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Good Karma Brands CEO Craig Karmazin Remains Interested in Green Bay Packers Radio Rights Return to Company

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Good Karma Brands CEO Craig Karmazin offered insight this week into why his company stepped away from the Green Bay Packers radio network several years ago and shared his perspective on iHeartMedia’s recent decision to flip 97.3 The Game to a music format.

During an appearance on WTMJ’s Wisconsin’s Morning News, Karmazin said the move away from the Packers wasn’t a reflection on the team or the network, but rather a business decision driven by economics and opportunity.

“A few years ago, the Packers changed it [sales opportunities] and took that in-house,” Karmazin explained. “The Packers radio network sold all of those advertisements. All we had at WTMJ was the ability to sell just the commercial breaks. So, when Wayne Larrivee was saying, ‘Oh, they’re in the red zone, brought to you by…,’ we weren’t selling any of that anymore. There just wasn’t as much value for advertisers.”

He added that the costs imposed on Good Karma Brands for maintaining the rights were not aligned with the revenue the company could generate leading to the decision to part ways.

“The amount of money they wanted to charge us for it wasn’t commensurate with the value that we could bring back. Losing a lot of money in this day and age as a media company is really difficult to do. So, it just didn’t make sense. Especially knowing that between ESPN Milwaukee, The Truth, WTMJ. We have so many great content creators that we could do great pregame and postgame coverage where we could sell all of those things,” said Karmazin.

He then emphasized that the decision was grounded in financial prudence rather than a lack of commitment to Packers coverage.

“It was a lost loser,” he said bluntly. “You could argue people think you have the Packers, you’re getting rich off of that. The Milwaukee Brewers will argue much better that they should be a loss leader. The Brewers have 180 games a year. If the Packers are losing a million dollars a year for you in those 18 games. There wasn’t really an opportunity to make that back. Moving on while still providing comprehensive Packers coverage was the better move.”

Karmazin offered he knows nothing of the current agreement the Green Bay Packers radio network has with iHeartMedia. However with the recent format flip of the now defunct 97.3 The Game, which served as the flagship radio station of the Packers. Karmazin says he would “absolutely” be interested in discussions involving a return to Good Karma Brands calling the Packers “an incredible brand.”

Regarding the recent changes at iHeartMedia. Karmazin cautioned against assuming that 97.3 The Game’s format flip signals failure on the part of the staff of the radio station.

“Let’s not assume, ‘Oh, The Game is unsuccessful, so they had to do this or that,’” he said. “They’re a large publicly traded company with billions of dollars of debt. Decisions being made in Milwaukee may have nothing to do with Milwaukee at all. They may have been wildly successful at The Game, but overall budget cuts for the company may have impacted them.”

Karmazin’s comments highlight the difficult balance radio operators face between local audience service and financial sustainability. While Good Karma Brands opted to pivot away from a high-profile but financially draining property. The company continues to leverage its resources across multiple platforms to maintain strong local sports coverage.

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YouTube, Disney Carriage Agreement Ending Next Week as Both Networks Trade Statements

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Another potential carriage dispute is looming, and this time it could hit sports fans right where it hurts. YouTube TV’s deal with Disney is set to expire next week, and both sides are already posturing publicly as the deadline approaches.

The current agreement between the two companies is set to end October 30 at 11:59 p.m. ET, according to CNBC. If no deal is reached, YouTube TV subscribers could lose access to Disney-owned networks. This includes ESPN, ABC and their family of channels. Disney has already started preparing its audience for the possibility. ESPN began airing ads Thursday afternoon warning viewers that its networks could go dark on YouTube TV if negotiations fail.

In a statement to CNBC, a Disney spokesperson said the company remains hopeful it can reach a “fair deal” with Google, which owns YouTube TV. However, the company did not mince words about its view of the negotiations.

“This is the latest example of Google exploiting its position at the expense of their own customers,” the spokesperson said. “If we don’t reach a fair deal soon, YouTube TV customers will lose access to ESPN and ABC, and all our marquee programming. Including the NFL, college football, NBA and NHL seasons — and so much more.”

