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FOX Corp. Reports $5.2 Billion in Quarterly Revenue in Latest Report

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FOX Corp. revealed its financial results for its 2nd quarter fiscal year on Wednesday, and the company saw positive results.

During the window, it saw a 2% increase compared to the same period the prior year. It generated $5.18 billion, compared to the $5.08 billion it saw the previous year.

The growth for FOX comes from sports and news sectors, with the Tubi streaming platform also generating significant revenue.

In the television segment, the company generated $2.94 billion, which is roughly flat compared to the previous year. Distribution revenues grew 1% to $831 million. Cable network programming saw a 5% year-over-year increase, up to $2.28 billion. Distribution revenues were up 5%, while advertising was up 7%, which FOX directly attributed to its sports and news programming efforts.

Data from FOX shows that 33% of the overall audience on the FOX One streaming platform can be attributed to Fox News.

“Fox One is the leading platform for timely, relevant, lively news, ” FOX Corp. CEO and Executive Chair Lachlan Murdoch said. “News accounts for approximately one-third of total minutes viewed on Fox One. News viewers engage with the platform twice as many days per week as non-news viewers.

The quarter also included Fox News recording its highest-ever second-quarter advertising figures. Murdoch shared that 200 new advertisers had placed buys with the outlet, building on the 350 new advertisers it saw during the prior year.

“Fox delivered robust results in the second quarter of fiscal 2026 with broad-based contributions from across our portfolio, including notable strength in advertising, where, despite strong political advertising revenues a year ago, we still grew total company advertising revenue,” added Murdoch. “These results represent a continuation of the operating and financial momentum that we have delivered over the last several years.”

Despite the positive results, the company’s net income fell to $247 million for the quarter that ended on December 31st, 2025. During the prior-year quarter, that figure was at $388 million, which the company noted can be attributed to rising sports rights and production costs.

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News Media Reacts to Kaitlan Collins Being Berated By President Trump During White House Press Conference

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CNN and Kaitlan Collins have virtually never been on President Donald Trump’s nice list. That was clear during a Tuesday press conference.

As Collins began to ask Trump a question about survivors of those trafficked by Jeffrey Epstein, the President lashed out at the CNN Chief White House Correspondent.

“You are so bad, you know?” said Trump. “You are the worst reporter. No wonder CNN has no ratings. Because of people like you. She’s a young woman. I don’t think I’ve ever seen you smile. I’ve known you for 10 years. I don’t think I’ve ever seen a smile on your face.”

In a statement following the incident, CNN called Kaitlan Collins “an exceptional journalist, reporting every day from the White House and the field with real depth and tenacity. She skillfully brings that reporting to the anchor chair and CNN platforms every day, which audiences around the world know they can trust.”

Following the situation, Collins remained largely mum on the topic. However, many took to social media to chastise him for his handling of the incident, lambasting his reaction.

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105.7 The Fan Promotes Joe LaCroix to Assistant Program Director

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Audacy has announced it has promoted Joe LaCroix to the role of Assistant Program Director at 105.7 The Fan in Baltimore.

LaCroix originally joined the station as a part-time board operator in 2017 before rising to the role of Executive Producer of the Big Bad Morning Show in 2021.

“Joe has been an incredible resource and tremendous help to the entire team throughout the past year, stepping in without hesitation and taking on added responsibility,” said Scott Jameson, Brand Manager, 105.7 The Fan. “His work ethic, commitment to the station, and focus on fostering a collaborative environment have not gone unnoticed, making him the ideal candidate for this elevated role.”

The announcement of LaCroix’s promotion comes on the heels of the news that Jameson will depart the station after a year leading the Audacy Baltimore sports brand. The company is in the midst of naming a replacement in the Brand Manager role for Jameson.

“I’m delighted to accept this role and grateful for the opportunity,” said LaCroix. “I’m excited to continue working with this team and to help drive the continued growth and success of The Fan.”

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Bill Simmons: Netflix Actually Cares The Ringer’s Content is On Platform, Unlike YouTube

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The Ringer is part of a podcasting expansion for Netflix, and founder Bill Simmons believes there’s value on the platform that YouTube can’t provide.

