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Anatomy of a Broadcaster: Kenny Albert

A voice for all seasons. Kenny Albert seems to appear on your television no matter what sport is going on at that time. Albert does baseball, football, basketball, hockey and the Olympics. As one of television sports’ most versatile announcers it’s not a wonder he’s on all the time. Albert’s work appears on several networks including TNT, FOX, and NBC. This week he’ll start calling Stanley Cup Playoff games. 

Albert was bitten by the sports bug at a very young age. Being the son of Marv Albert, naturally his parents gave him a tape recorder for his 5th birthday, so he could practice his broadcasting. For his next birthday, Marv took Kenny along to a Rangers hockey game. One of the statisticians had to leave in the middle of the game, so Kenny got to do the stats for the rest of the game. At 14, he became the official statistician for the Rangers on the radio. At 16, he wrote content for the Rangers program. He was a prodigy of sorts. 

While having a famous father may have opened up some doors along the way, talent has to win out to sustain at such a high level of broadcasting. Kenny Albert didn’t start right away with a network. He paid some dues along the way. He covered high school sports for the Port Washington News as a youngster and did minor league hockey for the Baltimore Skipjacks in 1990. From there he’d start to break into the higher levels, starting with television play-by-play for the Washington Capitals in 1992. Albert would do hockey for ESPN and NHL Radio. He broke into football in 1994 when Fox took over coverage of the NFL and has been there ever since. Albert also added MLB on Fox, the Olympics and the full-time radio gig with the New York Rangers. 

As of just a couple of weeks ago, Albert, along with Eddie Olczyk have been named the lead announce team for Turner’s coverage of the NHL. Albert was tabbed one of the lead voices of this year’s NBC telecasts replacing the retired Doc Emrick.   

WHY IS HE SO GOOD?

Albert has been called by many, a “pro’s pro”. Quite a compliment if you ask me. Not too many announcers are just so solid at what they do that they earn that label. There really is no flash or catch phrase that Albert relies on. It’s just solid broadcasting and a voice that can transcend multiple sports. 

He never shies away from an assignment either. With his busy schedule you’d forgive him every once in a while, to say, “I think I’ll pass on that one”, but that’s not his style. Take for example, and this is just one case, back in 2009 when he called four different sports in four nights, including two on the same day. 

October 25: Play-by-play Vikings/Steelers NFL on Fox

October 25: Yankees’ locker room celebration after clinching ALCS on Fox

October 26: Play-by-play Rangers hockey on radio

October 28: Play-by-play Knicks season opener MSG Network

That’s a pretty impressive skill set to have, to be able to pivot quickly and be able to adequately prepare for each assignment. Not many have been asked to do this type of turnaround, and for good reason. It’s not easy to do. Versatility has been his calling card and it’s made him a successful broadcaster over the years. 

A NFL play-by-play announcer will call a New Jersey high school game on  Thursday

WORKING WITH KENNY ALBERT

According to some that count these things, Albert has worked with nearly 250 different broadcasters (as of 2016). The numbers add up when you consider he works all four of the major US sports. Add to the fact that he’s done the Olympics and boxing among others and the number of people he’s worked with begins to soar. 

As of a few years ago, it was estimated Albert has worked with 57 different broadcast partners in football alone. That included a game with both Tiki and Ronde Barber. Some of the famous names he’s done games with include: Anthony Munoz, Joe Namath, Terry Bradshaw, Troy Aikman, Jimmy Johnson, Glenn Anderson, Eddie Olczyk, Bill Raftery, Paul Molitor and Sugar Ray Leonard. That’s a who’s who of famous athletes. 

In a story done on Fox Sports Press Pass in 2016, Albert explained how it’s possible to work with such a wide variety of analysts. The most important take from this article is Albert knows his job. 

“The play-by-play man has many roles: the first is obvious — calling the play,” Albert said. “Also weaving in anecdotes, statistics, historical information, rules explanations, stories from meetings with players and coaches, while also serving as somewhat of a conversation ‘traffic cop.’”

“I have been fortunate in that I have gotten along with — and ‘clicked’ with — just about all of the partners I have worked with,” Albert said. “You certainly develop a rhythm and flow with the partners you work with on a consistent basis; you learn each other’s cadence and tendencies from years and years of working together.”

Pretty impressive to be able to handle the ‘celebrity’ of some that he’s worked with and not stray from what makes him a terrific broadcaster and deliver a great broadcast. Being able to set up the analyst and allow that person to be themselves and tell their stories is what fans want to hear. Albert is happy to allow all of that to happen. 

DID YOU KNOW?

In November 2020, he scheduled an extra game, in between two NFL games. He called the Giants/Washington game one week. The following week he called Steelers/Bengals. Sandwiched in the middle a High School Football game. Northern Valley Demarest High School (Bergen County) vs. Dumont. Why? Albert’s two daughters have attended Northern Valley and Albert struck up a friendship with the Athletic Director Greg Butler. Due to the pandemic only a limited number of fans were allowed at games, so they’d stream the games with no audio for students that couldn’t attend.

