Fox News’ The Five is often the highest-rated show on cable news, with co-hosts Jesse Watters and Jessica Tarlov often pitted against one another.
The two can often be at odds over any variety of topics in a given show, and Watters says he’s working on being a little nicer to his colleague.
While appearing on The Sage Steele Show, Watters admitted he can be condescending to her, and it’s something he’s cognizant of.
“I do come off condescending, and I’m working on that,” he shared. “Brit Hume actually told me, ‘Jesse, you have to stop interrupting Jessica so much because the audience does need to hear the other side.’ I’ve been trying to be more polite. You’re not even taking me seriously,” Watters said to Steele before saying others are worse than he is.
“You think I’m bad? Greg (Gutfeld)’s the worst. Greg’s bad. Greg yells at her. I try not to yell. I’ve come to the conclusion that I shouldn’t be yelling at women,” Watters continued. “When a man yells at a woman, he kind of loses a little masculinity, and that’s what the women want. They want to fight. They want to tear into each other. So I try, as calmly as I can, to say my thing and interrupt her less. You’re not even listening, are you? You don’t believe this. I’m trying to be a better person.”
When asked if he and Jessica Tarlov only spar on the show or if there’s a real-life rivalry between them, Jesse Watters admitted he is fond of his co-host.
“Jessica’s great … We used to go on Hannity together. He used to have Jess versus Jessica, and we’d do it at 9:00, then take the subway downtown after the show because we both lived downtown,” he shared. “Jessica and I are friendly. We don’t hang out on the weekends, but we’re good.”
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
Dan “Big Cat” Katz of Barstool Sports offered a blunt assessment of the Golden Globes’ new “Best Podcast” category during a recent appearance on the House Call podcast. Katz characterized the award as emblematic of Hollywood’s attempt to co-opt the growing podcasting industry, calling the move “stupid” and dismissing the honor as largely symbolic.
“The whole thing’s a joke,” Katz said. “Essentially, podcasts have become big. New Media has kind of eaten into TV shows and movies and stuff. It ate up late night. So now they’re like, ‘Well, we’re gonna have famous people do podcasts too, and then we’ll give them an award and be like, ‘Look, we’re podcasters too.’ It’s stupid.”
Katz is one half of the wildly popular Pardon My Take alongside co-host PFT Commentor. While Pardon My Take was originally cast as part of a wider amount of nominees, they did not make the final cut for the award handed out this past Sunday. Katz, who has long been outspoken about the state of the podcasting industry, described the medium itself as an unlikely candidate for traditional awards.
“No real podcaster should want to win a Golden Globe,” he said. “Podcasting is a joke. It’s a joke profession. It’s not real world. We’re not doing anything that’s like, special. We’re idiots talking to a mic, hopefully entertaining people. Why do you got to get an award for that?”
The comments came in response to the Golden Globes’ decision to honor Amy Poehler’s Good Hang as the first recipient of the award. Katz framed the selection as predictable. He pointed to Poehler’s celebrity status rather than the podcast’s merit as a reason for recognition.
“That whole thing was a joke. She’s been podcasting for like a half a year. So it’s all rigged, and it’s all Hollywood,” Katz said. “The Golden Globes [are] Hollywood’s elite, and the podcast of the year is also a Hollywood actress. No offense to Amy Poehler. She seems really nice. Her podcast very popular. So it’s not like a shot at her, it’s more like, this is what you came up with? Yeah, so whatever. Who cares.”
The Golden Globes’ foray into podcasting reflects a broader trend of legacy awards shows attempting to stay relevant amid shifts in media consumption. Streaming services, social media, and independent content creators have eroded traditional television audiences, prompting institutions like the Globes to acknowledge online formats.
Yet Katz’s remarks underscore a persistent tension: industry insiders may embrace podcasts as culturally influential, while those embedded in the medium itself often view the recognition as unnecessary or performative.
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
ESPN New York host Peter Rosenberg pushed back Thursday against online headlines suggesting tension with fellow former co-host Michael Kay, using humor to lampoon the media’s appetite for conflict.
On Thursday’s episode of Don, Hahn & Rosenberg, the program mocked the coverage of the potential discourse, noting that outlets appeared eager to fill space.
“With all due respect, they got a lot of inches to fill. Okay, you guys were bored today,” Rosenberg said.
The remarks followed speculation stemming from Rosenberg’s recent praise of WWE commentator Joe Tessitore on his Cheap Heat wrestling podcast. Rosenberg called Tessitore “constantly flawless” and “the best point guard that I’ve maybe ever worked with,” prompting Kay, who previously co-hosted with Rosenberg on ESPN New York, to vent frustration in a text message Rosenberg later described as saying, “you’re dead to me.”
