Fox News Digital topped all news brands and broadcast networks in total digital multiplatform minutes for the 60th consecutive month in February, according to Comscore.
The network delivered 3.5 billion minutes during the month, ahead of NYTimes.com (1.1 billion), CNN.com (1.1 billion), CBSNews.com (1.0 billion), NBCNews.com (686 million), and ABCNews.com (395 million).
In total multiplatform views, Fox News led with 1.7 billion, followed by NYTimes.com at 1.4 billion. CNN.com finished third with 682 million views.
Fox News also led the competitive set in total digital multiplatform unique visitors with 165 million — a 37% year-over-year increase. NBCNews.com came in second with 108 million, followed by CBSNews.com at 176.5 million.
On YouTube, Fox News recorded 370 million video views in February, ahead of MS Now (315 million), CNN (205 million), ABC News (139 million), NBC News (90 million), and CBS News (66 million). The network’s coverage of U.S.-Israeli strikes on Iran on February 28 drove 36.8 million views — its best single day of 2026.
The Fox News Mobile app drew 6.6 million unique viewers, compared to 3.4 million for the CNN mobile app.
Across social media, Fox News drove 134 million total interactions in February. Facebook accounted for 61 million, Instagram 25.9 million, and X 6.1 million. On TikTok, the network posted 40.5 million interactions — a 49% year-over-year increase. Fox News also recorded 2.4 billion social media video views, its third-best month ever.
FoxBusiness.com delivered 172.1 million multiplatform minutes, 100.5 million multiplatform views, and 27.4 million unique visitors during the month.
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Former Salem Radio Network host Dennis Prager is suing Cedars Sinai Medical Center for medical malpractice, which he says has contributed to his absence from his talk radio show.
Prager suffered a fall at his Los Angeles home in November 2024. That fall left him with a severe spinal cord injury.
In his lawsuit, Dennis Prager alleges that the staff at the Los Angeles hospital failed to properly turn the longtime conservative radio host, leading to stage four bed pressure ulcers after more than a month in their care.
“Because of the critical errors and negligence falling below the standard of care, Prager has been unable to return to The Dennis Prager Show,” the complaint alleges. “He has been unable to return to work, he has been unable to get off of the ventilator for long enough to have even one three-hour conversation, and his ability to communicate and work in general has been grossly hindered.”
In the filing, Prager notes that his medical bills have surpassed $5 million since his injury.
“The catastrophic wounds Prager suffered required multiple surgical interventions and rendered Prager ineligible for treatment at the overwhelming majority of rehabilitation and post-acute facilities nationwide, transforming what should have an intensive recovery phase to extended medical management,” the complaint reads.
While the damages he seeks are unspecified, he added that he previously made $2 million per year but argues that the malpractice he received has kept him unable to host that Salem Radio Network show.
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102.7 BOB FM in San Antonio has a new program director, as Sam Pieprzyca takes over the Connoisseur Media station.
Pieprzyca has more than 20 years of experience working in the market, including working on the 102.7 FM signal in its former format. He had previously served as the Assistant Program Director for Connoisseur Media.
“I grew up listening to 102.7 here in San Antonio, and it’s always felt like part of this city’s soundtrack,” said Pieprzyca. “It’s evolved over the years, but the focus is still the same — great music. I’m proud to take on a bigger role in continuing that tradition for San Antonio.”
“Pieprzyca’s long-standing connection to the market and his understanding of the format made him the natural choice to lead the new Bob FM era”, said Connoisseur Media Vice President of Programming Keith Dakin. “With a refreshed brand and a seasoned local host like Sam, 102.7 Bob FM will deliver a more personal and music-driven experience for listeners across South Texas.”
“Sam has worked in the Adult Hits format for over 20 years in San Antonio and understands better than anyone what 102.7 Bob FM should sound like to reflect the city’s rhythm and culture,” Connoisseur Media San Antonio Operations Manager Greg Martin said. “He’s also one of the most creative writers and idea people you’ll ever meet. This promotion is very well deserved.”
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Boston sports radio host Fred Toucher didn’t hold back when addressing recent criticism of modern sports radio from former 94 WIP morning host Angelo Cataldi, offering a blunt assessment of both Cataldi’s outlook and how his style would translate in today’s media landscape.
Speaking on Toucher & Hardy on 98.5 The Sports Hub, Toucher pushed back on the growing trend of retired hosts criticizing the current state of the format. He suggests that those perspectives are often shaped more by personal dissatisfaction than objective analysis of where the industry stands.
“These guys made a lot of money. They’re retired with money, and something’s missing in their life,” Toucher said. “They’re seemingly miserable.”
His comments come as Cataldi has questioned the direction of sports radio. He said he no longer listens to WIP. Cataldi argued the tone in Philadelphia has softened. He compared it to the more confrontational style that defined his decades-long run as the station’s morning host.