Albert texted Butler, saying if there are any football games that fall on a Thursday, he’d be available. He was half serious and half joking, but the school took him up on it. So, while he was prepping for the Steelers/Bengals game he started to work on the high school board. He also attended a practice and spoke with both coaches. Albert wanted to be prepared. 

“The biggest thing is pronunciation,” Albert told the New York Post. “I know a lot of the parents and the families are going to be watching and can’t be at the games. You don’t want to pronounce a kids’ name incorrectly. It might be the only time on a YouTube livestream in their life. It is actually harder than preparing for an NFL game because you are not familiar with the names and numbers.”

Kenny Albert to announce NV/Demarest football game vs. Dumont

CONCLUSION

Albert is just a solid broadcaster. It’s no frills, but he has the skills to make every sport he covers come to life. Versatile and professional are two words he’s earned the right to use. Busy schedule or not, football or hockey, you know he’s going to be ready to go. 

Spike Eskin Named Mark Chernoff’s Successor at WFAN

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WFAN has found their man. After going thru months of conversations with the best programmers in the country, Chris Oliviero and Audacy New York have chosen Spike Eskin to follow Mark Chernoff, and take the reigns at The Fan in New York City.

Eskin moves to the big apple after serving as Brand Manager of SportsRadio 94WIP since 2014. He brings with him over 23 years of experience. Along the way he’s worked in both on-air and programming roles including working as a host for WIP, and spending two tours at 94WYSP – the rock station which previously aired on WIP’s current frequency. He has also worked with Philadelphia talk station KYW Newsradio, Q101 in Chicago, and hosts the popular Sixers-centric podcast The Rights To Ricky Sanchez. 

The move to New York gives Eskin direct oversight of both WFAN and CBS Sports Radio, including their full portfolios of broadcast, digital and live experience assets. His tenure in New York will begin on July 1st, the day after Mark Chernoff wraps up an incredible career guiding the nation’s most recognized sports radio brand.

“Spike has the vision, creativity, and drive to craft the next chapter of the iconic and influential WFAN brand,” said Chris Oliviero, Senior Vice President and Market Manager, Audacy New York. “Along with CBS Sports Radio, his experience will be ideal to fuel our sports production powerhouse of 48 hours a day of original audio, 12 hours of quality television, all alongside a vibrant digital and social experience for both New York and the nation. As a long-time colleague of Spike, I am excited that he has joined our all-star team and have no doubt that he will succeed.”

“I’m humbled and excited for the opportunity to help lead WFAN into its next chapter,” said Eskin. “It’s an iconic station with incredible talent, and I’m looking forward to the challenge. I’m grateful to Chris Oliviero and Audacy for the opportunity. Working at 94WIP over the last decade has been one of the most rewarding experiences of my life. I’m grateful to David Yadgaroff for his belief in me and the staff who stepped up to every challenge.”

In an internal memo, Audacy Executive Vice President of Programming Jeff Sottolano added that under Eskin’s leadership, WIP has widened the gap against Philadelphia sports radio competitor 97.5 The Fanatic, becoming a dominant performer with Adults 25-54. Sottlano also paid respect to Chernoff for his leadership, support, and important contributions to making WFAN arguably the format’s most recognized sports radio brand over the past three decades. The soon to be New York State Broadcasting Hall of Famer and long time programming czar is expected to provide consulting support for Eskin and WFAN after stepping away from day to day affairs.

Arizona Sports 98.7 Delivers Top 10 Finish in Phoenix Winter Book

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The winter book results are in for Phoenix, and once again Bonneville’s Arizona Sports 98.7 FM delivered.

The Phoenix sports radio leader closed the quarter in 8th place among Men 25-54 in weekday prime (M-F 6a-7p). The other sports radio brands in the market, ESPN Phoenix 620, FOX Sports 910, 1580 The Fanatic, and KDUS Sports AM 1060 were further behind for the quarter.

Among 98.7’s local shows, Burns and Gambo produced the best performance for the quarter. The popular afternoon duo generated a 4.4 share, placing them 6th in their timeslot. Having worked together for a decade, Dave and John continue to thrive with no signs of slowing down.

Next best was Bickley and Marotta, the station’s midday show. Dan and Vince were just one tenth lower than afternoons with a 4.3 share. That earned them a 9th place finish in their daypart.

Finishing up in mornings, Doug & Wolf had a setback for the quarter. They turned in a 14th place finish with a 3.0 share. Doug Franz and Ron Wolfley have enjoyed fifteen strong years in mornings, becoming one of the most popular shows in Phoenix. Just two years ago they were 4th. I’d expect them to regain their footing and perform stronger in the spring, summer and fall books.

News & Sports Is A Perfect Marriage For Sales

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There are a lot of similarities in sports talk and news talk radio sales. And there are some differences, some of which are actually complementary and work to the sellers’ advantage. I was fortunate to sell news and sports talk as a combo for years.

As Jason Barrett recently announced, the Barrett Sports Media and News Media web sites have merged. Plenty of sellers have a news talk/sports talk combo to sell especially if they are in AM-heavy clusters. One of my 2021 resolutions was to seek out the positive in most situations so let’s look at the similarities the two formats offer to a salesperson.

