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Chris Payne Keeps Reno Rocking With Passion and Purpose

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After 36 years in radio, Chris Payne has seen just about everything the industry can throw at him. Somehow, he’s managed to keep spinning plates while keeping his passion alive.

Payne’s career began as a part-time board-op for a Top 40 show. It quickly evolved into overnights at a local Rock station. “That led to overnights with one of the rock stations in town,” he recalls. “Then I joined Z-Rock, a new Rock station at the time, and stayed there for five and a half years.”

From there, Payne’s career path took him across Reno and Sacramento, spending time at KRZQ, KDOT, and KRAT, often helping stations launch or relaunch along the way. “I moved back to Reno in 2004 to help a station get off the ground,” he says. “Fast forward through that and two more stints with KRZQ and a year and a half with KRAT, I was invited back to Lotus in June 2022. The following March, I was offered the PD gig. ‘Jane, stop the crazy thing!’” he laughs.

Today, as Program Director and Afternoon Host at Rock 104.5 KDOT Reno, and PD of KOZZ, Payne oversees a station built on authenticity, connection, and community, values that reflect both his leadership style and the character of the market.

“Reno is unlike other markets,” Payne says. “Our community is so tight that you’ll run into your favorite broadcast personalities at just about any event in town, no matter what’s happening. We’re unique in that we do our best to play nice in the sandbox with one another despite working for competing companies.”

That spirit of collaboration extends to how KDOT positions itself locally. “Rock 104.5 is very lifestyle driven. We want to be the soundtrack for whatever you’re doing — from car wash fundraisers to raising awareness for suicide prevention. If there’s a topic to tackle, we’re going to go all in.

For Payne, great programming always comes back to personality, something he feels radio needs to reinvest in. “Harvesting personalities is a big thing in my book,” he says. “When I wasn’t on the radio, I was always listening to see which stations had the most personality between their on-air talent and imaging.”

That philosophy led him to bring “The Dave & Mahoney Show” to Reno, a move he’d been waiting years to make. “I’ve been a fan of theirs for over a decade,” Payne says. “I followed their antics through social media and had a fellow programmer, Ross Mahoney, speak nothing but the gospel about them. The timing of finally getting them on in Reno couldn’t have been more ideal. The show they replaced had been with the station for almost 30 years, so it’s a transition, but I really hope our audience gives them the chance they deserve.”

As both PD and Afternoon Host, Payne’s days are packed, “VERY carefully,” he laughs. “I spin a lot of plates. Radio may be the main thing in my life, but I’m also an emcee for four local teams, a social media manager for several businesses, and a DJ for weddings, private events, and nonprofit fundraisers. When I’m not doing any of that, I’m usually traveling to Seattle, Chicago, or Buffalo.”

Even with all that, Payne still makes time to connect with his audience. “I want our listeners to know they have a voice with us. We don’t just give them carte blanche, but we make sure they know if we’re playing something they like or dislike, they can keep us in the loop.”

When prioritizing staying relevant and engaging, Payne is honest about the challenges stations face in building strong digital engagement. “Social media is our Achilles heel at the moment,” he admits. “It would be great to have an extra body in the building to help get more content out there and connect with the audience.”

Still, he believes engagement starts with being genuine. “If we want to attract the younger generation, we need to focus on personality. You have to be authentic while not allowing your ego to get in the way. The more we connect with the community, the more people want to engage with us.”

Payne’s focus heading into Q4 is on keeping things fun and local. “We’re currently running a promotion during the Dave & Mahoney show where listeners are waiting for a cue to be the 12th caller to win a daily giveaway of $104.50,” he says. “We’ll wrap up the quarter with lifestyle-driven events that keep us connected to our audience.”

That commitment to connection — both on-air and off — is what keeps Payne motivated. “Radio’s been a crazy ride,” he says with a grin. “But it’s still the best job in the world.”

Follow Chris Payne on FB – www.facebook.com/KDOTRENO, IG – @Rock104dot5, Twitter/X – @Rock_1045.

Hits on the Horizon: Alex Warren, Coco Jones, Tyler Nance, and Good Neighbours

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Hits on the Horizon is halfway through the month of October, so what are the potential hits for this week?