Toucher, however, framed the conversation differently. He argues that the core issue is not whether the tone has changed, but whether older formats can still compete in an environment filled with near-constant access to sports content across platforms.
“You just come on and talk about the Phillies for two hours and take phone calls. You can’t do that and carry an audience in this landscape,” Toucher said. “There are 10,000 ways to read and hear and watch coverage of your team. Instead of just coming on and mumbling. That’s terrible.”
He went further, directly challenging Cataldi’s viability in the current marketplace and questioning whether his style could attract or sustain a modern audience accustomed to more dynamic, multi-platform content.
“The one guy, Angelo Cataldi, is terrible,” Toucher said. “He could never carry an audience anymore. He’s terrible. This solo morning show mumbling about sports. If he was up against us, we would destroy him. It’s so boring.”
While the remarks were sharply worded, they reflect a broader divide within sports media as longtime hosts evaluate how much the industry has shifted due to changing listener habits, expanded distribution channels and increased competition from digital-first creators.
Toucher also took aim at what he described as a pattern among former broadcasters who continue to critique the business after leaving it, particularly those who transition to smaller digital platforms that fail to gain traction.
“There is this thing about people that used to be on the radio that end up complaining about radio from a weird, obscure digital platform that no one looks at,” he said. “That’s a real nightmare. To not be on the radio anymore, and then make a podcast that’s never going to be successful.”
The exchange underscores an ongoing generational debate within sports talk radio, where legacy figures like Cataldi continue to defend the intensity and structure that once defined the format, while current hosts like Toucher emphasize adaptability and the need to evolve in order to remain relevant in an increasingly fragmented media environment.
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Audacy has elevated one of its longtime Orlando voices into a key leadership role, turning to a familiar name to guide one of its most recognizable brands into the future.
The company announced it has named CJ Robinson Brand Manager of Mix 105.1 in Orlando, placing him in charge of the station’s content strategy, talent development, operations and overall brand direction while maintaining a significant on-air presence across multiple markets.
Robinson will continue to co-host MIX Mornings with CJ & Jenn weekdays from 6 to 10 a.m. in Orlando, while also hosting afternoons on WMXJ-FM in Miami and contributing to the national CHANNEL Q platform, giving him a rare multi-market footprint as he steps into expanded leadership responsibilities.
Audacy executives framed the move as both a recognition of Robinson’s growth and a strategic decision to lean on a personality deeply connected to the station’s identity and audience.
“CJ is a homegrown talent who truly understands the DNA of this heritage brand, and over the last decade, he has evolved from a dedicated host into a strategic leader with an unmatched work ethic,” said Steve Salhany, Vice President of Hot AC Programming at Audacy. “His deep connection to the Central Florida community and passion for local philanthropy make him the perfect choice to lead Mix 105.1 into its next chapter.”
While Robinson takes on a broader leadership role, his comments reflect both a personal milestone and a professional full-circle moment tied closely to his roots in the market.
“When I started my radio career at Mix 105.1 in 2012, I had no idea what the future held, but I was excited to be on-air at the station I grew up listening to on my way to school,” Robinson said, noting the influence of mentors and colleagues throughout his career. “I know this station holds significance in the Orlando market, and I am excited to lead this team as we navigate the future of radio in 2026 and beyond.”
Robinson’s path to this role reflects a steady climb within the industry, beginning with JVC Broadcasting before joining Audacy in 2012 as an afternoon host and social media coordinator for Mix 105.1, where he quickly became a recognizable voice tied to the station’s evolving digital and on-air strategy.
Although he briefly expanded into film and national commercial work in 2021 while contributing to multiple stations across Orlando and Miami, Robinson returned to Audacy in 2023 as morning host for Mix 105.1, later adding responsibilities with 102.7 The Beach and CHANNEL Q, further broadening his experience across formats and audiences.
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Sports betting content continues to carve out a larger footprint across the digital media landscape. Longtime broadcaster Matt Perrault is positioning himself to capitalize on that momentum with a new venture designed to blend independence with scale.
Perrault announced the launch of Opening Line Media. An independent sports media network built to support creators in the sports betting and broader sports media space. He also unveiled a significant change to his flagship program that has helped define his brand over the years.
As part of the rollout, Perrault will rebrand his daily show, The Bostonian vs. The Book, as Pushing the Odds with Matt Perrault. The move reflects an evolution in content strategy. It also aligns his programming under a unified network identity focused on growth and flexibility.
“This is the natural next step in the evolution of what we’ve been building,” said Perrault. “Opening Line Media is about bringing together talented voices who want to grow their platforms while being part of something bigger. We’re creating a network that values independence, collaboration, and innovation in sports media.”
