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X Reports Elon Musk and Donald Trump Conversation Saw 73 Million Views

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X owner Elon Musk hosted a Spaces conversation with Republican Presidential nominee Donald Trump Monday, and the discussion featured a massive audience.

According to the social media platform, more than 73 million listened into the Spaces event in the nearly three-hour timeframe it was live. The event was scheduled to begin at 8 PM ET. However, technical issues delayed the discussion between Musk and Trump.

Musk claimed that the company saw a “massive DDoS attack against our servers” that led to the delay. However, reports have surfaced claiming employees of the organization believe there is a “99% chance Elon is lying” about the attack, and rather that the company’s servers were simply overloaded by the sheer number of users attempting to listen to the conversation. Elon Musk stated the company tested its Spaces capabilities with 8 million listeners before the conversation with Donald Trump began.

During that same three-hour window, X reports there were 4 million posts to the platform about the discussion, which generated an additional 998 million views.

The event set a record for the largest Space in X history, as it eclipsed more than 1.3 million concurrent listeners, and steadily featured more than 1 million listeners throughout the conversation.

It marked a return to the social media platform for Donald Trump after only tweeting on previous time — a photo of his Georgia mugshot — since his account was reactivated by Musk after he purchased the platform in 2022. Donald Trump was previously suspended by what was then know as Twitter after the January 6th Insurrection.

After the event, Elon Musk shared that he would be “happy to host Kamala (Harris) on X Spaces too.”

‘XYZ With Erik Zachary’ Joins KVGS, Las Vegas

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Nationally syndicated “XYZ With Erik Zachary” is taking over nights at Beasley Media’s Hot AC KVGS (102.7 VGS)/Las Vegas.

Zachary said, “It’s always incredible to announce that the show is expanding, but something about Las Vegas rolling the dice on us just feels a little extra special. Thank you to Cat Thomas for believing in us and adding the letters XYZ to the legacy of VGS.”

Operations Manager Cat Thomas added, “I have been a fan of what Erik and his crew have been doing to create a great, engaging show, but when the interactions between them made coffee come out of my nose from laughing so hard, that was the closer!”

Snoop Dogg Definitely Has a Future With NBC Sports

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Who was the biggest star of the Olympics in Paris? Maybe the GOATs come to mind. Simone Biles certainly showed that she was back in the gym. Katie Ledecky walked away with three new gold medals in the pool. On the track, we learned new names like Noah Lyles and Quincy Hall. They were all great, but none of them made the impression that Snoop Dogg did.

I’m not the first one to point out how scary white parents used to think Snoop was. Hell, even Bob Dole, Joe Lieberman and other Senators called him out by name in 1995 when describing gangsta rap as a plague on the nation. Now your mom wants to watch Olympic equestrian events because he is going to be there!

If sports media can learn anything from this moment, it’s that fun matters. Why do we fall in love with sports in the first place? Whether watching them or playing them, sports are fun. We may be invested in the outcomes, but even when games or stories with deeper social implications pop up, they still offer us a chance to escape from our own worries.

Call me crazy, but I don’t think it’s absurd to wonder if NBC may have more sports-related plans for Snoop Dogg. We know he’s an avid football fan. With his beloved USC Trojans moving to the Big Ten this year, why wouldn’t the network experiment with how he could be used during its coverage of that conference? Why not let him shoot some field pieces for Football Night in America ahead of the Sunday night game? 

You can argue that the Olympics are not really sports coverage, and you’d have a fair point. They have never been about sports. In fact, Snoop was not chosen to be NBC’s celebrity correspondent because of his presence in football or history with hockey. He was chosen because he’s joined the cast of NBC’s hit The Voice and any time the camera was on him, it was a chance for the network to remind you that a new season of that show is just around the corner.

Whatever the motivation though, the network stumbled into gold. I don’t know anyone who thought Snoop was a bad addition. 

This site was founded to discuss the nitty-gritty when it comes to the sports broadcasting industry. All of us who write here have opinions about who is great on a broadcast and who can be muted. We also all know a good thing when we see it. Even if Snoop isn’t your cup of tea, having him in the stands and the booth was enough of someone’s cup of tea to reportedly command $500,000 a day.

Call it a stunt if you want, but what that investment proved is that there are creative ways for a broadcast to connect with casual fans. NBC should be leaning into that, and football is the perfect next step.

The NFL is on top of the TV world. A product with that kind of reach can still grow, but it isn’t going to do that by leaning into hardcore football fans. Last year, we saw how powerful an injection of casual fans can be. Now, Snoop Dogg ain’t T Swift, but he is a catalyst that NBC can control. It’s got to be worth exploring.

