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NBC Reportedly Discussing Acquiring FIFA World Cup 2030 Rights For Both English, Spanish

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NBC is reportedly starting the process of inquiring about the FIFA World Cup 2030. According to a report by Sports Business Journal, the network is now exploring an English-language and Spanish-language package.

What We Know: Telemundo and NBCUniversal have reportedly already opened talks with FIFA about the rights to the 2030 World Cup in Spain, Portugal, and Morocco. Telemundo executive Joaquin Duro told SBJ said the plan could merge English and Spanish coverage under one roof. FOX Sports currently holds the English-language U.S. World Cup rights, and like Telemundo, is entering the final year of its deal.

What They Said: Telemundo’s EVP/Sports & Head of Streaming Joaquin Duro (via Sports Business Journal): “Definitely something that we are beyond exploring.”

What Remains Unclear: No timeline has emerged for finalizing any deal with FIFA and NBC/Telemundo. It’s also unclear whether FOX Sports intends to fight for renewal of its English-language rights.

What It Means: With FOX Sports seeing massive gains in audience this year with an expanded tournament, any network would look to capitalize on the event. However, the price of the media rights will be something any network has to reckon with. FOX Sports earned this year’s tournament as a discounted rate according to many experts. That fee will surely rise, especially with the amount of viewership that this year’s tournament has gained.

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FOX Sports’ Eric Shanks: Alexi Lalas Is The “Cornerstone” For Network’s Soccer Coverage

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FOX Sports CEO Eric Shanks isn’t wavering on Alexi Lalas. The FOX Sports CEO says the veteran soccer analyst remains central to the network’s plans.

What We Know: Lalas has served as FOX Sports’ lead soccer analyst since January of 2015, following several years with ESPN. He’s drawn heavy criticism during FOX’s 2026 FIFA World Cup coverage. Despite that backlash, Shanks addressed the situation directly in an interview with Puck’s John Ourand.

What They Said: FOX Sports CEO Eric Shanks (via The Varsity Podcast): “Alexi has been the cornerstone of our soccer coverage for as long as I can remember. He’s the straw that stirs the drink, and he’ll be the cornerstone for many years to come.”

What Remains Unclear: FOX’s broader soccer future still carries some uncertainty, even as Lalas’s role seems secure. The network’s FIFA contract expires after this year’s tournament, and rights negotiations for 2030 haven’t begun.

What It Means: For now, Lalas isn’t going anywhere, regardless of the noise surrounding him. FOX Sports and Concacaf announced last month a new multi-year media rights agreement that makes the network the U.S. English-language home of the Concacaf Gold Cup and Concacaf Nations League through 2029. Lalas will likely be a huge part of that coverage. Shanks’ comments suggest the network views controversy as engagement rather than liability.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

MS NOW Sees Primetime Ratings Jump in June

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June was a relatively slow month on the news front. However, that didn’t stop MS NOW from seeing a jump in the primetime ratings.

What We Know: Fox News continued its lead in the total viewership race in primetime. It averaged 2.3 million viewers during the window. The Five also stayed as the most-viewed show in the space, averaging 3.5 million viewers. Fox News earned the top six spots in the overall shows category. The first show from MS NOW in the cable news rankings was The Rachel Maddow Show. That show averaged 2.1 million viewers for the month. The next highest-rated show from MS NOW was The Last Word with Lawrence O’Donnell. It featured an average of 1.3 million overall viewers.

What the Numbers Show:

Primetime Total Viewership: June 2026 vs. May 2026

NetworkJune 2026May 2026Change
Fox News2.3M2.4M🔻 -5.8%
MS NOW1.0M942K🟢 +7.7%
CNN628K633K🔻 -0.8%
Newsmax198K194K🟢 +2.1%
NewsNation156K146K🟢 +6.8%

Total Day Total Viewership: June 2026 vs. May 2026

NetworkJune 2026May 2026Change
Fox News1.6M1.5M🟢 +3.0%
MS NOW655K595K🟢 +10.1%
CNN500K460K🟢 +8.7%
Newsmax198K191K🟢 +3.7%
NewsNation80K75K🟢 +6.7%

What Remains Unclear: What led to the uptick for MS NOW. It is also unknown what led to the total day viewership increases during the month for everyone included in the space. MS NOW underwent a lineup change mid-month, across both the dayside and primetime windows.

