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How Does the Radio Industry Really Feel About AI in 2026?

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We’ve all heard what many, if not most, people say about AI. Everyone appears to be mostly cautious about it. You have to admit—it’s pretty much everywhere! But aside from all the hype, there seems to be a growing sense that AI is being pushed into our lives faster than we’re ready and without much of our consent.

If you’re like me, you feel like you didn’t choose AI. We woke up one day, and it was just there.

We saw it in our inboxes, on our phones, and as part of our jobs, disguised in a cloak of “efficiency” and “innovation,” whether we wanted it or not.

Bill Maher has referenced it in some of his HBO show monologues. I remember one show in which he referred to “Reverse Intelligence” or what he calls “reverse improvement.” He spoke of upgrades and improvements that no one needs, wants, or that really don’t make life better.

That seems to be one of the biggest criticisms regarding AI. Those behind the push are trying to solve problems that don’t always exist while creating new ones no one asked for.

Automating emails, art, writing, and customer service might save companies money, but for the masses who still need to work to survive, it often feels like an erosion of human value. I don’t mean to sound too cynical, as I am usually an optimist, but there’s a popular sense that AI isn’t really being built to make life better for humans.

Rather, it’s designed to make businesses leaner, cheaper, and more scalable. Call me crazy, but that certainly makes any enthusiasm feel one-sided.

Have you also noticed how often AI gets things wrong?

There is certainly some bias and lack of understanding baked into how these systems work. Yet we constantly hear how reliable, intelligent, and “almost human” they are. When that narrative proves false, who is left to clean up the mess? That burden still falls on people, which raises a fair question: if we must supervise and fact-check everything, how much time are we really saving?

Boomers and Gen-Xers are less likely to lean heavily on it, outside of looking for information or data. I use it for sales and category research, along with marketing information. Now even younger Millennials and Zoomers are concerned as AI takes over some of what they thought would be impervious to attack.

Even developers and code writers are worried as more companies lean on AI to generate code for websites and apps.

Trust is another major issue for many. More people are increasingly uncomfortable with how much data AI systems require and how little transparency exists. For all intents and purposes, AI feels like a big brain-suck. It’s less like a helpful assistant and more like a giant extraction device depicted in old sci-fi movies, with the crazy helmet worn on the head that stole information right out of our brains.

Creative types, in particular, are the most critical.

Writers, artists, musicians, and broadcasters often feel AI is built on their labor without permission, then used to undercut them. Mark Zuckerberg once said that creative people would be able to work on other crazy things. Bill Maher joked, “Yeah, like starving!”

That promise of “freeing creative people to be more creative” feels bass-ackwards and unfair to those first in line for elimination.

There’s also a more ethereal, cultural discomfort. People worry that relying too heavily on AI stifles critical thinking, originality, and connection. Think about it… if machines make the decisions about what is created, doesn’t the human spirit stop struggling?

Isn’t that struggle where growth and insight come from? Won’t true intellect begin to atrophy like a muscle that is never used any longer?

Ultimately, most people don’t hate AI. They just don’t trust the way it’s used. The prevailing sentiment isn’t “awe”; it’s suspicion. People are asking harder questions now, like, “Who benefits? Who loses? Who’s accountable when things go wrong?”

And what about the speed at which AI is growing? Just two years ago, most of us never even considered this massive invasion. Doesn’t that raise red flags? Why the rush? AI has become so quickly embedded into our various platforms and workflows before our human norms, laws, or ethics can even catch up.

Steve Jobs used to suggest that people don’t know what they want or need until it’s invented and they see what it can do. I’m not so sure he would still feel that way today.

In the end, I don’t think most of us are anti-technology. No one wants or expects AI to disappear. I think we all just hope for transparency, honesty, limits, and accountability. Who sets the rules? Who enforces them? And who gets protected when things go wrong?

Until those questions are answered, AI may remain less a symbol of progress and more a source of discomfort. It’s not because we don’t understand it. It’s more because we understand just enough to be concerned, and that means skepticism isn’t likely going anywhere for now.

Then again—you might read this and simply say, “Ok boomer—whatever!”

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Why Erick Erickson Traveled More Than 60,000 Miles For His Show and Radio Affiliates in 2025

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Hartsfield-Jackson Atlanta Airport is the busiest airport in the world. And not just because Erick Erickson flies from there all the time.

In 2025, the nationally syndicated news/talk radio host traveled nearly 44,000 miles through the air — and another 17,000 miles in his car — visiting radio affiliates, meeting with listeners, and pitching advertisers on his program.

43 flights. Across three different airlines. 17 different airports. And more than four full days of the 365 in 2025 were spent flying for Erick Erickson. All on his own dime.

When those figures are presented, it’s easy to ask one question: why?

