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NBC Sports’ NBA Comeback Has Hit Its Stride With the Postseason

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NBC’s relaunch of the NBA this season has featured both smooth waters and choppy waves as the network reacclimates to pro basketball with familiar faces and new talent. The regular season gave NBC Sports time to work through kinks. Now, the playoffs have arrived, and just like the players, NBC must elevate its production.

One member of the broadcast team doing just that is play-by-play announcer Noah Eagle.

With a strong on-air presence, a commanding voice, and a keen sense of playoff intensity, Eagle has been a bright spot in first-round coverage.

All NBA playoff games matter, but potential series-clinchers bring added tension. This past Monday, the Minnesota Timberwolves looked to close out the Denver Nuggets in Denver.

Setting the stage, Eagle captured the moment perfectly. Denver won the NBA title just three years ago and now faced another disappointing postseason exit. The Wolves, without Anthony Edwards and Donte DiVincenzo, smelled opportunity in the Mile High City.

Eagle worked alongside color analyst Grant Hill, who brings experience as a player, broadcaster, and executive. Reporter Ashley ShahAhmadi joined them and has emerged this season with smart questions and strong sideline reporting.

The NBA on NBC features the iconic John Tesh-composed theme that defined the 1990s, but the relaunch leans on fresh on-air talent. Eagle embodies that balance. He blends a modern voice with a classic style. His delivery feels authentic, not forced. Eagle emphasized the stakes early. Nikola Jokić and the Nuggets, one of the league’s elite teams, faced elimination against a Minnesota squad missing its best player. That was the story.

Jokić set the tone early, scoring key buckets to give Denver a 10-point first-quarter lead.

Meeting The Moment

The Denver crowd engaged immediately, while players dove for loose balls. NBC’s production team captured the intensity with tight shots of players, coaches, and fans. The broadcast carried a palpable sense of urgency. Eagle thrived in that environment and transitioned seamlessly from NFL and college football play-by-play.

He has made the NBA his space, much like predecessors Brent Musburger, Bob Costas, and Dick Stockton.

This series has resembled UFC and WWE at times, with multiple melees and physical play. It evokes 1990s playoff basketball. When rugged teams like Boston, Philadelphia, Detroit, Indiana, and New York played. NBC aired many of those games, making this matchup a fitting showcase for its NBA return.

NBC’s bottom-screen scoreboard graphic stands out as the best in the business. It shows the score, time, and key individual and team stats. Most importantly, it periodically identifies the broadcast team. Viewers often tune in mid-game and wonder who is calling the action. While fans can search online, these identifiers offer a seamless solution.

The graphics also reduce the need for Eagle to repeat stats, allowing him to focus on the action. NBC enhances coverage further with cutaways narrated by studio host Maria Taylor and a constant top-right scoreboard, similar to NCAA Tournament broadcasts.

This is television, not radio, and NBC maximizes the visual medium.

Hill excelled in breaking down the two-man game between Jokić and Jamal Murray. Both players scored 10 points and dished out multiple assists early. As the first half ended, Jokić hit a deep three. Eagle captured the moment as Denver took a nine-point lead into halftime.

Setting The Stage

The game moved quickly, limiting opportunities for sideline reports. Still, ShahAhmadi delivered a strong interview with Denver’s Spencer Jones at the end of the second quarter. She asked what allowed Denver to set the tone and noted Minnesota’s 14 first-half turnovers. Like Eagle and Hill, she has elevated her performance in the postseason.

These quick interviews challenge any reporter, but ShahAhmadi remains composed and effective.

In the second half, Denver built on its momentum and extended its lead to 15 points midway through the third quarter. The Nuggets controlled the pace. Edwards’ absence clearly impacted Minnesota’s offense.

The physical play continued, with frequent collisions. Eagle, Hill, and ShahAhmadi matched the game’s rising intensity. Hill’s greatest strength appears on replays, where he clearly explains key technical elements in limited time. He highlights both the ball handler and off-ball movement, offering deeper insight into each possession.