What It Means: The news in the total day viewership window is slightly surprising due to the lack of major news events taking place during the month. While it’s unsurprising that Fox News remained on top of the cable news ratings, MS NOW has to be encouraged by its performance during the month.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Justin Credible Brings Morning Energy to 101.1 The Bounce in Phoenix

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101.1 The Bounce (KZCE) in Cordes Lakes/Phoenix has a new morning voice. Justin Credible’s Liftoff Show debuts weekdays from 6-10am.

What We Know Justin Credible joins the Sierra H Multimedia rhythmic throwbacks outlet while continuing his afternoon role at Power 106 (KPWR) in Los Angeles. He is also heard on SiriusXM’s Shade 45. Meanwhile, former morning host APZ shifts to nights at the station.

What They Said: Credible expressed enthusiasm about the new opportunity. “I’m beyond excited to join the 101.1 The Bounce family and connect with the amazing listeners in Phoenix every morning,” he said. He credited Director of Programming and Content Eric Rosado and Ken Brentlinger for their belief in him. Rosado added that Credible’s track record across radio and entertainment makes him a perfect fit for the station and format.

What Remains Unclear The show’s full lineup of features and contributors has not yet been announced. It is also unclear whether Credible’s dual-market commitments will affect the show’s structure or content approach going forward.

What It Means Phoenix mornings just got a nationally recognized voice with significant multimedia reach. Rosado’s emphasis on human connection signals the station’s belief that personality-driven content remains essential. This move reflects a broader industry push to blend entertainment credibility with local engagement. The Bounce is clearly betting on star power to build morning momentum.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Axl Rose, Ozzy Osbourne & Rock’s Greatest Onstage Meltdowns

Last year in this space over the 4th, we celebrated American explosions that changed rock forever. Hendrix at Monterey, the MTV Moonman landing, the Grunge takeover, and Metallica’s loud arrival all made the list.

This year we celebrate some self-inflicted explosions that almost killed rock from the inside. These moments were so chaotic and unhinged that they felt spectacularly American, and we all wondered whether rock might finally collapse under the weight of its own dumbassery.

Because nothing is more American than blowing it publicly, posting bail, lighting a Marlboro, and still making it to the gig on time. So… let’s light the fuse.

Woodstock ’99

When: 1999
Where: Rome, NY
What: An attempt at replicating original Woodstock love that went terribly wrong. The festival was held on a massive cement landscape, an old Air Force base, in 100-degree heat with no shade and $12 water. Overflowing porta-potties, arson, sexual assault, and mosh-pit assaults plagued the weekend, and then a Sunday night riot broke out that looked like a third-world coup. It’s a miracle the Clinton administration didn’t outlaw rock Monday morning.

Axl Being Axl: Chapter 1,243

When: 1991
Where: St. Louis
What: Axl spotted a guy with a camera, then did his best Greg Louganis and dove into the crowd. He punched the guy, stormed off, and left thousands of concertgoers with nothing to do but riot, trashing the place and causing millions in damage. The city banned Guns N’ Roses for life, so the band then wrote “F**k You, St. Louis!” in the Use Your Illusion liner notes. The ban was eventually lifted, and the band now goes there all the time just for the ribs.

Billie Joe — “One Minute” of Epic Punk Rockness

When: 2012
Where: iHeartRadio Festival
What: Billie Joe stopped mid-song and unleashed an epic, profanity-laced, guitar-smashing, punk rock tirade about Green Day’s set being given only “one more minute.” He name-checked Bieber, though no one knows why, and flipped off the industry. In doing so, he cemented himself as a true RockTernative legend living in a corporate festival world.

Nikki Sixx & the Bullet Train

When: December 1987
Where: Japan
What: A very drunk Nikki Sixx thought hurling donuts at Mick Mars on the bullet train sounded like a fun way to pass the time. When that got boring, he fired a Jack Daniels bottle that hit a Japanese businessman in the head. Nikki was arrested by riot police and thrown in jail until the promoter got him out. Motley Crue: the only band that turns train rides into international incidents.

The Night Scott Stapp Forgot But Will Never Forget

When: 2002
Where: Chicago
What: Creed’s Scott Stapp reportedly showed up highly intoxicated, or medicated, and fell off the stage a few times. He forgot lyrics, then lay down and mumbled through the rest of the set while the band tried to keep the show alive. Fans even sued the band for “paying to see Creed,” claiming the band didn’t actually perform “Creed.” When your own fans sue you… you know it’s game over.

