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‘The Tino Cochino Morning Show’ Comes To Power 105.3 Atlanta

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“The Tino Cochino Morning Show” will take over mornings at Top 40 Power 105.3 Atlanta beginning July 7.

Driven by Cochino and his team, Serina, Nicasio, and Matt will take over the 6 am to 10 am slot Monday through Friday.

“We’re excited to welcome Tino Cochino and his team to POWER 105.3 in Atlanta! Tino brings a unique blend of culture, charisma, and authenticity that resonates with today’s diverse audience. His ability to connect across generations and backgrounds makes him and his team a perfect fit for POWER 105.3,” said Jill Strada, Program Director and Executive Vice President of Programming.

“Atlanta doesn’t just influence culture, it creates it. To have the opportunity to wake up a city this powerful is something I don’t take lightly. We’re coming in with our own sound, our own energy, and a fresh perspective built on connection, conversation, and a sense of humor that belongs in your group chat. I’m grateful, I’m locked in, and I’m ready,” said Tino Cochino.

iHeartmedia’s press release said, The addition of Tino Cochino Radio marks a new era for mornings on POWER 105.3, aligning with the station’s commitment to delivering content that reflects the energy and diversity of Atlanta.

Power 105.3 Lineup:

Tino Cochino Morning Show 6:00 am – 10:00 am

Ryan Seacrest 10:00 am – 2:00 pm

The O-Show 2:00 pm – 7:00 pm

Mikey V, Frankie V & Gianna: The VBros 7:00 pm – 11:00 pm

The Hit List 11:00 pm – 12:00 am

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Ahmed Fareed Tabbed as Studio Host for NBA Monday Night, Big Ten College Countdown on NBC

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NBC Sports has named Ahmed Fareed the new host of Monday Night NBA coverage on Peacock, launching this fall as part of NBCUniversal’s high-profile return to NBA broadcasting. In addition to his basketball responsibilities, Fareed will also anchor Big Ten College Countdown, the network’s weekly Saturday night primetime college football studio show. The program returns this August as part of NBC’s expanding college football slate

Fareed’s appointment marks another significant step for the versatile host, who has become a fixture across NBC Sports’ biggest events. His resume includes the Olympics (Paris, Beijing, Tokyo, PyeongChang, and Rio), Premier League soccer, Major League Baseball, college football and basketball, horse racing, and the Paralympics.

“College football under the lights is sacred, and we’ve got the crew to match its energy,” Fareed said in a statement. “Plus, helping shape our NBA coverage in its return to NBC Sports? I can’t wait to start. I’m thankful to be trusted with these roles. I’m even more motivated by the responsibility that comes with them.”

Fareed drew national recognition in May when he stepped in for Mike Tirico to host the 151st Kentucky Derby. NBC Sports Executive Producer Sam Flood echoed the sentiment. “Ahmed has repeatedly demonstrated his passion for storytelling, love of college football, and ability to meet the big moments,” Flood said. “He’s a wonderful teammate who makes every event he touches feel bigger and forms an instant connection with his analysts.”

Fareed will take over for Maria Taylor, who hosted Big Ten College Countdown the past two seasons. Taylor is shifting to a new NBA role and will anchor Sunday Night Basketball and Tuesday Night NBA on NBC and Peacock beginning in 2026. Fareed brings previous NBA experience to the table, having hosted coverage of the Golden State Warriors and Sacramento Kings on NBC Sports Bay Area from 2013 to 2018, a period that included three Warriors titles and five playoff appearances.

Fareed, who recently won a Sports Emmy for his work on the Paris Olympics, now steps into two of NBC Sports’ premier on-air roles—ready to lead coverage for both the Big Ten and the NBA’s much-anticipated homecoming.

As part of NBCUniversal’s new 11-year media rights deal with the NBA, Peacock will stream exclusive national Monday Night NBA games starting in 2025. Doubleheaders on Tuesday nights will air on NBC and Peacock beginning this October. After Sunday Night Football concludes in January 2026, Sunday Night Basketball will debut February 1 across NBC platforms.

The network is assembling an all-star cast for its NBA coverage. Jamal Crawford, Reggie Miller, and Grant Hill will serve as game analysts, while Carmelo Anthony and Vince Carter join as studio analysts. Taylor will host Sunday and Tuesday nights, with Mike Tirico and Noah Eagle on play-by-play. NBA legend Michael Jordan has been named a special contributor, and Emmy-winning producer Frank DiGraci will coordinate coverage. NBC is also reviving the iconic Roundball Rock theme and will feature an AI-generated voice of the late Jim Fagan, the longtime voice behind NBC’s classic NBA coverage.