Denver closed the third quarter on a 12–3 run, pushing its lead to 25. Rudy Gobert ended the run with his first points of the night, a detail Eagle highlighted effectively. The fourth quarter turned into a blowout, but Eagle and Hill maintained engagement with sharp analysis and relevant stats. Denver secured a 125–113 victory.

NBA playoff basketball operates at a higher level than the regular season. Broadcasts should match that intensity. This game showed how far NBC has come in its NBA return. In one of its biggest broadcasts of the season, the network’s talent and production team elevated their performance and delivered a compelling postseason presentation.

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Why WFAN’s Boomer Esiason Deserves a Spot in the Radio Hall of Fame

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The Radio Hall of Fame voting is on. There are a number of long-time radio pros on the ballot. And one person who, when you Google him, says American Football player. No way — Boomer Esiason is a radio guy.

I ask you to read on, as I share my personal experiences as well as give you parts of his resume you may not know.

When I joined CBS Radio in 2010 as VP of AC Programming and day-to-day Program Director of 102.7 in New York, The Daily News did a very nice feature story on me.

When they asked if I had planned any changes at 102.7, my reply was this: “I haven’t really listened, as I spend my time with my favorite show, Boomer and Carton on the FAN.” It was true. I felt the most entertaining radio show in New York in 2010 for a guy was Boomer and Carton, and did really listen whenever I was in the market.

My first morning in the building, Boomer and Carton spent time talking up intros on Elton John songs, as the newspaper article was some sort of signal that was the future. It was hysterically funny. After their show, they insisted on meeting me.

Boomer, who I’d only ever seen on TV or from a bad stadium seat, could not have been nicer — even telling me that if I ever needed anything from CBS, he would talk to (then CEO) Les Moonves for me. I assured him Mr. Moonves would have no idea who I was, but thanked him anyway. Who but a real radio guy would do that?

I worked in that building, on a different floor, for another 15 years. Whenever Karen Carson needed a sports angle on her WNEW morning show, Boomer was there. One year, leading up to the Super Bowl — when a sports station would be busiest — Boomer participated in a cast bet on Karen’s show. The end result would be Intern Anthony as loser getting his head shaved. Boomer was right there for the pictures and every day leading up to the game. Who but a real radio guy would do that?

Boomer’s generosity and help for other shows in the building was always on display. When Karen did her first toy drive on WNEW, she asked to go on with Boomer and Gio in the morning. Not only did Boomer promote the toy drive to his listeners, he personally donated $1,000 worth of toys to the goal. Who but a real radio guy would do that?

Boomer Esiason did night color commentary on national football games for Westwood One for many years — you know, the games where you miss the second half because you need to be at work early the next morning. Boomer not only did those night games but was on his show the next morning at 6 AM. Who but a real radio guy would do that?

It was the same when he did CBS Television Sports. During the NFL playoff season, the man worked on TV on Saturday and Sunday. Did he blow off his radio show on Friday or Monday to do that? No way. I know morning shows that tell me they have a hard time working five days a week. Boomer was working all seven. Who but a real radio guy would do that?

Oh, and how about this — Boomer did color commentary on the radio for 18 Super Bowls on Westwood One. Boomer may have started as a football player, but he has the same passion for radio that you and I have, maybe more.

One more thing. In the latest March PPM, Boomer and Gio are #1 with men 25-54, their target audience, in morning drive in New York. Yes, #1 in the #1 market.

Boomer Esiason never paid his radio dues by doing an overnight show in Akron. He was thrown into the deepest water and told to swim. Not only did he stay afloat, he rose to the top of his profession. Boomer Esiason is a very talented radio guy who belongs in the Radio Hall of Fame.

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How Todd Starnes Handles Owning The Mighty 990 KWAM and Hosting a National Afternoon Show

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Running a radio station, hosting a nationally syndicated show, and anchoring a nightly television program would overwhelm most media professionals. Todd Starnes isn’t most media professionals.

The Memphis-based broadcaster juggles ownership of The Mighty 990 KWAM, a daily hour on Newsmax, and The Todd Starnes Show — all without losing a step.