Ozzy & The Alamo — When Ya Gotta Go, Ya Gotta Go

When: 1982
Where: San Antonio
What: Ozzy could have his own series of columns here: snorting ants, the bat, the dove. But nothing tops the night the Prince of Darkness had clearly had a few too many, was wearing one of Sharon’s dresses, and, since it was late, had to go. So, on The Alamo he went. The Ozzman was arrested and bailed out for 40 bucks. He apologized several times, including in a History Channel special from the historic site.

Marilyn Manson Joins the Church of Satan (Sort of)

When: 1994
Where: Salt Lake City
What: While on tour with Nine Inch Nails, Marilyn Manson was named honorary “Reverend” by the Church of Satan’s founder Anton LaVey. The two were friends, and both later clarified that the title was a gesture from a friend rather than an official spiritual calling within the church. So titling an album Antichrist Superstar doesn’t actually mean he’s Satan?

Billy Idol Gets Kicked Out of Thailand

When: 1989
Where: Bangkok
What: Billy Idol went on a wild bender in Thailand. Three weeks and one destroyed hotel room later, he refused to leave. Enter the Thai army who forcibly sedated him and sent him back to the States. If you get kicked out of Bangkok, you’ve reached elite rockstar status.

The Morning After — Seeing KISS With No Makeup

When: 1983
Where: MTV
What: KISS finally removed the makeup… not realizing the KISS Army cared about more than just the music. A letdown so big they almost became Nickelback before Nickelback. And quite possibly the only time in rock history when putting makeup back on was the comeback strategy. And Gene wanted to remind you that KISS merch is still available [here].

Nirvana Gets Knocked Out — Literally

When: 1992
Where: MTV VMAs
What: Bassist Krist Novoselic knocked himself out on live TV. Near the end of performing “Lithium,” he launched his bass high in the air, then proved he’d never played baseball by misjudging the catch as the bass slammed down on his head. He stumbled off stage and collapsed. Thankfully, members of Queen were backstage and allegedly gave him alcohol for the pain — because of course they did.

Jim Morrison Hangs Out in Miami

When: 1969
Where: Miami
What: People thought Tommy Lee and Pam Anderson’s sex tape was shock rock. 30 years before that — in the ’60s — Jim Morrison exposed himself on stage, full monty. He then ranted… sweating and swearing, and the crowd went wild. Morrison was arrested, convicted, landed his own personal FBI file, and The Doors were instant hall of famers.

The Encores That Never End

When: 1980s-Present
Where: Every arena and stadium
What: KISS, Ozzy, The Eagles, Motley, Scorpions, and Sabbath all had “Final Tours” that weren’t actually final. In fact, that list is longer than the Declaration of Independence we’re celebrating this weekend. But hey… nothing is more American than retiring for profit, then un-retiring for even more profit.

Fire up some RockTernative this weekend and give a salute to all who deserve it, including our rock heroes who sometimes forget to pack their judgment in their tour cases. And have a great 4th.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

It’s OK to Be Pro-America: Why Radio Should Embrace July 4th

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As I listen to radio, I’m hearing a lot of USA pride on country and conservative talk radio. But that’s pretty much where it ends. A programmer told me he was staying away from that because it was “political.” Huh? If you’re worried about offending the radical 1% of flag burners in your audience, you should stop reading this immediately.

I would call myself a casual social media user. I use it mostly to see what the radio shows and stations I work with are posting, and to buy dumb stuff that doesn’t work. Over the past couple of weeks, however, I have seen countless stories of foreigners posting how great America is. Most are stunned. They have watched the news in their countries and only see the bad stories about America. As a result, they came here expecting us to be rude and the USA to really be an awful place.

The Little Things We Take for Granted

Let’s start with the joy of air conditioning on a hot day. AC is a minority feature in Europe. Paris, for example, is just enduring an unbelievable heat wave with temperatures well above 100 degrees, yet just 20% of the buildings in that city are air conditioned. Meanwhile, our foreign visitors post about Walmart, Target, free refills on soft drinks, and that amazing American-invented Ranch dressing. One of my favorites was from a British couple driving across Florida and seeing alligators wild on the side of the road.

It’s the People, Not Just the Perks

But the most important posts are about how friendly and helpful Americans have been. Say what you want about New York — I worked in that city for decades — locals will go out of their way to give you directions and advice. It seems like our country is enjoying the visitors, from the Scots drinking all the beer in Boston to the Norwegians rowing in stadiums and subways. More importantly, they are enjoying and loving us and our country.