Starting with the Top 40/Hot-AC category, Alex Warren w/ Jelly Roll’s “Bloodline features two of today’s biggest stars. This song is catchy and has had my ears buzzing. Considering how this time of year does not present a lot of new choices, this one is not a miss at all! It had over 3 million streams during its first week. It’s worth your ears if you program Pop radio. Another to get your ears on is Corbin Besson ft./TZUYU’s “Blink”. As the lyric says “Don’t blink, you might miss it!”

Jumping into the Rhythm world, a really cool R&B track from Coco Jones w/ Alicia Keys “Other Side Of Love has two great voices on a song with a cool vibe! If you want a fun song that the Coca Cola company may not love, check out Fallon’s “Diet Coke”. This lyric jumps out “All the girls standing in the line for the bathroom…she stop drinking Diet Coke, she on that coke diet”. It’s fun for sure!

From the Country world, I have a few for you. Tyler Nance’s “Keeps Me Sane is a song with over 3 million streams this week. It is getting solid radio love from Kix 106 in Memphis! One more to listen to is Carter Faith’s “Betty”. It has about 1.4 million streams this week. 93 Q Country in Houston is showing some love to the song.

Finally in the Rock world, Good Neighbours’ “People Need People has good potential especially for Alternative radio. It’s a good sounding record, though there is no streaming story yet and very little radio support. One final one is Gatlin’s “Florida Man”. It’s catchy with a good hook and is getting some radio love from KTBG in Kansas City.

There you go, a little lighter this week but the choices are slimmer as we creep closer to the holidays. Happy Listening!

What Podcast Ad Revenue Projections Mean for the Future of News Podcasts

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Podcast ad revenue is on a tear, expected to reach nearly $4 billion by 2029, according to eMarketer. That’s part of a much larger digital audio ecosystem, forecast to climb to almost $10 billion in the same timeframe.

Yet even as money flows into the medium, one of the biggest formats—the news podcast—is still battling an uphill perception problem. Advertisers remain hesitant to place their messages alongside shows that tackle controversial topics. The content is often deemed inflammatory or polarizing, and that scares away some brands.

Here’s the thing: that perception is only half the story.

News podcasts are some of the most widely consumed and passionately followed shows in the game. They reach millions of listeners every week, from coast to coast, who tune in not just for updates but for deep dives, analysis, and context they can’t get elsewhere. The audiences are engaged, loyal, and, yes, opinionated — but that should be a selling point, not a liability. Marketers looking for reach and impact should pound that table.

Advertisers love metrics, and news podcasts deliver. High retention rates, dedicated listenership, and long-form content mean that when a brand message lands, it lands hard. Listeners hear it. They respond to it. They act on it. And in an era where attention is currency, few mediums offer the same level of concentrated audience engagement.

A listener isn’t just scrolling past a display ad or skipping a commercial. They’re sitting down with headphones on, fully immersed, often for 30 to 90 minutes at a stretch. That’s premium attention.

Yet somehow, that doesn’t always translate to dollars in the news podcast space. Some advertisers still equate divisive content with risk. They worry about their commercials accompanying backlash or controversy. And yes, news podcasts often tackle hot-button topics that spark debate. But they also create dialogue, community, and trust with their audience. A consumer who follows a show closely trusts the host, values their perspective, and is far more likely to absorb the messaging presented in a native ad read. That’s advertising gold.

Podcasting’s broader trajectory shows no signs of slowing. Emarketer’s forecast puts overall podcast advertising near $4 billion by 2029, with digital audio advertising as a whole reaching nearly $10 billion. That kind of growth signals opportunity. And for news podcasts, it represents a chance to reframe the narrative: advertisers should see past the “divisive” label and recognize the power of connecting with a large, passionate, and loyal audience.

In fact, ignoring news podcasts now is a missed opportunity. As the market matures, advertisers that shy away from high-engagement formats risk ceding influence to competitors willing to embrace them. These shows shape conversation, spark debate, and create communities around ideas. That influence is measurable, trackable, and immensely valuable to brands looking to make a mark.

News podcasts are also uniquely positioned to provide advertisers with precision. With advanced audience targeting and analytics, brands can reach listeners based on demographics, location, and interests. You can deliver your message to the right person, at the right time, in the right context. That’s the promise of digital audio, and news podcasts sit squarely at the center of it.