NBC pays a lot of money to carry the Olympics. It’s the perfect promotional vehicle for the network’s upcoming season of shows. In 2024, it found a hip-hop legend that can draw eyeballs to places they normally won’t go. Imagine if NBC applied that power to a show that is already the most watched on television. It would be foolish not to try it. 

What the Demise of WCBS Newsradio 880 Says About the Future of All-News Radio

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In one of the more surprising announcements in recent memory, Audacy announced WCBS Newsradio 880 would cease operations on Monday, August 26th, after nearly 60 years in the all-news business, as part of a deal with Good Karma Brands to bring ESPN New York to the AM signal.

It was so surprising, in fact, that when I was told of the move. I triple-checked to make sure I wasn’t losing my mind. How could WCBS 880, a venerable, iconic brand, be on the chopping block as part of a deal with the competition?

But, when you look at the whole picture, it does make sense.

First of all, Audacy New York was operating two all-news brands: WCBS and 1010 WINS. And when WINS received an FM simulcast in 2022, the company tipped its hand as to which station was the priority and which station was expendable.

Secondly, and probably most importantly, when you look at the financial results — for every radio company, not just Audacy — it isn’t exactly a rosy picture. I don’t know how many times in the last week I’ve seen “(Insert Radio Broadcaster Here) sees slight revenue dip in second quarter.”

In one company’s case, I saw that their 2024 second-quarter results were a revenue dip, as were their 2024 first quarter, 2023 fourth quarter, their 2023 third quarter, and I could go on and on and on.

And that’s where the issue lies. Despite finishing 2023 as BIA Advisory Services’ projected 10th highest billing station in America ($29.7 million), WCBS Newsradio 880 was still on the chopping block.

News radio costs a lot to operate. You need anchors, reporters, producers, board ops, writers, digital content specialists, managers, and executives to oversee the day-to-day operations. Radio is a tough business right now, and no one can really argue otherwise.

But if a station in the top 10 billing brands of 2023 — which was actually an increase compared to 2022 — can’t make it in today’s radio climate, what does it say for the future of the all-news format? Because I don’t know that it’s exactly a rosy picture.

It isn’t really the first time Audacy has dumped out of the all-news game. In the last several weeks, 1080 KRLD in Dallas has shifted away from all-news, and turned into a news/talk brand with shows hosted by Chad Benson and Will Cain joining the daily lineup. I know the messaging has been that the station is still centered on news, and those long-form shows are focused on news, but you can’t spit on my cupcake and tell me it’s frosting. KRLD had previously been a “strictly report the news of the day to Dallas/Fort Worth listeners,” and now it’s not that. And that’s ok! But to pretend as if it didn’t abandon what it was doing previously — even if might be for the better — is disingenuous.

To be truthful, I had never really heard much all-news radio before joining Barrett Media. I live in Ohio, where we don’t have a commercial all-news radio station. The closest station that utilizes the format is — another Audacy station — 950 WWJ in Detroit. But I’ve grown to really enjoy the format due to its presentation style. Fast-paced, no-malarkey delivery, coupled with interesting storytelling is the exact recipe for success in 2024. While speaking with people in the genre, I’ve often compared it to TikTok. Short, sweet, to the point, and yet interesting. It’s addictive.

But if stations like WCBS and KRLD aren’t going to be able to stay in the format, what does that mean for others like WTOP, KNX, WBZ, or WBBM, among others?

Those stations, brands, markets, and communities deserve to be served by fantastic news radio brands. Like it or not, people will use the venerable brands — of which many news/talk and all-news brands fit the bill — as a barometer for the health of radio. If the longstanding, easily identifiable, iconic/venerable brands are doing well, radio is likely seen to be doing well by advertisers. But if those marketers see that stations they may know of from other markets, stations like WCBS Newsradio 880, and hear that they’re going the way of the dodo, that isn’t exactly a glowing bill of health for the medium. And a cycle that already is a negative for the industry continues.

So it makes me fearful. I freely admit it. Because if stations that we’ve collectively put on a pedestal — and look at the reaction around the news, WCBS was on a pedestal — are no longer viable, what does it say about other brands? Other formats? Other companies, even? And I’m sure you could argue that WCBS was “viable”, but Good Karma Brands made them an offer they couldn’t refuse. I hope to my bones that that’s what happened. But I can’t imagine there was a number big enough to say “Yep, we’re gonna toss a top 10 billing station to the wayside, collect a check from a competitor, and save the money we would have doled out on salaries for WCBS employees” while simultaneously arguing that the brand was “viable.”