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NFL Officially Launches ‘NFL Top 100’ on X

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The NFL has re-launched one of its signature countdown franchises to a new platform with a fresh twist. The league premiered Monday night its latest partnership with X in launching a digitally reimagined version of “NFL Top 100,” which debuted last night. Produced by NFL Films, the new format marks the first-ever X Originals series tied to the league and aims to deliver daily, short-form content tailored for a social-media-first audience.

The revamped series will spotlight the top 100 players in the league as voted on exclusively by current NFL players. Each weekday through August 29, X and NFL+ will debut two new player reveals in three-to-five-minute episodes, airing at 10 a.m. and 11 a.m. ET. The top 10 players will be unveiled in a primetime special on Monday, Sept. 1 at 8 p.m. ET on NFL Network.

“For 14 seasons, NFL Top 100 has delivered the ultimate peer-ranked countdown in sports,” said Ross Ketover, senior executive at NFL Films. “This year, we’re bringing it to where fans already are – on X – with a fast-paced format that honors the original series.”

This year’s launch continues a 15-year tradition of player-driven rankings, while embracing a modern approach that blends NFL Films’ storytelling with exclusive commentary, raw highlights, and historic footage from the league’s vast archive.

The move to X comes as the platform continues to invest heavily in original sports content. X claims sports is its most engaged topic, with NFL-affiliated accounts boasting nearly 50 million followers. The 2025 NFL Draft alone generated over six million posts from one million authors.

“NFL Top 100 on X will be as raw as the action on the field,” the league said in a release, noting the series is designed to engage fans where they already interact.

This marks the 18th X Originals series announced, joining other high-profile projects like “All In: Boston Celtics,” and “The Offseason,” a women’s soccer docuseries. A video podcast with Venus and Serena Williams is also set to launch later this summer.

“Delivering original content experiences with world-class partners, especially around sports, is a top priority,” said Mitchell Smith, head of original content at X.

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President Donald Trump Threatens CNN With Lawsuit Over Reporting From Natasha Bertrand

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President Donald Trump has previously shared his displeasure with CNN over reporting from Natasha Bertrand about the bombing of nuclear sites in Iran. Now, he’s threatening to sue the organization.

On his Truth Social account last week, President Donald Trump called for Bertrand’s firing after saying she lied in her reporting about the U.S.’s bombing of nuclear sites in Iran.

“Natasha Bertrand should be FIRED from CNN! I watched her for three days doing Fake News,” Trump wrote. “She should be IMMEDIATELY reprimanded, and then thrown out ‘like a dog.’ She lied on the Laptop from Hell Story, and now she lied on the Nuclear Sites Story, attempting to destroy our Patriot Pilots by making them look bad when, in fact, they did a GREAT job and hit ‘pay dirt’ — TOTAL OBLITERATION!” 

Trump came after Natasha Bertrand after she reported that a Defense Intelligence Agency file says that the bombing in Iran only set the company back by a few months, rather than the “completely obliterated” status that President Trump had previously declared. The network pointed out in its reporting that it was a preliminary report. Subsequent outlets shared the network’s reporting.

After Trump’s comments went viral, the network responded by backing their correspondent.

“We stand 100% behind Natasha Bertrand’s journalism and specifically her and her colleagues’ reporting of the early intelligence assessment of the U.S. attack on Iran’s nuclear facilities,” a statement from the network said. “CNN’s reporting made clear that this was an initial finding that could change with additional intelligence. We have extensively covered President Trump’s own deep skepticism about it.

“However, we do not believe it is reasonable to criticize CNN reporters for accurately reporting on the existence of the assessment and accurately characterizing its findings, which are in the public interest.”

Following Bertrand’s reporting, attorneys for President Donald Trump threatened a lawsuit over the report about the effectiveness of the bombings in Iran, which was also sent to The New York Times. The publication shared details of the article, demanding that it “retract and apologize” for its “defamatory” and “unpatriotic” report.

CNN has confirmed that it, like The New York Times, received a similar letter. However, the network says it rejects the premise of the letter and that it reported accurately on the topic.

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Microsoft AI, English Premier League Enter Five-Year Agreement

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The English Premier League is turning to big tech to reshape its global digital strategy. The EPL announced a five-year strategic partnership with Microsoft that will make the tech giant the official cloud and AI partner of the world’s most-watched football league. The move marks a seismic shift in how the Premier League will operate behind the scenes and engage with its audience of 1.8 billion fans across 189 countries.

