tina Bree in morning drive. The duo built a loyal following over the years. Blending their mix of relatable banter, local storytelling, and a playlist that blends 1990s favorites with hits from today.
“After moving here almost 16 years ago to start mornings on Star 105.5, it was more than a radio show,” Cicero said. “This was a way to connect with so many people. Starting with Tina and others who’ve become some of my best friends. I’m looking forward to fun-filled mornings and making new friends.”
Bree echoed that enthusiasm, adding, “I’m beyond excited to be back in the mornings and to hear ‘Wake Up with Joe and Tina’ again! There’s a new vibe in the studio as we grow our connection with the community. Plus, we have a whole lot of laughter waiting to be shared!”
Down the dial at Star 96.7 in Joliet, another familiar Chicago voice is returning to the airwaves. Veteran personality Eddie Volkman is stepping back into the morning drive chair. Marking a homecoming for the broadcaster who spent years entertaining Windy City audiences.
“I’m thrilled to be back in morning drive where I spent so many years in my career,” Volkman said. “With the acquisition of our company by Connoisseur Media, you can feel the energy and enthusiasm everywhere in the station. We’re going to do radio the best way I know how — live, interactive, and local.”
Afternoons will feature the return of Hannah B. to PM drive on both Star 105.5 and Star 96.7. While Jillian Dugan takes on middays across both signals and adds on-air contributions alongside Volkman in the mornings. Evenings will showcase Erik Zachary, who is returning to his original night slot.
“This new lineup reflects everything Connoisseur stands for — live, local, and full of heart,” said Kathleen Cahill, Market Manager for Connoisseur Media Chicago.
Operations Manager Gordon Mays added, “Eddie V. is one of the most recognized and respected names in Chicagoland radio. Having him back where he belongs in mornings just feels right.”
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The Radio Hall of Fame held its annual induction ceremony on Thursday night. The Swissotel in Chicago, Illinois served as the location for this year’s event, where the radio industry’s best were recognized for their contributions. In attendance for the evening were Glenn Beck, Clay Travis, Katie Neal, John Jay & Rich, Fred, Jamie Horowitz, Dan Mason, and numerous executives, programmers, agents, and business professionals. Photos from the event will be posted on Friday on RadioHallofFame.com.
This year’s event will be re-broadcast as a special two-hour show on a ton of iHeartRadio stations and SiriusXM. It will air Friday, Saturday and Sunday. Visit the hall of fame’s website for further details.
Kraig Kitchin and Dennis Green set the scene before recognizing 8 radio legends who received induction. Honored with a special video were Richard Burden, Joanne Church, Jed The Fish, Irna Phillips, Steve Smith, Amos Brown, Don Wade, and Dale Somers.
Kim Komando then took the reins as host, welcoming everyone to the show. She shared a great story about the risk she took leaving behind a high paying job in tech in the 90’s for a $50 per week Saturday night show in Phoenix on KFYI. Komando made the point that radio is hard but when it’s in your blood, you don’t stop. Those who stick with it and become great at it, sometimes even reap the reward of being inducted into the radio hall of fame.
Julie Talbott
Following a video introduction from Buck Sexton and Clay Travis, Premiere Networks’ President Julie Talbott took the stage to start the ceremony. Julie kept it short and sweet, expressing her gratitude for being recognized, thanking her talent and team for the key roles they’ve played in helping her succeed. She shared how much she loves and believes in radio, and thanked her family and all in attendance for their support.
Tom ‘Mojo in the Morning’ Carballo
After a great video introduction from his son and Tampa radio host Joe Carballo, Mojo accepted his honor. He began by sharing how proud he was as a father of his kids. Tom then gave a shout out to his first audience in Illinois, Tod Kavanaugh, and Art Vuolo. He thanked Bob Pittman for bringing the fun back to radio, telling a great story of how Bob took him on a sales call to General Motors because the CEO was a regular listener to his show and it showed Tom that what he was doing mattered to iHeart.
The 2025 Radio Hall of Fame inductees and host, Kim Komando
Mojo then offered thanks to Randy Michaels, Brad Hardin, Tim Richards for their influence on his career. He explained how proud he is to be the longest running morning show in Detroit and work on a great radio station in Channel 955 with an awesome group. Tony Travatto was highlighted as well for his ability to be a mentor, friend, and incredible programmer.
Tom apologized to his sons for being open about them on the air but thanked them for not holding grudges and loving their dad. He recognized his brother in-law Scott for helping him through contractual situations, dedicating his induction to him. Mojo finished with an emotional story, sharing that his wife Chelsea was diagnosed with ovarian cancer a month after learning he was going into the radio hall of fame. He expressed how much his wife means to him, and told her, ‘you will win, and we will win as a family’.