Twins

  • Both are foreground formats. For the most part, spoken word radio listeners are seeking to focus on what is being said. They don’t listen to podcasts or talk shows so they can free their mind up to think about other things. Plenty of music listeners have their minds completely elsewhere and don’t even hear what the air person has to say. In fact, most music jocks are told to shut up and play the music. Great selling point for live liners, spots and why our commercials are worth more money. 
  • We have very loyal customers. The best results for any advertiser comes from the heaviest users of a station- their “P1’s”.   Most news/sports talk tsl comes from a much smaller % of the cume. Listeners to Sean Hannity, Jim Rome, Ben Shapiro, and Colin Cowherd stay put. Music listeners tend to chase the hottest song or diary responders to music stations will flip to the station with the contest to win concert tickets. Often this can lead to fewer spots needed in a schedule to achieve a better frequency. 
  • We got the dough. Nothing sells luxury goods and services like a news/sports talk radio station. Look at any consumer index survey and these two formats will always score near the top. Make sure you load up on luxury car dealers, independent import car repair, jewelers, stockbrokers, realtors and home services companies.  

Opposites

  • Sports formats can skew younger especially with stations that have guy talk driven hosts. Some sports stations have local play by play and that can cume in a younger audience.  News talk radio is heavy 55+ and especially 65+. Younger buyers will carry a bias at times vs news radio and the age of the listener.
  • The news talk format is conservative and mostly anti-liberal/Democrat in general. Some national advertisers would not allow their commercials to fall into the Rush Limbaugh show for example. Sometimes, buyers will not place ads on a conservative station for personal reasons. In sports, at least traditionally, that doesn’t happen as often. Historically sports have steered away from conservative or liberal positions on any politics. We have a chance to change that. See below. 
  • Sports talk typically has 80/20 Male to Female audience. News talk skews much more female and can be a 60/40 split Male to Female. That opens the door to what a 45–64-year-old woman may be more interested in home services, jewelry and more! 

A Happy Couple

  • A sports and news talk combo buy provides a great one stop shop for anything with a male skew. And, make sure you point out the earning power differences. We used to have fun with a graphic that pointed out with our combo you get customers and with the rock stations you got convicts. Get it? Customers or Convicts?  
  • If you are selling to male store owner and he is over 40 years old there is a good chance he listens to one of your shows. Just ask him. 
  • It may be time to start talking politics. If you have a conservative news talk station loaded with local news and political talk in the morning and Shapiro, Savage, and Hannity at other times, you got a conservative station. If you have a local show or two on the sports station, why not encourage them to speak up? Occasionally, the talent will not be conservative Republicans and certainly most athletes who speak out on political matters and command attention are not republican conservatives.  Seems like a perfect balance for buyers who object to one lean over the other. 

Networks Search For The Perfect Way To Bug Us

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Imagine yourself tuning into an NFL game on a Sunday afternoon. You join the game midway into the second quarter and have no idea who is winning. I can remember those days pre-scorebug, when only once in a while was there a graphic showing the score, down and distance and time left in whatever quarter it was. Primitive right?

Bears beat Patriots in Super Bowl XX – Bowie News

In some ways it was great, there was anticipation to see which team was winning. There wasn’t a lot of graphical information shouting at me and I was reliant on the broadcaster to give me the details on the game. Innocent and pure, but proven impractical. 

Like it or not, the scorebug is a thing. So much so that debates rage on about what they show, where to show it and yeah, how they show it. What color the bug is, the font that is used how large the graphics are, all stir up feelings from sports fans. Sometimes the angst displayed on social media over the bug, is more than is directed at their team. It’s pretty amazing to think about how routine it’s become to know everything there is to know about a game whenever you tune in. 

The scorebug has been around since the early 1990’s. Its origin has been traced back to televised soccer matches. David Hill, who was the head of Sky Sports in 1992, was dissatisfied over having to wait to see the score after dialing in a match in progress. The bug was introduced during Sky’s coverage of the newly formed English Premier League. Hill resisted countless requests by his boss to remove the graphic and the concept caught on in Europe. ITV introduced a bug the next year and the BBC did the same toward the end of 1993 for its’ football coverage. 

The first use of the “always on” bug in the US was in 1994. ABC Sports and ESPN introduced the gadget to the American audience during the FIFA World Cup. Though the reasoning for it was not just to continuously show the score. It was used as a way to scroll through sponsor logos as a way to present the coverage without commercial interruption. 

The more traditional use of the scorebug came as Hill left Sky Sports for Fox after the latter’s acquisition of the NFL. Hill branded the bug the “FoxBox” as part of its coverage in ’94. Fox’s inaugural box was very plain. White letters and numbers arranged at the top left of your tv screen.  It only had the time and quarter in one part and the teams and score in the other. Very basic, yet a novel idea since it really hadn’t been done before. But the “FoxBox” was here to stay despite objections from some fans that were resisting change. The path was established and Fox began using it for its baseball coverage as well. Other networks would eventually follow suit, some were a little less willing to change than others.