At the core of the partnership is the launch of a new Premier League Companion — a personalized digital hub powered by Azure OpenAI. Available now via the League’s revamped mobile app and web platform, the tool taps into more than 30 seasons of data, 300,000 articles and 9,000 videos. Fans can instantly surface detailed information about their favorite clubs, players, and matchups.

“This partnership will help us engage with fans in new ways — from personalized content to real-time match insights,” said Premier League Chief Executive Richard Masters. “We look forward to working together over the next five years to deliver more innovative experiences to supporters around the world.”

Beyond the consumer-facing enhancements, the collaboration will modernize the League’s internal and media infrastructure. Microsoft Azure will become the League’s backbone, powering everything from broadcast analytics and in-match data overlays to Fantasy Premier League features and operational workflow tools through Microsoft 365 and Dynamics 365.

“By leveraging our secure cloud and AI technologies — including Azure AI Foundry Services with Azure OpenAI, Microsoft 365 Copilot, and Dynamics 365 — we will transform how football is experienced, delivered, and managed on and off the field,” Judson Althoff, executive vice president and chief commercial officer at Microsoft, said in a statement.

Fans can expect even more immersive content moving forward. Microsoft says its AI models will soon offer real-time audio and text translation, along with Fantasy Premier League insights tailored to individual users — essentially giving fans their own virtual assistant manager.

The partnership also underscores the League’s commitment to digital evolution, data security, and scalable innovation — all while redefining how live sports are delivered, analyzed and consumed.

Judson Althoff, Microsoft’s EVP and chief commercial officer, added, “We are proud to help transform how football is experienced, delivered and managed — both on and off the field.”

With this deal, the Premier League is setting a new global benchmark for tech-forward sports media partnerships.

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WLS-AM 890 Inks Deal to Air Fox News Audio Programming

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WLS-AM 890 has announced it has signed a new deal with Fox News Audio to bring hourly news updates, longform specials, and breaking news coverage to the Cumulus Media Chicago news/talk station.

The partnership is an expansion after the station had previously added The Guy Benson Show to its lineup earlier this year after the exit of one-hour shows hosted by talent from The Daily Wire.

“We are delighted to begin this partnership with FOX News Audio on the Big 89,” said Program Director Stephanie Tichenor. “Fox News is a perfect fit for WLS-AM audiences.”

“FOX News Audio is excited to partner with WLS-AM, bringing our signature talk programming, breaking news coverage, top-of-the-hour updates, and long-form specials to better serve our dedicated listeners in Chicago,” added Fox News Audio Senior Vice President John Sylvester.

The Fox News Audio coverage begins airing on the station today. WLS says it will be a complement to the station’s local news coverage.

“We are thrilled to deliver the Fox News Audio product to our listeners, as it perfectly aligns with 890 WLS-AM and will give the audience a news service that meets their expectations,” said Cumulus Chicago Regional Vice President and Market Manager Marv Nyren.

WLS-AM 890 becomes the latest in a long line of news/talk stations carrying Fox News Audio updates. The network recently celebrated its 20th anniversary.

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KORE Broadcasting Flips KNCU as FOX Sports Newport

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In a move that bolsters the sports radio landscape along the Oregon Coast, KORE Broadcasting has officially relaunched KNCU 92.7 FM as FOX Sports Newport, signaling a major pivot from music to all-sports content under its new ownership. Previously operating as Hank FM and known for its country music format, the station was recently sold by longtime broadcaster Dave Miller to KORE Broadcasting, which also owns 1050 AM KORE in Eugene. The new direction places a premium on sports talk—both national and local—with a lineup that includes some of the most recognizable names in the industry.

“We’re excited to bring high-quality sports radio to the Oregon Coast,” said Station Manager Steve Woodward. “KNCU has one of the strongest sports lineups in the entire state. We hope to be your #1 choice for sports on the coast.”

As part of the rebrand, FOX Sports Newport is carrying programming from FOX Sports Radio, including The Dan Patrick Show and The Herd with Colin Cowherd. In addition, the station becomes a new affiliate of The Bald-Faced Truth with John Canzano, giving listeners in Newport and surrounding areas access to one of the most respected local sports voices in the state.