At the end of the day, the conversation about “risk” versus “opportunity” is where news podcasts shine. Yes, the content can be fiery, challenging, or even controversial. But that same fire fuels engagement. It keeps listeners coming back. It makes ads stick. And in a crowded, noisy media environment, that kind of attention is priceless.

If marketers truly want to dominate in digital audio, they can’t ignore the format driving some of the largest audiences in podcasting. Loyal, engaged, and passionate listeners are not a side effect—they are the product. And news podcasts deliver that product better than almost any other genre.

The numbers don’t lie. Podcast ad revenue is growing. Digital audio spending is skyrocketing. News podcasts are already among the biggest formats in the game. It’s time for advertisers to stop letting perception hold them back and start embracing the audiences that matter most.

The message is simple: these shows are divisive, yes, but their audiences are too powerful to ignore. Pound that table.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Tim Legler: Elevation To Top Broadcast Team at ESPN Was Culmination of Everything I Put Into the Work

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ESPN NBA analyst Tim Legler is stepping into the network’s top NBA broadcast team, joining Mike Breen and Richard Jefferson for the 2025-26 season. The veteran analyst, who has spent more than two decades with ESPN, described the promotion as both unexpected and deeply gratifying. In an interview with The Athletic, Legler recalled how he learned the news — a moment that began as a normal day and turned into a career milestone.

“I got the call from Tim Corrigan, where I got the information from,” Legler said. “I was going about my normal business like I was every year, just paying attention to the league and keeping up with who went where, coaching changes, player changes, rookies, injuries — my daily stuff, just preparing for the season, not knowing how any of it was going to ultimately play out.”

Legler said he was aware of discussions at ESPN regarding the future of the network’s top broadcast crew, which saw Doris Burke replaced earlier this year. But the longtime analyst had learned not to assume anything.

“You’re hoping your name is in the mix,” he continued. “But I’d come to the point, after all these years of being there, that you’re preparing yourself for if you don’t get that call, or if you don’t get that news, how your season is going to go. So I was just ready to go either way.”

That readiness turned to elation when the phone rang.

“When that phone call came in and I looked down, I saw Tim was calling me, and you’re kind of like wondering, okay, what’s this going to be?” Legler said. “It ended up being, obviously, very good news for me and my family. We were very happy.”

For Legler, the timing and setting of the call made the moment even more special.

“We were just by ourselves with our son on the beach, actually, in New Jersey, and the call came in,” he said. “What went through me was just the reward of the work I’ve put in. To feel so grateful, first of all, that I’m going to get the opportunity, but also validated for the amount of work that I put into this.”

Legler emphasized that his approach to preparation and professionalism never wavered, even during the years when he remained outside ESPN’s top team.

“I never lowered my standard over the years, even if I got frustrated at times,” he said. “Everything stayed the same because I had a lot of pride in what I was doing. Getting that call was the culmination of all that — the ups and downs over the course of all these years at ESPN.”

As the upcoming season approaches, Legler said his focus now turns to what comes next.

“It’s incredibly gratifying, rewarding, and exciting,” he said. “More than anything else, I’m just excited about the opportunity to work with Mike and Richard, and I can’t wait to get going.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Spotify Partners with Music Publishers to Develop Artist-First AI Products

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Spotify is joining forces with some of the biggest names in music to ensure artificial intelligence helps — not hurts — artists and songwriters.

The company announced a new collaboration with Sony Music Group, Universal Music Group, Warner Music Group, Merlin, and Believe to develop AI products that protect creativity while driving innovation.

The partnership aims to create technology that strengthens artist-fan relationships and generates new revenue opportunities, rather than replacing human artistry. Spotify said it hopes to bring more music rightsholders and distributors into the effort over time.

“Technology should always serve artists, not the other way around,” said Spotify Co-President and Chief Business Officer Alex Norström. “Our focus at Spotify is making sure innovation supports artists by protecting their rights, respecting their creative choices, and creating new ways for fans to discover and enjoy the music they love.”

“AI is the most consequential technology shift since the smartphone, and it’s already reshaping how music is created and experienced,” added co-President and Chief Product and Technology Officer Gustav Söderström. “At Spotify, we want to build this future hand in hand with the music industry, guided by clear principles and deep respect for creators, just as we did in the days of piracy. Our company brings deep research expertise to this opportunity and we’re actively growing our AI team and capabilities to drive the continued growth of the entire music ecosystem.”