There was an antiquated thought process in assuming that people would stay with a game longer, if they tuned in and didn’t know the score. This was definitely old school thinking. Technology was changing. As the 2000’s started to roll in, the internet, smart phones and tablets would take center stage, eliminating the “I wonder who’s winning, I better stick around to find out” way of life. People already knew, so you may as well get with the program and make it easy to see. Everyone eventually got on board, with networks developing their own version of the “FoxBox” in the years to follow.  

ESPN's graphics department thinks you're an idiot - SBNation.com

Inherently there were issues. Some of the boxes were obtrusive, some were too small, some had too much information and some not enough. It seemed like networks, and eventually RSN’s, were experimenting through trial-and-error. A few networks took the feedback from the audience and threw it in the garbage. Others seemed genuinely interested and would change even in the middle of a season. Here in Chicago, the Cubs television home, Marquee Sports Network, was being criticized for only showing who was pitching in their box. Fans wanted to know who was batting as well and they got their wish a few games into this season.  

Just think that this phenomenon is only 27 years old. The technology has grown exponentially and you can see the influence the video game age has had on the bug. Those gaming experiences have proven to be a good testing ground for different variations of the scorebug. Figuring out what works and what doesn’t work and what can be taken from the games and incorporated into a broadcast is always evolving. Networks can use feedback from gamers and also just use the eye test to see what looks good and is feasible to work into a telecast. 

With that said, the scorebug is still not a perfect thing. Some people love it and some are just simply “bugged” by the bug. I personally think it’s a great addition to television, some are doing it right and some aren’t. Fans seem to generally like the use of the bug, but there are many complaints. Networks have had to pivot many times already as this always changing technology provides new and inventive ways to present the product. 

COMPLAINTS

Doing a quick social media search on the subject, there were several themes that popped up when it came to complaints by viewers. Placement of the bug, the font color of certain aspects, like the teams and information, and the size of the box. 

I’ve often wondered where the perfect spot for the scorebug is. Across the top of the screen? The bottom? Tucked in a corner? Me, I’m for whatever doesn’t inhibit my viewing of whatever game I’m watching. When the box is in the top left during a football game, it needs to be more horizontal than vertical. Why? If it’s too “tall” you lose sight of the players at the top of your screen. Can’t see the cornerback or safety because they get blocked out. The top left location is also a problem in basketball when it comes to seeing the basket and again, players at the top of the screen. In baseball this location is fine. 

Executives and producers need to keep in mind what sport is being broadcast when placement of the bug is discussed. Camera operators need to be aware of the location and keep it in mind, especially when it comes to following the action. It’s vital for fans viewing the game. 

ESPN and TBS debut new massive, oversized score bugs because of  millennials? Maybe old people?

I was amazed at how many people complained about the color of certain things within the bug. Most of the complaints had to do with the color of the background when it came to identifying teams. Fans want an exact match of the team’s main color schemes so it’s easier to know who is playing. Trying to figure out who’s who has been an exasperating thing for some. 

For example. Let’s say Loyola-Maryland is playing Marshall. Both team’s color schemes are green and black. Marshall is the home team and is wearing their white jerseys. Loyola-Maryland is donning its road greens. Now the scorebug shows a green background for Loyola and a black background for Marshall. Ok, the predominant colors from both teams are being featured and if you don’t know which team is wearing white, you’re left to wonder which team is which. How do you solve that problem if you are a network televising the game? Some, like the Big Ten Network will use a gray background for the home team to nearly match the team’s jersey color.

Also, when it came to colors, ESPN learned quickly that a change to its bug for the College Football Championships was confusing to some. That’s because the down-and-distance graphic was shown in a golden color which closely resembled that of the yellow used for penalties called on the field. They quickly made some changes. 

Size was an issue, mainly when it came to font size and the ease of being able to read the bug. Some RSN’s have gone to the italics style for whatever reason, but that wasn’t a source of complaining. Fox’s more recent NFL bug has bigger names which is good. However, the team that has possession of the ball is shown by what looks like a “minus sign” so the score appears to be negative. Placement of “time outs” remains confuses some viewers, especially when the “slash marks” to indicate “TO’s” are oddly placed. 

Clutter is a problem according to some. The new Bally’s Sports bug has gotten panned in this area. Many have called it “screen pollution” on some social media accounts and Reddit. People have complained about wasted space to the left of the screen, too much going on with the count and MPH of a pitch and the “dots” being used to count the outs. Many have bemoaned the large, sports ticker with other scores from baseball taking up a huge amount of space to the right of the screen. So newer isn’t always better. 

WHAT’S NEXT

With the popularity and legalization of gambling in most states it seems obvious that what is next is betting information. Point spreads, over/under, money lines and prop bets will probably be the next thing to appear. I would think that some of these gambling apps will work in a sponsorship of some sort and while the game is going on, give fans updated lines and props. 

CONCLUSION

I’m not sure that there will ever be a perfect scorebug, one that pleases most if not all of the viewers. I don’t think it’s possible. With the RSN’s operating these days, it’s a cookie cutter approach. All Bally’s Sports bugs are the same, just like the old Fox Sports and Roots bugs were all designed by the same folks and used on all telecasts. Uniformity is important to them because they want you to know which network you’re watching, just by the bug. It’s kind of boring and corporate feeling, but I get it. In a perfect world, each team’s crew would be able to cater the bug toward the team, include things that are important to fans of that club. That’s just not seemingly part of the plan. 