The station is also placing emphasis on homegrown content. A new daily show, Danny and Justin, will air live weekdays from 2–3 p.m., and Friday Night Live will spotlight high school football each fall. On Saturdays during college football season, GameDay Pre & Post Game Shows will round out the local focus.

Live play-by-play is also a key part of the station’s strategy. FOX Sports Newport plans to broadcast Oregon Ducks football and men’s basketball, Los Angeles Chargers football games, and NCAA men’s basketball tournament matchups.

A live stream of the station’s full programming lineup will be available soon at FOXSportsNewport.com and on smart speaker devices.

With this rebrand, KORE Broadcasting is making a strong bet on the growing appetite for sports talk radio outside the state’s metro hubs—offering a blend of national star power and local insight that could reshape listening habits in the region.

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After 20 Years, Charli McKenzie Says Goodbye to Y100

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Charli McKenzie is the morning co-host and Music Director for Country Y100 in Green Bay/Appleton, WI. She has been in mornings at Y100 for 20 years.

And now she has decided to step down at the end of July to pursue other opportunities. We will get to that in a minute, but first, I wondered why, after 20 years, she decided it was time to step away now.

“Because I feel like 20 years, I’ve had an amazing morning show here, and my daughters, who are 13 and 16 years old, want to go back home to a smaller town.”

“To be truthful, and the opportunity is arising. I’m being offered all these opportunities to do radio out of my house, which was always the end goal, and it’s already able to happen.”

“I’m going to have a home studio, and I’ve got some things lined up already. It was just time for a different pace. That’s the long and short of it. I’m really excited. We’re building a house up there. I’m going back to my hometown and still going to be able to keep my toes in Country music, which makes me happy.”

Shotgun and Charli are the current Y100 morning show.

“Shotgun hired me 20 years ago and was my boss. He started at Y100, and within the year, he decided to do a bigger market. He left me cause he’s a jerk, just kidding. We stayed good friends, and we kept in touch. When he moved back to the area, my partner at the time, Bear O’Brien, was retiring, and I thought, oh my God, let’s do this.”

“I asked him if he would be willing to come hang out with me every day. Be up with his best friend, and it just so happened the company wanted him, and it worked. We’ve been together eight years. He really is my best friend, this is no joke. So it’s fun, we have a very laid-back show here.”

McKenzie credits several factors for her longevity.

“Because I am a Midwest girl and Green Bay and Appleton are very special places. The people are awesome. They are down home. It’s where I grew up, so to stay here and have such a Country music community where everybody seems like Country. That’s why I stayed. And then my company is one of the last best companies in the world. And I will say that all day, they’re amazing.”

Midwest Communications owns Y100 and six other stations in the Appleton/Green Bay market.

What advice would McKenzie have for someone hoping to create that kind of longevity?

“Have fun. Because if you’re not having fun and you’re already tired of getting up, it never gets easier. I’ve been getting up for 20 years, and I still am tired and whiny in the morning at first. You have to have a hunger and want to do it because mornings are the best.”

“At some point, even with kids and busy little kids, I managed to make it work because you have your afternoons free. If you are in mornings right now and you hate it, this may not be who you are because it’s never going to get easier, but it’s fun.”

“Make sure you get out there in the community and go meet the people. That is still the best. The hometown handshake will always overtake anything you can do on social media. Look, you need social media because we’ve got to keep these younger folk listening to our radio stations. But going outside and meeting them will always get you winning numbers, always.”

Photo Y100 Website

McKenzie thinks social media, streaming and Spotify have changed the way radio presents music.

“That’s one of the biggest things. We’re like, here’s the brand new single from Parker McCollum. And people will be like, I’ve been listening to that for three months, because streaming is overtaking what we’re doing. We’ve got to try to stop that as far as we need to be the place people go for the music.”

As Music Director of the station, McKenzie will miss the relationships and friendships she has made with artists over the years.

“I think the best was when I got to beat Riley Green at golf. When I see Dierks Bentley and Luke Bryan right now and Lee Brice, it’s always like, remember when? Because we’ve been growing up in this together. We’ve been doing this for 20 years. The only difference is they’re rich and I’m not. Right? But they remember you.”

Will the proliferation of AI derail the path for someone like McKenzie to have a 20-year morning run?

“Here’s the problem with AI. Right now, I think we can see it. We can hear it. The listeners are not fools.”

“AI, to me, when we’ve tried to use it, it sounds a little computer-generated. However, every day, it’s getting better and better. And it does freak me out a little bit that AI will take over a lot of what our job in radio is, and that worries me to death.”