The question everyone wants answered is simple: how does he pull it off?

The honest answer starts with learning to let go.

“That’s been a big challenge for me because I like to try to do everything, and I can’t,” said Starnes. “One of the first things I had to address was micromanaging. I had to learn that you hire people because they’re experts, so let them do their jobs and get out of the way. That was difficult, but I’ve reached the point where I can do that. What’s fascinating is that we keep growing.”

Growth has been a constant theme at KWAM since Starnes acquired the station six years ago. He arrived with a vision centered on community — and a digital strategy that turned out to be ahead of its time.

“When I bought KWAM six years ago, it was important to have a radio station focused on the community,” Starnes said. “I think we still do that, especially with our digital platforms, which are among the largest in the city and the Mid-South. When you look at engagement on our Facebook and Twitter pages, that’s where people continue the conversations. We realized that right away.”

That digital instinct has paid off. KWAM now counts more than 42,000 social media followers — a number that didn’t exist when Starnes first took over. He also launched the Stop Memphis Crime group, which has grown to roughly 17,000 members and helped bring real-world attention to public safety concerns in the region. Still, it’s the radio side that remains close to his heart, and KWAM’s local identity sets it apart from corporate competitors.

“One of the great things about us is that we are locally owned,” the KWAM owner stated. “I am the owner, so when a business owner has a question about an advertisement or needs a special deal, they come directly to me. We don’t have to call New York City or Nashville. That’s important for us. We’ve had great success. One of the biggest things we’ve seen is an explosion in advertising.”

That local advantage has proven durable even when larger groups have tried to move in. Starnes didn’t shy away from acknowledging the competition — or his confidence in KWAM’s staying power.

“The big corporate groups have come after us, which surprised me,” he said. “I think they see us as a threat. In one case, a station tried to undercut our advertising sales. But we haven’t lost a single sponsor. That’s because we believe in loyalty and taking care of our local customers.”

Managing all of it — the station, the social platforms, the national syndication, and the television work — eventually forced Starnes to make a tough personal call. He stepped away from hosting the morning show at KWAM, a decision driven not by choice but by necessity.

“It’s a lot to manage. That’s one of the reasons I had to give up the morning show,” The Todd Starnes Show host shared. “I was doing three hours of radio, managing the local station, overseeing a large digital platform, and hosting a one-hour national Newsmax TV show every weekday. There’s a lot going on. But we have an incredible team of about 14 people who work very hard.”

Despite the demanding schedule, Starnes keeps the tone of his work grounded in something he clearly believes matters most — fun. The Todd Starnes Show leans into the unexpected, and he thinks that unpredictability is part of the magic.

“There’s great synergy between the two shows. On the national show, we try to add humor and offbeat content,” commented Starnes. “One minute we’re talking about the White House Correspondents’ Association, the next minute we’re talking about meatball recipes. It sounds like it wouldn’t work, but it does. We had full phone lines with people calling in about the proper way to make a meatball. Someone was listening from the Memphis Italian Festival, and I was made an honorary judge of the gravy contest. That’s what radio should be about — fun, community, and entertainment.”

That spirit of community extends to KWAM’s local programming as well. Starnes takes obvious pride in the touches that make the station feel distinctly Memphis, from the weekend lineup to a signature sound at the top of every hour.

“When you listen to KWAM, at the top of the hour we play a steamboat whistle as an homage to our roots as a Mississippi River town,” said Starnes. “We have a lot of local programming on the weekends. Our garden show is one of the most popular programs aside from the national shows. It has three hosts, and the calls light up at 6 a.m. on Saturdays. Those are the kinds of things we do.”

KWAM has also served as a training ground, launching careers across journalism, politics, and public relations. Starnes stays connected with former team members — and watches their success with something resembling a proud mentor’s satisfaction.

“It’s been incredibly rewarding,” the KWAM owner stated. “One of the great things is staying in touch with everyone. Grace Baker is now a publicist for a book house. Now she’s pitching guests for not only KWAM but the Todd Starnes national show. It’s been fun to see everyone jump out of the nest and become successful in their new careers.”