I will die on the hill that, yes, radio should still do weather, traffic, sports, and news updates. Because if the prevailing thought is “People can just get it on their phones,” you know what else they can get on their phones? Music. Podcasts. Entertainment of any type. If you push people to their phones, they’re likely to find something else, something more personalized, something more on-demand than live and local radio. And that isn’t something that is going to help the industry going forward.

All-news radio is at a crossroads. Maybe more specifically, Audacy — which operates the overwhelming majority of stations that fit that bill — is at a crossroads. It can dig its heels in and say “This format and these brands are worth saving. These cities, metros, and communities deserve what we can provide them.” Or, it can throw in the towel, appease investors, and say “It’s much easier to cut costs, abandon the AM dial, and forge on with a focus on lower-cost formats like music and sports talk.”

And it’s easy for me to have an opinion on the topic, right? It isn’t my money or career at stake. But it is an industry and genre/format that I’ve grown to love and appreciate. And I surely don’t want to see that vanish anytime soon. Principles never paid someone or some company’s mortgage. But they are worth having from time to time.

I’ve always believed in the famous John F. Kennedy speech where he said, “We choose to go to the Moon in this decade and do the other things, not because they are easy, but because they are hard. Because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win.”

Saving the all-news format will not be easy. It will be hard. But it will be worth it. And I hope we can pull together to not just keep it alive, but prosperous.

Is News Radio Finally Ready to Hand the Baton to the Next Generation?

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The glacial change in the tone and language of news radio is nearly complete. Radio is finally slipping farther away from the old days of reading “the news” with feigned authority and implied dignity, void of emotion. That was the allegedly unbiased approach some purists still long for. But then, a lot of us Boomers still think of “the good old days” with rose-colored memories.

Things weren’t really that much better then, they were just different.

The problem is people today don’t relate to the old traditional style of radio news. Real people don’t talk in pretentious phrases, cop talk, and legalese to imply a level of expertise radio newsies often don’t have. Real people tend to distrust those who do talk that way.

In a Medium post, Canadian business consultant Aziz Mone published a pretty fair list of reasons for the decline of “old media”. A self-described Serial Entrepreneur and self-published author, it’s helpful to remember that Mr. Mone has his personal business interest at heart but hell, we all do. As I said, it’s a fair list including such obvious points as the rise in social and digital media, so-called citizen journalists, and a desire for personalized, on-demand information.

Sure, modern radio has challenges with all of these issues but the one item on Mone’s list that jumped out at me was, “Erosion of Trust: Incidents of misconduct, misinformation, and biased reporting have shaken the public’s trust in traditional media. As a result, alternative news sources and citizen journalism have gained momentum.”

We’re not just talking about mistrust of radio, of course. I think it’s safe to assume that radio news is far more trustworthy than TV and giant news publications if only because radio has fewer resources and less time to get it all together. In every radio newsroom I’ve ever worked staffing was between six and 20 full-time writers, reporters, editors, and talkers. (Go ahead, call yourself an anchor if you prefer. I don’t care. It just always sounded silly to me.)

If Edward R. Murrow was a radio news broadcaster today, would he have the near-unanimous belief and trust that he enjoyed while covering the German attacks on France and England? Would Paul Harvey’s warmth, charm, and eloquence have today’s youth enraptured by his radio reports? He had me when I was 17. I now have a 21-year-old grandson in the Navy who would never listen past Paul’s famous signature, “Stand by for news!”

Yep, the times change with technology. More sources make for more questions and assumptions. Murrow had no competition in his war correspondence. Harvey’s personality lit every room he ever entered. (I met him 35 years ago and it still thrills me.)

So, sure, styles change but it has been stunning to me how slow the change has been coming in radio. I’m finally starting to hear a bit of emotion, a smile or two, and even an occasional laugh on Big All-News Radio. None of those things imply bias. They imply humanity and by the way, being human allows us to make the occasional mistake. If you screw up own it. Even in these days of Cancel Culture people will forgive and forget. It’s a pity politicians still don’t seem to get that.

It’s nice to finally hear people on the air telling me what’s going on in the world without trying to pretend that the tragedies and triumphs all mean the same to them. But hey, here’s an idea. If you have a Joe Friday “Just-the-facts, ma’am” attitude plug in Alexa or
Siri and prompt them to do your newscasts. They’ll do it and sound like we did in the mid-70s.