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Partnership Between Audacy and iHeartMedia Offers a Blueprint for Radio

Audacy and iHeartMedia announced an interesting partnership on Monday morning: more than 240 of Audacy’s stations are going to be heard on the iHeartRadio app.

From my seat, this is a monumental move. Audacy has put a ton of resources and promotion into its podcasts and apps. It’s safe to say that it hasn’t exactly panned out, and that’s ok. I have written this before, and I’ll write it every time it comes up: I give anyone who can admit something isn’t working and cuts bait a ton of credit. It is a quality we should reinforce, not chastise.

The iHeartRadio app is a behemoth. It’s on millions of phones and tablets around the country. It dwarfs every other radio app. And for Audacy to recognize that it needs to stop swimming upstream and get its content — and advertisers, presumably — on that giant platform is a win.

“We believe in the power of being everywhere, and this partnership is a meaningful step in our strategy to ensure our iconic stations, talent, and programming are available wherever and however audio is consumed,” Audacy Chief Business Officer Chris Oliviero said in the announcement.

And he’s right. If you’re going to predicate your success on being wherever the listener is, you can’t have unbridled loyalty to your company’s app. I don’t think individual apps for each company and brand are going to be the key to success in the future, either. Do I love the idea of iHeartMedia being the thoroughbred that is expected to carry the entire radio industry? Not at all, but it sure beats extinction, doesn’t it?

In the announcement, iHeartMedia President of Business Development and Strategic Partnerships Michael Biondo called the partnership with Audacy “an exciting day for our industry.” And I agree.

Last year, I wrote a column stating that the radio industry as a whole needed to embrace the spirit of collaboration after cable news channels were able to share the Presidential debates to millions of viewers.

At the time, I wrote: “Doesn’t it benefit all of us to get on the same page and pull in the same direction? … If a rising tide lifts all boats, wouldn’t it make sense for all of the boats to do everything in their power to lift the tide? Doesn’t that make logical sense?”

And I still feel that way. AM/FM radio has an uphill climb in so many different avenues on the pathway to success. The industry can’t compound those challenges by being fractured and having several different individual companies operating with competing ideologies.

The radio industry is at its best when everyone can get on board with an idea, pull in the same direction, and work toward a common goal. That’s what I think this collaboration between Audacy and iHeartMedia showcases.

Check your ego at the door. Are you willing to do what’s best for radio as a whole? Because what’s best for the radio industry at a 30,000-foot view is likely going to be what’s best for each individual company too, no?

As I wrote last year, “If news television networks — who have been in ratings battles on a national scale for decades, and just as long as heritage radio brands in major markets — can put aside their differences to recognize the importance of providing high-profile content to as many viewers as possible, can’t the radio world band together to help benefit the industry for years to come?”

I’d love to think the answer to that question is yes. Does working alongside what you view as your competition feel counterintuitive? Absolutely, it does. When you view it from the prism that everyone — from podcasters, to YouTubers, to television and anyone in between — is now your competition, doesn’t it change your stance, though?

The radio industry needs to work in conjunction with each other at a much more frequent rate than it has in the past. Gone are the days when the pie was so big everyone could gobble up their piece. The mouths to feed have only increased and are only going to increase.

Kudos to the broadcast braintrust involved in this partnership. They deserve praise.

I hope this deal between Audacy and iHeartMedia is one of the first of many steps of major players in the industry coming together to work for the collective good of the radio industry. Because, from where I sit, only good things can come of it.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Those Relying on AI-Generated Takes Should Leave the Media Business

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James Cameron predicted that AI would eventually defeat humans. Time will tell if he is right, but he almost certainly got the specifics wrong. AI’s ass-whoop of humanity will look less like Terminator and more like the Pixar film Wall-E, where humans have become so reliant on AI servants that they don’t know how to do anything for themselves—including simple conversation with one another.

I thought about this listening to Adam Lefkoe discuss the use of AI in sports media on Bomani Jones’s podcast this week. The TNT Sports anchor told Jones that he has seen enough content created by ChatGPT that he can now recognize the popular AI chatbot’s writing style. He suspects at least one of his colleagues in the industry is using it to write their takes.

There was no hesitation from Jones. He made it clear that AI should not be considered a tool in their particular job. Using it to generate a take is shameful.

He’s right, but it’s only half the problem. Yes, using AI to generate a take is shameful, but it’s also dangerous for this industry’s future.