According to co-host Don La Greca, the disagreement was less about personal animosity than a perceived slight over Rosenberg’s compliment.
“He’s mad at Peter because Peter doesn’t think he’s the best at something. He didn’t disrespect him,” La Greca said. “You didn’t make him the best. That’s ridiculous.”
Rather than escalating, Rosenberg framed the episode’s discussion as a lesson in current media dynamics.
“If our crack staff here at ESPN New York and our radio station were worth the paper they were made on, they’d be taking this article running right to the New York Post,” he joked. “There’s nothing better than show beef than in because it’s all within the station. You’re not sending anyone anywhere else. You’re keeping it all right here.”
Rosenberg’s tongue-in-cheek take underscores a familiar reality in sports media. Personality-driven narratives often get amplified online, sometimes independent of any potential workplace friction. The program took the next couple of minutes to create other potential “beef-filled” headlines to draw attention to outlets online.
Kay, who moved to another time slot in 2025 to balance his role as the voice of the Yankees for YES Network, previously lamented that his off-air relationship with Rosenberg had cooled since their professional split.
Rosenberg, however, continued to emphasize a mix of respect and humor toward his former colleague, describing him as “the bride at every wedding and the corpse at every funeral. Everything has to be Michael!”
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
ESPN will turn South Florida into the center of the college football universe as its networks and digital platforms deliver more than 24 hours of live studio and on-site programming surrounding the College Football Playoff National Championship on Monday at Hard Rock Stadium.
The wall-to-wall coverage begins today and runs through Tuesday, January 20, with content airing across ABC, ESPN, ESPN2, ESPNU, ACC Network and ESPN’s digital and social platforms. The multi-day presence culminates on Championship Monday, when ESPN deploys its most recognizable shows, personalities and reporters to provide comprehensive analysis, storytelling and real-time reaction from Miami.
College GameDay will close out its most-viewed regular season on record with a special edition live from Hard Rock Stadium beginning at 5 p.m. ET. Host Rece Davis anchors the set alongside analysts Kirk Herbstreit, Desmond Howard, Pat McAfee and Nick Saban, while Jen Lada, Jess Sims, Pete Thamel and Stanford Steve Coughlin contribute reporting and insight. Notre Dame head coach Marcus Freeman will also join the broadcast as a guest analyst for the national championship.
Throughout the show, ESPN will lean into narrative-driven features that explore the people and programs shaping this year’s title game. Those segments include hometown storylines, deep dives into Miami’s historic swagger, a sit-down conversation with both head coaches and a closer look at Indiana’s improbable run to the sport’s biggest stage. Additional reporting examines how proximity and history could influence the atmosphere at what is technically a neutral-site championship.
ESPN’s studio programming extends well beyond GameDay. The Pat McAfee Show will broadcast live from Hard Rock Stadium from noon to 2 p.m. ET on ESPN, ESPN on YouTube and the ESPN App, with McAfee and his crew welcoming guests throughout the afternoon.
ACC Network will also maintain a strong on-site presence, featuring multiple editions of ACC Huddle, Inside ACCess and a dedicated alternate telecast of the championship game, all originating from Miami.
Digital platforms play a central role in ESPN’s coverage strategy as well. Countdown to the CFP National Championship will stream live from the field on ESPN YouTube, Facebook and the ESPN App, delivering pregame breakdowns, matchup analysis and live reports.
Following the game, The Wrap-Up will provide immediate postgame reaction, social media analysis and a season-in-review conversation to close out the college football calendar.
ABC’s Good Morning America will contribute national exposure throughout the weekend with live updates from Hard Rock Stadium, including a special post-championship edition anchored on the field. SportsCenter, First Take and several college football-focused studio shows will also originate from Miami, ensuring consistent coverage across ESPN’s programming ecosystem.
By combining live event access, studio analysis and digital-first storytelling, ESPN aims to deliver an immersive, multi-platform experience that matches the scale and significance of college football’s championship stage.
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
Yahoo Sports is turning to some of the most accomplished Winter Olympians in history to strengthen its video coverage of the Milan-Cortina Olympic Games, assembling a trio of gold medalists to deliver analysis, storytelling, and athlete-driven perspective across multiple platforms.
Nathan Chen, Julia Mancuso, and Apolo Ohno will serve as on-air correspondents throughout the Games, providing event recaps, technical breakdowns, and behind-the-scenes features designed to help fans better understand both the competition and the culture surrounding the Olympics.