Red Sox Stats on Twitter: "Bally Sports replaced 19 regional Fox Sports  networks around the country today. They've gone next level and integrated  their score bug into a ticker.… https://t.co/9gYOgovbxG"

I’d much rather have the boring bug, than not have one at all. It’s important to me, that if I tune into a game that’s already in-progress, I know the score, the inning/quarter and how much time is left. I can’t imagine how it was before. I don’t want to go back to that period of time when the technology wouldn’t allow for it. But, at the same time, realizing what is really important, the game itself, should be at the top of the list. Just because you have access to “bells and whistles” doesn’t mean they are helping your production. Flashy is great sometimes, but don’t get in the way of my enjoyment of the game. 

The Gold Rush Is Here & Talent Have Never Had More Leverage

In my estimation, the sea change began in 2015. Bill Simmons and Colin Cowherd exited ESPN within months of each other. For different reasons, both had fractious splits with the Mothership. Amidst doubts from some in the industry as to whether they’d remain relevant or disappear, they leveraged personal audiences that platforms like Twitter, Instagram, and YouTube had suddenly made portable to prove that prosperity was attainable outside ESPN. Not only that, they stayed relevant in the conversation. Six years later, as content has continued to fragment and the gambling behemoths have entered the chat, the paradigm has fully shifted to favor top talents in sports media in a manner that is truly unprecedented. 

To get to where we are now, you have to think about the landscape in 2015. Some talents had big leverage — ESPN had to pay big to keep a lot of its roster from going to upstarts like NBCSN and FS1 — but it was nothing like it is today. Regardless of money, ESPN had the distinct advantage of the very real possibility that you could get lost if you left. Stephen A. Smith, now arguably the face of ESPN, had exited the company only to return after he never totally found his niche at Fox Sports Radio. Michelle Beadle left for NBCSN in 2013, the network canceled her show The Crossover after about seven months, and she too returned to ESPN the very next year. 

Michelle Beadle Sexy Pics | Twitter Bikini Photos | Get Up ESPN

Yes, Dan Patrick and Rich Eisen had and continue to have considerable success away from the Four Letters, but you have to remember that for a long time they were viewed as outliers. For most others who departed ESPN, even if they continued to have fine careers financially, there was less ‘glow’ on their work. In a business where the size of the audience that you reach has a lot of psychic implications on talents’ own sense of self-worth, this is not insignificant. 

As I’ve written a couple of times, Dan Le Batard was amongst those who cautioned against Simmons, Cowherd, and Skip Bayless leaving ESPN. He talked about the magnificent audience reach they were yielding. He warned they would get lost. In what wound up being very fortunate as it pertains to his own circumstances, Le Batard has probably never been more wrong. 

And it wasn’t just Simmons and Cowherd who succeeded at new destinations. Many who have left ESPN since 2015 — Jason Whitlock, Will Cain, Jemele Hill, Michael Smith, Emmanuel Acho, Tom Rinaldi, and we could go on for paragraphs — thrive financially and with visibility of their work. 

Le Batard exited ESPN about a year before his deal was up, with his extremely valuable podcast feeds in his possession. The deal with DraftKings is just the start of what he and former ESPN president John Skipper will be tackling with Meadlowlark Media. It looks to be the start of a phenomenally lucrative business — and they’ll also have the autonomy to not just talk about whatever they want, but explore other content avenues across the media spectrum. 

While ESPN no longer has a stranglehold on talent, they may not even wish to anymore. The company has fortified its ambitions more and more around live rights. They added UFC, they’ll have a monopoly on SEC football in a couple years, the NHL is coming back to them, and they got into the NFL’s Super Bowl rotation — without losing any of their cornerstone live rights as of yet. They of course need talent to fill their events and all their other hours, but they’re not nearly as concerned anymore about which people come, stay, or go.

The landscape had already shifted where top sports media talents found themselves with options not especially available to those in previous generations — before the sports gambling gold rush. To say that sports gambling has improved the fortunes for big names in media would be akin to declaring that a Stop sign is red. Gee, ya think?

But the scale is still so mammoth that we have to talk about it. Dave Portnoy, on his podcast last week, analogized that when Penn National bought Barstool at a valuation of $450 million it was like when the market gets set for a star quarterback and then the hurdle keeps getting subsequently cleared.

The gambling companies are fighting tooth and nail for user acquisition. According to Axios, DraftKings spent about half a billion dollars in marketing last year alone — and that was before they bought VSIN and inked a three-year, $50 million deal with the Dan Le Batard Show with Stugotz. FanDuel, MGM, Caesar’s/William Hill, Rivers, and Pointsbet are all also spending like crazy. Bally’s, Wynn, and Churchill Downs’ TwinSpires are coming as well. If I started naming all the partnerships that these gambling operators had in the sports media business it would be July before you finished reading this piece.

Whether and to what extent the general sports media audience wants the ongoing proliferation of sports gambling content, there’s only going to be more and more. If you think it’s already A Lot, wait until big states like New York, Florida, Texas, and California are legal and go live. 