AI Is Going To Destroy Sports Talk Radio

Could AI have delivered the revolution that was Jim Rome? Could it have created the brashness of a Stephen A. Smith or Pat McAfee? Could it build the credibility and curiosity that has fueled Dan Patrick for decades?

College professors have been dealing with students cheating and plagiarizing work for years. When I was a student at the University of Alabama in the early part of this century, I had one professor who would have us submit every paper as a digital document so he could run it through a series of programs to see if it was flagged for content from work that was sold online.

As ChatGPT and other generative AI programs like it have become more popular, it isn’t just cheating that professors are concerned about. They are seeing more and more evidence that their students have learned nothing. Those kids have been so dependent on AI that they do not know how to apply the lessons they have learned to real-life situations.

Sports talk thrives on hosts that are compelling and original. Generating takes with AI is a shortcut for people who know they are incapable of meeting those standards. It’s their weapon against imposter syndrome.

If the majority of hosts are using that weapon in the future, is our industry stronger? Does it really mean that we are weeding out all of the singles and doubles and sports talk will be filled with nothing but home run takes?

No, it means we have moved the fences in and given the players aluminum bats. It’s a dumbed-down product. Maybe we have raised the floor, but we have lowered the ceiling too.

‘Absolutely Disqualifying’

Whoever it is that Lefkoe was referencing in his conversation with Jones is absolutely unqualified for his or her job. Good hosts have information, insight, and imagination. They use it all to generate conversations you want to hear. Using AI to generate a take tells me whoever this person is either has none of those or is too lazy to use them. Either way, they aren’t worthy of having one of the few spots in this industry that gets them a good paycheck and a lot of attention.

Put on a programming hat. Do you want a host that can deliver one exceptional take? Or do you want someone that can look at a variety of situations and have them all get the same part of his or her brain working? Do you want someone with all of the insight on one thing? Or someone with a wide array of interests and knowledge they can bring to any conversation?

Cultural references and common experiences are a big part of connecting with an audience. It’s called “the human element,” and it matters a lot—just ask Colin Cowherd.

The audience is drawn to people they can see a little bit of themselves in. How can a programmer trust that their host can connect with anyone if the host is not even willing to be human and work through ideas and see what is ready for the air versus what is just a half-thought that still needs work?

If information was all that mattered to an audience, the feature some websites have where an AI voice can read the story to you would be way more popular. We wouldn’t need sports talk radio, podcasts, or the talking head programs on ESPN and FS1.

But information is not enough. Personality is such a big part of the equation for success in this business. Doesn’t anyone trying to make this their career need to know that? Don’t they need to value it enough to know that AI-generated takes are a short payoff that leave nothing to build from?

It’s All Stolen

The great misconception about generative AI is that it’s always spitting out original work. That is not true at all. All of these programs have been or are getting sued for using established, more famous work to build their knowledge base.

That means any sports thought ChatGPT can spit out is one that has been heard before. It has the same nuances that some like Nick Wright and Freddie Coleman delivered five or ten years ago.

We’re seeing this right now in sports. Remember when the Celtics won the NBA Finals last year and we all goofed on Jayson Tatum for trying to do Kevin Garnett’s celebration? Have you ever listened to a young quarterback talk? They all sound exactly the same. I don’t know how anyone has a favorite athlete now unless it’s Anthony Edwards, who’s as unbothered by putting marketing deals at risk as anyone that has ever walked the Earth.

Finding someone with original and interesting thoughts is as hard as it has ever been. The youngest adults were raised on memes. They grew up in a world that rewarded copying and pasting someone else’s thoughts. That’s probably how we get to a point where hosts with national platforms are turning to ChatGPT to do all the thinking for them. ChatGPT can’t really think either though. It just regurgitates what it has heard before.

If it is all we rely on, sports radio and sports television are going to be in a dark place with no way to come back.

I know programmers that swear by AI. If you went to the BSM Summit in Chicago, you heard talk about it building clocks and writing imaging, but you also probably heard all of these advocates for artificial intelligence say they still review their program’s work. That doesn’t sound like it’s saving you time. It’s just changing what you do.

Maybe there is a use for AI on the air that actually makes a show more entertaining and I am just not seeing it. What we get now is called “AI slop” for a reason. It’s easy to spot because it all looks and sounds soulless.

Is that what you want people to think of your content? Some people just aren’t entertainers. That is okay, but don’t waste the audience’s time. If you need the help of AI to get to even mundane, unoriginal takes, you just don’t belong in this business.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.