Collectively, the group represents 15 Olympic medals, including five golds, and brings experience across three of the Winter Games’ marquee sports.
Chen, the 2022 Olympic figure skating champion, will focus on figure skating coverage, offering analysis that goes beyond scores and standings. His segments will break down judging criteria, competitive strategy, and the mental preparation required to perform under Olympic pressure.
Mancuso, a four-time Olympic medalist in alpine skiing, will cover downhill, giant slalom, and super combined events, adding insight drawn from competing across three Olympic cycles.
Ohno, the most decorated U.S. Winter Olympian with eight medals in short-track speed skating, will analyze speed skating while also addressing the broader demands of elite Olympic competition.
In addition to competition recaps, the trio will produce feature content from Italy that highlights life around the Games. Those segments will focus on athlete routines, local culture, and the moments away from the venues that often shape the Olympic experience but rarely receive extended attention.
Yahoo Sports executives believe that approach will resonate with audiences looking for more context and personality alongside live results.
“Nathan, Julia, and Apolo know what it takes to compete — and win — on the world’s biggest stage,” said Sam Farber, Head of Yahoo Studios and Sports Content. “We look forward to them bringing their expertise and insights to fans across platforms during the Olympics.”
Their work will appear across Yahoo Sports’ digital ecosystem, including yahoosports.tv, YouTube, and social media platforms. Chen, Mancuso, and Ohno will also contribute to the newly launched Yahoo Sports Network free streaming TV channel, with remote appearances on the Yahoo Sports Daily live morning show serving as a centerpiece of that coverage strategy.
We're thrilled to announce our correspondents for the Winter Olympics!
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
Last week, K105 Youngstown morning host Doug James died at 71 after spending the past 35 years in morning drive alongside MaryAnn Graff. Now, she’s departing the station.
In a post on social media, MaryAnn Graff shared that she was exiting the station after more than 40 years at the Cumulus Youngstown country station.
“Today was my last day sharing mornings with you at K-105. It’s time to retire,” Graff shared. “I could never have dreamed this career when I came here June 1st, 1985. It truly was a dream job. Thank you all for allowing me to join you each morning. It has been an absolute joy!! I love you all and will see you around K-country!”
She had been paired with Doug James in the daypart since 1991. K105 has yet to announce plans for who will assume the timeslot following the death of James and the retirement of Graff.
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
Fanatics Fest has quickly become one of the sports industry’s most reliable engines for unscripted moments, the kind of viral flashes that traditional media companies have spent years attempting to manufacture. That momentum is now influencing one of ESPN’s longest-running franchises.
According to a report by John Ourand at Puck, with Fanatics announced last week along with the formation of Fanatics Studios, The ESPY Awards are making a return to New York City. As part of a partnership with Michael Ratner’s OBB Media that will assume production responsibilities for several projects, that will also include this summer’s ESPY Awards. As part of that shift,
The event has been a staple in Los Angeles every summer for the last 25 years.
The awards ceremony is currently scheduled for Wednesday, July 15, a date that positions it squarely alongside a packed sports calendar. It will air the night after Major League Baseball’s All-Star Game and just one day before Fanatics Fest begins its four-day run at the Javits Center from July 16–19. In additon, the FIFA World Cup final will also take place that weekend at nearby MetLife Stadium.
The reporting states that ESPN has not yet finalized a venue for the ESPYs, but the geographic overlap with Fanatics Fest is intentional. The strategy reflects a broader recalibration of how ESPN approaches an event that has struggled in recent years to produce lasting cultural moments despite its star power.
Ratner, who also serves as CEO of Fanatics Studios, has acknowledged that the ESPY’s could use a way to repackage the compelling content it provides. Fanatics Fest, by contrast, has demonstrated an ability to turn a convention-style event into a magnet for athletes and creators. Much of that success stems from Fanatics’ deep business relationships across professional sports, which make athlete participation both seamless and expected.
The show will remain on ESPN and continue to be produced with Full Day Productions. Ratner has indicated that the focus will be on tapping into the surrounding energy rather than reinventing the format. That includes an emphasis on unscripted moments, potential new award categories, and greater social media integration.
ESPN has not commented or released any official announcement on this year’s ESPY Awards ceremony.
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
Netflix is continuing to announce dates for the debut of several popular sports podcasts streaming exclusively in video form on the platform. The latest additions represent a mix of sports analysis, culture-driven commentary, and crossover programming, underscoring the company’s growing interest in podcast-driven engagement.