The streaming giant outlined four principles guiding its AI strategy: working with labels and publishers through upfront agreements, giving artists the choice to participate, ensuring fair compensation for creative contributions, and using AI to enhance fan connections.

Spotify already uses AI to personalize listening experiences with tools like its AI DJ, daylist, and AI Playlist. The company says these features help fans discover new artists rather than compete with them.

To support this initiative, Spotify is building a new generative AI research lab and product team. The lab will focus on developing technologies that align with the company’s responsible innovation goals while collaborating with artists, songwriters, and producers.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Kyle Matthews Leaving Q104 After Joining Station in February

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Just eight months after joining Q104 in Kansas City, Kyle Matthews is departing the station to relocate to St. Louis. Matthews began his tenure at Q104 in late February as Music Director and later joined the morning show alongside Mallory Kay in April.

In a social media post announcing the move, Matthews said, “This move is a family decision, one that just feels right for us. To my Q104 family, thank you for every laugh, memory, and opportunity. You’ve made this chapter unforgettable. My last day will be October 24th. And since it wouldn’t be a big move without a new adventure. I’m officially on the lookout for my next role. If you know of a great fit, I’d love to connect! We’re grateful, hopeful, and ready for whatever’s next.”

Before joining KBEQ, Matthews held the role of Brand Manager and afternoon host at Townsquare Media’s Wow Country 104.3 in Boise, Idaho. His career also includes two separate stints at NRG Media Country in Lincoln, Nebraska, from 2016 to 2018 and again from 2019 until 2022.

In addition, Matthews spent nearly a year as Imaging Director and midday host at Audacy’s 95.1 K-Frog KFRG in Riverside, California, further broadening his experience in major-market country radio.

Station management at KBEQ has not yet announced a replacement for Matthews on the morning show or in the Music Director role.

Matthews will officially exit KBEQ on October 24, closing a short but impactful chapter in Kansas City country radio.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Audacy Launches Wisconsin Sports Radio Network as State-Wide Stations Flip Following iHeartMedia Cuts at 97.3 the Game

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The trickle down effect of iHeartMedia’s format flip to 97.3 The Game in Milwaukee has triggered a ripple effect across several Wisconsin radio markets, culminating in the launch of a new statewide sports talk network from Audacy.

Audacy has stepped in and introduced the Wisconsin Sports Radio Network, syndicating the daytime lineup of Milwaukee’s 105.7 The Fan after iHeartMedia dropped its The Game Sports Network from its Milwaukee flagship at 97.3 The Game. The network rollout impacts multiple Midwest Communications stations which include WNFL/1440 and 101.9 in Green Bay, joined by new simulcast partner WDKF/99.7 in Sturgeon Bay-Green Bay.

WRIG 1390AM in Schofield-Wausau and 93.9FM in Rothschild-Wausau have also joined the newly formed radio network along with WDSM 710AM in Superior.

The affiliates were officially announced during the October 14 broadcast of the Nine2Noon show with Ramie Mahklouf and former Green Bay Packers fullback John Kuhn.

These stations previously carried iHeartMedia’s The Game Sports Network, which lost its Milwaukee flagship when WRNW flipped formats Monday to become B97.3.

Left over staff and programming from 97.3 The Game currently remains on iHeart stations 1070 The Game in Madison and WBIZ 1400AM in Eau Claire, it is no longer carried by iHeart’s remaining Milwaukee sports station, The Big 920. The programming also streams on YouTube and the iHeartRadio channels for the now defunct 97.3 The Game.

The Wisconsin Sports Radio Network’s daily programming aims to consolidate local sports talk into a statewide platform. Mornings feature Inside Wisconsin Sports with Trevor Thomas and Josh Albrecht from 6 to 9 a.m., followed by Nine2Noon with John Kuhn and Ramie Makhlouf from 12 to 2 p.m. Mason Crosby joins the afternoon segment, while Steve “Sparky” Fifer hosts Wisconsin Sports Daily from 2 to 5 p.m.

The launch follows closely on the heels of WSSP’s recent additions of Inside Wisconsin Sports and Nine2Noon to its lineup, signaling a broader strategic push to consolidate local sports programming under a unified banner.

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Clay Travis, Buck Sexton Share Pitch to Guest on The View After Joy Behar Comments About Lack of Republicans

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A claim from hosts of The View led Clay Travis and Buck Sexton to share that they have been willing to join the show, but haven’t heard back.