Jay Marriotti, writing for this web site, ripped Le Batard for getting in bed with DraftKings. “So let’s see if I have this straight: He painted his ESPN superiors as undesirable partners because they didn’t want him causing political wars on the radio … yet he’s ethically willing to jump headfirst into the gambling cesspool,” Marriotti wrote. “In the end, he’s the grimiest of all. In the latest example of desperation leading to hypocrisy, LeBatard’s lengthy search for a company to distribute his podcast led to DraftKings, the tout louts who will control ad sales and licensing arrangements. This will sink Le Batard’s show into the betting crapper and complete the demise of a once-great journalist.”

It’s easy to dismiss Marriotti as a scold, but there is a dark side to the relentless onslaught of gambling partnerships where media organizations that should theoretically be watchdogs to keep the industry honest are financially dependent on it. An unfortunate byproduct of the unrelenting marketing campaigns and easy access to gambling is that there will be addicts who lose everything. Relationships and families will be destroyed.

You can believe in individual liberty to support gambling legalization, and believe that it’s better to have it happening out in the open and regulated rather than in the hands of the mob, while also being sympathetic to the inevitable negative consequences. Before he signed the deal, Le Batard surely had to grapple with the idea that there are members of his audience who will get hooked and dig themselves a deep hole.  

To be sure, hardly any of the marketing we see connected with our sports is healthy and pure. We are deluged with ads for prescription drugs where the side effects oftentimes sound worse than the symptoms they treat. Beer and liquor marketing remains massive. Is gambling worse for society than alcohol? It’s hard to argue that. And every time you watch sports, played by our planet’s healthiest citizens, there is a flood of commercials for the unhealthiest food. 

Nonetheless, life is full of trade-offs. Le Batard, former ESPN president John Skipper, and Meadowlark Media faced the decision on whether to take the DraftKings deal and keep the show free for listeners, or to do his show behind a paywall — a move that Howard Stern pioneered when he went to SiriusXM in 2004. Certainly, Le Batard’s die hard listeners would have followed him to a subscription platform. 

Ultimately, Le Batard and Skipper chose the route of maximizing reach and relevance, and they positioned themselves with the flexibility of evaluating the landscape in three years while maintaining control of their intellectual property. 

No one can sit here and tell you that they actually know what is going to happen from the great gambling gold rush of the 2020s. It’s a good bet that the dozen or so players will consolidate into a half-dozen or less, but what permutations wind up happening are anyone’s guess. Eventually, the marketplace will be mature from a user acquisition perspective, but customer retention will remain paramount. Therefore, even if the sports media industry doesn’t maintain the insane boom times that are happening now, gambling partnerships will stay a component of the business for perpetuity — the business has been mature in Europe for awhile, but you still see ads for sportsbooks plastered all around soccer fields and even on players’ uniforms.

The bottom line is that the top talents in this business have an unprecedented amount of leverage. The ones in the best position now, besides Portnoy where Barstool is a remarkable story of entrepreneurial organic growth, capitalized on the power of big media organizations to build their own portable personal followings. These followings are enormously valuable across linear and digital platforms, and this is exponentially true if those followers are loyal enough to follow the talents to a specific gambling app. In 2015, it was a real risk for Bill Simmons and Colin Cowherd to spread their wings outside of ESPN (yes, Simmons was fired by Skipper and thus had no choice, but he has repeatedly said it was his plan to leave when his contract expired). In retrospect it can seem like their choices were obvious, but the present boom times for popular sports media personalities can be traced to that stretch.

The Ticket Starts 2021 With Dallas Winter Book Victory

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The Dallas market is always an interesting one to analyze for sports radio. Led by two great brands, 96.7/1310 The Ticket and 105.3 The Fan, listeners have strong programming options to consider, but getting them to break their habits remains a challenge. Case in point, in the month of March, only 15% of Ticket listeners sampled The Fan, and just 8% of The Fan’s audience flocked to The Ticket. That makes it clear that loyalty exists on both sides.

How that played out in the winter ratings book was better for The Ticket than The Fan. Though both stations were healthy, The Ticket finished in front with a 4th place 6.2 share. The Fan was 9th with a 3.9. They added another 0.1 thru their stream for the quarter.

The Musers were the winners in the morning drive competition. The Ticket’s talented morning team came in 3rd from 5:30a-10a thanks to a 6.3 share. The Fan’s Shan Shariff and RJ Choppy finished 9th with a 4.0 share. They tacked on another 0.2 courtesy of the stream.

Middays (10a-2p) were tighter than mornings, but once again The Ticket won the daypart. Norm Hitzges and Donovan Lewis, and two hours of Dan McDowell and Jake Kemp’s show took 4th with a 5.7 share. The Fan’s ‘K & C Masterpiece’ earned an 8th ranking with a 4.3 share, and another 0.1 on the stream.

The afternoon is where The Ticket enjoyed its best success for the quarter. One-hour of McDowell and Kemp, along with The Hardline featuring Corby Davidson and Bob Sturm delivered a 6.3 share 1st place finish. The Fan’s ‘GBag Nation’ was further back in 12th place with a 3.5 share, gaining another 0.1 on the stream.