Six years in, Starnes isn’t slowing down. He’s built something rare in today’s radio landscape — a locally owned station with national reach, a loyal advertiser base, and a growing digital footprint. And somehow, it still doesn’t feel like work.

“We try to convey that KWAM is a big front porch where people can come and be part of the conversation,” Starnes said. “It’s been tough, but I’ve owned the station for six years now, and it doesn’t feel that long.”

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CNN Sees 71% Primetime Increase in April, Fox News Continues Ratings Lead

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April was a banner month for several cable news networks, including MS NOW, CNN, and Fox News, which saw strong finishes.

CNN

At CNN, the network saw strong increases in a variety of dayparts.

The network’s Monday-Sunday primetime performance was the best it has been since August 2024. That month featured the Democratic National Convention.

In that category, CNN averaged 929,000 total viewers. That marks a 71% increase in overall viewership compared to the same month in 2025.

Additionally, the network saw a 71% increase in the Monday-Friday primetime viewership. It finished April with an average audience in that sector of 996,000. It saw a 48% year-over-year increase in the Persons 25-54 demographic in that window, as well, up to 181,000.

In the total day category, CNN finished the month with an average of 607,000 total viewers. That marks at 46% year-over-year increase.

For the month, Anderson Cooper 360 was the most-watched program on the network. It averaged 1.2 million viewers, good for 23rd in the overall cable news landscape. Erin Burnett OutFront was just behind in 24th with 916,000 total viewers.

Fox News

Fox News remained on top of the cable news ratings during the month of April.

In the weekday prime ratings, Fox News averaged 3.2 million viewers for the month. In the total day ratings, it averaged 1.8 million viewers. Those two metrics mark the month as the third-best April in Fox News history.

For the coveted Persons 25-54 demographic, the network averaged 173,000 total viewers in the total day ratings. It also averaged 284,000 from that sector in the Monday-Sunday primetime ratings.

Fox News featured the top six most popular shows in the format during April. It was led by The Five, which averaged 3.8 million viewers in April. Jesse Watters Primetime was second with 3.6 million. In the key demo, Gutfeld! was the highest-rated program on Fox News, averaging 349,000 total viewers. That outpaced Jesse Watters Primetime (335,000) and The Five (329,000) from that sector.

MS NOW

April was also a strong month for MS NOW.

In total viewers, the network saw an increase in the weekday primetime ratings. The network averaged 1.5 million viewers during that daypart.

In the primetime window, The Rachel Maddow Show was the network’s most-watched program. It averaged 2.4 million viewers. It was the highest show not airing on Fox News during April, finishing the month in sixth overall in the cable news rankings.

That finish from Maddow’s program was its largest total audience since September 2024.

In the total day category, MS NOW averaged 747,000 total viewers.

Newsmax

During April, Newsmax averaged 230,000 total viewers in the Monday-Sunday primetime window.

That finish marks it as tied for 26th in the most-watched cable channels overall.

In the total day ratings, Newsmax averaged 138,000 total viewers.

Rob Schmitt Tonight was the most popular program on Newsmax during April. It averaged 362,000 total viewers for the month. It bested Carl Highbie Frontline, which earned 352,000 total viewers. Finnerty — hosted by Rob Finnerty — featured an average audience of 327,000 total viewers. Greg Kelly Reports averaged 280,000 total viewers.

NewsNation

NewsNation saw its highest performance in network history in primetime viewership during April.

The network averaged 192,000 total viewers in the Monday-Sunday primetime window. That figure marks a 170% increase compared to the same month in 2025.

Chris Cuomo’s primetime program is the network’s highest-rated show. The show — seen at 8 PM ET — averaged 310,000 total viewers during the month.

Across the total day ratings, NewsNation averaged 99,000 viewers. That more than doubled its audience compared to April 2025.

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NFL Draft Viewership Dips 12% Year Over Year

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The 2026 NFL Draft drew solid ratings. Just not as solid as last year. TV coverage averaged 6.6 million viewers across all networks over the three-day event.