During Tuesday’s show, The View’s Joy Behar shared that the show would love to feature more Republicans on the program, but they aren’t willing to appear on the daytime program.

“I think we should have more Republicans on the show. They’re scared of us,” she said.

Plenty of conservatives and media members have responded by stating that they’d be willing to appear on the show.

However, The Clay Travis & Buck Sexton Show shared that they’ve been attempting to serve as guests on the show for more than a year.

In a post on social media, Travis shared a screenshot of an email the duo’s Executive Producer, Ali Mroczkowski-Lobo, sent to producers of The View, pitching the radio hosts as guests.

“They often play clips from the program on their nationally syndicated radio show (granted, as a means to refute them) and thought a sit-down would be productive for both audiences since they come from two completely different perspectives,” the executive producer wrote.

Travis shared that the email had been sent in July of last year, before adding, “We’re big fans. Look forward to the invite!”

The comments from Behar came after a contentious interview with Cheryl Hines, the wife of Health & Human Services Secretary Robert F. Kennedy Jr.

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Fox News, CNN, MSNBC Earn More Than $200 Million in September Ad Revenue, New Data Shows

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Despite viewership dips and a declining subscriber base, cable news networks like Fox News, CNN, and MSNBC still saw large revenue figures during September, according to new estimates from EDO Ad EnGage.

During the month, a total of $208 million was earned in national television advertising for the three largest cable news brands.

Fox News led the way, accounting for more than half the overall revenue between the three. It earned $105.5 million in September, the estimates show.

CNN was second with $70.5 million, followed by MSNBC at $31.5 million.

Compared to the figures from September 2024, nearing the height of the presidential election between President Donald Trump and Vice President Kamala Harris, Fox News saw an increase in national TV advertising revenue in September 2025. During the prior year, it saw $94.3 million, the EDO Ad EnGage estimates show.

Meanwhile, CNN’s estimate for 2025 was down slightly compared to the same month last year, dropping from $72 million last year. MSNBC saw a slight increase, rising from $30.7 million in September 2024 to the $31.5 million it was projected to receive this year.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Billy Gil Leaving ‘The Dan Le Batard Show’

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After 15 years as a fixture on The Dan Le Batard Show with Stugotz, Billy Gil is leaving the program marking the end of an era for the Miami-based sports talk podcast. Gil’s departure is amicable, with his last day set for Friday.

“After a decade and a half of glorious energy. Billy Gil’s final day with us is tomorrow,” said Le Batard to open his program on Thursday. “He’s leaving us for a bigger job at Spotify, and I’m both sad and happy to announce that. Sad because someone I care about deeply is going. Happy because someone I care about deeply is also growing. You have two choices when a surprise like this lands on you, you can be selfish and feel left behind, or you can open your heart and rejoice in getting to see all that is up ahead.”

Gil is moving to a management role at Spotify and The Ringer, a sports and entertainment podcast network founded by Bill Simmons. The shift will take him mostly off the air but positions him within one of the show’s top competitors.

“Billy both grew up with us and never grew up with us, but he has children of his own now, and he’s career driven, so he seeks more adult creative challenges than just babysitting Stugotz and me all the way to the end,” said Le Batard. “Billy’s gentle grace behind the scenes and creative coloring in the scenes are not things that could be replicated ever. Never mind replaced. All of this will be harder without him. Obviously our soul will not be the same. Not even going to try to pretend it will be.”

Both The Dan Le Batard Show and Simmons’ flagship podcast regularly rank among the top five on Apple Podcasts’ national charts, making Gil’s move a notable transition in the sports media landscape.

According to the Miami Herald’s Greg Cote, who is also a regular contributor to the program. The announcement was accompanied by a tribute to Gil, who became emotional when privately informing Le Batard of his decision. Le Batard said to open his program on Thursday that he fully supported Gil’s career-driven choice.

Gil’s tenure on the program has been marked by his dry humor and a distinctive, anarchic energy that endeared him to listeners.

Since joining the program in 2010, Gil has been a central figure in the show’s identity. Fans of The Dan Le Batard Show have often praised his sharp comedic timing and willingness to push boundaries, qualities that contributed to the program’s reputation for mixing sports coverage with irreverent humor.

Spotify has not officially released plans for Gil’s position with the growing podcast network.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.