Home Blog Page 2536

Limited Thinking Exposes Vulnerabilities

0

Forgive my absence in this space the past few weeks. Between listening and talking with clients, managing and editing the website’s written content, and finalizing plans for a Chicago sports radio conference next month, it’s been difficult to focus on one particular issue to write about. There’s been no shortage of material to work with. In fact, it’s quite the opposite. All you have to do is spend one day on social media reading about sports radio, business, digital and social media, podcasts, etc. and it feels like you’re hit by an avalanche of content with no possible way to properly tackle it all.

As I’ve continued to monitor the format this month, I’ve seen a number of situations where shows have been stretching for material. Each time I see it, I ask myself “why would a listener who’s emotionally disconnected from sports due to the NFL season expiring and February offering less important stories care enough to put your station on if this is the content you’re trying to sell them?”

Too often, sports radio folks plan their execution around the day’s news. That works during certain parts of the year, but in February, March, May, June and July, you better have a few tricks up your sleeve to entice people to tune in otherwise one bad week can do permanent damage. There’s a big difference between providing content that fills time and delivering meaningful content that an audience will make time to listen to. If you operate the same way year after year, you’re determined to repeat the sins of the past. Judging by the sports format’s performance during the slower months, that often means being flat or down.

I understand that not every segment is going to be a home run, but we can become our own worst enemies sometimes due to not planning ahead and taking risks. If your strategy after the Super Bowl leading up to Opening Day was to rely on creating conversations around the NBA All-Star game break, Spring Training, the NFL Draft Scouting Combine and March Madness, you already shot yourself in the foot.

Somewhere in that conversation should’ve been creating original content opportunities to generate buzz and audience interest. Developing a strategy to extend the momentum of the NFL season by a week or two or three also would’ve been smart.

One of our toughest challenges is that we have a tendency to think thru our own prism. We don’t place ourselves in the audience’s shoes enough and ask “what do they care about and how can we make it interesting, fresh and exciting?”

Case in point, spring training talk. Unless you’re in Florida or Arizona with access to people, why does it matter? Do you think the majority of your audience gives a rat’s ass about a player’s workout, physical shape or games that don’t matter? They can read or see that on a website or Twitter and be done with it in less than 5 minutes yet some shows will spend an hour or two on it.

How does that help you? If it doesn’t involve a major decision which impacts your local team or a player saying or doing something that generates headlines it has little impact.

Given the passion many of us share for this format, we can sometimes rush to judgment when feedback and information is passed along that doesn’t jive with our personal tastes. If the ratings are good we think we’ve discovered the formula to cure cancer and if they’re poor, we blame the measurement system and tell ourselves the numbers are irrelevant. Rarely do we look at our planning, content structure or the topics we developed to try and capture the audience’s interest.

It’s easy to create excuses for a lack of engagement and interest during slow times but if you know the results are likely to dip then that should serve as motivation to try new things. We don’t invest enough time in ourselves to grow, tap into our creativity, and work in advance on material which will keep the audience on their toes.

Can you imagine if TV networks operated that way? What do you think would happen if the first episode of your favorite show’s next season was written and filmed either the day of or day before? Spoiler alert, audiences would be rapidly changing the channel.

How many shows can you think of where the script is the same every single day? The program assembles a daily rundown which consists of a few topics built around the day’s news, an audio cut sheet, fielding phone calls, maybe executing a daily or weekly benchmark, sprinkling in a few interviews, and then signing off. The only changes you hear on the next show are the names of the guests, callers and subject material. They also offer little to no curiosity to make you want to tune in via their social media promotion.

That begs the question, how much time is put into the production process? The creativity or new ideas process? Brainstorming on how to take a segment with a guest and develop it into something different and memorable?

If a pitcher in Major League Baseball uses the same pitching sequence during every game, they may succeed for a while due to their natural talent. Eventually though even the best get taken to the bleachers regardless of how good their fastball or curveball may be. The same applies in sports talk radio.

Having witnessed it inside of buildings as a programmer and now from afar as a consultant and strategist, many of these issues circle back to stubbornness. These are the same things that drive us nuts as sports fans. It’s why we crucify Pete Carroll for not running the ball with Marshawn Lynch in Super Bowl 49, blame Bill Belichick for benching Malcolm Butler in Super Bowl 52, and shake our head at Jerry Sloan sending out Byron Russell to guard Michael Jordan one on one during the closing moments of the 1998 NBA Finals.