A Perfectly Timed Celebration

The timing of FIFA visitors coming to the USA as we celebrate our 250th birthday is perfect. Our country is unquestionably and seriously politically divided. But that division exists because our citizens believe there are different paths to pursue for our future. Perhaps we needed people from other countries to tell us we’re pretty freaking awesome right now, because we are, despite the flaws.

Sometimes it takes a guest in your home to tell you how great it is, because you dwell on the imperfections. So don’t be afraid of celebrating America with some 4th of July imaging on your station this weekend, no matter the format.

The Zalinski Effect: What a Movie Villain Teaches Us About Radio’s Talent Paradox

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As we head into the holiday weekend, families are getting together. So, I thought I would share a family story about my Uncle “Big Tom Callahan” and my cousin “Little Tommy.” If you’ve ever spent time around the Callahan side of my family tree, you know we are a loud, passionate bunch. Who built a legacy on making quality auto parts in Ohio and treating our workforce like family. My uncle “Big Tom” was a force of nature who led with his heart. Tommy, despite his habit of setting model airplanes on fire or driving a Plymouth Satellite into a ditch, ultimately understood that a brand is absolutely nothing without the actual people who keep the lights on.

But every great heritage brand eventually runs into a Ray Zalinski.

You know the character Dan Aykroyd played so perfectly. The self-proclaimed “Auto Parts King” who stands in front of an American flag and look-at-me graphics, smooth-talking the audience by saying he makes parts for the American worker “because that’s what I am.” He positions himself as the ultimate champion of the consumer, yet he doesn’t care about the actual components, the craftsmanship, or the people sweating on the factory floor. He just cares about the logo on the box. He’s perfectly fine selling a guarantee with no substance as long as the marketing looks clean. Okay, by now you may have figured out the Toms aren’t really family, but hear me out.

The Corporate “Thud”

That exact Zalinski gymnastics routine was on full display recently. When the internal memos floated through the industry detailing the latest round of iHeartRadio layoffs, the corporate-speak attempted the ultimate pivot. The messaging was wrapped in a bow of “evolution” and “future-proofing,” explicitly claiming that these difficult organizational shifts would ultimately benefit the larger ecosystem, the product, and the consumers.

It fell with an absolute thud. It wasn’t buyable.

When you tell an air-staff, a cluster, or an industry that you are stripping away local, human capital to “benefit” the brand, you are putting a shiny guarantee on an empty box. The audience isn’t stupid. They can tell the difference between a station anchored by a living, breathing companion who lives in their zip code and a voice-tracked utility line piped in from three time zones away. In short, you cannot spin a loss of local connection as an upgrade for the listener.

The Data Disconnect

What makes this corporate playbook so baffling is that it flies directly in the face of every single piece of industry research we possess. Well, not that baffling I suppose. It’s about money.

Pick up any recent Techsurvey, Edison report, or dashboard study. The data is entirely unanimous: human talent is radio’s ultimate moat. Listeners tune into local radio for the companionship, the local context, the personalities, and the shared community experience.

So, how does this math work? How do we look at mountains of data proving that talent is the single most critical asset for securing our place in modern listening, and still conclude that the best way to move forward is to cut them?

When you strip out the quality inside the box just to save on production costs, you might save a buck this quarter. But eventually, the consumer buys the part, the car breaks down, and they never trust the logo again. Likewise, when we strip the human element out of our radio stations, we don’t optimize the brand — we just give the driver another reason to plug their phone in and leave us behind.

A Call for Compassion

Now we need to talk about the human cost.

This week, a lot of incredibly talented, dedicated, and hard-working broadcasters found out their livelihoods were eliminated via a cold notification, a few while on vacation. These are people who woke up early, stayed late, emceed the local charity events, and poured their souls into those call letters. They didn’t do anything wrong. They just caught the bad end of a corporate weather shift.

To everyone impacted by these cuts: please know that this is a reflection of a broken system, not your worth or your talent. Our industry needs your voices, your creativity, and your passion now more than ever, even if the current corporate structures don’t know how to properly value them.

As we head into this holiday weekend to spend time with the people who matter, let’s make sure we are reaching out to our peers who are navigating these tough waters right now. Let’s look out for our own.