In my humble old fart opinion, news stations still have another big hurdle to clear in the radio news race for relevance. Now that you’re allowing your people to sound like what they are, the man and woman down the street, for pity’s sake freshen your overall image. I beg of you, drop the big-time radio news-of-the-world sounders, the sung call letters, the excellent in their time stingers, bumpers, and rejoins produced by PAMS 40 years ago, and as much as it kills me to say it, it’s time to retire the magnificent recorded voice that introduces your morning team as if they were Ryan Seacrest and Vanna White.

The big-time posturing needs to end, thirty years ago.

I’m going to stop for now. You’re welcome. But I will suggest one more tweak that will improve your news radio listenability and very possibly your ratings tenfold:

Stop reading the news. Just talk about it.

More on that next time

Music Research Without A Budget

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Radio—at one time—was flush with money to pour into research. Bi-annual music tests, perceptual studies, and focus groups were in the DNA of our annual plan.

That time is now solidly in the rearview mirror.

There are ample—free of charge—tools to build a solid strategic Music Matrix into your ongoing discipline.

You know – research.

Successful brands look far past Published Charts to reflect the appetite of their target, utilizing multiple data points for a 3-D view of what is happening musically daily, weekly, and monthly in your format.

National charts tell a limited story – driven by record company influence.

With a little bird-dogging, tactics and tools are available when reviewing your weekly playlist.

Let’s build a strong example – together.

First – look at early adopters.  Those who are on the cutting edge of active music consumption.

Digital Sales Data – This chart is updated daily and reflects what truly is trending in the USA.  Digital Sales Data allows you to spot a song perhaps featured in a show or an event over the weekend.  And how much it is being consumed in the country.  Thought – highlight it for one day – then incorporate it into your playlist.

Shazam Charts – Weekly Top 200 most Shazamed song in a country or region. There’s also a Global Chart.  Provides Real Time Updates so the morning chart could be different from the afternoon chart.  Great destination to find ‘buzz’ songs. 

Active Satellite Music Channels—Yup. I said the “S” word.  Sirius XM has brilliant programmers and the latitude to experiment with newer music through the platform. Examples include Alt Nation, flush with indie rock; The Heat, exposing emerging Hip-Hop stars; and The Highway, showcasing rising Nashville artists.

Next – include successful brands in your format (or find a hit from other formats) in your foundational music research.

Mediabase was the leader in music charting when the internet was still in diapers.  In the early days, MMR247.com employed reporting radio people from all over the country to monitor – in real-time – and report playlists of radio brands to form their charts.  Imagine that!

Today, Mediabase provides airplay monitoring, national charts, and real-time data record companies.  Data on the platform allows radio stations, artists, and labels to make a call on strategic planning and playlist-building.

Our brands—sans access to local research—use Mediabase to build a five-station regional panel of stations that combine the playlists.

Do this:

  • Contact Mediabase for access to their data
  • Draw a 250-mile radius of your market
  • Identify the most successful stations – ratings – in your format in that radius that ALSO deploys local research (many of the ‘bigs’ do regional research)
  • Don’t know if they do local research, call the programmer (most are generous in sharing this info)
  • Find the five best-performing stations to build your ‘panel’
  • Include this combined panel when making weekly music moves.

Adding new songs to your playlist is a marketing decision.  Exposing a new tune to your audience is a thoughtful process.

However – access to data is only part of the equation.

Remember that what we do is – art.  You didn’t get into our business to be a – scientist.

Use your GUT—how YOU feel—when choosing a new product. Art trumps science when adding a new song for your audience.

And – be blind. 

People lean into a song first – without knowing the artist.

Grizzled radio vets remember Capital Records releasing Donny Osmond’s 1989 song Soldier of Love.  The performer on the track was listed as a “Mystery Artist,” so programmers wouldn’t judge Donny by his perceived reputation in the late 80’s.  Peaked at #2 in the US.

Quick story.

When Compact Discs were still’ a thing’, our music-listening session was blind. We would enlist the production team and ask them to burn a CD with all that week’s new music.

No track listing – no artist label – nothing on the CD.

One week the last track in our session came on.  Everyone in our music meeting LOVED the track.  We couldn’t figure out who it could be.

“NEW artist?  Pure Power Pop.  Maybe The Cars?”

Nope.

Imagine our surprise when we saw the art on the single.

Collective Soul – Better Now.  

A NEW Collective Soul song on their 2004 album – Youth.  What would our reactions be if we knew it was the mid-90s grinders who gave us “Shine” and “December”?