I believe that a great sports radio host needs to have some ego to be strong on the air but they’ve also got to be smart enough to check that ego on occasion and step back and evaluate what adjustments are necessary to have success during tougher periods. The same holds true for programmers. We sometimes think we know it all when in fact many of us really don’t. Until you know each person carrying a meter in your market, what their daily habits are, what their content preferences are, and what times they’re available to listen, then can you make a case for being a step ahead. Until then, you’re trying to find subjects that personally move you while searching for small clues inside of the numbers to give yourself a shot at success just like everyone else.

I’ve never understood what a person believes they’re gaining by closing their mind to a different point of view or idea and information which could ultimately benefit them. Best case scenario, you gain something insightful which helps you do your job better. It may also lead to forming a new connection with the person sharing it with you. Worst case scenario, you listen to the feedback, process it, maybe even disagree, and then think about whether or not any of it is valuable. If it’s not, the only thing it cost you was time.

I don’t have all the answers myself. That’s why I continue educating myself to try and improve. I believe that’s what every great host, programmer, producer or executive needs to do.

If you’re going to trap yourself in a bubble inside of your radio station and make no time to learn from others outside of the world you’re operating in, you end up limited in knowledge and without a full use of tools to become your very best. That especially stands out during the sports calendar’s slow periods when the content on your airwaves has no significant hook or reason for airing.

To grow as an individual you must make time, think ahead and keep an open mind. That requires reading, watching, listening, traveling, planning, and bending the ear of others who do things differently. It means leaving your comfort zone and falling on your face a time or two because the next big hit you create will likely come after you’ve experienced failure.

If you’re unwilling to make adjustments to help yourself then you better be ready to deal with disappointment and have a good book of excuses ready for when the higher ups start asking questions. The only question I have is, why spend the time building an excuse factory when you could just invest it in yourself?

You Have Questions, I Have Answers

0

They asked, I answered. Over the last couple of weeks, I took note of some of the questions I’ve been asked by industry friends or co-workers. I thought I’d share the answers with you:

Q: What’s the most important skill set you look for in new hires?

A: I’m not sure I can narrow it down to just one, but what I’m mostly looking for is energy and creativity. I know I can teach new hires about the radio business, about the radio stations, the digital products and the events. I know I can teach someone how to prospect, cold-call, do a CNA, present, close and service, but I can’t teach them how to do it all with energy and creativity. It’s like the basketball coach who says: “you can’t teach size!”

Q: What type of presentations do you think work the best?

A: Short and to the point. I have seen some ridiculously long presentations. The AE walks in and hands a small novel to the prospective client that has an intro, a concept page, station maps, rankers, profiles, bios on the hosts, three pages worth of explanation of the pitch and then a few summary pages and a “thank you” slide. How about walking in the room, presenting a great idea and plan, with passion, that fits with the needs of the client and then close the deal and hand them a summary page to sign? I realize you can’t always do that, but for goodness sake, remember what KISS stands for – keep it simple, stupid.

Q: When should you talk about ratings?

A: Only when you’re asked. For those just getting in to the business, my tip for you would be to learn how to sell without the ratings. If you can’t sell without the ratings, you’re destined for a short career. Three certainties in life: death, taxes and whatever ratings you have will eventually go down. Ratings are great to have, but as the saying goes, “you live by the ratings, you die by the ratings.”

Q: What is the biggest mistake you see in the radio industry?

A: Not putting enough time in to ad copy. It can be such a critical part of the overall success of a campaign, and yet so many bad commercials get aired on our stations. Every business has “the best products at the lowest prices, with the best customer service.” Every restaurant and bar has “the best food and the coldest beer in town.” Writing copy to check a box can doom any chance you have of a renewal right from the start. If you want to sell me something, make me feel it. Let me hear the sound of that steak sizzle on the grill or the roar of the fast car. Good radio, be it content or advertising, should generate an emotion.

Q: What length of commercial do you usually recommend?

A: I always say to go with the shortest possible time you can get your message across in. I believe strongly in frequency of the message (Dave Gifford would say, “What you say, times how many times you say it is the only thing working in advertising today.”). The time will vary by industry, but keep in mind the attention span of the people your ad is speaking to. Less truly is more when it comes to commercial copy.