Martha Quinn
iHeartMedia CEO Bob Pittman appeared on video, sharing what’s made Martha Quinn special throughout her career, detailing how she got her break at MTV. Martha then took the stage, and opened up by talking about her early relationship with Pittman.
Martha discussed her entry into radio, which started in high school and continued in college, before she earned a break with MTV. She thanked iHeart for their support, crediting Jon Zellner, Brad Hardin, and Tom Poleman for setting her up for success. Quinn shouted out her homebase crew in San Francisco, as well as her husband, providing insight on how involved he is in helping her craft the show.
The sparks of genius from the musicians Quinn has had the opportunity to showcase were next to receive acknowledgement including Alice Cooper. Martha explained that singing the hook ‘school’s out for summer’ at the top of your lungs just feels good, and is therapeutic. After recognizing Kraig Kitchin, Dennis Green and the Radio Hall of Fame for uniting the industry and recognizing her work, Martha closed by directing a final message to The Bungles, famous for the song ‘Video Killed the Radio Star’. Quinn remarked, ‘it looks like video didn’t kill the radio star.’
Alice Cooper
The Rock and Roll legend and host of ‘Alice’s Attic’ spoke next. Alice opened by thanking the audience for the kind ovation, joking that it’s especially impressive because everyone’s parents hated him. Cooper then shared how he fell in love with radio early on, but didn’t explore the idea of doing it until he met Dick Clark. During a conversation, Clark asked him ‘if you had a radio show, what would it be?’ He said, ‘let’s take it back to 1968 where DJ’s played what they wanted to play, and said what they wanted to say.’
Barrett Media’s Stephanie Eads with Alice Cooper
Cooper shared how he understood the importance of following a playlist but also needed to have the freedom to play things that mattered to him. He explained how doing shows remotely using Pro Tools made it possible for him to stay consistent. To this day, it’s one of the things he enjoys most, even after 20+ years.
Alice talked about radio’s importance in growing artists, and being the heartbeat of the music industry. He thanked Steve Smith, Andy Denmark, Eric Faison, and a number of people involved with making the show possible. Cooper pointed out how his relationships and experiences have helped guide his storytelling abilities, sharing that the bigger the music star, the nicer they were. As a result, he’s tried to remember that and lead his life the same way.
DeDe McGuire
DeDe started by sharing that she was 19 when her career started. She was a receptionist first before landing her first job at KIIZ in Killeen, Texas. McGuire said she knew the second she started behind the mic that she had a platform that could change people’s lives, and it did something to her and made her want to do more of it. She mentioned how it’s not always easy for women in radio, but she’s now going into the radio hall of fame so it can be done.
DeDe sees her job as talking to people every day and giving them something to think about. Sometimes that involves making them laugh, discussing important issues, and in some cases, providing hope. Growing up, McGuire said she and her brother would drive an hour to get coffee and donuts and listen to Tom Joyner, and it influenced her desire to pursue the path.
Waking up at 3am hasn’t always been easy, but McGuire understood her assignment and responsibility. She thanked Compass Media Networks and various others for their support, including Don Anthony for giving her a platform at Morning Show Bootcamp, which led to earning a syndication deal with Compass. DeDe then thanked her agent Steve Mandel, joking that he’s been with her longer than her husband.
In closing, DeDe singled out her mother and the way she raised her and her brothers to think outside the box. She then thanked her husband, the Radio Hall of Fame, and Thea Mitchem, before dedicating the award to her brothers and sisters.
Bob and Sheri
The longtime syndicated duo took the stage and opened up by sharing how they’ve built a connection with their audience, making them feel a part of the inside jokes. Among them is a long running bit around their manager Tony Garcia being cheap. Because their audience was so familiar with it, a group of listeners formed a Facebook group and crowdfunded their trip to the hall of fame, raising $12,000. They also bought the full page ad in the Radio Hall of Fame program, and arranged for special gifts to be delivered to them.
Sheri remarked that the room they’re in needs to be bigger because there are about a million people who have given them their careers. She shared that they don’t call their listeners an audience, they call them their community and family, and build relationships with them.
Kraig Kitchin and Dennis Green welcome all to the 2025 Radio Hall of Fame induction ceremony
Though they’ve worked together for a long time, Sheri pointed out that this is her first and only radio job since getting involved. She shared a story of how her first boss was removed from the building by armed security a few weeks after she started, and he used to refer to her as ‘little girl’. But little girls grow up to co-own the company that creates and delivers the programming said Sheri.
The duo then thanked their families for their love and support, and their team that has been with them for years. Sheri said they never dreamed of getting into the Hall of Fame because it’s something that just happens to you, and when it does, you’re simply grateful. Bob closed by reminding the room of how important great talent is to building great brands before Sheri thanked everyone for welcoming them into the Radio Hall of Fame.