Use data at your fingertips – and your gut – when adding and removing songs from your playlist.

No access to research at YOUR station?

Now – you do.

Kelly Ford Highlights The Importance Of ‘Building Community’

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Kelly Ford has been a force in the country music radio space for decades. Known in New York and beyond for her morning shows with 94.7 Nash-turned-New-York’s-Country before its format change in 2021, she has once again found herself clinking metaphorical rocks glasses with the country listeners of the greater Big Apple on her new show with Long Island’s 103.1 The Wolf alongside her work with Backstage Country, which broadcasts on over 80 radio stations nationwide.

With a career that has brought her a ton of recognition for being a dynamic woman in the business and the successful feat of raising three children on a morning show schedule, she will tell you herself, “Being a mom is my most important job, but it’s not my only job.” Kelly Ford is a woman and a mother among many other things – in particular, one of the best at what she does.

While the Louisville, KY native is a staple in the genre (and has the CMA, ACM, Gracie, and Marconi awards to prove it), Ford actually got her start doing news before discovering her niche in Country music. It may have all subconsciously started when Louisville DJ Bill Bailey did a St. Patrick’s Day broadcast out of her childhood home, but an internship in college sealed her fate.

“The official conscious choice was at Western Kentucky University,” she says. “I’m from Louisville, and I knew I was going to go to an in-state school. They have a really good broadcasting program. I knew I didn’t want to do a normal office job, so I double majored in communications and political science. I wanted to go to the Peace Corps, and I ended up on rock radio.”

For Ford, being on-air was (and still is) about good storytelling. “I was all about news at first. I loved telling stories with audio, and I think that’s always served me well, even in my shows,” she explains.

Her first job at WLRS in Louisville, which Ford describes as an “iconic heritage station,” is what had her looking down the line at a career in broadcasting. “It was so cool – my first job was on a station everyone grew up listening to.”

It wasn’t until she moved to Denver that working in Country really came onto her radar via a job at KYGO, and even then, she remained unsure of her place in the genre.

“I was doing news in the morning [on KYGO],” she details. “I didn’t like Country growing up in Kentucky. It was a different time. Rock was so great in the late ‘80s.” Ford admits she was sure the pivot from rock to Country meant the beginning of the end of her career.

“That was the same year a little guy named Garth Brooks came on the scene. The rest is history,” she jokes.

Ford stayed with KYGO for 20 years. Her fun, quick-witted, and sharp personality eventually brought her to New York, where she helped to usher in a new era at Nash FM alongside Jesse Addy.

“Jesse and I just hit the streets. It was brand new. It was so fun building something.” Ford believes “you win people over one at a time,” and remembers the rush of building up her East Coast Country brand alongside beloved colleagues, remarking that her recent start at The Wolf has felt cool in a lot of the same ways – getting the chance to build something.

Ford then joined Westwood One’s nationally syndicated morning show Ty, Kelly, & Chuck. She continued to grow alongside the brand with her own morning show on what became New York’s Country with Audacy – until things began to shift at the start of the Covid pandemic in 2020.

“The world shut down. We had a great run – we left it all on the table and I’m really proud of what we did,” she says. “All of radio has been changed forever by Covid.”

Ford spent the next few years dabbling in a variety of industry-adjacent endeavors, first with a start-up app, then with a podcast, and even getting into radio sales for a bit. “It was a cool time to slow down and think about what I want out of life. Where do I want to be? What do I value?”

The job opening on Long Island was a no-brainer move for Ford. “I get the New York Country listener. I understand them. I appreciate them.”

Raising three children on a morning show schedule (and during a time when her pregnancies raised speculation about her quitting her job) alongside the recognition Ford has gotten for her work over the years has carved out her undeniable mark as a female powerhouse in the industry. But the reality of getting a “female” qualifier in front of her accomplishments remains a little boring for Ford. She’s a powerhouse.

“Anyone who talks about any one thing is boring to me… People are complex,” she says.

A self-described “girl’s girl,” Ford says, “The older I’ve gotten in life and in the business, I understand that sisterhood is super important… but I don’t love to talk a ton about being a woman in the business because it’s a no-win situation. Just like everything, I want to be the best,” she declares.

“While I have won three Gracies, and they mean more to me than anything, I wish there weren’t Gracies,” she explains. “I don’t want to complain; I just want to win.”

She elaborates, “Obviously, everyone’s experience, no matter what your gender or race or whatever you identify as… you bring that to your experience on the air. It informs who I am and my experience with people, but I would never want to be totally defined by it.”