That’s down 12% from the 7.5 million three-day average in 2025.

Despite the decline, this ranks as the third-most-watched NFL Draft on record in the event’s current three-day format, which began in 2010. Only the 2020 virtual draft — held during the early days of COVID-19 — sits higher, setting the all-time record at 8.4 million viewers.

First-round numbers told a similar story. Round 1 averaged 13.2 million viewers across all networks. That’s down 3% from 13.6 million in 2025.

The highlight of the first evening was Pat McAfee’s show and how it continues to pull serious weight. The seventh edition of The Pat McAfee Show Draft Spectacular drove more than 54 million total minutes consumed across YouTube, TikTok, X, and the ESPN App on Day 1.

It also generated 2.2 million total views. ABC, ESPN, and NFL Network each carried their own broadcasts.

One storyline looms over everything else. This was the first NFL Draft since Disney completed its takeover of NFL Network earlier this month.

Attendance wise, the three-day event exceeded expectations. The NFL said it drew a three-day total attendance of 805,000 for last week’s draft in Pittsburgh, surpassing the league record of 775,000 set in 2024 in Detroit.

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ESPN Executive David Roberts Reportedly Retiring Soon

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A major shift could be coming to leadership at ESPN. According to a report by The Athletic, executive vice president David Roberts is expected to retire.

The decision signals a potential reshaping of the company’s content structure. According to Andrew Marchand, senior vice president Mike Foss is expected to take on expanded responsibilities.

Roberts has been a central figure at ESPN since joining the company in 2004. He currently serves as Executive Vice President and Executive Editor of Sports News and Entertainment. In that role, he oversees news, investigative reporting, and digital editorial strategy. He also manages studio programming, including flagship shows like SportsCenter and First Take.

Before his current post, Roberts led event and studio production. His responsibilities included overseeing NBA and WNBA coverage, along with major studio properties tied to both leagues. He also helped guide ESPN Audio’s national lineup, introducing new voices to the platform.

His work has earned industry recognition. SportsCenter captured a Sports Emmy under his leadership in 2021. He also earned honors for leadership and diversity, including recognition from Cablefax and the National Academy of Television Arts & Sciences.

Meanwhile, Foss has continued to rise within ESPN’s ranks. He joined the company in 2017 and now oversees studio and entertainment production. His portfolio includes SportsCenter, Get Up, and Pardon The Interruption. He also works closely with The Pat McAfee Show and leads ESPN’s radio and podcast efforts.

Foss previously directed ESPN’s digital video strategy, helping expand content across platforms like YouTube and social media. Prior to ESPN, he held a leadership role at FOX Sports.

While ESPN has not officially announced changes, Roberts’ expected retirement would mark the end of a long tenure. At the same time, it could open the door for Foss to further shape the network’s evolving content strategy.

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KNX News’ Alex Silverman: Move to AM Doesn’t Change Commitment to News Coverage

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Audacy is moving KNX News from the 97.1 FM signal to launch a new sports station. The station’s Alex Silverman explained the reasoning behind the move.

Following the announcement, Silverman shared the details in a post on social media.

Included in the announcement was Silverman’s opinion on why the station is moving back to prioritizing the 1070 AM signal.

“News is the who, what, when, and where,” Silverman said. “For us, it’s the where that’s changing. But we also owe you the why. It’s no secret that business has been tough in traditional media for a number of years. Ad dollars are spread very thin. Companies are doing everything they can to try and capture more of them. Audacy has sports stations across the country, in many markets. They haven’t had one here in Los Angeles, and they see an opportunity to expand that big platform to LA.

“I say it every day on the air: it matters where you get your news. And I really hope that it’s a reminder that in this crazy and crowded landscape of media in 2026, trusted voices are still going to stand out. I can tell you this, though. For myself and for my colleagues in the newsroom, we are still here to do fair, accurate, and credible news about the things that matter to you in Southern California.”