Colin Cowherd
Following an introductory video from Bob Costas, Colin Cowherd took the stage. He opened his speech with a true story, sharing how he worked for a gentleman named Tom Baker in Portland, Oregon. Colin said Tom was cheap and liked to call himself frugal, and at that time, Cowherd was doing local TV and radio, making $36,000 per year to host afternoons, and the ratings were very good. He went to Baker at the end of his deal asking for a raise, and was told the station could only pay him $37,000 otherwise they’d have to turn the lights off because the station wasn’t profitable.
After hearing the response, Colin told Baker, ‘Tom, I have an offer for $75,000 across the street’. Baker paused and said, ‘$80,000, not a penny more or we’ll have to turn the lights off’. Cowherd shared that he learned how to negotiate in that meeting.
Colin then took the room through his early days of breaking in, working at Airborne Express, recognizing how back then the smart people were in newspaper, the handsome people were in TV, and those in radio had eaten lead paint. He explained how radio people tend to think it could all end tomorrow, and they can be cocky when they do well, and allow outside criticism to affect them too much. Years of therapy, having kids, and receiving strong support from his wife helped Colin get to a better place.
Cowherd then shared a story of how much he enjoyed Larry King and was excited to meet him during a visit to ESPN when he learned that Larry loved his show. When they came face to face for the first time, King remarked ‘you owe me $400…you told me last week to take Tennessee and the points, and UCLA beat them by two touchdowns.’ Colin joked ‘Larry liked gambling, marriages, and radio’.
After telling a story about Condoleezza Rice being a fan of ‘The Herd’ and appreciating how he contextualizes sports, Colin delivered one of the best lines of the night. He pointed out that everyone uses the line ‘content is king’ but the truth is, people don’t want content – they want company.
He shared that some will ask him if he gets nervous going on the air, and his answer is no, but that would change if his agent Michael Klein calls and tells him ‘nobody is interested’ or if Julie Talbott calls and says ‘we have one advertiser left, Goldbaum Medicaid’. Colin then wrapped up by recognizing his crew at The Volume and thanking everyone for their support.
Mike McVay
An awesome video from Stephen A. Smith ran, alerting the room of the role Mike McVay played in reviving Stephen A.’s career. Mike McVay then took the stage, acknowledging that he was blown away by some of what Smith shared in the opening video.
Jason Barrett and Mike McVay at the 2025 Radio Hall of Fame ceremony
Mike thanked everyone in the room for their acknowledgement of his career. He singled out his family and the roles they’ve played in building and maintaining McVay Media. Longtime friend and programmer extraordinaire Charlie Cook was shouted out next. Mike scored a few laughs in the room when he shared that he and Lon Helton share Charlie’s friendship and often argue over who will read his eulogy first when he passes. McVay said Charlie believes they will outlive him.
Next, Mike moved on to acknowledge Heather Cohen and Eric Weiss of The Weiss Agency, advisors of his for the past eighteen years who have become family to him. He also recognized the ‘Friends of Mike’ tables, two tables full of accomplished industry folks who share a strong friendship with the McVay Media President.
Mike explained that he never expected to get the call to the Radio Hall of Fame. A consultant wasn’t inducted into the Radio Hall of Fame until Fred Jacobs received the honor a few years ago.
After highlighting the attendance from some of the college students in the room, Mike cautioned them not to believe the naysayers when they hear them declaring that radio is dead. McVay reminded them that the noise usually comes from those who are no longer in radio. However, industry professionals know that there has never been more ways to connect with an audience than now, and the business is still very much attractive.
McVay joked that he played Alice Cooper’s song ’18’ when he was 18, and thanked Colin Cowherd for setting an example of what great storytelling sounds like. He then sang the praises of Julie Talbott and how she uses grace, focus, and strength along with her sweet southern accent to kick ass and show what great leadership looks like.
Mike wrapped up by thanking his brother Jim, who’s no longer with us. It was Jim’s influence that made Mike want to get into radio. McVay told a story of how he and his brother would watch Cowboy Phil do his radio show in Greensburg, PA as they waited for the train. Phil would disappear at times when songs were playing, leaving Mike to wonder ‘where does he go when the music is playing?’. Jim responded, ‘they play cards, smoke and drink’. Mike decided then, he wanted to do the same.
He then wrapped up with a thank you to the Radio Hall of Fame before exiting the stage.
Additional Highlights
Longtime NPR host Scott Simon and Birmingham, Alabama radio host Shelley “The Playboy” Stewart also earned induction. Simon’s wit and Stewart’s inspirational words and emerging from his wheelchair made a strong connection with the room.