Q: What’s something you miss from when you first started in radio?

A: Competitiveness. I had the good fortune of being around a sales team that was very competitive and very motivated by personal success versus their co-workers. Each week, the manager would write the individual sales numbers up on the board, in order, from best to worst by month. All the sellers would gather round as he was writing and you’d see fist pumps, high fives and some dejected faces. I see less of that these days. Winning used to be a bigger deal. The more winning, the more money in your pocket.

Q: Will the Mizzou Tigers make it back to the NCAA Tournament this year?

A: Yes!

790 The Ticket’s Len Weiner Adds WQAM PD Duties

0

Normally a company recognizes an employee’s birthday by providing cake in the office, an internal acknowledgement via email or by posting the announcement somewhere inside of the building. This year though, Entercom has made it extra special for Len Weiner.

The 790 The Ticket PD has been handed the keys to WQAM, filling the vacant seat left open due to the departure of Ryan Maguire to KIRO-FM in Seattle. Weiner will now oversee programming for Miami’s top two sports radio brands.

“Len’s leadership ability and knowledge of sports radio make him the perfect candidate to take on our two major sport stations in Miami,” said SVP/Market Manager Keriann Worley. “Adding the 560 WQAM PD responsibilities to Len’s current role is a natural fit. I’m confident both stations will continue as the top choice for Miami’s sports fans with Len on board.”

“I’m very excited to be able to work at Miami’s two premier sports radio stations. There is great talent on both teams, and to be part of a heritage station like WQAM and to continue to work on a successful station like The Ticket, is an amazing opportunity,” said Weiner. “Thank you to Keriann Worley, Doug Abernethy, Chris Oliviero, Pat Paxton, Weezie Kramer and David Field for this incredible opportunity.”

97.9 ESPN Strikes 10-Year Deal with UConn

0

The University of Connecticut will spend the next decade working with a brand new radio partner. After WTIC in Hartford parted ways with the school following a 26-year run together, IMG announced a transformative 10-year, multimillion-dollar partnership with iHeartMedia and 97.9 ESPN, Hartford’s Sport Station, to serve as the new home of the UConn Huskies.

WTIC will continue airing UConn games which were part of the 2017-2018 schedule. Once the 2018-2019 season begins, 97.9 ESPN will permanently take over broadcasting regular season and post-season play-by-play for UConn football, men’s and women’s basketball, and men’s hockey . iHeartMedia also plans to air select UConn Olympic sports contests.

“Our new relationship with iHeartMedia and 97.9 ESPN provides UConn Athletics with a powerful reach and the prospect of building an extensive affiliate network throughout the state and the Northeast,” director of athletics David Benedict said. “Our new partnership with a dedicated sports platform hosted by the most powerful sports and media company in the country, will offer fans and listeners more opportunities to interact with our teams and coaches.”

“This partnership joins three iconic brands,” said Steve Honeycomb, Region President for iHeartMedia. “Having UConn sports on iHeartMedia’s 97.9 ESPN has been our long-term goal. This is the perfect partnership and offers even more entertaining programming for UConn Nation.”

The new partnership between the UConn-IMG Radio Network and 97.9 ESPN also includes pre- and post-game shows and the UConn Women’s Basketball Coach’s Radio Show with Geno Auriemma, the UConn Men’s Basketball Coach’s Radio Show with Kevin Ollie, UConn Football Coach’s Radio Show with Randy Edsall, and the UConn Hockey Coach’s Radio Show with Michael Cavanaugh.

“We couldn’t be happier about teaming up with the University of Connecticut Athletics and finally having UConn sports on our station,” said Ben Darnell, Program Director for 97.9 ESPN.

The on-air talent for UConn Athletics have yet to be determined. Future announcements are expected.

ESPN Could Overhaul Monday Night Football Broadcast

0

ESPN wants Peyton Manning and is open to making wholesale changes in the Monday Night Football booth according to Andrew Marchand of the New York Post.

After losing high profile color analyst Jon Gruden to the Oakland Raiders, the network is seeking star power in the analyst role. Peyton Manning would provide that and more which is why he’s said to be the network’s preferred choice. FOX Sports has also expressed an interest in Manning, but he has yet to commit to making a move into the booth. Insiders say the former quarterback would like to gain an ownership stake in a team, and run a franchise’s football operations like John Elway has with the Denver Broncos.