Why do it? Why spend all that time and money caravaning around the country?

The Erick Erickson Show host said there are several reasons why.

“Everybody tells me I’m growing at a rapid clip,” Erickson, who saw his list of affilates nearly double in 2025, said. “I just feel frustrated with it and it dawned on me a year ago that I’ve got this live stream audience and it’s a giant audience. So in addition to doing station visits, I’ve been doing visits in places where I don’t have affiliates. I got a lot of listeners online, and we can actually directly correlate growth in the markets online to me showing up and doing events with listeners in these places I’m not even on the radio. I just have people who listen on the internet. And that’s been actually really encouraging to me as I’ve haven’t felt like I’ve picked up as many radio stations as rapidly.”

During the year, Erickson visited locations like Chicago and Columbus, where he doesn’t currently have affiliates. But he found an online audience in those cities, making it worth his while to stop in each spot.

“We started embedding geolocated messages,” Ericks shared. “So a listener in Chicago or in Columbus will hear me say, ‘Hey, you guys listening: Do you want me to come? Text me, email,’ and then we get flooded, and we can see, ‘yeah, we actually have a lot of people listening. Let’s go.’

“We’ve got an affiliate in Dayton, so I went to Dayton, saw the folks at Dayton, did my show from Dayton, and then drove over to Columbus and did an event with like 50 guys. It was a bourbon event that one of the guys took the liberty of organizing. And then I did an event in Chicago at Gibson Steakhouse.”

Erickson added that he’s seeing growth in the markets his show is heard in, as well, with upticks after stops in markets like Jacksonville, Las Vegas, and Orlando, among others.

But there’s a reason he foots the bill for the travel and the events with listeners.

“Oftentimes, the stations no longer have the bandwidth, the advertising budget, or the promotions team. So we just take it on ourselves and say, ‘You know what? We can still do it’, and rope you into the event. It’s been great, I think, for stations, and it’s been a lot of fun for me, too.” 

Selfishly, Erick Erickson admitted there’s not replacement for face-time with Program Directors and Market Managers who ultimately decide whether their news/talk stations will broadcast his program.

“Not a lot of people do that anymore,” Erickson said of market visits. “My policy has been, we 100% cover the cost of it. There’s not a budget for stations to do stuff like this anymore. So if I can use my revenue to make it possible, I’m willing to do it.”

The regular travel also ensures that Erickson doesn’t live in his own news bubble. Constantly meeting new listeners or stations helps ground what does and doesn’t resonate with listeners around the country. And that’s a key advantage for him.  

You

the flip side of the traveling for the show, how much does being exposed to different markets or what’s going on in different markets or what the what the audience in those markets are prioritizing? How much does that help shape and frame the content of the show? 

“Take, for example, the Dayton market,” Erickson said. ‘WHIO, near Springfield, Ohio. Massive listening audience. So when they started talking about the Haitians eating dogs and stuff, I had a lot of people from Springfield that I had met at events and, and they’re like, ‘no, that’s not what’s happening. But this is what’s happening and it’s a real problem.’ And so being able to put into context, because Springfield, I’ve got a huge listenership there, being able to explain the actual story to people and why it matters mattered greatly.”

And while Erick Erickson isn’t satisfied with his show’s growth, he has stated goals for 2026. 

“Everyone has said when you hit 100 stations, that’s a good metric. I’m close now. We’re at about 80,” he said. “I would love to get to 100 this year. I would love to get in every market. Getting people to open those doors, though, sometimes when they’ve already got their own internal host for some of the major companies, it’s hard.

“But I still want to be in every market. What I am realizing is that I’m getting there online and on podcasts, and I still need to cater to those audiences, even if I’m not on live on the radio. I got like 800 people a day who listen in Chicago. I have no affiliate there, but I’ve got 800 people who listen on a daily basis, and 50 of them are willing to show up at a steakhouse with me. So I might as well tell myself I’ve got the audience.” 

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Dan Bongino Won’t Return to News/Talk Radio, Westwood One Handling Ad Sales For Digital Show

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On Wednesday evening, Dan Bongino revealed his show would return in February after he departed his role as Deputy Director of the FBI.

In his statements, Bongino shared details of his return by stating that, “The show is definitely coming back,” and that there would be a coming “press release with Westwood One and Rumble this coming Monday, so just a few days from now, which will provide the day. It’s going to be early February, and we’re going to be ready to roll.”

He continued by noting that his show would “be two hours now, though” and would air from 10 AM-Noon ET.

Barrett Media interpreted those comments to mean that The Dan Bongino Show would return to the nationally syndicated news/talk radio lineup from Westwood One, where he previously hosted a three-hour show from 12-3 PM ET.