In October 2025, Netflix revealed it had struck a multimillion-dollar deal with Spotify to bring some of the company’s video podcasts to the digital video streaming platform. Included in that deal were shows from The Ringer, like The Bill Simmons Podcast, The Ringer F1 Show, The Ringer Fantasy Football Show, The Ringer NFL Show, and The Ringer NBA Show, among others.

Simmons’ show began airing on the platform in January. The Ringer’s Managing Director, Geoff Chow, said that the deal between the company and Netflix is a “financial agreement that’s beneficial to everyone.”

In an interview with The Hollywood Reporter, Bill Simmons argued that being on Spotify is more than enough to capture the podcast crowd, arguing that if a show is on YouTube, it’s likely on Spotify.

That’s when Simmons took aim at YouTube, arguing that he sees having long-form episodes of shows on Netflix, with still having the ability to post clips and shorts to YouTube as the best case scenario.

“With YouTube, you’re trading off something for something every time, but Netflix actually cares about having us on the platform,” said Simmons. “They’re promoting us. We’re working with them. We’re innovating with them. YouTube has kind of this attitude, like, you’re lucky to be on YouTube, which congrats to them, but I’m not sure how long that’s sustainable.”

Bill Simmons added that the media landscape has changed so dramatically that being devoted to just one platform no longer works.

“You kind of can’t tell people how to consume something. You almost have to work with them. It’s like a negotiation,” concluded Simmons.

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KUFO Returns to Portland After 15 Years

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After 15 years, KUFO has returned to Portland, as Connoisseur Media has resurrected the rock brand on 102.9.

In 2011, KUFO transitioned to a news/talk format as 101 KXL, which was previously available on the AM 750 dial position.

But on Wednesday morning, the station officially relaunched after two days of stunting.

“This is an exciting day for rock fans in Portland,” said KUFO Program Director Ross MacLeod. “There’s nothing else like this in the market. KUFO is back to deliver the music people have been asking for — unapologetically. This station is built for listeners who want less clutter, fewer interruptions, and an incredible rock experience.”

“When you have a legendary brand like KUFO sitting dormant, it only makes sense to bring it back,” added SVP of Programming Keith Dakin. “The success of new bands like Sleep Token, Bad Omens, Pierce the Veil plus the resurgence of artists like Deftones, you see that there is a hole for guitar-driven, up-tempo, rock. No one in Portland is playing this type of music, so we thought, let’s bring back the station that did it so well originally.”

According to Connoisseur Media, the market had been without a dedicated rock station since the brand departed in 2011.

“Bringing back this mega rock brand was a true team decision, driven by our people here in the market who know our listeners best,” said Connoisseur Portland Vice President and Market Manager Mark Handwerger.  “We listened closely to the community and trusted our instincts – it made the decision a no-brainer, this brand belongs on the air again! It’s exciting to revive something with so much history and give it a new life.”

The previous format on the station, a Rhythmic CHR labeled as We 102.9, garnered a 0.2 share in the most recent Nielsen ratings in the 6+ category.

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The Pat McAfee Show Sets Record Ratings in January

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January was the second-best month for ESPN since 1996, but The Pat McAfee Show saw its best month ever on the network.

During the first month of 2026, the program averaged 575,000 total viewers between the linear and digital options. That figure marks a 15% increase compared to its previous record, which was set in December 2025.

The Pat McAfee Show saw its second-largest single-day audience since joining ESPN on January 19th when 915,000 viewers tuned into the program. That Monday followed the NFL Divisional Round, marked the day of the College Football Playoff National Championship Game, and was also Martin Luther King Jr. Day.

That single day was a large one for ESPN, as the network’s morning show, Get Up, saw its third-best episode ever, reaching 697,000 total viewers. For the month, the show averaged an audience of 518,000, a 3% increase compared to its previous best month on record.

Similarly, First Take saw the third-best episode ever on January 19th with 894,000 viewers. The Stephen A. Smith-led program saw 6% year-over-year growth during January. It finished the month with an average of 598,000 viewers.

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New Disney CEO Josh D’Amaro: Our Company Thrives When Technology Intersects with Brilliant and Creative People

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New Walt Disney Company CEO Josh D’Amaro is a longtime employee of the company, and he believes that helps him navigate uncharted territory when it comes to AI.