My Uncle “Big Tom” and Little Tommy knew that a business is only as strong as the people who build it. It’s time the rest of the industry remembered the same thing.

Lastly, I am sorry if you hate the movie analogy. However, I almost wrote this one about an episode of the Twilight Zone (a show released many years before I was born) called “To Serve Man.” Ultimately, that one was about aliens that appeared to solve all of humanity’s problems. It turns out that their manual “To Serve Man” was ultimately a cookbook with humans on the menu.

If you were (to use their word) “impacted” by these moves and I can help, please use the contact info below.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

How the Foul Territory Network Is Leading a Baseball Media Revolution

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The sport of baseball continues to evolve with time. From the implementation of the designated hitter to, more recently, the pitch clock, the game has undergone significant changes. Another aspect of that evolution involves how the media covers it. No longer are press boxes filled with smoke and typewriters. Some of baseball’s most impactful voices may never step foot in a press box all season.

Moreover, in the podcast space, there was a hole in the industry’s coverage of baseball. One that Scott Braun and Marc Weiner saw as an opportunity. The former producers leaned on their experience from various stops, including ESPN and MLB Network, and navigated a path to create a content destination that served an underserved baseball audience. In 2023, the Foul Territory Network was born as a podcast network focused on baseball the way it should be covered.

“We tried to take the playbook from what other sports were doing well and apply it to baseball. What we found was the baseball audience has their own uniqueness to it,” explained Braun, who serves as the executive producer and lead host of the flagship program on the Foul Territory Network.

Since 2023, the Foul Territory Network has grown from a single program with Braun as its lead host to a network of 30 programs serving audiences on both the local and national levels. The talent roster that comprises the network consists of a mix of personalities. From those surrounding the game, from former players and executives to local beat reporters and passionate fans of specific teams.

In less than three years, the Foul Territory Network has grown at a rate that is rare for on-demand content centered around a single sport.

“It happened a lot faster than we thought,” said Weiner, who serves as the CEO of Make Plays Media, the production company behind Foul Territory Network. “I did not think that we would grow that much this quickly. But once we started doing it, we found our formula for further growth.”

A Changing Dynamic Of Coverage

According to Braun, the origins of the network’s concept were rooted in feedback he received from former players. While other sports had former players and executives launching successful podcast platforms, baseball seemingly lagged behind. Adapting to the mission statement of covering baseball the way it should be covered, Braun feels launching the Foul Territory Network has, in turn, brought more attention to the sport itself.

“We want to grow the game. Our platform has grown the game in creating virality on a number of social platforms. Based on the views or stories that players share where they feel more comfortable here to share them here,” notes Braun. “You’re growing the game by allowing that player to share something they couldn’t before on one of our shows.”

To build a network, you need people and personnel. Currently, the Foul Territory Network houses 30 programs with multiple talents involved in each. Every show added to the network begins with a concept developed internally or someone approaching the company with either an idea or a proof of concept.

While the amount of growth over the past three years is impressive, it has also remained measured.

“We’re careful about growing too fast. We had never done anything like this before we started. Thankfully, people in our orbit shared some great advice about that,” said Weiner. “We’re careful about growing at the right pace. But also bringing the right people aboard to fit our vibe and putting them in places to succeed.”

Authenticity Wins

Both Braun and Weiner are students of their audience. They listen for the type of content fans desire and follow where the audience chooses to consume it. It’s a balance that requires patience and skill. With their television backgrounds, content must not only have depth but also look and sound as polished as any network production.

However, the biggest focus for Foul Territory is authenticity. With a mix of former players and executives who have worked in the game, ensuring their perspective is on point is vital. Adding current and former beat reporters to the mix provides up-to-date information and credibility. Regardless, the end product must always be consistent and honest with the audience.

“You need to be able to talk about the highs and the lows. If you’re not comfortable with that, we don’t want to put you in a bad spot,” explains Weiner. “We have so many writers and commentators who have a primary job. We’re happy they’re allowing us to work with their people. This allows them an expansion on what they’re doing and what they’re great at.”

There are many elements of Foul Territory’s approach that deserve credit for the growth it has earned over the past three years. However, perhaps the single greatest element was the company’s video-first approach from launch.

“It’s been huge and was a great call right from the jump,” said Braun. “That was super important for us. Just in the last three or four years, the industry has continued to shift to video-first. It doesn’t touch what you’re listening to; it just enhances what you’re watching… We have everything available on podcast platforms, but we wanted a true viewing experience and not a conference call.”