However, after speaking with high-level industry sources, it appears that is not the case. Bongino is only returning to his podcast, with Westwood One set to handle advertising sales for the program. He will not be returning to terrestrial radio as part of the nationally syndicated lineup from Westwood One.

The Chris Plante Show and The Brian Kilmeade Show will remain in national syndication from 9 AM to 12 PM ET, and VINCE — from Vince Coglianese — will remain in the 12-3 PM ET timeslot.

Our apologies for the confusion created by our original story.

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MLB Teams Reportedly Exit FanDuel Sports Network Amid Financial Struggles

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Major League Baseball (MLB) teams previously broadcast by FanDuel Sports Network have reportedly terminated their agreements with the embattled network and its parent company, Main Street Sports Group, according to a report by The Athletic.

The affected clubs include the Atlanta Braves, Cincinnati Reds, Detroit Tigers, and Kansas City Royals. They also include the Los Angeles Angels, Miami Marlins, Milwaukee Brewers, St. Louis Cardinals, and Tampa Bay Rays. While the terminations remove their current contracts, the report states the teams could still negotiate new arrangements in the future. During Main Street’s prior bankruptcy period, from 2023 to 2025 when the company operated as Diamond Sports Group, contracts were initially canceled but later renegotiated.

“We remain in active dialogue with all of our team partners regarding potential revised terms for agreements going forward,” Main Street said in a statement Thursday.

The move is seen as a protective measure. By ending the existing agreements, MLB clubs aim to limit potential complications if Main Street files for bankruptcy. Such a situation could restrict how teams manage broadcast rights and revenue.

MLB Commissioner Rob Manfred addressed the situation Thursday in New York, noting the league is prepared to assume broadcasts for any team if necessary. Manfred emphasized that maximizing revenue remains a key focus.

“Our focus, particularly given the point in the calendar, is to maximize the revenue that’s available to the clubs, whether that’s MLB Media or third party,” Manfred said. “The clubs have control over the timing. They can make a decision to move to MLB Media because of the contractual status now. Clubs are evaluating their alternatives to find the best revenue source for the year and the best outlet for providing quality broadcasts to their fans.”

Details about missed payments have emerged, underscoring the network’s instability. Barry Jackson of the Miami Herald reported Thursday that Main Street failed to make a scheduled payment to the Marlins. The company had also reportedly missed a payment to the Cardinals in December.

Meanwhile, industry sources suggest potential buyers are monitoring Main Street. Sports Business Journal reports that streaming service Fubo has expressed interest. Meanwhile, talks with DAZN appear less likely to yield a deal.

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John Catsimatidis To Sid Rosenberg Ahead of Contract Talks: ‘You Have a 5-Year Extension Coming’

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77 WABC morning host Sid Rosenberg is in a contract year. According to station owner John Catsimatidis, Rosenberg doesn’t have much to worry about.

After noting that January 27th will mark the 10-year anniversary of working at the New York news/talk station during the morning show, Sid Rosenberg welcomed Catsimatidis to the program for his weekly spot.

It was then that the billionaire shared that Rosenberg could plan on being there quite awhile.

“You have a five-year contract extension coming,” Catsimatidis said, with Rosenberg shouting in excitement in response.

“That means I don’t have to work those five years,” Catsimatidis continued, with a laugh.

Sid Rosenberg added that he’s been in the business for 27 years, but has never felt more impactful than he does with 77 WABC right now.

“I will say this — and I want to come off narcissistic — but I really believe John, with you and I, we got a great station,” he said. “I really believe with you and I in this city, on this station every day, I really believe, New Yorkers can feel better about their future.”

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MLB Commissioner Rob Manfred: League Is Prepared To Help Broadcasts With Main Street Sports Group Uncertainty

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Major League Baseball (MLB) is ready to produce and distribute local telecasts for teams affected by the financial troubles of FanDuel Sports Network’s regional channels, Commissioner Rob Manfred said Thursday.

The networks, operated by Main Street Sports Group, missed a December payment to the St. Louis Cardinals, raising concerns about broadcasts for multiple teams this season. FanDuel Sports Network’s regional coverage includes games from Atlanta, Cincinnati, Detroit, Kansas City, Los Angeles (Angels), Miami, Milwaukee, Tampa Bay, and extends into the NBA and NHL.

“No matter what happens, whether it’s Main Street, a third party or MLB Media, fans are going to have the games,” Manfred said.

MLB has precedent for stepping in when regional networks fail. The league took over Padres broadcasts in May 2023 after Diamond Sports Group missed a payment, later adding Arizona that July. Colorado joined MLB’s distribution in 2024, followed by Cleveland and Minnesota in 2025. This season, Seattle will be added, and Washington could join after leaving the Mid-Atlantic Sports Network.