Opening Line Media is structured as a collaborative platform for creators. It provides access to production resources, distribution channels, and monetization opportunities. Creators maintain ownership and creative control of their individual brands. The model is gaining traction as more talent seeks to avoid traditional media constraints.
Pushing the Odds with Matt Perrault will maintain its daily format. The show will continue focusing on betting lines, market movement, and major sporting events. It will also serve as a cornerstone property within the new network. The program will help anchor content strategy and audience engagement moving forward.
In addition to the rebrand, Opening Line Media plans to expand its programming lineup immediately, beginning with the debut of The Coach’s Edge, hosted by James Young. The debut is scheduled to launch this week in advance of NCAA Tournament coverage, giving the network an early opportunity to tap into one of the most active betting periods on the sports calendar.
More shows focused on sports betting, professional and college sports, and sports media commentary will debut in the coming months. The expansion signals a broader content push. It aims to build a diversified portfolio that appeals to casual fans and dedicated bettors seeking insight and analysis.
Perrault, who operates under Perrault Media LLC, has steadily grown a multi-platform presence that reaches hundreds of thousands of viewers and listeners each month through outlets including YouTube, SportsGrid, social media platforms and various streaming and broadcast distribution partners, giving him a foundation to build upon as he transitions into a network operator role.
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YouTube will play a significantly expanded role in the distribution and presentation of the world’s most watched sporting event after FIFA announced a wide-ranging agreement that names the platform a Preferred Platform for the FIFA World Cup 2026.
The partnership, revealed Tuesday, signals a continued shift in how major global events are delivered to audiences, as FIFA looks to meet fans across digital platforms while maintaining relationships with traditional broadcast partners across Canada, Mexico and the United States, which will host the tournament.
FIFA Secretary General Mattias Grafström said the agreement reflects the organization’s desire to broaden access and deepen engagement. With media consumption habits rapidly evolving across multiple screens and platforms.
“By spotlighting FIFA’s premium content and unlocking new opportunities for media partners and creators, this agreement will engage global fans in ways never seen before,” Grafström said, emphasizing the scale of the tournament and the importance of meeting audiences wherever they consume content.
The deal positions YouTube as a central hub for official tournament content and creator-driven storytelling, blending traditional highlights with original programming while offering alternative coverage formats designed to appeal to younger, digitally native audiences.
As part of the agreement, FIFA will also open its extensive digital archive, making full-length matches and historic moments available on its official YouTube channel, which adds a layer of context and nostalgia while helping to build anticipation ahead of the 2026 event.
For media partners, the arrangement introduces new distribution options that extend beyond linear broadcasts. Rights holders will gain access to expanded highlight packages. Also behind-the-scenes footage, short-form video and on-demand content, all of which can be monetized directly on their YouTube channels.
FIFA will allow partners to stream the opening 10 minutes of every match live on YouTube. It marks the first time such access has been offered at scale during a World Cup. Select full matches will also stream on the platform. The move provides another entry point for fans. It also directs viewers to primary broadcast outlets for full coverage.
Creators will play a prominent role in the coverage ecosystem. FIFA will grant select YouTube personalities access to match footage and tournament content. The approach aims to broaden storytelling around the event. It will include tactical analysis, cultural perspectives, and behind-the-scenes features. These elements will complement traditional match coverage.
The collaboration highlights a broader industry trend. Major sports properties increasingly view digital platforms as amplification tools rather than competitors to broadcasters. These platforms help extend reach, drive engagement, and attract younger audiences.
With the 2026 FIFA World Cup set to be the largest in tournament history, FIFA and YouTube are positioning the partnership to bring fans closer to the action. They also aim to redefine how the event is experienced across an increasingly fragmented media landscape.
YouTube is officially a Preferred Platform for the @FIFAWorldCup 2026 ⚽
Get closer to the action than ever before:
✅Go behind-the-scenes with your favorite @YouTubeCreators. ✅Revisit iconic archival matches on the official FIFA channel. ✅Media partners can stream the first…
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Former WIP host Angelo Cataldi is not softening his stance on SportsRadio 94 WIP, instead amplifying his criticism following a pointed response from current afternoon host Spike Eskin.
During an appearance on The National Football Show w/Dan Sileo, Cataldi dismissed the reaction to his original comments, framing the situation as overblown while sarcastically leaning into the generational divide that has fueled the exchange.
“Oh my god, stop the presses. Two old guys got together and started talking about how much better they did their jobs than these young whipper snappers that are working today,” said Cataldi. “Give me a friggin break would you please?”
However, Cataldi’s tone sharpened when addressing Eskin directly. After Eskin labeled his comments “disappointing and embarrassing” and touted current ratings success at WIP. Cataldi pushed back on both the substance and the framing of that response.