YouTube TV responded with its own statement, saying it has been negotiating “in good faith.” While accusing Disney of demanding “costly economic terms” that would drive up subscription prices.

“We’ve been working in good faith to negotiate a deal with Disney that pays them fairly for their content,” a company spokesperson told CNBC. “Unfortunately, Disney is proposing costly economic terms that would raise prices on YouTube TV customers and give our customers fewer choices, while benefiting Disney’s own live TV products — like Hulu + Live TV and, soon, Fubo.”

The streamer added that if the channels are pulled, subscribers will receive a $20 credit.

The timing couldn’t be worse for sports fans or ESPN. The NBA season just tipped off this week, joining an already packed lineup that includes Monday Night Football, NHL broadcasts and a full slate of college football games.

ABC has also been riding high this fall, airing several of the most-watched college football matchups of the season. With Disney holding SEC media rights, both ABC and ESPN have been critical homes for the conference’s marquee games.

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Sid Rosenberg: ‘I’m Not Apologizing’ For Controversial Comments About Zohran Mamdani

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New York mayoral candidate Andrew Cuomo is taking heat for comments made during an appearance on 77 WABC. But the station’s morning host, Sid Rosenberg, says he’s responsible for the remarks that have caused controversy, and he won’t be apologizing for them.

During an interview on the morning show, Cuomo asked, “God forbid, another 9/11 — can you imagine Mamdani in the seat?”

In response, Rosenberg said that Mamdani would “be cheering” for the terrorist attack.

With a chuckle, Cuomo responded, “That’s another problem.”

That led to pushback from several sources, including members of Congress, who lobbied charges of racism and Islamaphobia at Cuomo.

On social media, Sid Rosenberg argued that the criticism should be placed on him, not Cuomo.

“Democrats are shameful. I made the comment,” said Rosenberg. “And I think I’m right. Leave Cuomo out of it.”

In a later video, Rosenberg shared he wouldn’t be apologizing for his remarks.

“It is unbelievable. Called out by Zohran Mamdani, called out by Ilhan Omar, Bill de Blasio, Kathy Hochul… what a bunch of losers,” Rosenberg said. “But here’s the best part: they didn’t even call me out. I made the comment on my show this morning that — god forbid — we have a second 9/11, Cuomo asked me what I thought Mamdani would be doing if he were mayor, and I said cheering.

“That’s funny,” Rosenberg continued. “And it’s true … so I’m not apologizing. And Cuomo doesn’t have to apologize because he didn’t even say it.”

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NBA Returns To NBC Sports With Record Tip-Off Audience

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The NBA’s return to NBC delivered a massive win for the network and its advertisers, debuting on Peacock and broadcast television with record-breaking numbers and high engagement across platforms.

Tuesday night’s NBA Tip-Off doubleheader averaged 5.6 million viewers across NBC and Peacock, marking the largest opening-night audience for the league since 2010, according to Nielsen Big Data + Panel and Adobe Analytics. The 2010 edition averaged 5.7 million viewers and featured LeBron James’ debut with the Miami Heat.

NBC’s primetime return began with a thriller. The Oklahoma City Thunder outlasted the Houston Rockets in double overtime. The first Tip-Off game to reach that mark in 20 years. The matchup peaked at 7.1 million viewers from 10:45–11 p.m. ET as Shai Gilgeous-Alexander led the defending champions to a one-point victory. Alperen Sengun paced Houston with 39 points, while Kevin Durant added 23 in his Rockets debut.

The Thunder-Rockets broadcast averaged 5.9 million viewers across NBC and Peacock, marking one of the most-watched NBA regular-season games in recent years. It was also only the sixth double-overtime Tip-Off game in league history and the first since 2005.

The second game of the night, featuring the Golden State Warriors and Los Angeles Lakers, averaged 5.1 million viewers from 11:02 p.m. to 12:42 a.m. ET. Jimmy Butler scored 31 points and Golden State drained 17 three-pointers in a 119–109 victory over the Lakers and Luka Dončić, who finished with a game-high 43 points.