In addition, the Radio Hall of Fame ceremony included details about the new museum. To learn more, visit the HOF website, RadioHallofFame.com.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
It’s Halloween, so we’re taking a break from Ratings and Revenue and firing up a list of TheTop 10 Scariest Rock Bands, along with some participation trophies.
Lock the doors and send the kids to grandma’s, this isn’t an AC/DC list — this is stuff you can’t unsee.
Like any serious research study, methodology should be disclosed:
Not in any real order but ranked because everyone loves lists.
Bands with names that would get me fired — not considered.
Tiebreakers:
Would I want my daughters in floor seats at their concert? No.
Would I be comfortable wearing their shirt to back-to-school night? No.
Could the military use their music to scare bad guys? Yes.
Is their name alone — scary? Yes.
TheTop 10 Scariest Rock Bands2025
10.Kittie
The only band in the Top 10 with a questionable name. On the surface — you’d think beanie babies — a band our daughters might like. Nope. They sound like demons coming from under the bed. This all-female Canadian band’s growls will shake your soul.
9.White Zombie/Rob Zombie
They’re like Sydney Sweeney scary — not super gore or Satanic, but the kind of danger and fright that keeps you on your toes. “Thunder Kiss ’65,” “Dragula,” and “Living Dead Girl” are exactly what we want our special-ops guys blasting to remind real-world scary guys that if they FA they’ll FO.
8. Dying Fetus
As a parent, I’m not sure how you could tell your kids you’re in a band named Dying Fetus, but that’s not for me to worry about. Give them credit — their brand of Maryland death metal has stood the test of time and was even featured in South Park.
7. Napalm Death
Guiness World Records holders for shortest song, “You Suffer” (1.36 seconds). I wouldn’t wish death by napalm on my worst enemy, but it’s also not my band. Free tip: it’s fun to play the song and mess with people. “The boss is out, I’m going to finally play Napalm Death on the Radio, next!” At 1.3 seconds, blink and they’ll miss it.
6. Obituary
Early pioneers of Death Metal. They’re graveyard scary. The next time you’re strolling through a cemetery with your pitchfork and crosses, crank Obituary on the boombox — all the zombies will head for the hills.
5. Cradle of Filth
Makers of what Rolling Stone calls “the most controversial shirt in rock” — which led to sales bans and arrests in the UK and US. This is the type of vulgar, scary band that would make the Westboro Baptist Church levitate.
4. Slipknot
Originally conceived during late night sessions at an Iowa gas station — that’s horror making 101. Gas masks, jumpsuits, members initially going by numbers instead of names. They were one of the first to create jump scares, and they still bring legit fear. Wildly talented and brutally loud — Slipknot would sit atop this list on most other planets.
3. Behemoth
Entire countries have tried to ban them. At live shows, you’d swear they’re taking blood baths, literally. Now add burning crosses, cobra mic stands, masks and costumes that make Hollywood movie-makers jealous. Behemoth could scare Freddy Krueger into witness protection.
2. Cannibal Corpse
In some parts of the world, you must be 18 to buy their music. In other places they’re just banned. Yes, banned. If the PMRC were still active, Cannibal Corpse would be in their heavy rotation and slashing their way to the #1 slot.
1. Slayer
No band in the world would dare open for Slayer — the OGs of the OGs of scary. They were covered in blood and pentagrams way before those became hot items at Hot Topic. Their riffs and screams still haunt and even on their friendliest day, they’ll make any horror soundtrack scarier.
We could create a Top 100 list — there are so many more bands. So here are a few honorable mentions, and why they didn’t make the Top 10.
Gwar: They’re in the discussion of original scaries. They can still shock, but it’s become more of a theater show. They’re more Vegas Residency than scare the bejesus out of you.
Rammstein: They do bring it and while the spelling is slightly different, Ramstein is also an air force base — that’s a safe zone, not exactly a nightmare.
Gojira: Musically aggressive and loud, but dig deeper — they’re all about saving whales and the planet — and they played the Olympics. Not so scary.
Megadeth: Satan himself would probably haunt me if I didn’t include them. They’re loud, Mustaine’s voice can still scare kids, and they possess one of the greatest scary names of all-time, but they’re not Cannibal Corpse.
Photo Credit: Megadeth on Facebook
Lamb of God: They scare me and most would put them on the list — but lambs are cute, and God is good, so that keeps them out of the Top 10.
Cattle Decapitation: Despite their name, they’re literally vegans — and that means no Top 10. If they were meat eaters, maybe, but then Pig Destroyer, Goatsnake, Dutch Beaver and every other animal band would have to be included.
While this has been a light-hearted look at Rock’s Scariest bands, some of them are legit —straight-up, shake you to the core — Satan and sacrifice stuff. But it’s Halloween, let’s trick or treat — just light a candle first.
Now put on some King Diamond makeup and get some candy corn.
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