Although Manning hasn’t shown a burning desire to move into sports television, that isn’t stopping ESPN from making an aggressive play to try and change his mind. The network is said to be willing to make a huge investment to make a splash in the Monday Night booth as it attempts to replace Gruden, the network’s previously highest-paid employee at over $6.5 million per year.

The other situation that ESPN has to resolve is who will call the action going forward. Sean McDonough has spent the past two seasons calling Monday Night Football games, but sources say network executives felt he lacked chemistry with Gruden, and his remarks about NFL officiating have not been well received.

Should ESPN elect to change play by play announcers, three internal options are considered high atop the list – Joe Tessitore, Steve Levy and Dave Pasch. Bob Wischusen is another internal candidate who could receive consideration. External options include CBS’ Ian Eagle and Fox’s Kevin Burkhardt, although both men recently signed new deals with their respective networks.

If Manning chooses to stay away from the bright lights of Monday Night, ESPN will consider holding auditions for internal candidates. Matt Hasselbeck, Randy Moss and Charles Woodson are all expected to receive a look under that scenario, although none reportedly have the inside track on landing the position. The one external option listed in Marchand’s report is Hall of Fame quarterback Kurt Warner who works for the NFL Network and Westwood One.

One interesting issue could be whether Manning views FOX’s new Thursday Night package more favorable than ESPN’s Monday Night deal. Although both games air on weeknights, the Monday Night game would likely require Manning’s time on weekends for preparation. That said, Monday Night is still considered the bigger attraction than Thursday Night.

UConn and WTIC to End Longtime Partnership

0

A relationship which has spanned 26 years is coming to an end. News/Talk 1080 WTIC-AM and the University of Connecticut are parting ways, opening the door for the Huskies to air their games elsewhere. The news was made public on Twitter earlier this morning by Joe D’Ambrosio, the longtime voice of the Huskies.

In an official release distributed by the radio station, Entercom Hartford Senior VP and Market Manager Phil Zachary said, “I have the highest respect for AD David Benedict and his goals for the university. I couldn’t justify what they were seeking when compared to more successful partnerships Entercom enjoys with elite Power 5 institutions.”

The school’s new radio home has not yet been announced. UConn’s radio network is run by IMG Sports.

Ryan Maguire Leaving WQAM for KIRO-FM

0

Change is inevitable if you work in the radio business. For Ryan Maguire, it’s something he’s comfortable with and seems to thrive on.

After programming sports stations in Pittsburgh, Kansas City, Milwaukee, Ann Arbor and most recently Miami, where he led WQAM, Maguire is changing coasts and formats. The veteran sports radio executive is heading to Seattle to oversee one of the nation’s top News Talk stations, KIRO-FM. The station is owned and operated by Bonneville International.

Maguire joined WQAM in April 2015 after managing 93.7 The Fan in Pittsburgh. During his time in South Florida, he was part of the decision making process to switch the station’s M-F daytime lineup from four shows to three. Among the moves made during his tenure included turning afternoons into a two-man affair with Marc Hochman and Channing Crowder, expanding Orlando Alzugaray’s midday show, and moving Zach Krantz to mornings with Joe Rose.

KIRO has been atop the ratings in Seattle but minus a PD since December after talented programmer Pete Gammell exited the the station. Maguire’s first day in his new home will be March 12th.

As far as WQAM is concerned, there’s been no official word yet on their plans for programming the station. But with Entercom recently purchasing CBS and retaining control of the market’s top two sports brands, WQAM and 790 The Ticket, internal options are available.

The Emotional Roller Coaster

0

“What’s the hardest part of the job?”

That question was posed to me last week by someone who’d never been in the industry. My answer was simple: “the maybe’s and the roller coaster.”

As much as I hate no, and believe me I HATE no, I hate maybe even more. No saves me time. Once I’ve challenged the no (you’re all challenging the no before walking away, right?), and feel the no really means no, I can move on. With a maybe, I have precious head space filled with a strong combination of cautious optimism and concern while wondering if I’m overanalyzing the situation as I continuously think of how to breathe life in to a deal I feel is slipping away while mapping out new strategies to get the deal closed (sound familiar to anyone?).

Maybe’s are the worst. I remember still learning how to sell when a manager looked me in the eye and said: “Cross that one off your list, they’ve been saying maybe for a year!” Often times, maybe is really being disrespectful of our time – it’s someone who doesn’t want to hurt our feelings by saying no, or who just enjoys being chased. None of us have time for that. Find a way to get the objections and answer them, but if the list of objections just continues to grow, find better use of your time.