Powered by strong linear ratings, NBC won the night among Adults 18–49, outperforming all other broadcast networks. The network’s Average Minute Audience (AMA) on Peacock and NBC Sports Digital reached 1.0 million viewers. NBC Sports’ largest simulstream ever outside the NFL and Olympics.

The nostalgia factor also proved potent. NBC’s “Roundball Rock” open generated 5.6 million impressions on the network’s social platforms. Signaling renewed fan enthusiasm for the league’s return to its longtime television home.

Social metrics underscored the momentum. NBA Tip-Off games drove more social engagement than any other program on Tuesday. It also was the top two trending searches on Google that night.

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Top JavaScript Frameworks for Building Internal Tools and Automation Dashboards

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Behind every smooth operation lies an invisible network of internal tools that automate repetitive work and turn data chaos into structured insight. These dashboards power decisions, track performance, and connect teams in real time. The faster they run, the faster your company grows.

JavaScript sits at the center of this transformation. From lightweight prototypes to enterprise-grade dashboards, it enables flexible, fast, and visually refined systems that scale with your business. The best frameworks go beyond UI design — they help you turn internal data into strategic clarity.

Frameworks Overview: How to Choose the Right One

The right framework depends on your project’s scale, goals, and workflow. Some teams need enterprise stability, while others prefer lightweight tools for faster delivery. Comparing frameworks through real use cases gives clearer results than following trends.

Here are the main factors that help you decide:

  • Scalability — ability to handle large datasets and user growth.
  • Integration — compatibility with application programming interfaces (APIs), databases, and automation tools.
  • Community support — size, activity, and reliability of contributors.
  • Performance — speed of data updates and rendering.
  • Maintenance — ease of debugging, updates, and scaling.

Every choice affects developer productivity and the long-term sustainability of your product. When working with a JavaScript development agency, you can assess these aspects through prototypes and cost–benefit comparisons before committing to a single framework. The right decision early on prevents costly refactoring later.

Top JavaScript Frameworks for Internal Tools and Dashboards

Internal tool development relies on stability, reusable components, and real-time responsiveness. JavaScript frameworks offer all three, but each one has a distinct strength that suits specific business goals.

React — The Industry Standard

React leads the field by combining power with clarity. Its component-based structure lets you design dashboards where each chart, table, or widget updates independently. The framework integrates easily with libraries such as Recharts, Chart.js, and Material UI to enable rich and dynamic data visualization.

State management tools like Redux keep interfaces smooth and responsive, even as datasets expand. React suits projects that require scalability and dashboards that evolve in step with business workflows.

Vue.js — Lightweight and Flexible

Vue is known for its gentle learning curve and intuitive syntax. It helps smaller teams develop polished internal tools without the complexity of enterprise frameworks. Two-way data binding keeps dashboards responsive, while community plugins handle charts, forms, and visual elements with minimal setup. Vue works especially well when the speed of delivery matters more than deep customization.

Angular — Enterprise Reliability

Angular’s strength lies in its structure. TypeScript support, dependency injection, and built-in routing make it a natural choice for large, multi-module systems. Enterprises often use it to unify admin panels, HR dashboards, and analytics tools under a single framework. Its opinionated nature reduces chaos in teams with many developers and ensures consistency and security across internal apps.

Svelte — The Compiler Advantage

Svelte compiles code into pure JavaScript before deployment, which eliminates runtime overhead. The result is lightning-fast dashboards that load instantly and consume minimal resources. Unlike React or Vue, Svelte does not rely heavily on virtual DOMs, so performance remains stable even under heavy data loads. It is ideal for teams focused on speed and efficiency without adding technical debt.

Next.js — Beyond Frontend

Next.js merges React’s flexibility with server-side rendering and API routes. It enables you to build internal tools that handle authentication, data fetching, and permissions without external plugins. Its hybrid structure supports both static and dynamic pages, which suits internal dashboards connected to live databases.

Many developers choose Next.js for automation panels that require reliability, speed, and SEO-friendly architecture — even when used privately within companies.

Photo Credit: https://unsplash.com/photos/a-computer-screen-with-a-program-running-on-it-imgCpfIMoRw

Honorable Mentions: Niche or Specialized Frameworks

While the major players dominate the market, some smaller frameworks fill specific needs. They may not match React’s popularity but often outperform in specialized environments where speed or server-side optimization matters most.