A positive for The Fan this quarter was its cume story. The station produced 103,900 in weekday prime compared to The Ticket’s 63,500. The positive for The Ticket was their year to year growth. While The Fan’s numbers remained comparable to their 2020 results, The Ticket saw better than two point gains in weekday prime and morning and afternoon drive. Middays were also up by over a full point.

These two stations have traded places numerous times atop the ratings charts, so I’d expect nothing different going forward. This quarter belongs to The Ticket, thanks to strong consistent performances from their daytime lineup. A job well done by Jeff Catlin’s team. But with Rangers baseball back, and Cowboys season around the corner, expect the race to get tighter, not wider.

104.5 The Zone Enjoys Big Gains in Nashville Winter Book

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If you’ve been following the Nashville sports radio scene for the past year, change has been a large part of local conversation. Market leader 104.5 The Zone, navigated thru a sea of programming changes in August, which included installing a new morning show, midday show, and adjusting the personnel on its afternoon show. That was followed by their popular midday show, Midday 180 exiting for Outkick, Buck Reising stepping in to their spot, a partnership formed with A to Z Sports, and late last week, the station adding former Tennessee basketball star Ron Slay.

Though change has been a part of the narrative surrounding The Zone’s programming changes, one thing hasn’t changed, local listeners still love the radio station. In fact, listening was up in a few key areas this year compared to 2020.

In the 2021 Winter Book, The Zone shined across the board. Starting with weekday prime (M-F 6a-7p), The Zone ranked 4th with an 8.0 share among Men 25-54. That was a 2.7 increase from the station’s 2020 Winter Book.

Turning to mornings, Jason Martin and Ramon Foster delivered a 7.5 share to lock up 3rd place. The morning show was up a half point year over year and two ratings positions.

The news was even better in middays (10a-3p) where the combination of Buck Reising, and Mickey Ryan and Blaine Bishop, secured a 3rd place finish with a 9.1. share. That was a 3.6 point improvement year over year and four slots.

Finishing in afternoons, 3HL produced an impressive 6.9 share to rank 4th. Their performance was nearly double their previous year’s result. The show gained 3.4 points and enjoyed a station best eight spot jump.

Data this quarter for 102.5 The Game wasn’t available. However, a local source confirmed the station’s quarter wasn’t strong.

The Zone right now is very healthy. They’re on a different level ratings-wise, a testament to their bond with local listeners. Equally deserving of credit is program director Paul Mason and the station’s new hires. To make significant progress year over year, while undergoing lineup changes and dealing with increased noise is impressive.

102.5 The Game on the other hand has work to do to catch up. They’re hoping the recent addition of Caroline Fenton will help. A good playoff run by the Nashville Predators could provide a boost as well.

Outkick 360 (formerly Midday 180) meanwhile is likely to be heard from again in the market. The show has already gained clearance in Knoxville, and remains interested in finding a Nashville home too. Can Clay Travis and Sam Savage pull it off? I wouldn’t bet against them.

Last but not least, Josh Innes is now in town hosting mornings on 105.9 The Rock. He has proven he can create interest and produce ratings during prior stops. Will he be able to lure local sports radio listeners his way despite hosting a rock morning show? Time will tell.

The choices for Men 25-54 in Nashville are aplenty. How they’ll continue to consume sports talk content in 2021 remains to be seen, but for now, The Zone is comfortably in the driver’s seat.

Two Great Formats, One Kickass Supersite

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It’s an exciting day for all of us at BSM and BNM, because today marks the start of something special. Yes we have an awesome new look and layout for our content, made possible by the great Andy Drake. I encourage you to sift thru a few of the different tabs at the top of the website. You’ll find popular features from our writers in the Originals section, podcasts we’ve produced over the years, the Member Directory featuring nearly forty radio professionals, access points to content from all twenty four of our writers, and shortcuts to our sports and news media sections. We’ve even built three columns to the right on the main page to make it easier to maneuver thru daily sports and news content, and the latest columns from our writing teams.

If you were reading carefully, you picked up on my use of BNM in the first sentence, and the word news in the last sentence. And if you browsed the website today, you likely noticed news and sports are now presented in the same location.

I took the risk and launched Barrett News Media eight months ago. We came out of the gate with a staff of twelve, which was twelve more than Barrett Sports Media had when it was born in September 2015. Like with most new brands, tweaks were needed, and lessons were learned. I initially wanted to put BNM and BSM under the same roof, but there were too many unknowns. For that reason, I launched the brand as a separate entity.

I had to find out if my interest in news would remain high or fade out after a few months. I had to learn if our staff would produce content consistently or leave us plugging holes regularly. I had to discover if media stories would remain hot after a heated presidential election. As important as those all were, one mattered even more – would anyone read our work?

After studying the peaks and valleys of our news brand for nearly a year, I know that people will consume our content if it’s original, interesting, and timely. But asking them to follow us in two different places is a tall order. It’s also harder to reach people in the news media space because social media activity is lighter due to a lack of trust in big tech, and some folks in the format still don’t know me.