Manfred emphasized that the league’s priority is ensuring clubs receive maximum revenue while maintaining broadcast quality for fans.

“Clubs are evaluating their alternatives. They’ve made significant payroll commitments and are looking for the best revenue source and the best outlet to provide quality broadcasts,” he said.

Diamond Sports Group, which emerged from Chapter 11 bankruptcy last year and rebranded as Main Street Sports Group, had renamed its networks FanDuel. The change has not alleviated ongoing financial challenges, leaving teams to consider turning to MLB Media or other third-party solutions.

Local broadcast revenue is critical for teams, representing more than 20% of overall industry income, Manfred noted. While MLB and the players’ association allowed discretionary distributions of up to $15 million in 2024 for clubs whose local media revenue declined, no similar agreement exists for 2025.

“We are not providing financial assistance right now,” Manfred said.

Several reports have indicated Main Street’s talks with DAZN for a potential acquisition are likely over, due to teams’ reluctance to meet key conditions. Reports say that Main Street Sports Group is seeking an alternative buyer at the moment.

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iHeartMedia Unveils Nominees for 2026 iHeartRadio Awards

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iHeartMedia and FOX have announced the nominees for the 2026 iHeartRadio Music Awards, set to be held at the Dolby Theatre in Los Angeles on Thursday, March 26.

The awards show — which will be broadcast from 8-10 PM ET on FOX — will feature some of the biggest names in dozens of categories. The 13th annual ceremony will include live performances of some of the biggest songs and artists of 2025, as well as “surprise guests and collaborations.”

“This is an annual awards show made exclusively for fans, celebrating the biggest songs and artists they’ve loved listening to on iHeartRadio stations and our iHeartRadio app all year long,” said iHeartMedia President of Entertainment John Sykes and iHeartMedia Chief Programming Officer Tom Poleman in a joint statement.

“FOX viewers will also get an exclusive preview of some of the songs they’ll be listening to in the Summer of ‘26,” they concluded.

The complete list of nominees for the 2026 iHeartRadio Music Awards are below.

Song of the Year:            

  • “Anxiety” – Doechii
  • “Good News” – Shaboozey
  • “Love Somebody” – Morgan Wallen
  • “luther” – Kendrick Lamar and SZA
  • “Manchild” – Sabrina Carpenter
  • “MUTT” – Leon Thomas
  • “Ordinary” – Alex Warren
  • “Sorry I’m Here For Someone Else” – Benson Boone
  • “Stargazing” – Myles Smith
  • “The Fate of Ophelia” – Taylor Swift

Artist of the Year:

  • Bad Bunny
  • Benson Boone
  • Chris Brown
  • Jelly Roll
  • Kendrick Lamar
  • Lady Gaga
  • Morgan Wallen
  • Sabrina Carpenter
  • Tate McRae
  • Taylor Swift

Pop Artist of the Year:

  • Alex Warren
  • Benson Boone
  • Sabrina Carpenter
  • Tate McRae
  • Taylor Swift

Pop Song of the Year:

  • “Golden” – HUNTR/X, EJAE, AUDREY NUNA, REI AMI
  • “Manchild” – Sabrina Carpenter
  • “Ordinary” – Alex Warren
  • “Pink Pony Club” – Chappell Roan
  • “The Fate of Ophelia” – Taylor Swift

Best New Artist (Pop):

  • Alex Warren
  • Jessie Murph
  • Myles Smith
  • Ravyn Lenae
  • sombr

Duo/Group of the Year:

  • HUNTR/X, EJAE, AUDREY NUNA, REI AMI
  • Linkin Park
  • Maroon 5
  • Shinedown
  • Twenty One Pilots

Best Collaboration:

  • “All The Way” – BigXthaPlug ft. Bailey Zimmerman
  • “APT.” – ROSÉ & Bruno Mars
  • “luther” – Kendrick Lamar and SZA
  • “Timeless” – The Weeknd ft. Playboi Carti
  • “WHATCHU KNO ABOUT ME” – GloRilla ft. Sexyy Red

Country Song of the Year:

  • “After All The Bars Are Closed” – Thomas Rhett
  • “Good News” – Shaboozey
  • “Liar” – Jelly Roll
  • “Love Somebody” – Morgan Wallen
  • “Whiskey Drink” – Jason Aldean

Country Artist of the Year:

  • Jason Aldean
  • Jelly Roll
  • Lainey Wilson
  • Luke Combs
  • Morgan Wallen

Best New Artist (Country):

  • Chase Matthew
  • Ella Langley
  • Hudson Westbrook
  • Josh Ross
  • Zach Top

Hip-Hop Song of the Year:

  • “luther” – Kendrick Lamar and SZA
  • “NOKIA” – Drake
  • “Outside” – Cardi B
  • “The Largest” – BigXthaPlug
  • “WHATCHU KNO ABOUT ME” – GloRilla ft. Sexyy Red