Notable options include:

  • Remix: Efficient server-side rendering and simplified data loading for backend-heavy apps.
  • Ember.js: A convention-over-configuration framework suitable for large, long-term projects.
  • Meteor.js: Real-time synchronization between client and server for automation dashboards.

These frameworks deserve consideration when you want to test alternatives that align with unique internal processes or integrate directly with existing server logic.

Modern internal tools go beyond displaying data — they interpret it. JavaScript frameworks now connect seamlessly with AI APIs that handle prediction, anomaly detection, or workflow automation. For instance, React or Angular dashboards can trigger AI-driven analytics directly through cloud APIs, while Next.js enables serverless automation routines.

The rise of no-code and low-code extensions further amplifies these frameworks. Platforms such as Retool, n8n, or Appsmith combine JavaScript backends with drag-and-drop interfaces and give non-technical users the ability to build internal dashboards. At the same time, developers integrate serverless databases like Firebase or Supabase to reduce overhead and maintain real-time data pipelines.

The line between code and automation continues to blur. JavaScript stands at the core of this evolution and adapts easily to new tools and APIs that redefine how companies manage information and automate workflows.

A Smarter Path to Efficiency

The framework you choose defines how effectively your internal systems expand. React ensures scalability, Vue adds simplicity, Angular provides structure, Svelte offers speed, and Next.js connects frontend and backend layers. Each serves a clear role but shares one goal — faster, smarter automation.

JavaScript remains the backbone of internal tool development. It unites versatility, performance, and strong community support to create dashboards that guide decisions and improve workflows. With the right approach, your internal platform can grow from a support tool into a hub of intelligence that drives sustained efficiency and progress.


101.9 THE MIX Adds Jasmine Bennett To Weekends

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Jasmine Bennett is returning to her roots, officially joining Hubbard Radio’s 101.9 THE MIX in Chicago as the station’s newest on-air personality.

Bennett shared the announcement on social media, calling the opportunity a “full-circle moment” after growing up in the city she now gets to entertain over the airwaves.

Listeners can hear Bennett every Sunday from 10 a.m. to 3 p.m. A slot that places her in the heart of the station’s weekend programming lineup.

“Born and raised in Chicago, this opportunity truly feels like a full-circle moment,” Bennett wrote in her post. “I’m so grateful to be part of such a legendary station, an awesome team, and can’t wait to connect with listeners every Sunday.”

Bennett joins one of Chicago’s most established radio brands. 101.9 THE MIX has long been known for its upbeat adult contemporary format and connection with the local community. She joins

The station, owned by Hubbard Radio, continues to emphasize personality-driven radio—something Bennett has built her career around. She previously worked in the city as promotions director of iHeartMedia, and a weekend on air personality at KISS 103.5.

Her first official show airs this weekend. Marking the start of a new chapter both for Bennett and for The Mix’s weekend sound.

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Colin Cowherd: Pablo Torre’s Clippers Investigative Story “Nobody Cares in LA”

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Colin Cowherd is never shy about sharing his opinions, but this week the host of The Herd with Colin Cowherd made it clear there’s one story he’s intentionally avoided on his daily radio program — the recent report from Pablo Torre regarding the Los Angeles Clippers, Kawhi Leonard, and team owner Steve Ballmer.

During a segment on The Colin Cowherd Podcast, Cowherd addressed why the story hasn’t made it into his show rundown. His explanation wasn’t about fear or bias, but about interest — or lack thereof.

“I’ll give you an example of something that I haven’t talked about [on The Herd],” Cowherd said. “The Pablo Torre, Kawhi Leonard, Steve Ballmer investigation — the reason I haven’t talked about it is I don’t care. The Clippers are not a topic on L.A. sports radio.”

Moreover, Cowherd argued that despite the team’s big-market location, the Clippers don’t move the needle in Los Angeles the way other franchises do.

“In L.A. it’s Dodgers, Lakers, Rams, USC,” he said. “The Clippers aren’t a top [story]. So, as a syndicated host, nobody cares.”