I believe a big part of what has made me successful in the industry is that, over time, I’ve come to have a much better feel for what is a “maybe yes” and what is a “maybe no.” But, either way, I still hate the “maybe’s.”

The roller coaster is the part that will make or break someone in this business. I have discussed before that when hiring, the unknown is how people will handle the grind and the obstacles six months or a year down the road.  It’s that roller coaster that’s the main culprit. Is the person you’ve brought in someone who can handle the constant ups and downs of our world? How can you really know until they’ve faced it and you watch it unfold?

If you can avoid getting too high when the orders are falling out of the sky, and too low when every well seems to be dried up, you’ll be set up much better to succeed. I’ve seen too many people come through who start high-fiving and dancing before the signature comes in and then end up needing psychiatric help when the deal falls apart. It happens. Welcome to sports radio sales. Now, go sell something.

I’ve always told sales teams they should assume they’re about to lose their largest account. Therefore, if, and when, it ever happens, it’s not a surprise. Be prepared for it, but most of all, have things in your pipeline that will replace it.

I had a situation once where a top five client gave notice of cancellation. I had had a bad feeling about the account and thought the AE shared my concern. I had gone as far as already thinking of replacements for the sponsorship the advertiser had. When the notice came in and our attempt at saving it fell short, the AE was crushed and came in my office a few times to vent frustrations before finally saying: “What do you think we should do?” I said, “There’s only one thing we can do – go sell it to someone else.”

I was just as disappointed as the AE that we’d lost the account, but I’d learned long ago that being overly upset about things wasn’t going to change anything. What makes it better is to go make a sale and get that winning feeling back. It’s like the closer who blows the save – the best thing they can do is to get right back after it the next night and get their mojo back.

There’s no better feeling than the wins, no worse feeling than the losses and the maybe’s will drive you nuts. Learning to balance this emotional roller coaster will make you a much more successful seller and then perhaps it won’t always be one of the hardest parts of the job.

PS – I would love to feature some outstanding sports sellers in future columns. If you manage a staff and have someone working for you who you believe deserves recognition or if you’re a seller with a good story to share, please email me david.greene@entercom.com.

KNBR Drops Patrick Connor Following Barstool Commentary

0

Patrick Connor’s time at KNBR has expired. “PCon” as he was known to San Francisco radio listeners has been let go after making uncomfortable comments about Olympian Chloe Kim.

During an on-air exchange on Barstool Radio’s “Dialed-In with Dallas Braden” Connor said, “She’s fine as hell! If she was 18, you wouldn’t be ashamed to say that she’s a little hot piece of ass. And she is. She is adorable. I’m a huge Chloe Kim fan.”

Connor did apologize via Twitter on Wednesday morning. His tweet said, “Yesterday in a weird attempt to make people laugh I failed. My comments about @chloekimsnow were more than inappropriate they were lame & gross. I’m truly sorry Chloe. You’ve repped our country so brilliantly. I apologize to my colleagues & the listeners for being a total idiot.”

KNBR Program Director Jeremiah Crowe confirmed Connor’s exit adding that he’s no longer a member of Cumulus Media.

Barstool has not tossed Connor out the door yet. Braden did address the situation on today’s program and stated that he didn’t want his show living in the gutter and would not accept it going forward. He put Connor on notice that he needs to clean it up or he won’t be back. To hear the audio click here.

The Chicago White Sox Are Moving to WGN Radio

0

The Chicago White Sox are moving to WGN according to All Access. After their rights agreement with Cumulus Media’s WLS became null and void during bankruptcy dealings, the franchise started seeking a new radio home, and found one, just in time for spring training.

“What an honor it is to join the White Sox family,” said WGN VP/Content Todd Manley. “Summer starts today on WGN Radio.”

“It’s a fantastic win for WHITE SOX fans,” added White Sox SVP/Sales & Marketing Brooks Boyer. “We are thrilled to team up with an iconic media organization in Chicago, delivering the hustle and passion of White Sox games to WGN Radio listeners throughout the city and Midwest.”

The new partnership has no affect on the broadcast booth. Ed Farmer returns as play by play voice, and Darrin Jackson as the color analyst.