Weiner’s experience working behind the scenes at ESPN was a driving force behind not only the concept but also the execution. Every motion matters. Every graphic should be crisp and flow with the presentation. In an industry that continues to evolve daily in how audiences consume video content, the bar must continue to rise.

“We want it to look as close to TV as possible. There’s a lot of overhead with television. We wanted to be as close to that experience without going and buying a building,” said Weiner. “We have conversations all the time on how to improve. We’re all in this together. In a lot of ways, it’s growing, but it’s also shrinking as well. It’s a small community. We don’t look at others as competitors. We’re not just growing the game, we’re also growing the industry at the same time.”

With growth comes the question of expansion. While there’s a keen eye on not growing too quickly, both Braun and Weiner admit there are plenty of ideas for future expansion on the wish list. From creating different content verticals outside of sports to exploring new avenues with current talent on the roster.

An Uncertain Future For Baseball

One area where Foul Territory is already expanding is coverage of the continued labor negotiations between MLB and the MLBPA. With every step of the ongoing discussions involving a new CBA, Foul Territory plans to provide full and comprehensive coverage for as long as the conversations continue.

“From a content perspective, the only goal I have is to bring on as many people, ideas, and conversations to the network on all sides of the discussion,” said Braun. “No guest gets turned down that makes sense to have on. From Rob Manfred to Bruce Meyer. Anyone allowed to speak on the matter, we want to let them cook and speak on every idea while asking the right follow-ups.”

Because of the roster that Foul Territory has assembled, it provides perspective on all fronts of the conversation. From former players, executives, and general managers to insiders with connections around every angle of the story. The result is an objective, down-the-line approach that delivers discussions unique to the platform.

“In the digital space of baseball, who else could provide the approach we’ll provide to this topic,” asked Weiner. “Whatever your perspective is on this, we’re completely independent. That was so important to Scott and I. We’re not one side or the other. We’re bringing people on and having conversations. We must be mindful of people who are representing both sides so you can have the discussions that need to be had.”

While baseball’s immediate future is unknown, the spotlight on the Foul Territory Network continues to grow. With hopes of adding more shows and involving more current players, both Braun and Weiner believe there is no limit to how much growth the network could see over the next few years.

In many ways, Foul Territory’s rise mirrors the evolution of baseball itself. The game remains rooted in tradition, but the ways fans consume it continue to change. Braun and Weiner recognized that shift early, building a platform that prioritizes authenticity, accessibility, and meaningful conversation at a time when baseball fans were searching for more direct connections to the sport.

What began as a single show has quickly become one of the most influential baseball-focused content destinations in the industry. Yet despite the rapid growth, the mission remains unchanged: cover baseball the way fans want it covered and provide a platform where the game’s most important voices can be heard.

As the sport navigates new challenges, labor discussions, and an increasingly crowded media landscape, the Foul Territory Network appears positioned to remain at the center of the conversation.

If the first three years are any indication, Braun and Weiner are still only in the early innings of what they hope to build.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

AI Isn’t Replacing Sports Media Talent, It’s Replacing Those Who Ignore It

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Day two of the Barrett Media Audio Summit was a smashing success. As someone who has attended the sports summits over the years, I thought the retooled approach to this year’s event was a smart pivot. Instead of two days full of content, discussion, and networking, organizers embraced a less-is-more approach. However, one element of this year’s annual gathering of the best in sports media stood out more than anything else. It should have been predictable, but unfortunately, I forgot to ask my AI agent about it.

Woven throughout every conversation was the role AI plays in the industry’s evolving workflow. From sales and marketing to programming, video editing, prep sheets, and even the occasional email, AI surfaced in every panel throughout the day. That’s a far cry from where we were just a couple of years ago, when AI seemed like something off in the distance.

How did we get here so quickly? What happened over the past few years that caused the sports media business to move AI from the back burner to the forefront of nearly every conversation at the Barrett Media Audio Summit?

The answer is actually pretty simple. AI stopped being a futuristic concept and became a practical one because the sports media industry isn’t unlike any other business today.

More Than Just A Tool

Sports radio has always embraced tools that create efficiency. We moved from carts to digital automation, from fax machines to email, from tape editing to Adobe Audition, and from physical media kits to digital marketing campaigns. Every technological shift initially produced skepticism before eventually becoming standard operating procedure.

AI is simply the next evolution. The difference is the speed at which it has happened.