Cowherd compared the decision to past instances when he’s chosen not to engage in certain discussions, referencing when LeBron James faced backlash for comments about China. Critics at the time accused Cowherd of sidestepping controversy, but he framed it differently.

“People said that’s cowardice,” he said. “And I’m like, it’s bureaucracy. Nobody cares. That’s not a good topic.”

However, the longtime host emphasized that his success is tied to his topic selection, saying roughly 90 percent of his show’s effectiveness stems from choosing stories that resonate broadly.

“One of the things I found through the years — NCAA stories, the audience doesn’t care. They know they’re incompetent,” Cowherd said. “The Kawhi Leonard [story] … it’s the Clippers. Kawhi is an enigmatic, nonverbal, unlikable star. The Clippers are about the eighth most popular sports topic in the city in which they are based. And it’s complicated. It’s a complicated story.”

Cowherd praised Torre’s reporting and called him “terrific,” even noting that his media company, The Volume, once explored hiring him. But he added that the medium itself matters.

“I think it’s [Torre’s reporting] made for podcasting, not made for broadcasting,” Cowherd said, explaining that some topics simply fit better in long-form, conversational formats like those used by podcasters such as Joe Rogan.

“I every day choose stuff I can talk about in an eight-minute segment,” Cowherd concluded. “That’s what works for my audience.”

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Bret Baier Eyed by Bari Weiss As New CBS Evening News Anchor

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CBS Evening News has seen a significant drop in viewers since Norah O’Donnell left the program earlier this year. New Editor-in-Chief Bari Weiss is reportedly looking at Fox News anchor Bret Baier as someone who can help fix the issue.

According to a report from Status’ Oliver Darcy, Weiss would like to ink Baier to a deal to anchor the venerable nightly news program.

However, Darcy notes that Bret Baier is in the midst of a multi-year contract with Fox News, making a deal to shift to CBS difficult.

The report also says that Weiss has considered internal candidates like Tony Dokoupil as well as kicking the tires on asking O’Donnell to return to the newscast as ways to invigorate the sagging ratings.

O’Donnell left the program in the days following the presidential inauguration. At the time of her exit, the nightly newscast averaged more than 5 million viewers per night, while still sitting behind ABC News’ World News Tonight with David Muir and NBC Nightly News, which was then anchored by Lester Holt.

In the most recent week, CBS Evening News averaged 3.7 million viewers, while the NBC News show — now anchored by Tom Llamas — averaged 5.7 million viewers, and the ABC News program featured 7.7 million.

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95.7 The Game Extends Broadcast Rights Partnership With Golden State Warriors

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The Golden State Warriors and 95.7 The Game will continue their long-running partnership, announcing a multi-year contract extension that keeps the team’s broadcasts on the Audacy-owned station. The renewed deal ensures that 95.7 The Game remains the flagship home for Warriors basketball as the franchise enters its 10th season on the station in 2025–26.

The partnership, which began ahead of the 2016–17 season, has spanned one of the most successful eras in Warriors history. During that time, the team has reached four NBA Finals. Also capturing three championships, with the station serving as the consistent audio companion through the dynasty years.

Veteran play-by-play voice Tim Roye returns for his 31st season calling Warriors games. Former player and Bay Area radio mainstay Tom Tolbert will again join Roye as the analyst for home broadcasts.

As part of the agreement, 95.7 The Game will continue to deliver comprehensive Warriors programming. This includes 30-minute pregame and postgame shows surrounding every broadcast.

The station also plans to expand its daily coverage, integrating more Warriors and NBA-themed segments across its weekday lineup. That expansion builds on a strong relationship between the franchise and the Audacy San Francisco group. Which has consistently leaned into team content as part of its local sports strategy.

One of the staples of the partnership, Warriors Roundtable, will continue to air weekly at 6 p.m. Hosted by Santa Cruz Warriors and Golden State Valkyries play-by-play announcer Kevin Danna, alongside former Warriors head coach and general manager Garry St. Jean. The show provides insider perspectives and interviews throughout the season.