KNX News has already begun branding itself as KNX News 1070 AM. The move from the 97.1 FM signal is set for Monday, May 11th. 97.1 The Fan, the new sports station, will begin broadcasting on that date.

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NAB: FCC Challenge to Disney-Owned Stations ‘Creates Significant Uncertainty for All Broadcasters’

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On Tuesday, it was revealed that the FCC is looking to challenge the TV licenses held by Disney. Now the NAB is pushing back against the move.

Last week, ABC late-night host Jimmy Kimmel made a joke about First Lady Melania Trump. He said she had “the glow of an expectant widow.” Those remarks were amplified following the shooting at the White House Correspondents’ Dinner on Saturday evening.

The commission has called for an early renewal of the eight licenses owned by Disney. That comes after the FCC has previously opened two investigations into Disney. One for its DEI practices that was opened last year. The other was for an appearance by James Talarico, which raised questions about whether The View broke equal time rules in its interview with the Texas Senate candidate.

The commission stated that Disney must file its license renewals for its owned-and-operated TV stations by May 28th, 2026. Those licenses were not up for renewal until 2028, at the earliest.

On Wednesday, the NAB released a statement sharing its concern with the development.

“The FCC’s broadcast license renewal process must be grounded in predictability, fairness, and transparency, principles reflected in the license terms Congress established and later extended,” the statement reads. “The Media Bureau’s nearly unprecedented request for one company to quickly reapply for all of its licenses – rather than utilize its traditional enforcement process – runs contrary to these principles and creates significant uncertainty for all broadcasters.

“Broadcast stations already face intense challenges as they work to deliver trusted journalism, lifesaving emergency services, community programming and election coverage. The FCC must be careful to avoid actions that create further instability for the local stations viewers, and listeners depend on.”

Currently, there are eight ABC-owned stations. They include:

  • KABC-TV (Los Angeles)
  • KFSN-TV (Fresno)
  • KGO-TV (San Francisco)
  • KTRK-TV (Houston)
  • WABC-TV (New York)
  • WLS-TV (Chicago)
  • WPVI-TV (Philadelphia)
  • WTVD-TV (Raleigh)

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ESPN Reportedly Near Multi-Year Agreement With Ian Rapoport

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ESPN is finalizing a deal to retain NFL insider Ian Rapoport, according to reporting from Front Office Sports.

ESPN acquired NFL Network earlier this year in an equity deal with the NFL. The move brought all NFL Network talent under ESPN’s roof. Rapoport is reportedly the first to agree to new terms, with his contract expiring next month.

The network now has both Rapoport and Adam Schefter under one umbrella as both have been destination insiders for NFL news and headlines.

As part of his agreement with ESPN, Rapoport will appear across the network’s platforms while continuing NFL Network coverage. The pairing is significant. Rapoport and Schefter were longtime rivals. Now they’re teammates.

“If we were to work together, I think that would be awesome,” Rapoport said to The Athletic in February. “I have no idea if that is going to happen. But it would be like The Avengers.”

Rapoport joined NFL Network in 2012 after covering the Patriots for the Boston Herald.

ESPN declined to comment.

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CBS News Airing Town Hall Event with Artemis II Crew

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CBS News has announced plans to broadcast a town hall event featuring the crew of the Artemis II mission.

On Friday, May 1st at 7:30 AM ET, CBS Mornings anchor Gayle King and CBS Evening News anchor Tony Dokoupil will lead the discussion with the astronauts about the mission.

Reid Wiseman, Victor Glover, Christina Koch, and Jeremy Hansen will all appear on the special broadcast. Those astronauts will field questions from middle and high school students about the mission, space, and other science-related topics.

Additionally, a five-year-old aspiring astronaut named Jack from Atlanta will join the town hall. Other special guests include appearances by Bill Nye “The Science Guy” and Apollo 13 director Ron Howard.

The broadcast will air on CBS and stream live on Paramount+. It will also stream on CBSNews.com and YouTube.

An encore presentation will air on the CBS News 24/7 streaming channel on Saturday, May 2nd at 9 PM ET.

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