Four additional sports-focused podcasts will launch on Netflix on January 26, marking a significant influx of recognizable talent and established brands. A fifth show will follow on February 1, adding NFL-focused content ahead of the league’s offseason calendar.
Among the January 26 debuts is Joe & Jada, hosted by Grammy-nominated hip-hop stars Fat Joe and Jadakiss. The twice-weekly program blends discussions around music, sports, and culture, while also featuring interviews with influential figures across those worlds. The show has built a loyal audience through candid conversations and topical relevance, positioning it as a strong fit for Netflix’s push toward broader lifestyle and sports-adjacent content. Currently, Joe & Jada is produced by The Volume and Roc Nation with video available on YouTube.
Also launching that day is New Rory & Mal, hosted by Rory Farrell and Jamil “Mal” Clay. The podcast has become known for its sharp commentary and unfiltered takes on culture and sports, often driven by the hosts’ chemistry and willingness to challenge prevailing narratives. Its arrival gives Netflix another voice aimed at younger, digitally native audiences who gravitate toward personality-driven formats. The podcast was signed by The Volume in February of 2025 and also currently has video populating on YouTube.
Basketball fans will find familiar ground with The Mismatch, which pairs Chris Vernon and David Jacoby for in-depth NBA discussion. The show focuses on league trends, transactions, and on-court analysis, while leaning into debates that reflect both hosts’ long-standing media backgrounds. Its inclusion strengthens Netflix’s NBA-related offerings at a time when year-round basketball conversation continues to drive strong engagement.
Rounding out the January 26 lineup is The Rewatchables, hosted by Bill Simmons alongside rotating contributors from The Ringer. While not strictly sports-focused, the podcast’s popularity and ties to sports media culture have made it a cornerstone of Simmons’ audio portfolio. The show examines films that viewers return to repeatedly, blending nostalgia with analysis in a format that has proven highly adaptable.
On February 1, Netflix will debut The McShay Show, hosted by longtime NFL draft analyst Todd McShay. The podcast dives into prospect evaluation, front-office insights, and ongoing mock draft updates, offering timely content as teams prepare for the scouting combine and draft season.
The Mismatch, Rewatchables, and The McShay Show fall under The Ringer/Spotify. These podcasts were part of the agreement between Spotify and Netflix.
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
Adam Carolla is returning to radio, joining The Megyn Kelly Channel on SiriusXM later this month.
As part of a new multi-year contract extension with PodcastOne, The Adam Carolla Show will be added to the newly launched SiriusXM channel. The show will air on Tuesdays through Fridays from 7-9 AM ET beginning on Monday, January 26th.
“PodcastOne is thrilled to extend our relationship with Adam,” PodcastOne President Kit Gray said. “Adam has paved the way for podcasters around the globe, and his podcast is continuously growing with audiences and with advertisers. We’re proud to be working alongside one of the greatest in the business as he sets the tone for success in the genre.”
The Adam Carolla Show launched in 2009 after his talk radio show ended. In September, the show surpassed 4,000 episodes.
It joins The Megyn Kelly Channel, which was launched in October. The channel houses The Megyn Kelly Show, as well as other politically focused shows.
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest information right in your inbox.
It’s no secret that the radio industry has evolved significantly over the last thirty years, but it’s easy to forget just how different things are now compared to what they once were.
As an example, let’s contrast two hosts. In the late eighties, there was Tom Joyner, who was known as “The Fly Jock.” He hosted mornings on KKDA in Dallas when he was offered the afternoon show at WGCI in Chicago. Instead of choosing between the two, he created an unheard-of arrangement where he flew between the two cities every day, doing a live show in each for over eight years.
Now meet Theresa Clanton, also known as Theresa Rockface on social media. She would probably look at Joyner and say something to the effect of, “two shows a day, that’s adorable.” That’s how much times have changed.
Clanton does five live shows every day around the country for iHeartRadio. The only thing she’s missing is the frequent flier miles, as all the magic originates from her home studio.
She starts her day with a morning show in Salt Lake City. That’s followed by middays shows in Indianapolis, Charlotte, and Dallas, before hosting afternoons on her home station, KTBZ, in Houston. Throw in a show for one of iHeart’s Premium Choice Rock channels, and you can see how Joyner’s example seems quaint.
Five live shows every day. Not voice-tracked the day before like so many out-of-market shows are.
“I prefer to basically do it in real time,” says Clanton. “I’d feel like I’m putting out a subpar show if I’m just throwing out information that’s not current. So yes, I do it live and I think it pays off because I get a lot of feedback from listeners all over the country.”