Her list of accolades and accomplishments and identifiers aside, at the end of the day, Ford’s position in broadcasting is all about “relationships and community.”

“Country, I think, helps create a community of like-minded people who want to come together for the love of a genre. Which I think is kind of different than many other – not all – genres. There’s such a family and a community within that,” she explains.

“As a broadcaster, what turns my crank, what gives me purpose is building community, telling stories, and relationships.” Ford goes on to detail the many meaningful connections she’s made over the years and hopes to continue making with fellow industry professionals, listeners, and even just people on the street.

“I think radio is so relevant,” she says about the variety of platforms available that make music so accessible, indicating that nothing quite beats the connections and relationships that radio fosters.

“I still believe in radio and its power.”

Steak Shapiro is Confident in Sports Radio’s Relevance and ‘The Steakhouse’ on 92.9 The Game

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He is considered to be the ‘Founding Father’ of sports talk radio in Atlanta and he’s far from giving up that position. Longtime Atlanta sports radio personality Steak Shapiro recently signed a new 3-year deal to continue doing his show The Steakhouse weekdays from 9 a.m. to 11 a.m. on Audacy-owned 92.9 FM The Game.

“Super grateful to keep doing it,” said Shapiro. “I’m the longest running sports talk show host in Atlanta history. You can still be 58 and be super relevant in our format which is awesome.”  

Shapiro continues to have full autonomy to do the show exactly the way he wants to do it and that is the ability to use various co-hosts with topics including sports, business, pop culture, music, and film.

And oh yeah…the topic that occupies Shapiro’s full-time life…food!

“I also have a huge interest in food because that’s my real job,” said Shapiro who hosts the Atlanta Eats television show and owns the Bread ‘n Butter content studio.  

“This (sports radio) is a side hustle. I’m extremely grateful for the opportunity and excited for three more years.”

Prior to being at ‘The Game,’ Shapiro spent 17 years at 790 ‘The Zone,’ a station that he owned while also serving as head of marketing, head of programming and host. Transitioning to a shorter show while establishing a full-time career outside of sports radio has made life a little easier for Shapiro.

“I’ve always been an owner and an entrepreneur, so this is less hours and it’s also not getting up at 4:30 a.m. which I did for more than 20 years,” said Shapiro. I don’t think it’s hard. It’s like a labor of love. I don’t know any other way, so it feels easier than when I was doing four hours, and I was the boss and the on-air guy. That was a challenge.”

Over the course of his career, Shapiro has seen the radio industry go through changes but specifically has seen the sports radio industry evolve to include digital content allowing it to flourish today.

The same, according to Shapiro, cannot be said for other parts of the radio world. 

“The radio industry is scary,” said Shapiro who is tuned into the business side of things. “Atlanta was a $400 million ad market and I think its $200 million now. (Sports) is hyperlocal and completely relevant with content unlike anything else that’s on the dial.”

Podcasts have become a huge part of the sports radio industry but many of them are not live and that’s the biggest difference with traditional sports radio. There is an immediacy that comes with live radio and if the ‘hyperlocal’ aspect of a sports talk radio station is programmed correctly, it can create a lot of magic.

“You can listen to 10,000 podcasts and they’re not going to tell you about the travel disaster that just happened over the weekend as it’s happening,” said Shapiro. “They’re not going to have in real time the Michael Penix draft pick, which was the biggest sports talk day of listening in the history of the format. To have hyperlocal stories in real time is still going to win. I think sports talk radio is the most relevant format. It’s more relevant of a format than it’s ever been.”

Shapiro was 8 years old when he dreamed about being on the radio and he continues to live out that dream. Each day when he drives to work, he reminds himself about the ability of getting in front of that microphone every day and talking about everything that he wants to talk about, including sports and food.

He is still having fun doing sports talk radio and he’s, at least for the moment, not thinking about walking away from it.

“People still like what I do,” said Shapiro. “It’s not a format where I’m aging out at 58. I’m close so I’ll let these three years run and then see where I am with my family and see where I am with Bread and Butter and see where I am in the radio business. With Audacy letting me do I want to do, there’s no reason to think about hanging it up at all. It’s still a lot of fun.”

Steak Shapiro has certainly accomplished a lot in sports radio as well as with Atlanta Eats and Bread n Butter.  He’s been an iconic part of the Atlanta sports radio scene for a long time and he’s showing no signs of slowing down.

Behind The Voices: Neil Wilson

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Neil Wilson is a voice actor who has done projects for Fox, CBS, ABC, NBC, Netflix, ESPN, Discovery, Travel, Smithsonian, Pandora, and local radio and TV affiliates.