In addition, head coach Steve Kerr will maintain his regular weekly appearance on 95.7 The Game, giving fans direct insight from the team’s leader. Kerr’s interviews have become appointment listening for Warriors fans and a consistent driver of engagement for the station’s programming.

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What 77 WABC’s Anthony Cumia Learned About Radio and Himself in Decade-Long Wait For His Return

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Anthony Cumia thought July 3rd, 2014, would be the final day he worked in radio.

On that day, Cumia was fired by SiriusXM for what the company called “racially-charged and hate-filled” tweets about a situation he was involved in with a Black woman, ending his 10-year run with the satellite radio broadcaster.

But after more than a decade away from radio, he made his return to 77 WABC in New York earlier this year. And to say it’s gone well would be an understatement.

After the debut episode of The Anthony Cumia Show, Red Apple Audio Networks launched the show into syndication due to demand from stations wanting to carry the program. After a few weeks, the show was increased from two hours to three, now occupying the 8-11 PM ET timeslot on the station.

And while Cumia was widely known for working on his long-running comedy show Opie & Anthony, he said that the transition to news/talk wasn’t difficult due to the content of his podcast that he launched in the aftermath of his SiriusXM show.

“Truth be told, I’ve been kind of going in that direction for about 10 years,” Cumia said. “When I finished my tenure over there at SiriusXM, I started a podcast network, Compound Media. And for the next 10 years, I was doing talk radio: a lot of guests and a lot of stand-up comics.

“With everything that was going on in the country and the world, it kind of morphed into a more political show, but still with the kind of light-hearted humor that I’d always brought … That really got me set up.”

Despite the podcast taking on a more political approach, Anthony Cumia admitted he never expected to return to radio.

“I didn’t even think I would be back on terrestrial radio,” he shared. “It was so strange. Opie & Anthony was on satellite radio for 10 years after it was on terrestrial, and then I did 10 years (of podcasting). So we’re talking almost 20 years that went by that I had not been on terrestrial radio, so I was surprised (when WABC called). But things come full circle.”

Cumia added that his decade of podcasting helped him hit the ground running when the opportunity with 77 WABC presented itself.

“It gave me the opportunity to make so many mistakes and to really try to sharpen what I wanted to do,” said Cumia. “I like to bring an element of humor to it, even if it’s a serious topic. Having that podcast allowed me to do that without having someone hovering over me and telling me what I could or couldn’t do. It gave me the opportunity to really see for myself what worked and what didn’t work, as far as that format goes.”

Cumia admitted he was caught off guard by the initial success of the program, despite feeling prepare to execute the format.

“I was pretty surprised by that,” he said of the demand from affiliate stations to want to carry the program in markets outside of New York, where 77 WABC is based. “I’ve never been a pat myself on the back kind of guy. Any kind of advancement I’ve gotten in this broadcast career, I’ve always looked and gone, ‘Oh geez, I hope they don’t find out I’m just Anthony Cumia.’ In those 10 years of podcasting, I realized I’m good at this. I know what I’m doing when I’m doing this type of radio.

“So there was some vindication. The vindication of stations coming to the table and wanting to put me on their platform; it proved to me that I know what I’m doing,” he continued. “I have a talent to do this.”

The news/talk format isn’t known for having hosts with a comedic background. But Anthony Cumia believes it helps separate him from the pack, making his show both unique and remarkable.

“I’m just not like all the other news talk radio personalities. I put that unique twist on it with my own personality,” he said, after noting that there are plenty of great hosts who operate differently. “I’m not just reciting talking points or the news. I’m adding impressions and joking around with the callers and bringing some levity to a topic that can pretty quickly get depressing or anxiety-inducing. I’m using humor to make it a little more palatable.”

When asked what the future looked like, Cumia said he’d like to continue diving deeper in the news/talk space, noting that having a weekend show isn’t simply a hobby for him and something he’s doing for fun. It’s the next evolution of his long career.

“It did rejuvenate me and my feeling about radio,” he said. “I went into it full speed ahead … It’s a lot of fun. It’s this rejuvenation and the competitive aspect of the whole thing that has totally come back to me. I want to be on a lot of stations. I want to do more broadcasting on terrestrial radio across the country.”

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