Since launching, I’ve overseen two websites, two staffs, two email addresses, and multiple social media accounts, worrying about maintaining separation when I had no reason to worry in the first place. Newspapers have spent decades blending sports and news, online brands across the internet do the same today, and Chrissy Paradis, Pete Mundo, Rick Schultz, Douglas Pucci, Ryan Maguire, Ryan Hedrick, Eduardo Razo and Jordan Bondurant have done more than enough good work to deserve having their material presented to the most amount of people.

So now we move forward as one unit, fully dedicated to serving both the sports and news/talk formats in one location. We will continue prioritizing columns from experienced professionals, the latest industry news, and original ideas that spark interest and discussion. Our email blasts will come from one source, social media promotion will emanate from our BSM channels, and all of our website content will be housed in one spot. If visitors type in the URL for BarrettNewsMedia.com it will automatically redirect to the BSM website.

To help us manage the content cycle and strengthen our brands further, I am pleased to announce a few new additions. First, Troy Coverdale joins BNM as Editor, McGraw Milhaven as a weekly columnist, and Jordan Bondurant and Ryan Hedrick add opportunities to write feature stories multiple times per month. Meanwhile, BSM will gain the writing talents of Ryan Maguire, and semi-regular contributions from Rob Taylor and Scott Seidenberg. Kate Constable and Ricky Keeler will also get more involved writing features. I also plan to add one more news writer soon to fill Brandon Contes’ position.

The new look of the website has me fired up and excited about the possibilities ahead. A big tip of the cap to Point To Point Marketing, Core Image Studio, and the great Jim Cutler for helping us pull this off. I’m eager to increase connections with news radio and television professionals, and showcase their great work. With that in mind, if you have a news tip or story idea for either of our brands, send it by email to JBarrett@sportsradiopd.com. With the website makeover complete, I’ll now focus on the next project – the 2021 BSM Summit. I’ll have news to share next week on that endeavor, so stay tuned.

If you’re a fan of what we do for sports media coverage, have no fear. The same great content experience you’ve come to enjoy for the past six years is not affected. If news radio/television coverage interests you but didn’t know much about BNM, now you’ll be able to access the content without jumping thru extra hoops. This is a strategic move aimed at making things easier for the reader, and showcasing the best of two great brands and formats. I’m pleased with BNM’s start, but know that if we can do a few things for the brand that we’ve done for BSM, it’ll make the content experience better, the industry relationships stronger, and the work more meaningful. And that is the reason we do this in the first place.

Thank you for continuing to visit, and afford us the opportunity to inform and entertain you. We understand the media business and are passionate about it, and that’s reflected in our team’s writing. Some you may know that about. Others you may not. But having them all under one roof should make your ability to find out a whole lot easier.

Sports Radio 610 Rolls To Winter Book Victory in Houston

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The winter book ratings are in for Houston, and the staff at Sports Radio 610 has reason to celebrate. In addition to remaining ahead of the local format competition, the Houston sports station produced its best weekday prime (M-F 6a-7p) performance since 2015. 610 finished 12th overall, up from 14th one year earlier.

The weekday shows for 610 were strong across the board. Starting with mornings, Seth Payne and Sean Pendergast delivered a 3.3 to finish 13th, up two tenths year over year. ‘In The Loop’ with John Lopez and Landry Locker ranked 9th with a 3.7 share, the best finish on the station. The midday duo is up seven tenths over the past twelve months. In afternoons, Clint Stoerner and Ron Hughley rode a 3.6 share to a 12th place tie. The afternoon team has also picked up seven tenths during the past year.

Elsewhere in the market, SportsTalk 790 and ESPN 97.5 were further back. Both brands feature shows during different time periods, making it tougher to offer a straight apples to apples comparison. Taking that into account, 790 finished 24th in mornings (6a-10a) and 22nd in afternoons (3p-7p). Mornings feature Sean Salisbury. Adam Clanton and Adam Wexler form ‘The A Team’ and occupy afternoons. 790’s best production came in middays, where the combination of ‘In The Trenches’ with ND Kalu, and Matt Thomas’ show delivered a solid 2.6 share to snag 15th place.

Meanwhile for 97.5, this was a down quarter. The station ranked 24th in mornings (6a-10a). Those four hours include an hour of ESPN Radio’s ‘Keyshawn Johnson, Jay Williams, and Zubin Mehenti’, and three hours of ‘The Bench’ with John Granato and Lance Zierlein. Middays (10a-3p) were 27th. That five hour block included Granato and Zierlein, Charlie Pallilo, Joel Blank, Nick Shahara, and Josh Innes. Afternoons (3p-7p) consisted of an hour of Innes, and three hours of AJ Hoffman and Fred Faour were 26th.

Right now, 610 is in the driver’s seat. They’ve consistently led the market for over a year, thanks to a talented and consistent lineup. With the added benefit of local sports drama surrounding the Texans and DeShaun Watson, they’re positioned to do well in the months ahead. On the other hand, Houston sports radio has seen ratings shifts before. One mistake or missed opportunity could create a tighter sports radio race in a hurry, so it’s vital all involved stay focused.