His website describes him as “…from flat-out exuberance to forthright honesty, Neil is the guy next to you at the game to the guy next door- your buddy and your bro, there when you need him.

He is featured today in “Behind The Voices.”

Jeff Lynn: So how did you end up behind the mic?

Neil Wilson: I played radio from the mid-nineties until October 2011 when then Clear Channel asked me to leave during one of their infamous RIFs.  I worked in nearly every department on the programming side.  Morning producer/co-host, middays, nights, afternoons, MD/APD, and then into imaging and the off-air creative side of things.  Still, today, it gives me a unique perspective as a voice-over guy.

JL: Coming from a former long-time radio programmer, I have known a lot of voice actors. I am also interested in their studios. Tell me about yours.

NW: My studio is my absolute happy place. Check it out HERE

JL: OK, everyone should check out that link. That is very cool. I’m also very curious about AI. Cloning voices and what that could mean to what you do.

NW: There is a lot to this on many levels.  I think it’s safe to say we are all watching AI closely through numerous lenses.  From a voice over performance standpoint, I maintain that nothing will replace our experiences and feelings as humans and the ability to express those stories.  AI doesn’t sit in traffic, AI doesn’t lose a loved one, AI doesn’t experience visiting a new place or the joy of seeing their children’s eyes light up on Christmas morning.  It just can’t tell those stories as well without real-life experience.  And the challenge now is making sure we connect even deeper through how we write, perform and emote life.   There are also tons of legal concerns.  Enough so that there is legislation in both the House and Senate now that will allow all of us to protect our voice the same way we do our NIL.  Currently, it’s just the Wild West…

JL: Speaking of your instrument. How do you protect it and not get sidelined by illness?

NW: When I need to hot toddies are amazing!  LOL.  I also make sure I protect my voice with proper rest, exercise and diet.  It can sound a little rough post 49ers games though.

JL: How many stations and projects are you juggling daily?

NW: I don’t tend to keep count of how many stations I work with on a monthly or daily basis… but I am lucky to work with clients from coast to coast in major markets and small ones.  Some really creative PDs, brand managers, and leaders.  It’s a fast-paced world, and I try to give my stations the performance they need (as well as some fun outtakes) as quickly as possible.  I want them to know they can count on me if/when they come up with an idea or concept for their imaging.

JL: You lead me into my final question by mentioning outtakes. Best blooper or flub?

NW:  I wish I had audio of this, but I literally was not rolling when it happened.  I was brought on to voice some promos for HBO a couple of years ago.  I had a session booked with the entire creative team at the network and at the production company.  It was a phone patch session, and they dialed into my studio.  They directed me for a good 20 to 30 minutes and then said, “We got what we need.”  I clicked over to my DAW, and no audio was recorded.  It was rather embarrassing to tell them nothing had been recorded.  All in all, it came out great, but yeah, pretty boneheaded on my part.

Find Neil Wilson and check out his demo here.

5 Possibilities For Replacing Danny Parkins at 670 The Score

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Congratulations to Danny Parkins. 670 The Score’s afternoon host has a new deal with FS1, which was reported Monday. Television’s gain, however, is now radio’s loss. Vice President for the Score and BetQL Network Mitch Rosen now has a big position to fill. Interest in the opening will be there but finding the right fit in Chicago is no easy task.

Parkins and Matt Spiegel have teamed in afternoons since February 2021, when they reunited after previously working together in middays. Spiegel was let go by former GM Jimmy DeCastro, and brought back later after DeCastro was gone.

Since the news became official, Barrett Media has asked industry contacts to see who they think makes sense for one of sports radio’s most coveted positions. In gathering those responses, here are 5 ways the industry suggested 670 The Score could go to replace Danny Parkins.

The Possibilities:

#1: With drive time unsettled, and Spiegel needing to find the right partner, many see the brand’s best move being to move the midday show with Dan Bernstein and Laurence Holmes to afternoons. Bernstein has had success in that timeslot before. Holmes’ energy and likability have also been a hit for years with Chicago sports fans. If one show is already working, and capable of handling drive time pressure, while the other is being rebuilt, why not maximize what’s hot while developing the next hit?

#2: When thinking of a replacement for Parkins, the obvious starting place is inside the market. But Parkins proved you don’t have to live in Chicago to win there, just have a connection to the city. One name that immediately comes to mind is Jarrett Payton, the son of NFL legend Walter Payton. Payton has done local media work on both radio and television. He’s a favorite of a few inside the Score. If Payton and Spiegel click, adding a strong football presence for the upcoming Bears season can’t be bad for business.