Hip-Hop Artist of the Year:

  • Cardi B
  • GloRilla
  • Kendrick Lamar
  • Playboi Carti
  • Tyler, The Creator

Best New Artist (Hip-Hop):

  • MOLIY
  • PLUTO
  • Real Boston Richey
  • YKNIECE
  • ZEDDY WILL

R&B Song of the Year:

  • “Burning Blue” – Mariah the Scientist
  • “Folded” – Kehlani
  • “MUTT” – Leon Thomas
  • “Residuals” – Chris Brown
  • “SOMEBODY LOVES ME” – PARTYNEXTDOOR & Drake

R&B Artist of the Year:

  • Chris Brown
  • Kehlani
  • Leon Thomas
  • Mariah the Scientist
  • SZA

Best New Artist (R&B):

  • Jenevieve
  • Kwn
  • Leon Thomas
  • Mariah the Scientist
  • Sailorr

World Artist of the Year:

  • Ayra Starr
  • Jackson Wang
  • JO1
  • MOLIY
  • Tyla

Alternative Song of the Year:

  • “Back To Friends” – sombr
  • “Ensenada” – Sublime
  • “One Eyed Bastard” – Green Day
  • “Stargazing” – Myles Smith
  • “The Contract” – Twenty One Pilots

Alternative Artist of the Year:

  • Cage the Elephant
  • Green Day
  • Linkin Park
  • Sublime
  • Twenty One Pilots

Best New Artist (Alternative):

  • almost monday
  • Gigi Perez
  • Lola Young
  • Role Model
  • sombr

Rock Song of the Year:

  • “Afterlife” – Evanescence
  • “Bad Guy” – Falling In Reverse ft. Saraya
  • “Dance, Kid, Dance” – Shinedown
  • “Even If It Kills Me” – Papa Roach
  • “Heavy Is the Crown” – Linkin Park

Rock Artist of the Year:

  • Linkin Park
  • Papa Roach
  • Shinedown
  • Sleep Token
  • Three Days Grace

Best New Artist (Rock):

  • Architects
  • Poppy
  • Return to Dust
  • Sleep Theory
  • Spiritbox

Dance Song of the Year:

  • “Blessings” – Calvin Harris feat. Clementine Douglas
  • “In My Arms” – ILLENIUM & HAYLA
  • “No Broke Boys” – Disco Lines & Tinashe
  • “Save My Love” – Marshmello, Ellie Goulding and AVAION
  • “Won’t Be Possible” – Tiësto, Odd Mob & Goodboys

Dance Artist of the Year:

  • Calvin Harris
  • David Guetta
  • John Summit
  • Martin Garrix
  • Tiësto

Latin Pop/Urban Song of the Year:

  • “Angel” – Grupo Frontera & Romeo Santos
  • “DEGENERE” – Myke Towers & benny blanco
  • “DtMF” – Bad Bunny
  • “Qué Pasaría…” – Rauw Alejandro and Bad Bunny
  • “Soltera” – Shakira

Latin Pop/Urban Artist of the Year:

  • Bad Bunny
  • Feid
  • J Balvin
  • Karol G
  • Shakira

Best New Artist (Latin Pop/Urban):

  • Alleh Mezher
  • Beéle
  • De La Rose
  • Dei V
  • Louis BPM

Regional Mexican Song of the Year:

  • “Amor Bonito” – Luis Angel “El Flaco”
  • “El Amor De Mi Vida” – Calibre 50
  • “Flores” – Xavi
  • “Hecha Pa’ Mi” – Grupo Frontera
  • “Lejos Estamos Mejor” – Eden Muñoz

Regional Mexican Artist of the Year:

  • Alejandro Fernández
  • Carin León
  • Fuerza Regida
  • Grupo Frontera
  • Luis Angel “El Flaco”

Best New Artist (Regional Mexican):

  • Clave Especial
  • Edgardo Nuñez
  • Los Dos De Tamaulipas
  • Óscar Maydon
  • Oscar Ortiz

K-pop Artist of the Year:

  • JENNIE
  • j-hope
  • Jin
  • LISA
  • ROSÉ

K-pop Group of the Year:

  • ATEEZ
  • BLACKPINK
  • ENHYPEN
  • Stray Kids
  • TWICE

K-pop Song of the Year:

  • “APT.” – ROSÉ & Bruno Mars
  • “Golden” – HUNTR/X, EJAE, AUDREY NUNA, REI AMI
  • “JUMP” – BLACKPINK
  • “Killin’ It Girl” – j-hope feat. GloRilla
  • “like JENNIE” – JENNIE

Best New Artist (K-pop):