It feels like only yesterday that conversations about AI centered on whether it would ever be reliable enough to use. Now the discussion isn’t whether you should use it. It’s how you’re using it and whether you’re getting more value from it than the station across town.

That distinction matters.

The best programmers I know aren’t looking for AI to replace creativity. They’re looking for it to remove friction. If AI can summarize a ratings book, generate multiple promotional concepts, organize research, build a social media calendar, create video captions, or produce a first draft of a presentation in minutes instead of hours, it frees leaders to spend more time coaching talent, building relationships with clients, developing content, and solving bigger strategic problems.

Talent should view it through the same lens.

Listeners don’t tune in because ChatGPT can write a monologue. They tune in because personalities have opinions, experiences, chemistry, and credibility that no software can replicate. But if AI helps organize prep, identify trends, transcribe interviews, clip social videos, brainstorm interview questions, or uncover story angles that otherwise might have been missed, it becomes another producer in the room helping make the show better.

No More Denying Facts

The misconception is believing AI is trying to replace personalities. In reality, it’s far more likely to replace the people who refuse to learn how to use it. That’s the message that emerged from day two of the Barrett Media Audio Summit.

The days of treating AI as just another tool are officially over. We’re now entering an era in which the industry will separate those who embrace AI from those who refuse to adapt.

That may sound harsh, but every major advancement in our business has rewarded those willing to evolve. The people who learned digital editing gained an advantage over those who insisted on razor blades and tape. The stations that embraced podcasting early built stronger brands before everyone else joined the party. Those who understood social media first created audiences that extended well beyond the radio signal.

AI feels remarkably similar, doesn’t it?

It doesn’t eliminate the need for creativity, judgment, or authenticity. If anything, it places an even greater premium on those qualities because the technology is available to everyone. Having access to AI isn’t the competitive advantage. Knowing how to ask better questions, refine better prompts, fact-check the results, and transform those outputs into compelling content is where the separation begins.

That’s a skill, and one that’s now potentially more valuable than any other in your programming arsenal.

Whether you’re a program director managing multiple brands, an account executive chasing new business, a digital producer wearing five different hats, or an on-air personality trying to maximize your reach across every platform, AI has become part of the daily workflow.

Ignoring it won’t make it disappear. It simply means someone else will become more efficient, more productive, and ultimately more valuable.

The Future Of The Industry

Walking out of the sports day at the Barrett Media Audio Summit, I found myself thinking less about AI itself and more about what it represents. Every panel reinforced the same message without intentionally trying to.

AI is no longer a niche discussion reserved for tech enthusiasts. It’s become part of the language of modern sports media.

Five years from now, I don’t think employers will ask whether applicants know how to use AI. They’ll simply assume they do, just as they assume candidates know how to send an email, edit audio, or post to social media. The differentiator won’t be whether you use AI. It’ll be how effectively you use it.

That’s why, more than any other takeaway from this year’s summit, AI wasn’t just another topic on the agenda. It was the underlying theme connecting every conversation. If that’s any indication of where our business is headed, learning how to work alongside AI may prove to be the most important investment anyone in sports media can make.

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SportsCenter: AM Has the Best Comedy Team on Sports Television

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The best comedy team on television today might just reside in the world of sports. I am talking about Gary Striewski and Randy Scott on ESPN’s SportsCenter: AM. Striewski and Scott embrace a similar strain of mischievous humor. Both have made names for themselves at ESPN separately, but when paired together, they create the kind of special chemistry that rarely happens on television.

SportsCenter anchors have long been known for sarcasm, humor, raised-eyebrow commentary, and general wisecracking, but Striewski and Scott take it to another level. From props and costumes to ribald humor, they are certainly a unique duo. Striewski and Scott have no envelope to push and no lines to cross. The result is a freewheeling and creative version of SportsCenter unlike any other. They are still decked out in suits and ties, but that’s where their similarities to other SportsCenter anchors end.

Striewski and Scott sound different and approach sports differently. Their whimsical, carefree style is ideal for the morning time slot. Great comedic teams play off each other, and Striewski and Scott are no exception. Their deadpan humor and spontaneous wit are highly effective.

On SportsCenter: AM, you truly get the feeling that neither anchor knows what the other is going to do or say next. SportsCenter: AM is scripted, of course, but with this pair, a sharp swerve away from that script is inevitable. If something quirky comes up in a highlight or sound bite, Striewski or Scott jumps all over it.