“I’ve been communicating with Howard [Eskin] since our conversation. The conversation was not designed to create any sort of an issue,” explained Cataldi. “I said to him, ‘Why don’t you tell your son, Spike, and all the other people over there that they can take a bow for how amazing they are now…’ Come back to me in another 30 years, and then tell me how great your numbers are, or how you’re lapping people.”
Cataldi also contended that stations today maintain closer relationships with the teams they cover, which he believes impacts the tone of on-air criticism. According to Cataldi, that shift represents a departure from a journalism-based approach that prioritized accountability over access.
“I don’t care if they’re upset,” Cataldi said, emphasizing that his comments were consistent with how he approached the job throughout his career. “In the case of WIP, You represent the Phillies and the Eagles. As long as they’re happy, you’re happy. That’s a problem. That’s not my generation of doing sports talk. My generation was at least rooted in journalism, which is rooted in accountability.”
Beyond the personal back-and-forth, Cataldi broadened his critique to include the current direction of WIP’s programming. He argued that the station now operates with a different agenda, one he characterized as being more focused on maintaining positive relationships than challenging teams in a way that reflects fan frustration.
“They’re insecure because they have a different agenda now,” said Cataldi. “They’re trying to please different people. They are really interested in pleasing the teams they talk about, which is a dumb agenda. It’s dumb.”
Cataldi said his perspective reflects what Philadelphia listeners have historically expected. He described a style built on confrontation, passion, and direct accountability. Cataldi argued that reducing those elements weakens the connection between host and audience. He said that remains true regardless of ratings or platform expansion.
“If you’re a fan of a team and you’re frustrated, that’s what you want to hear. That’s what you want to see, and they don’t do it anymore,” said Cataldi. “That’s why they’re not doing that great a job anymore. Anywhere, not just WIP, all the sports media in Philadelphia. There are a bunch of p***ies. Put that in your headline. There are a bunch of p***ies.”
While the language he used underscored the emotion behind his stance, the central message remained consistent with his earlier remarks: Cataldi believes the format has drifted away from its roots.
“I don’t care if they’re [WIP] upset. It never bothered me that they’re upset. Howard [Eskin] asked me an honest question. I gave an honest answer. I’ve done that my whole life,” said Cataldi. “I’m not gonna change it now because I’m worried that Spike Eskin is gonna and get all skitzy and in his own head. Oh no, he’s saying mean things.”
The debate highlights a familiar tension in sports radio between legacy voices who built the format and current hosts navigating a rapidly evolving media environment, with WIP once again at the center of that conversation.
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NBC News has signed correspondent Tom Winter to a contract extension, keeping him with the network he’s called home since 2003.
Winter serves as the National Law Enforcement and Intelligence Correspondent for the outlet.
His contract extension comes amid U.S. military action alongside Israel in Iran.
In a post on social media, Winter shared his appreciation for both NBC News and the Octagon talent agency for their support of him.
“I am grateful to NBC News for their confidence and to continue with this incredible team we have here,” Winter wrote. “I remain grateful to Phil (de Picciotto) and the team at Octagon for their tireless support.”
Some personal news…
I am grateful to @NBCNews for their confidence and to continue with this incredible team we have here. I remain grateful to Phil and the team at @Octagon for their tireless support.
Mostly, I am grateful to all of you for watching and reading my work: https://t.co/ZbSAEe0tyH
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The ongoing feud between Megyn Kelly, Mark Levin, and Tucker Carlson reached new levels over the weekend. That doesn’t mean Matt Walsh cares.
While Kelly and Levin traded lewd remarks, and Tucker Carlson said things like Levin and Ben Shapiro can’t regulate their emotions, which has led to a divide between Americans, The Daily Wire’s Matt Walsh says he has no interest in paying attention to the situation.
In a post on social media, Walsh noted that he believes those commentators are more interested in themselves than the issues.
“The conservative commentariat now spends most of its time talking to itself about itself,” said Walsh. “It is increasingly divorced from the issues that impact actual Americans. It can’t even pretend to care anymore. I’m disgusted by the whole thing at this point.
“All I can say is that on my show we do researched deep dives every single day into the actual issues, including the stuff that the news cycle ignores. We will continue to do that,” he continued. “I’m not getting sucked into this black hole of bull(expletive). I didn’t sign up to star in a soap opera. No interest.”
The conservative commentariat now spends most of its time talking to itself about itself. It is increasingly divorced from the issues that impact actual Americans. It can’t even pretend to care anymore. I’m disgusted by the whole thing at this point. All I can say is that on my…
The comments from Matt Walsh come after the feud between conservative pundits reached the White House, with President Donald Trump sharing his support for Mark Levin. Trump argued that anyone criticizing Levin is not a member of the MAGA movement.
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