The drive to do all the shows in close to real time also helps alleviate any imposter syndrome. Clanton wants to ensure that listeners in each individual market can identify with her content, building that personal attachment to the listener.
“I don’t want to feel like a fraud if somebody’s listening to me in Salt Lake City, but they know I’m in Houston,” says Clanton. “They’re not mad about it because I’m putting in the effort to talk about their city and deliver up-to-the-minute content.”
Joyner didn’t have the luxury of the same type of technology available that Clanton does. That includes iHeart personnel in each of her markets who help with prep by providing information about what’s going on. Clanton noted that this is vital to remaining consistent with the audience in real time. However, she doesn’t stop there.
“I’m an overachiever, which will be the death of me. I do my own research so I’m just constantly looking city by city for information. I’ve learned the local websites, news spots, even social media,” said Clanton. “I know Instagram accounts that are tied to each city that will always show me things I’m not getting in my prep. It’s a constant news cycle. It’s like a tornado in here.”
She learned to be organized and well prepared while working with Rod Ryan on the morning show at KTBZ for nearly ten years. That experience alone left an impression on her that she applies every day to her work across multiple markets.
“Looking back, I took so much from it. The structure, prep, and weeding out what you need to and don’t need to talk about. Every aspect of doing that show helped me do these shows today,” she says.
During their time together, the morning show was highly successful. Over time, there came a point when Clanton wanted to control her own destiny instead of continuing her successful tenure with KTBZ.
“Once we got going, the show was number one. We built so much over the time I was there. It was like this ride that was just escalating and getting bigger and bigger,” she noted. “After a time, I wanted to get off the ride. I wanted my own ride.”
Of course, that wasn’t an easy decision. Leavoing a successful morning show and move into the lower-profile music dayparts. Her bosses told her that it could backfire, considering how host positions in those time slots were being condensed.
“They said you’re taking a risk doing middays, but I was willing to take that risk and leave the Rod Ryan show because I wanted my own little island,” Clanton explained.
Betting on herself paid off handsomely. Her show at The Buzz led to weekend shows and then prime-time slots at other stations, eventually building to where she is today. Along the way, Clanton, not surprisingly, embraced social media, which is where her alter ego, Theresa Rockface, was born.
Unfortunately, the story of how she arrived at that name, isn’t as exciting as she’d like it to be.
“It’s the dumbest story on the planet,” Clanton says. “I’m a huge Britney (Spears) fan. I love her. Shaved head, crazy wild woman, I love her.”
When Twitter/X was still a fledgling platform, when she was co-hosting mornings the big news dropped that Spears had started tweeting. So, during a commercial break, Clanton decided to open an account to see if she could get Spears to tweet back at her.
Opening the account in a hurry, she hit a snag when choosing a handle.
“I just made it up on the spot. I was like Theresa… Rockface. Screw it, I’ll change it later,” Clanton said.
The name stuck, and everyone liked it so much that a dumb, in-the-moment joke ended up becoming her name on every social platform. What’s surprising, though, is that the content on Theresa Rockface’s channels is not at all what you’d expect to find.
“I’m a multi-faceted person,” she explains. “I’m a rock chick and a tomboy, but I’m a girly-girl too. There is a whole different side of me. I wanted to connect with women as well as men. So, I decided on my socials, why shouldn’t I just do what I want and do girl s**t.”
The approach worked. Posting about fashion, jewelry, and other non-rock content opened up a whole new audience. The goal was to use social media as an alter-ego and showcase a different side of her personality, which has truly worked to her benefit.
“It’s opened another world as far as clients,” explained Clanton. “More importantly, I don’t want to be detached from women because I’m only on rock stations. I love outfits and girl s**t. That’s who I am.”
While her personality has many facets, Clanton’s success has nothing to do with gender. Her belief is simple; she’s competing with everyone in the industry.
“I tell women don’t worry about if it’s a guy or a girl you’re up against. Don’t feel like because you’re a woman, you’re not going to get the part or get where you need to be,” explained Clanton. “I am proof that is absolutely not true. I’ve been told I wasn’t good enough and pushed through so many stereotypes. I’ve built a career because I’ve been authentic.”
She finishes with this thought for anyone trying to grow in the business.
“It’s all about your talent. Put everything else aside and f***ing focus on your talent. Deliver good shows, be true to who you are, and just go. That’s the best advice,” she explained
Barrett Media produces daily content on the music, news, and sports media industries.Sign upfor our newsletters to stay updated and get the latest informed right in your inbox.