Late Night Approach In The AM

They remind me of two contemporary late-night talk show hosts: Craig Ferguson and Jimmy Fallon.

They possess Ferguson’s daring unpredictability combined with Fallon’s childlike tomfoolery. Striewski and Scott never force their humor on the audience. Instead, they work together in a smooth and natural manner. Successfully mixing sports and comedy on a highlight show is very difficult, yet Striewski and Scott do it better than any duo on sports television. They are unafraid to try new things, and if a joke or gag falls flat, they recover with self-deprecating humor.

They know who they are and understand what they are doing. In an odd way, they stay in their lane, but that lane seems to widen with every edition of SportsCenter: AM.

Striewski’s and Scott’s collective sense of humor is both highbrow and hokey. They deliver clever lines and witty turns of phrase while still appreciating the cheap laugh, as Scott recently did by wearing a kilt in homage to the Scottish FIFA World Cup team.

While Striewski and Scott come across as brothers from other mothers, their individual styles are not identical. Striewski is like the kid brother you’ve never had and maybe never wanted. He’s a regular guy, as evidenced by many of his family-related social media posts. Scott is a bit more adventurous and willing to take comedic chances. Neither fits the mold of the archetypal cookie-cutter, square-jawed broadcaster.

They are less Huntley and Brinkley and more Beavis and Butt-Head—almost nerdy in their coolness.

Being The Entertainer

One of the best attributes of this pair is that they do not try to one-up each other. It is not a competition to see who can be funnier. While they are easily the most creative team in ESPN’s daily SportsCenter lineup, they never push things too far. They recognize that they are, at their core, news anchors who often have to present serious and sobering stories. Both possess the ability to pivot seamlessly from humor to hard news.

They have earned that credibility, and their inanity never diminishes their integrity.

Striewski and Scott opened this past Monday’s episode of SportsCenter: AM by narrating highlights of the exciting FIFA World Cup match between Canada and South Africa. Both men understood the drama of the tightly contested matchup. They carried that same energy into the quadruple-overtime WNBA game between Portland and Washington. Whether you were a fan of soccer or basketball was immaterial. Striewski and Scott brought the highlights to life by interjecting comments and conversation as the clips rolled.

Comedy is part of the SportsCenter: AM repertoire, but both anchors know when to turn the laughs up and when to dial them back.

I loved the way they ran through highlights of the final contest in Boston’s four-game sweep of the Yankees. Striewski and Scott did not just tell viewers what happened. They also incorporated meaningful statistics, such as Red Sox pitcher Sonny Gray recording the 2,000th strikeout of his career. For Striewski and Scott, the show is not all about them or the next joke. It’s about sports. They deliver the news in a way that’s both fun and inventive, combining substance with effervescence.

Chemistry Is Everything

There is a fluidity to a Striewski-Scott highlight. One opens the description but leaves room for the other to chime in, creating a natural rhythm. Again, neither tries to upstage the other. It is a collective effort and a beautiful thing to watch. Beyond highlights, Striewski and Scott also share interviews effectively. They alternate questions naturally, as they did with ESPN soccer analyst Alejandro Moreno.

In this case, the SportsCenter: AM humor rubbed off on the guest as Moreno donned a red, white, and blue hat and mask while talking about the United States team. The anchors loved it as Striewski started chanting, “One of us!” and Scott sarcastically said that Moreno’s gesture was “freedom personified.”

On Monday’s edition of SportsCenter: AM, Striewski and Scott ran through their Sunday Standouts, featuring sports ranging from golf to Formula 1 racing. From there, they segued into the Monday Matchup segment, previewing the week’s biggest games. Their versatility and depth allow them to interact naturally with ESPN’s talented roster of reporters. NBA insider Shams Charania joined them on this edition, offering a comprehensive look at the week’s NBA free-agent frenzy.

Striewski and Scott close SportsCenter: AM with the traditional Top 10 plays, but that is about the only thing traditional about this twosome. These guys are the very best at turning a sports news show into a dialogue, and their lighthearted style brings viewers into the conversation.

Striewski and Scott do not claim to be comedians, but they are hardly your typical studio desk jockeys. In truth, they are beyond labels. They are simply outstanding SportsCenter anchors who showcase their inimitable humor, genuinely enjoy working together, and produce a broadcast that is equally informative and entertaining.

I’ll wake up to that any day.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.