  • 82Major
  • AllDay Project
  • Cortis
  • Hearts2Hearts
  • Meovv

Songwriter of the Year:

  • Amy Allen
  • Ashley Gorley
  • Cal Shapiro
  • Charlie Handsome
  • Julia Michaels

Producer of the Year:

  • Andrew Watt
  • Dijon
  • Jack Antonoff
  • Max Martin & Shellback
  • Sounwave

Favorite Broadway Debut: *Socially Voted Category 

  • Ashley Graham, “Chicago”
  • Cheryl Porter, “& Juliet”
  • Durrell “Tank” Babbs, “Hell’s Kitchen”
  • Gabrielle Nevaeh Green, “Stranger Things: The First Shadow”
  • Jack Wolfe, “Hadestown”
  • Kelsie Watts, “Six! The Musical”
  • Lencia Kebede, “Wicked”
  • Lizzy McAlpine, “Floyd Collins”
  • Meg Donnelly, “Moulin Rouge! The Musical”
  • Ne-Yo, “Hell’s Kitchen”
  • Tom Felton, “Harry Potter and the Cursed Child”
  • Trisha Paytas, “Beetlejuice”

(New for 2026) Favorite TikTok Dance: *Socially Voted Category 

  • “Abracadabra” – Lady Gaga
  • “Gnarly” – KATSEYE
  • “GO!” – CORTIS
  • “Happen To Me” – Russell Dickerson
  • “JUMP” – BLACKPINK
  • “like JENNIE” – JENNIE
  • “Midnight Sun” – Zara Larsson
  • “MONA LISA” – j-hope
  • “Revolving Door” – Tate McRae
  • “SPAGHETTI” – LE SSERAFIM, j-hope
  • “The Fate of Ophelia” – Taylor Swift

(New for 2026) Favorite Debut Album: *Socially Voted Category 

  • Addison Rae, “Addison”
  • Alex Warren, “You’ll Be Alright, Kid”
  • Audrey Hobert, “Who’s the Clown?”
  • Calum Hood, “ORDER chaos ORDER”
  • Coco Jones, “Why Not More?”
  • JADE, “THAT’S SHOWBIZ BABY!”
  • JENNIE, “Ruby”
  • LISA, “Alter Ego”
  • Michael Clifford, “SIDEQUEST”
  • Perrie, “Perrie”
  • sombr, “I Barely Know Her”
  • Tucker Wetmore, “What Not To”

Best Lyrics: *Socially Voted Category 

  • “Anxiety” – Doechii
  • “BAILE INoLVIDABLE” – Bad Bunny
  • “Camera” – Ed Sheeran
  • “Choosin’ Texas” – Ella Langley
  • “DAISIES” – Justin Bieber
  • “Golden” – HUNTR/X, EJAE, AUDREY NUNA, REI AMI
  • “Man I Need” – Olivia Dean
  • “Manchild” – Sabrina Carpenter
  • “Ordinary” – Alex Warren
  • “The Fate of Ophelia” – Taylor Swift
  • “undressed” – sombr
  • “WHERE IS MY HUSBAND!” – RAYE

Best Music Video: *Socially Voted Category 

  • “Abracadabra” – Lady Gaga
  • “BAILE INoLVIDABLE” – Bad Bunny
  • “BORN AGAIN” – LISA feat. Doja Cat & RAYE
  • “Gabriela” – KATSEYE
  • “JUMP” – BLACKPINK
  • “like JENNIE” – JENNIE
  • “Manchild” – Sabrina Carpenter
  • “Ordinary” – Alex Warren
  • “Sapphire” – Ed Sheeran
  • “Shake It to the Max (FLY) (Remix)” – MOLIY, Shenseea, Skillibeng, Silent Addy
  • “The Fate of Ophelia” – Taylor Swift
  • “toxic till the end” – ROSÉ

Favorite On Screen: *Socially Voted Category 

  • AJ McLean, Nicole Scherzinger, Liam Payne, Kelly Rowland, “Building the Band”
  • Ariana Grande & Cynthia Erivo, “Wicked: For Good”
  • Bad Bunny, “Happy Gilmore 2”
  • Becky G, “REBBECA”
  • Ed Sheeran, “ONE SHOT with Ed Sheeran: A Musical Experience”
  • Jimin and Jungkook, “Are You Sure?!”
  • Jonas Brothers, “A Very Jonas Christmas Movie”
  • Karol G, “Karol G: Tomorrow Was Beautiful”
  • Lady Gaga, “Wednesday”
  • LISA, “The White Lotus”
  • Taylor Swift, “Taylor Swift | The Eras Tour | The End of an Era”
  • Zara Larsson, “Up Close”