#3: Before returning to television, Leila Rahimi was making a name for herself at The Score. Rahimi was doing that in middays with Dan Bernstein. If The Score elects not to move or split up Bernstein and Holmes, might Rahimi be tempted by the bigger stage of drive time? The pay would likely be higher along with additional exposure. She’s still involved with the Score on a part-time basis but this opportunity makes too much sense to explore. Those familiar with her who we asked, rave about her on-air talent.

#4: One name you can’t rule out based on history is Jason Goff. He enjoyed success with Matt Spiegel in middays, only losing his spot when Jimmy DeCastro walked in and changed the entire radio station. When working together, Spiegel and Goff had chemistry. Knowing what each other brings to the table, what Chicago sports fans crave, and being able to step in tomorrow and do the job without needing time to find the right balance is what Goff adds that others can’t.

#5: Rosen isn’t likely to bet on a longshot but if he wants to, he has options. Before Parkins and Spiegel reunited, Danny went through an on-air search for his next partner. Many talented people with Chicago ties came through the door. One even fared well who had outside the market experience, and a prior connection to Parkins. Maybe they weren’t the right fit then, but could they be now?

Ramie Makhlouf was one of those names who impressed. The Milwaukee host was a prior finalist. He’s spent years doing sports talk in Milwaukee, a quick drive north, and bleeds Chicago sports. He also has a great sense of humor, which could mesh well with Spiegel. Ramie has also tested himself in other cities. He’s worked for SKOR North in Minneapolis, and Sactown Sports in Sacramento. Adding a point of view from inside and outside the market could help the show. It’s what Parkins brought to the table when he stepped in the door. That only matters if Ramie and Matt Spiegel gel though.

Another option would be Steve ‘Sparky’ Fifer, a talented personality in Milwaukee who is already in the company. Sparky has energy, passion, and opinions to command people’s attention. He’s also inside the company at 1250 The Fan in Milwaukee and has a good relationship with Rosen. His preparation and familiarity with the Chicago sports scene is also stellar.

Another Chicago native with experience who has tested himself outside the market is Ari Temkin. Temkin spent eight years in Austin/San Antonio working on his craft before taking on bigger roles with SiriusXM and 105.3 The Fan in Dallas. Ironically, Temkin now works for Good Karma Brands as an affiliate manager for the Bears, White Sox and company’s properties out west, in addition to hosting on satellite radio.

If not being from Chicago isn’t held against him, one talent who many believe could pay dividends for the Score is Carrington Harrison. Danny Parkins’ former partner in Kansas City proved during his Score audition that he’s ready for a larger stage. He had a lot of success with Parkins, and has built on it since taking over afternoons as a solo host. If Parkins and Spiegel clicked, and Parkins and Carrington did too, maybe there’s something that ties them all together?

Losing Harrison would be a big blow to Audacy Kansas City, which just announced a forthcoming move to the FM dial. However, the move would be inside the company. Though that’d be inconvenient for KC management, we are talking about the third largest market in the country, and a brand like the Score which is vital to Audacy’s business.

Shot in the Dark:

If Rosen wants to go outside the box, there are former athletes with Chicago ties that could be interesting. Former Blackhawks players Chris Chelios and Jeremy Roenick are two names that were suggested by a few industry sources. Another was former Bears quarterback Jay Cutler who is familiar to Bears fans and Chicago sports radio listeners. Cutler has also dabbled in broadcasting. It’s hard to picture him though wanting to do radio full-time after making bank in the NFL.

The station could also look into Barstool Chicago to see if there’s untapped talent ready for a bigger role. One on-air talent even raised the idea of Jon ‘Stugotz’ Weiner who recently considered moving to New York to work for WFAN. If Stugotz wouldn’t return home to the big apple though it’s hard to see him making a jump to Chicago.

Another thing you can’t rule out, which Jason Barrett reminded me of, is that Ryan Porth is part of this process too with Rosen. Are there people Ryan’s developed internally who we’re not thinking about? Is he connected to someone previously from his PD days who’d be worth a look in the windy city?

One thing is for sure, there will be no shortage of applicants for the Score’s drive time vacancy. Given Rosen’s track record of hiring talent, and the station’s history of delivering results, expect them to figure this out, even if it’s bumpy right away. In the meantime, say a prayer for Rosen and Porth. They won’t be sleeping much until the puzzle is solved.