D’Amaro, who was announced Tuesday as the executive tasked with succeeding Bob Iger next month, has spent 28 years with the organization.

And in an interview with David Muir on World News Tonight, D’Amaro said that the use of AI at the company is something that’s ancillary to the organization, not strictly fueling its growth and success.

“The reason this company is so special is because of how creative we are and the human beings that are generating that creativity — something that, in my mind, never gets replaced,” D’Amaro shared. “And in fact, this isn’t even theory anymore; this is real. AI is here, and it’s something we’re embracing.

“You’re seeing it supercharge these creatives in amazing ways,” D’Amaro said of the technology. “They’ve embraced artificial intelligence, and if you were to walk over to their studios today, you’d see them using AI, harnessing 70 years of history. This is when The Walt Disney Company thrives — when technology intersects with brilliant people and creativity — and we’re in that moment right now.”

During the discussion, Iger shared that he felt the weight on his shoulders felt slightly less with the appointment of Josh D’Amaro. But the incoming CEO said he now feels the gravity of the situation.

“The sense of responsibility that I have for this role and this company — of course, I feel the weight on my shoulders,” D’Amaro said. “And I think I should feel it. But I also feel so fortunate to be in a position to be the next steward for the brand as it moves into the next 100 years.”

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101.5 KNUE Afternoon Host Buddy Logan Exits

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After 15 years in Tyler, Texas, Buddy Logan has exited afternoons at 101.5 KNUE.

In addition to hosting afternoons on the Townsquare Media country station, Logan also hosted the syndicated Radio Texas Live program.

He originally joined 101.5 KNUE in 2011. He began helming afternoon drive in 2019. Logan also hosted the daypart on other country stations inside the Townsquare Media portfolio.

In a post on social media, Logan revealed that he had exited the company. He shared his gratitude for those who supported him, 101.5 KNUE, and Radio Texas Live during his tenure.

“It’s been a lot of fun and more rewarding than I ever could’ve imagined when this all started. We built something special, I’ll always be proud of it, and I’m excited for the road ahead. To everyone who supported me, my family, and a little Texas and Red Dirt radio show that only a few believed could work in 2011, thank you.”

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KDKA Host Chris Moore Retiring After More Than 30 Years

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After more than 30 years hosting a weekend show on KDKA in Pittsburgh, Chris Moore has announced he’ll be stepping away later this month.

On Sunday, February 15th, The Moore of Pittsburgh will air for the final time. He originally began the show in 1994.

“Having our meaningful discussions about world and local issues, as well as more mundane issues with you has been one of the highlights of my career,” said Moore.

Moore has earned several Emmy Awards for his work at Pittsburgh’s PBS station, WQED, and was inducted into the National Academy of Television Arts and Sciences Gold Circle last year. He’s also been inducted into his alma mater’s — Grambling State University — hall of fame.

The longtime KDKA host shared that mobility and health concerns, combined with the recent winter weather, were the leading factors in his considering his future.

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Cumulus Media Injunction Against Nielsen Lifted By Federal Court

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A Second Circuit judge in the U.S. Court of Appeals has lifted an injunction against Nielsen from Cumulus Media.

On Tuesday, circuit judges John M. Walker, Barrington D. Parker, and Joseph F. Bianco ruled that the injunction from Cumulus be lifted after originally being granted in December by District Judge Jeannette Vargas.

That injunction being lifted now allows Nielsen to re-enact its policy of joining national ratings with the purchase of local market data, at least temporarily.

Cumulus alleged the practice by Nielsen was anti-competitive. The core of the dispute centered on Nielsen’s September 2024 Network Policy. Cumulus, which owns Westwood One, alleged that Nielsen was using its dominance in national ratings to force broadcasters to purchase local market data they might otherwise source from competitors like Eastlan.

Cumulus argued this constituted an illegal “tying” arrangement in violation of Section 2 of the Sherman Antitrust Act. Without the court’s intervention, Cumulus claimed it faced “irreparable harm,” including potential financial ruin and damage to its reputation if it lost access to the Nationwide data essential for its advertising clients. Throughout the proceedings, Nielsen’s legal team pushed back hard, characterizing the lawsuit as a tactical move by a sophisticated company to lower its bills.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.