Favorite Tour Photographer: *Socially Voted Category 

  • Abby Waisler for Gracie Abrams
  • Adam DeGross for Post Malone
  • Anna Lee for Coldplay
  • baeth for Tate McRae
  • Chris Cornejo for Shakira
  • Cynthia Parkhurst for Katy Perry
  • Henry Hwu for Billie Eilish
  • Hyghly for The Weeknd
  • Joshua Halling for Oasis
  • Rahul Bhatt for KATSEYE
  • Thomas Falcone for Shawn Mendes
  • Tom Pallant for YUNGBLUD

Favorite Soundtrack: *Socially Voted Category 

  • “A Very Jonas Christmas Movie (Original Soundtrack)”
  • “F1 the Album”
  • “Frankenstein (Soundtrack from the Netflix Film)”
  • “KPop Demon Hunters”
  • “Nobody Wants This Season 2: The Soundtrack”
  • “Sinners (Original Motion Picture Soundtrack)”
  • “Smurfs Movie Soundtrack (Music From & Inspired By)”
  • “Springsteen: Deliver Me From Nowhere”
  • “Tron: Ares (Original Motion Picture Soundtrack)”
  • “Wicked: For Good – The Soundtrack”
  • “Zombies 4: Dawn of the Vampires (Original Soundtrack)”

Favorite Tour Style: *Socially Voted Category 

  • Bad Bunny, “DeBí TiRaR MáS FOtoS World Tour”
  • Beyoncé, “Cowboy Carter Tour”
  • Billie Eilish, “Hit Me Hard and Soft: The Tour”
  • BLACKPINK, “Deadline World Tour”
  • Dua Lipa, “Radical Optimism Tour”
  • Ella Langley, “Still Hungover Tour”
  • KATSEYE, “Beautiful Chaos Tour”
  • Lady Gaga, “The Mayhem Ball”
  • Sabrina Carpenter, “Short n’ Sweet Tour”
  • Tate McRae, “Miss Possessive Tour”
  • Taylor Swift, “Taylor Swift | The Eras Tour”
  • Zara Larsson, “Midnight Sun Tour”

Favorite Tour Tradition: *Socially Voted Category 

  • Benson Boone, Cover song
  • Beyoncé, Blue Ivy & Rumi on stage
  • Billie Eilish, “when the party’s over” silent loop
  • Coldplay, Crowd cam
  • Dua Lipa, Surprise guest
  • Jonas Brothers, Surprise guest
  • KATSEYE, “Gnarly” dance break
  • Lainey Wilson, Cowgirl of the night
  • ROLE MODEL, Sally
  • Sabrina Carpenter, Celebrity “Juno” arrest
  • Tate McRae, Fan cam on stage
  • Zara Larsson, “Lush Life” star

(New for 2026) Favorite K-pop Collab: *Socially Voted Category 

  • “Blink” – Corbyn Besson & TZUYU of TWICE
  • “BORN AGAIN” – LISA feat. Doja Cat & RAYE
  • “BUCK” – Jackson Wang feat. Diljit Dosanjh
  • “Confessions” – Flo Rida, HEESEUNG & JAKE of ENHYPEN, Paul Russell
  • “Dirty Work” – aespa feat. Flo Milli
  • “ExtraL” – JENNIE, Doechii
  • “EYES CLOSED” – JISOO X ZAYN
  • “Illegal + SEVENTEEN” – PinkPantheress, SEVENTEEN
  • “On My Mind” – Alex Warren & ROSÉ
  • “Sweet Dreams (feat. Miguel)” – j-hope, Miguel
  • “TOO BAD” – G-DRAGON feat. Anderson .Paak
  • “WE PRAY (TWICE Version)” – Coldplay, TWICE, Burna Boy, Elyanna, TINI, Little Simz

Richard Deitsch Joins Sports Business Journal as Special Contributor

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Richard Deitsch is adding a new chapter to his sports media career, joining Sports Business Journal as a special contributor beginning in 2026.

The move was announced by SBJ and later confirmed by Deitsch in a social media post reflecting on the significance of the opportunity. In his new role, Deitsch will write a monthly print feature for the Journal. He will also contribute select news items to its daily coverage. Additionally, he will make occasional appearances on the SBJ Sports Media Podcast with Austin Karp.

For Deitsch, the addition carries personal meaning. In his post, he noted that seeing his reporting cited by Sports Business Journal over the years represented one of the “small thrills” of covering sports media, calling SBJ a national publication long recognized for its quality journalism, insight, and industry events.

Professionally, the move aligns two established brands in sports business and media coverage. Deitsch brings nearly two decades of experience reporting on the intersection of sports, media rights, broadcasting, and on-air talent. Most recently, he served as a senior writer at The Athletic.

Prior to The Athletic, Deitsch spent more than a decade at Sports Illustrated, helping define sports media coverage as a beat rather than a sidebar. Across both outlets, he built a reputation for blending reporting with context. He often explained not just what happened, but why it mattered inside newsrooms and boardrooms.

That skill set fits neatly within SBJ’s media coverage. While the publication is best known for reporting on rights deals, valuations and executive movement, Deitsch’s contributions will add focus on personalities, programming decisions and editorial strategies driving the business forward.

In his announcement, Deitsch emphasized that his role at SBJ will complement, not replace, the work of existing media reporters, including Karp and Josh Carpenter. He also clarified that his independently produced Sports Media Podcast will continue as usual, likely reassuring longtime listeners.

Deitsch also teased that his first SBJ feature will spotlight one of the most respected on-air figures in sports. This signals that his storytelling approach will remain people-focused, even within a business framework.

For Sports Business Journal, the addition reinforces a commitment to depth and credibility. For Deitsch, it provides a platform closely aligned with the evolution of the beat he helped shape.

Dan Bongino Confirms Show Return with Westwood One

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Dan Bongino is back. Sort of. He’s coming back to his former news/talk radio employer Westwood One except with a digital focus.

After stepping down from the FBI, where he served as the Deputy Director, Bongino confirmed he’ll return to Westwood One and his podcast in the coming weeks.

While appearing on Nightly Scroll with Hayley Caronia, Bongino revealed details of his return to the news media.

“The show is definitely coming back,” Bongino said when asked what his future held. “Early February. We will release the date. We will put out a press release with Westwood One and Rumble this coming Monday, so just a few days from now, which will provide the day. It’s going to be early February, and we’re going to be ready to roll.”

Despite the return of the program still being weeks away, Dan Bongino said he’s already preparing the content for his first show back.

“That first show, I got a lot of stuff to talk about,” Bongino said. “I took so many notes. I mean, obviously, I can’t talk about classified stuff, that kind of thing. But there’s a lot of stuff we can talk about. There’s a lot of stuff to talk about that I think is going to open a lot of eyes, and a lot of ignoramuses are going to get shut down. But I’m going to need some help, because that first show could go on forever.”

Before exiting Westwood One in March 2025, The Dan Bongino Show was heard from 12-3 PM ET. Bongino revealed that his show will now be just two hours in length, and will air from 10 AM to Noon ET.

Except that’s where it got confusing. The 10a-12p ET slot will be digital only.

Barrett Media’s Garrett Searight shared a more detailed story Thursday night cleaning up the confusion. We initially reported Bongino’s return would be on radio based on the initial commentary.

Currently, The Chris Plante Show is nationally syndicated by Westwood One from 9 AM to Noon ET. VINCE — helmed by Vince Coglianese — is expected to continue to host the nationally syndicated show from 12-3 PM ET. Plante’s radio show is unaffected by Bongino returning to the company. Our apologies for the initial confusion.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

News Media Reacts to Megyn Kelly Calling Nick Fuentes ‘Very Interesting and Very Smart’ to Tucker Carlson

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Megyn Kelly is taking heat after a recent podcast episode with Tucker Carlson where she spoke highly of Nick Fuentes.

On The Tucker Carlson Show, Kelly defended the decision of Carlson to have a full-length conversation with Fuentes, stating that the pushback he received was unwarranted, praising Fuentes in the process.

“He’s a very interesting guy,” Kelly said. “Let’s face it. He’s obviously got some very extreme views, but he’s very interesting, and he’s very smart, and on a lot of things, there is value to be derived from that guy’s messaging.

“I’m sorry, but he actually has a lot of things he talks about that you’re like, ‘Huh, this is not a bad point about our country,’” Kelly continued. “Excuse his thoughts on race, and Jews, and the Holocaust, and all that.”

Fuentes is a controversial figure. A self-avowed Christian Nationalist and anti-feminist, Fuentes has heaped praise on Adolf Hitler and Joseph Stalin on episodes of his podcast. The podcast episode between Fuentes and Carlson widened a growing disconnect in the conservative political ecosystem centered upon antisemitism. In the aftermath of the conversation, Carlson, Ben Shapiro, Megyn Kelly, Mark Levin, and Candace Owens each lobbed insults at the other for their stances.

Many took to social media to share their displeasure that Megyn Kelly would speak so highly of someone that held the views that Nick Fuentes has shared.

After Kelly’s comments about Nick Fuentes went viral, she defended herself.

“You’re a pathetic misinformation whore,” Kelly retorted to Ian Miles Cheong, who published her comments. “I was explaining why young white men are listening to Fuentes & made clear that while I believe he makes interesting points about the govt etc I was not speaking about his thoughts on Jews, women, blacks etc. (Expletive) you & your lies.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.